Nat "King" Cole Movies

Breakfast in Hollywood was loosely based on the ABC radio program of the same name. Tom Breneman, the series' host, appears as himself in a contrived story about a radio personality attempting to smooth the path of true love for heroine Dorothy (Bonita Granville) and hero Ken (Edward Ryan); he also helps the wife (Billie Burke) of a philanderer (Raymond Walburn) and assists a charity-minded matron (Beulah Bondi). The plot can be forgotten, and in fact is forgotten as a parade of guest stars-Andy Russell, The King Cole Trio, Spike Jones et. al.-do their specialties. Columnist Hedda Hopper also makes a brief appearance. After years in obscurity, Breakfast in Hollywood resurfaced in the mid-1970s when it was first offered on the 8-millimeter home movie market. In England, where the original radio series was unknown, the film was retitled The Mad Hatter (evidently a reference to Hedda Hopper's bizarre headgear!) ~ Hal Erickson, All Movie Guide

A remake of the 1936 Janet Gaynor vehicle of the same name, Small Town Girl stars Jane Powell in the title role. Powell plays Cindy Kimball, daughter of village judge Gordon Kimball (Robert Keith). When wealthy playboy Rick Livingston (Farley Granger) is arrested for speeding, Judge Kimball sentences the arrogant young sprout to 30 days to teach him a lesson. Taking it upon herself to "reform" the prodigal Rick, Cindy tricks him into marriage, and then the fun begins. Ann Miller co-stars as a musical comedy star with whom Rick had planned to elope; her presence in the film is justified by several well-staged Busby Berkeley dance numbers. Also on hand as Jane Powell's hometown sweetheart is Bobby Van, who performs the film's best and most memorable musical setpiece, "Street Dance," in which Van hops around town like a human pogo stick. ~ Hal Erickson, All Movie Guide

Filmmakers Joseph Kohn and Leonard Reed assemble this patchwork collection of kinescopes featuring such legendary musicians as Sarah Vaughn, Count Basie, Cab Calloway, Nipsey Russell, and Lionel Hampton. Master of Ceremonies Willie Bryant offers a stirring rendition of "Bad Bad Whiskey". ~ Jason Buchanan, All Movie Guide

Regarded by many critics as the ultimate film noir, and by many more as the finest movie adaptation of a book by Mickey Spillane, Kiss Me Deadly stars Ralph Meeker as Spillane's anti-social private eye Mike Hammer. While driving down a lonely road late one evening, Hammer picks up a beautiful blonde hitchhiker (Cloris Leachman), dressed in nothing but a raincoat. At first, Hammer assumes that the incoherent girl is an escaped lunatic; his mind is changed for him when he and the girl are abducted by two thugs. The men torture the girl to death as the semiconscious Hammer watches helplessly. He himself escapes extermination when the murderers' car topples off a cliff and he is thrown clear. Seeking vengeance, Hammer tries to discover the secret behind the girl's murder. Among those who cross his path in the film's tense, tingling 105 minutes are a slimy gangster (Paul Stewart), a turncoat scientist (Albert Dekker), and the dead woman's sexy roommate (Gaby Rodgers). All clues lead to a mysterious box -- the "Great Whatsit," as Hammer's secretary Velda (Maxine Cooper) describes it. Both the box and Velda are stolen by the villains, at which point Hammer discovers that the "Whatsit" contains radioactive material of awesome powers. The apocalyptic climax is doubly devastating because we're never quite certain if Hammer survives (he doesn't narrate the story, as was the case in most Mike Hammer films and TV shows). Director Robert Aldrich and scriptwriter Jack Moffit transcend Kiss Me Deadly's basic genre trappings to produce a one-of-a-kind melodrama for the nuclear age. ~ Hal Erickson, All Movie Guide

Master of ceremonies Willie Bryant hosts an eventful evening of music and comedy captured live at the Apollo Theater and featuring such popular artists as Nat King Cole, Duke Ellington, the Clovers, Dinah Washington, Martha Davis, and Mantan Moreland. Rhythm and blues, jazz, tap dancing, and comedy performances make this a treat for audiences of all ages. ~ Jason Buchanan, All Movie Guide

Writer-director Samuel Fuller applies his kino-fist to this raw-boned war drama -- one of the first American films to deal with Vietnam. The film concerns the battle between the Vietnamese and the Chinese, through the efforts of a small band of soldiers to locate and destroy a hidden communist arms depot. Gene Barry stars as Sgt. Johnny Brock, the cynical leader of the patrol, who is an American Korean War veteran. Leading the expedition to find the munitions dump is the half-Asian Lucky Legs (Angie Dickinson), Brock's ex-wife. One of Brock's less-endearing qualities is his rabid racism -- he can't accept the fact that their five-year-old son is completely Oriental in appearance. The other members of the patrol are also haunted by past memories -- Goldie (Nat "King" Cole) is a veteran of Korea and World war II who hates war and wants to see peace at all costs; Corporal Pigalle (George Givot) is an ex-French gendarme who doesn't like taking orders; and Private Andreades (Gerald Milton), is a hard-nosed Greek expatriate. When the patrol arrives at the compound, they are greeted by Major Cham (Lee Van Cleef), the communist commander who immediately falls in love with Lucky Legs -- complicating the situation immensely. ~ Paul Brenner, All Movie Guide

The life of legendary bluesman W.C. Handy is highly dramatized in this tuneful biopic. The story opens as his father, a minister chastises his son for playing "the devil's music." Despite his father's admonitions, Handy is drawn to the blues. He is encouraged by two disparate women, one an earthy singer from New Orleans and the other a good-hearted girl from his hometown whose main concern is Handy's happiness. Stress causes Handy to go blind for a while, but eventually he regains his sight, becomes famous for his music, and wins the respect of his father. The highlight of the film involves the performance of Handy's music by some of the great blues and jazz singers of the 1950s including Cole, Calloway, Jackson, and Fitzgerald. Songs include "Hesitating Blues," "Chantez Les Bas," "Beale Street Blues," (W.C. Handy), "Careless Love" (based on folk music by Handy; lyrics by Spencer Williams, Martha Koenig), "Morning Star," "Way Down South Where the Blues Began," "Mr. Bayle," "Aunt Hagar's Blues" (Handy; lyrics by Tim Brymn), "They that Sow" (hymn), and "Going to See My Sarah" (spiritual). ~ Sandra Brennan, All Movie Guide

In 1961, the British Broadcasting Company filmed a concert appearance by American jazz artist Nat "King" Cole, and broadcast the footage as a special presentation later that same year. For nearly three decades, the Cole special was thought to be lost, but in the early 1990's it was discovered in the network's film archives, and now this rare concert by a timeless artist has been made available on home video. An Evening With Nat "King" Cole, one of the very few Cole performances filmed in color, features the singer and pianist performing fourteen songs in his inimitable style, including "Unforgettable", "Mona Lisa", "Ramblin' Rose", "Sweet Lorraine", "The Way You Look Tonight", and "When I Fall In Love". ~ Mark Deming, All Movie Guide

This video captures the sounds of Nat Cole, the Mills Brothers and the Delta Rhythm Boys with titles such as "You Call It Madness" (Cole), "Paper Doll" (Mills Bros.) and "Take the 'A' Train" (Delta Boys). ~ All Movie Guide