Harry Cohn Movies
Harry Cohn held down various odd jobs in his youth, including pool hustler and streetcar conductor. Always fond of popular music, Cohn teamed with composer Harry Ruby for a vaudeville act. While working as a song promoter, he made "Ragtime Cowboy Joe" a hit. In 1918, when his older brother Jack, was an employee of the Universal Pictures Corporation, Harry wrangled a job as secretary to Universal president Carl Laemmle. In 1920, Harry, his brother Jack and their mutual friend Joe Brandt; left Universal to create their own firm, C.B.C. Productions. Subsisting on a threadbare manifest of one-reel comedies and documentaries, C.B.C. became something of an industry joke, derided as "Corned Beef and Cabbage." But by using the promotional and business acumen he'd picked up at Universal, Cohn was able to successfully promote the C.B.C. product into first-run movie houses. In 1924, the Cohn brothers and Brandt bought a tiny studio on Gower Street in Los Angeles, and an adjoining apartment building; thus was born Columbia Pictures. Harry handled the Hollywood end of the business, while Jack Cohn and Brandt maintained the New York office (Harry and Jack; had grown to despise each other, and throughout the early '30s Harry successfully fought off Jack's attempts to take over the studio). The Columbia films utilized inexpensive new talent and faded former-greats, but Harry was able to secure good bookings. When Harry signed director Frank Capra in 1928, it proved a boon for both men; given a free creative hand, the formerly unsuccessful Capra turned out masterpieces, enabling Cohn to gain prestige in the industry. When Capra's It Happened One Night (1934) earned a rack of Oscars, Columbia Pictures lost its "poverty row" onus for good.As his stature grew, Harry Cohn achieved a negative fame as the most vituperative mogul in Hollywood. "I don't get ulcers, I give 'em!" he boasted; his enemies concurred, bestowing upon Cohn such soubriquets as "His Crudeness" and "White Fang." Much of Cohn's gruffness was calculated to see if his coworkers had the stamina to survive in a tough business; his theory was that if someone truly believed in a project, that person would fight tooth and nail to bring that project to fruition. Certain sensitive souls couldn't withstand Cohn's tactics; among the most notable casualties of his treatment was animator Walt Disney. On the other hand, many of those who stood up to Cohn and were willing to trade blow for blow were steadfastly loyal to Harry, and he to them; Cohn retained the services of short-subject producer Jules White long after all the other major studios had eliminated their shorts department. "I kiss the feet of talent!" cried Harry, and he meant it. In order to secure the services of top director George Stevens, Cohn agreed never to have any contact of any kind with Stevens on-set or off. And, at a time when most women in Hollywood were consigned to secretarial or starlet positions, Cohn recognized the abilities of screenwriter Virginia Van Upp to such an extent that he appointed her an executive producer at Columbia. Cohn's studio was the only major to reap profits during the Depression, and by the '50s Columbia was the most profitable operation in Hollywood. Among the studio's hits during the Cohn years were The Awful Truth (1937), Here Comes Mr. Jordan (1941), The Jolson Story (1946), The Caine Mutiny (1954), and the Oscar-winners You Can't Take it with You (1938), All the King's Men (1949), From Here to Eternity (1953) and On the Waterfront (1954). Cohn made major stars out of such personalities as Rita Hayworth, Glenn Ford, Jack Lemmon and Kim Novak. After an early bout of indecision, he entered wholeheartedly into TV production, setting up the lucrative Screen Gems division. Though his enemies were legion, Harry Cohn, with his rare ability and understanding of Hollywood and the hit-making process, was truly one of the industry's greats and for that he was greatly respected. When he died, his was one of the best-attended funerals in Hollywood. ~ Hal Erickson, All Movie Guide
- 1929
Gangster boss Egan (Sam Hardy) manages to beat a murder rap by framing his mistress Marion (Margaret Livingston) for the crime. After eight years in stir, Marian is released on good behavior. She seeks out Egan and tries to persuade him to confess his crime, but he is unmoved. But when his life is saved by Marian's sweetheart Dr. Bradford (Lloyd Hughes), Egan magnanimously turns himself in. In the course of the film, ratchet-voiced Sam Hardy sings the Irving Berlin standard What'll I Do, which was at least good for laughs (whenever he hears or sings the song, the sentimental gangster decides not to kill his latest victim!) ~ Hal Erickson, All Movie Guide
- Starring:
- Lloyd Hughes, Margaret Livingston, (more)
- 1928
This high-seas melodrama tells the tale of a self-righteous sea captain who steals his son and leaves his wife because he believes that she is having an affair. Two decades later, a woman is discovered aboard the ship. It is the captain's ex-wife who simply wants to be near her boy who shares his father's contempt of her. Also aboard the ship is a young woman, the daughter of another woman who cheated on the captain. Things are tumultuous for a while, but eventually the emotionally stormy seas calm and the captain forgives his ex-wife and allows the son and his new lady love to wed. During a real storm, the captain sacrifices his life to save the endangered couple. ~ Sandra Brennan, All Movie Guide
- Starring:
- Hobart Bosworth, Charles Delaney, (more)
- 1927
Although this was only the second "Lone Wolf" film produced by Columbia, Bert Lytell had already played Louis Joseph Vance's gentleman crook in several prior films, the first dating back to 1917. Michael Lanyard, aka the Lone Wolf, is sailing to America when he meets pretty Eve de Montalais (Lois Wilson). Eve wants to sneak her valuable necklace through U.S. customs so that she can use the money from its sale to help straighten out her brother. The only problem is that there is a gang of jewel thieves on board who are just as determined to steal the necklace. Lanyard uses his wiles to keep the thieves at bay, but they try to ruin his credibility by revealing his past to Eve. Lanyard manages to outwit the gang anyhow, and in the end, he reveals that he has gone straight and become an undercover agent. Of course, he wins the girl, too. ~ Janiss Garza, All Movie Guide
- Starring:
- Bert Lytell, Lois Wilson, (more)
- 1932
Bank president Thomas Dickson (Walter Huston) has instituted a lending policy that shows great faith in ordinary people but which also irritates his board of directors, as does his claim that an increased money supply will help end the Depression. Elsewhere in the bank, criminal Dude Finlay (Robert Ellis) has coerced head cashier Cluett (Gavin Gordon) into cooperating with a robbery by threatening to reveal Cluett as a habitual gambler. Dickson's neglected wife Phyllis (Kay Johnson), upset that Thomas has forgotten their anniversary, agrees to go out with Cluett, but they're spotted by head teller Matt Brown (Pat O'Brien). Matt goes to Cluett's apartment and convinces Phyllis to leave with him just as the robbery takes place back at the bank. Because he was responsible for locking the vault, Matt is assumed to be in league with the robbers, and he's arrested. News of the robbery leads to frantic depositors demanding their money back from the bank; Dickson cannot talk them out of it, and the bank is running out of money. This gives the board of directors the leverage over Dickson that they've been seeking, and they try to force his resignation. ~ Bill Warren, All Movie Guide
- Starring:
- Walter Huston, Pat O'Brien, (more)
- 1932
Behind the Mask is a typically virile Jack Holt vehicle, with the hero at one point shooting himself in the arm to establish an alibi! Holt plays a federal agent named Hart who has himself planted in jail as a convict to get the goods on a drug syndicate. Befriending small-time gangster Henderson (Boris Karloff), Hart follows the trail of clues to unmask the head of the syndicate, who turns out to be the supposedly respectable Dr. Steiner (Edward Van Sloan). In the rip-roaring climax, Steiner prepares to perform an "operation" on Hart, gleefully informing his victim that his chances for recovery are next to nil. Because of the presence of Boris Karloff and Edward Van Sloan in the cast, Behind the Mask was included in Screen Gems' "Shock Theater" TV package, even though there's nothing really horrific in the film. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Holt, Constance Cummings, (more)
Just after completing It Happened One Night, director Frank Capra churned out a bread-and-butter picture titled Broadway Bill. Warner Baxter plays the carefree scion of a wealthy, highly-respected family. Baxter's cold but socially correct wife Helen Vinson forces her husband into the family business, but Baxter would rather spend his time at the racetrack. He buys a nag named Broadway Bill and tries to build the horse into a winner--if he doesn't bankrupt himself first. Only Baxter's sister-in-law Myrna Loy and black stable hand Clarence Muse have faith in Broadway Bill. The horse wins a crucial race, but dies suddenly at the finish line. Baxter is comforted and given encouragement by Loy, who is now his sweetheart, Vinson having long since washed her hands of her "irresponsible" husband. Broadway Bill was remade by Capra as Riding High (1950), utilizing generous portions of stock footage and even going so far as to rehire several of the original film's cast members (Douglass Dumbrille, Clarence Muse, Charles Lane, Raymond Walburn, Margaret Hamilton, Frankie Darro) to recreate their roles and match up their scenes from the earlier production. Long withheld from distribution due to Riding High, Broadway Bill was made available for videocassette in the mid-1980s. Keep an eye out for Lucille Ball as a blonde telephone operator and Alan Hale Sr. as a racetrack announcer. ~ Hal Erickson, All Movie Guide
- Starring:
- Warner Baxter, Myrna Loy, (more)
- 1935
The Broadway Melody of 1936 was designed as the first of many annual follow-ups to "MGM"'s early-talkie triumph Broadway Melody (1929). Jack Benny is atypically cast as a Walter Winchell type who carries on a feud with Broadway producer Robert Taylor. Into this fray comes Taylor's childhood sweetheart Eleanor Powell, who wants to play a role in Taylor's upcoming production. Already under fire from Benny for exhibiting favoritism, Taylor says no. Powell gets into the show anyway, disguising herself as a celebrated Parisian stage star. The film's song highlights (one of them sung by Robert Taylor!) include "I've Got a Feeling You're Fooling", "Broadway Rhythm", and a holdover from the original Broadway Melody, "You Are My Lucky Star." Spotlighted in several numbers is the song 'n' dance team of Buddy and Vilma Ebsen. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Benny, Eleanor Powell, (more)
- 1929
Filmed back-to-back with the similar The Broadway Hoofer, Broadway Scandals marked the first musical production from then-Poverty Row company Columbia Pictures and the feature film debut of popular Broadway emcee Jack Egan. Egan plays Ted Howard, a vaudevillian left stranded in a tank town. A local girl, Mary (Sally O'Neil), proposes to finance a new act with her savings and the team succeeds in a minor way until Ted is discovered by Broadway femme fatale Valeska (Carmel Myers). Not wishing to stand in her partner's way, Mary nobly resigns from the act and instead accepts a minor role in the show. She proves a sensation on opening night, however, and a jealous Valeska demands her ousted. But Ted, who is in love with Mary, reorganizes their old act and they begin a new life together as man and wife. Despite such songs as "Can You Read in My Eyes", by Sam Coslow, "Kickin' the Blues Away", by David Franklin, and the inimitable "Does Elephants Love Peanuts?", Broadway Scandals failed to make much of an impact and played mainly in the hinterlands. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Sally O'Neil, Jack Egan, (more)
- 1930
An early talkie from then-poverty row company Columbia Pictures, Brothers features popular silent screen actor Bert Lytell in a dual-role. Separated at birth, orphaned twins Bob and Eddie grow up on either side of the tracks, one adopted by a washerwoman (Jessie Arnold), the other by a wealthy attorney Naughton (Howard Hickman). Years later, Bob, now a successful but alcoholic attorney in his own right, kills the husband (Francis McDonald) of his mistress (Rita Carlyle) after an altercation in Oily Joe's Saloon. Unbeknownst to Bob, his long-lost twin Eddie works in the saloon and because of their resemblance, Eddie is accused of the crime. When Bob realizes the truth, he clears his brother's name and is institutionalized in a sanitarium. To shield his wife from this sad turn of events, Mr. Naughton persuades Eddie to take Bob's place in the household. He accepts and promptly falls in love with Norma (Dorothy Sebastian), Bob's fiancée. Deciding to leave for his brother's sake, Eddie learns of Bob's death in the sanitarium and declares his love for Norma. A stage matinee-idol who had made a striking screen debut as The Lone Wolf in 1917, Bert Lytell was really a bit too long in the tooth to play leading men at this stage of his career and left films in 1931 in favor of returning to the stage. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Bert Lytell, Dorothy Sebastian, (more)
- 1927
By Whose Hand? is a swift little thriller expertly assembled by up-and-coming Columbia Pictures. Ricardo Cortez stars as a society swell who, unbeknownst to all but insurance investigator J. Thornton Baston, is actually the daring Agent X-9. More troubleshooter than spy, Cortez is assigned to solve a baffling jewel theft. All the evidence points to Cortez' sweetheart Eugenie Gilbert, and even he is convinced for a while that she's guilty. The actual miscreant is nearly as clever and resourceful as Cortez-but only nearly. Art director Robert E. Lee does wonders convincing us that Columbia's decidedly economical sets are actually a lavish night club and a huge mansion. ~ Hal Erickson, All Movie Guide
- Starring:
- Ricardo Cortez, Eugenia Gilbert, (more)
- 1931
Columbia spent the 1920s and 1930s dusting off its reliable "two guys/one girl" military plotline and dressing it up in a variety of uniforms. Dirigible was the 1931 edition of this old chestnut, with navy pilots Jack Holt and Ralph Graves battling over the affections of Fay Wray. The film picks up tremendously during an experimental dirigible flight over the Antarctic, which crashes upon a remote iceberg. The in-flight footage during this scene and the subsequent rescue is remarkable, making up for the banality of the romantic subplot. Much of Dirigible was filmed at Lakehurst, New Jersey, where the era of passenger airships would come to a fiery end six years later with the Hindenberg. Reportedly, Boris Karloff shows up unbilled as one of the Navy crewmen in the crash scene; try to find him. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Holt, Ralph Graves, (more)
- 1929
This early Frank Capra talkie stars popular screen action team Jack Holt and Ralph Graves as US marines stationed in Nicaragua. The "two guys fighting over one gal" throughline is there because the audience expected it -- and besides, leading lady Lila Lee is awfully cute. But the meat of the story lies in the fact that Holt and Graves are pilots, required to fly their Curtis fighter-bomber on dangerous missions. The flight scenes, shot without the benefit of special effects or back projection, are truly awe-inspiring, and served as stock footage for countless Columbia films in future years. Released in both silent and sound versions, Flight was a major success for the tiny Columbia studios. Its effectiveness is all the more remarkable when one realizes that star Jack Holt had a lifelong fear of flying! ~ Hal Erickson, All Movie Guide
- 1930
Lawyer Wyn Huntley (Jack Mulhall) is a lion in the courtroom, but a lamb when it comes to women. In love with the beautiful but financially irresponsible Lil (Sally Starr), Wyn is advised that the way to Lil's heart is to indulge her every extravagance. Unfortunately, the man offering this advice is one of Lil's disgruntled ex-boyfriends. Eventually, Lil comes to her senses and begins behaving more responsibly, proving her new level-headedness by rescuing Wyn from a compromising situation with predatory blonde Eleanor Cartwright (Margaret Livingston). Not much of a film to begin with, For the Love O' Lil was laid low by careless post-production sound editing, often cutting off the actors in mid-sentence. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Mulhall, Elliott Nugent, (more)
- 1932
In this romance a school marm takes a cruise and falls for an unobtainable man, a district attorney married to a crippled woman. ~ Sandra Brennan, All Movie Guide
- Starring:
- Barbara Stanwyck, Adolphe Menjou, (more)
- 1930
Guilty? could be regarded as a precursor to Citizen Kane -- except that the first film isn't one-20th as good as the second. The story begins when an elderly ex-convict suddenly turns up dead. During their investigation, the police interview ten of the dead man's closest associates, each of whom offers a different perspective on the man's life. Only the victim's daughter (Virginia Valli) knows that her father committed suicide -- and only she knows why. Surprisingly shy of star names in the cast, Guilty? is forced to rely on the power of its narrative to sustain audience interest; alas, it isn't quite enough. The film was adapted for the screen by Dorothy Howell, from her own short story "Black Sheep." ~ Hal Erickson, All Movie Guide
- Starring:
- Virginia Valli, John Holland, (more)
- 1930
In this adventure, trouble ensues when two American French Legionnaires fall for the same girl and begin fighting over her when one of them announces that he plans to marry her. The argument is quite heated and in the ensuing scuffle one of them is shot and wounded. He believes the other did it. It was actually their sergeant who did it, and when he refuses to help out, the accused man punches him out. For hitting an officer, the pugilist is sentenced to Devil's Island. In order to be near her true love, the woman convinces the other to marry her. She then has him get a job as a guard at the notorious prison. It is there that the man realizes his buddy did not shoot him. He then helps him escape with the woman. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jack Holt, Ralph Graves, (more)
- 1923
Talented Anna Q. Nilsson overcomes hackneyed material in this society drama. Actress Fay Leslie (Nilsson) marries Don Hampton (Freeman Wood) against his family's wishes. They snobbishly refuse to accept her presence. She uses her influence to keep a friend (Marion Harlan) from running away with her old dancing partner, Collingwood (Wilfred Lucas), and the circumstances throw her into a compromising position. Hampton's folks accuse her of being unfaithful and push for a divorce. Just as it looks like they will be successful and the divorce proceedings begin working through the courts, Fay uses her wits to embroil her husband's attorney, Paul Atkins (Earle Foxe), in the same kind of circumstances she found herself in. Atkins has no choice but to see the logic behind her argument. Because of her clever work, Fay is able to win back the love of her husband, and they are reconciled. ~ Janiss Garza, All Movie Guide
Frank Capra's seminal screwball comedy, which won all five major Academy Awards for 1934, is still as breezy and beguiling today. Claudette Colbert plays Ellie Andrews, a spoiled heiress who has married fortune-hunting aviator King Westley (Jameson Thomas), despite her father (Walter Connolly)'s objections. To keep Ellie from marrying this lothario, her father has been holding her prisoner aboard his yacht. But Ellie bolts from the yacht, swims ashore in her clothes, and eventually slips onto a Greyhound bus bound for New York. Aboard the bus is newspaper reporter Peter Warne (Clark Gable), who has recently been fired for drinking on the job. Peter gets the last seat on the bus -- but when he gets up to argue with the bus driver, Ellie takes his seat. Since it is the last seat on the bus, they have to share it. When Ellie has her purse stolen and she refuses to report it, Peter begins to suspect something. The next morning, they both miss the bus after a leisurely breakfast, and Peter reveals that he knows her identity. She makes a deal with him: if he helps her get to New York, he can write a scoop about her for his paper. Peter thinks she is a spoiled brat, however, and refuses a monetary bribe: "I'm not interested in your money or your problem. You, King Westley, your father -- you're all a lot of hooey to me!" But as they travel northward and engage in a series of misadventures, the gruff newspaperman and the spoiled rich girl, thrown together by circumstances, fall in love with each other. This movie set the pace for the "screwball" comedy, the witty and romantic clash of temperaments between a man and a woman mismatched in both personality and social position, a type of movie often associated with Katherine Hepburn in such classics as Bringing Up Baby (1938), The Philadelphia Story (1940), and, with Spencer Tracy, Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957), among others. The only other movies to win all five major Academy Awards (Best Picture, Actor, Actress, Director, and Screenplay) were One Flew Over the Cuckoo's Nest (1975) and The Silence of the Lambs (1991). ~ Paul Brenner, All Movie Guide
- Starring:
- Clark Gable, Claudette Colbert, (more)
- 1930
Norma (Dorothy Sebastian) is in love with her boss Bill (Neil Hamilton). Everyone is aware of this -- except for Norma and Bill. Left penniless by several bonehead business transactions, Bill concocts a scheme to make a great deal of money in a hurry. The plan hinges on Norma's marriage to a wealthy playboy (John Holland). Incredibly, the much-used heroine returns to Bill for the finale, convincing him to forsake caviar in favor of hot dogs. But Norma is no fool: in a gag ending, she lets Bill know in no uncertain terms that she's going to be calling the shots from now on. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy Sebastian, Neil Hamilton, (more)
- 1930
Reformed gold-digger Barbara Stanwyck falls in love with a womanizing and wealthy aspiring artist and tries to convince him that she has really changed in this romantic Frank Capra drama. ~ Sandra Brennan, All Movie Guide
- Starring:
- Barbara Stanwyck, Marie Prevost, (more)
May Robson plays Apple Annie, a slatternly Broadway apple peddler. Annie has a curious setup whereby she is able to finagle other street merchants and beggars to pony up part of their weekly earnings to her--yet she never seems to spend any of the money on herself. This is because Annie has a daughter named Louise (Jean Parker), who has been supported in luxury all her life by her mother. Louise has no idea who Annie really is; so far as she knows, her mother is Mrs. E. Worthington Manville, a Manhattan society matron. When Louise sends Annie a letter telling her that she's become engaged to a young Spanish nobleman named Carlos (Barry Norton), Annie is aghast: once Louise brings her fiance to New York, the jig will be up. Coming to the rescue is high-rolling gambler Dave the Dude (Warren William), who considers Annie his good-luck charm. With the help of his nightclub-thrush girlfriend Missouri Martin (Glenda Farrell), Dave arranges a huge society reception for Louise -- and a complete fashion makeover for Annie. To do this, a few strong-arm methods are required, notably the kidnaping of several society reporters; also, it's necessary to pass off down-and-out Judge Blake (Guy Kibbee) as Annie's well-connected husband. Lady for a Day is the film with which Frank Capra hoped to enter the Big Leagues by taking home a shelf-full of Academy Awards. His subsequent embarrassment at the 1934 Oscar ceremonies has now passed into Hollywood legend, but he made up for this debacle with his Oscars sweep for It Happened One Night. Lady for a Day was remade by Capra as 1961's Pocketful of Miracles, with Bette Davis as Apple Annie. ~ Hal Erickson, All Movie Guide
- Starring:
- Warren William, May Robson, (more)
- 1930
W.B. Maxwell's novel served as a film vehicle for Alla Nazimova in 1924; in 1930 it made an even better (although underappreciated) showcase for Evelyn Brent, who always excelled at playing bad girls. Here she is May Fisher, the mistress of a wealthy man who dies before he can change his will to make her his heir. Instead, his million dollars goes to his nephew Peter Morton (Robert Ames), who runs a mission on San Francisco's Barbary Coast. May and her maid travel to Frisco so she can get her hands on the money that she feels belongs to her. By pretending to be Mary Smith, a woman on the skids, she easily infiltrates the mission and becomes Morton's assistant. She also finds herself becoming wrapped up in Morton's cause -- and falling in love with him. Morton loves her back, preferring her to his mercenary fiancée Marion (Josephine Dunn). May continues to live her lie, even marrying Morton in the process. When he discovers the truth -- that she was his uncle's lover -- he is angry and disgusted. But May proves herself when labor unrest results in a riot at the mission. She jumps in the way of a bullet intended for Morton and is wounded. She recovers, however, to see the million dollars go towards building a new mission out in the country. ~ Janiss Garza, All Movie Guide
- Starring:
- Evelyn Brent, Robert Ames, (more)
- 1929
In this drama, set in a bordertown gambling saloon, the owner falls in love with a promiscuous young girl. When she has an affair with another, he tosses her out of town. She gets revenge by marrying his younger brother. To make it worse, she and her new hubby honeymoon in the jilted brother's saloon. The saloon owner simply pretends he doesn't know her. Meanwhile, sure that revenge is her, the woman begins playing around with other men. Unfortunately, she chooses to mess with the town lunatic. He kills her. ~ Sandra Brennan, All Movie Guide
- Starring:
- Barbara Stanwyck, Sam Hardy, (more)
- 1922
Those who see the title to this picture and think it must be based on a hoary old melodrama are absolutely correct. The play, popular circa 1900, was written by Charles E. Blaney. Even though melodramas were making a little comeback in the early 1920s, this one really had no place in the flapper era. Julian Lorraine (J. Frank Glendon) is the leading man in a stock company. He leaves his wife, Viola (Alice Lake) because he believes she has been unfaithful. He is told that she has drowned himself, so he weds Josephine Clifford, his leading lady (Rosemary Theby). But Viola is not dead, and eventually she comes back to kidnap her own daughter, Ruth (Josephine Adair). Ultimately, the truth is revealed -- Vincent Grant, another actor of the troupe (Philo McCullough) was in love with Viola, so he plotted with Josephine to split up the Lorraines. Josephine is killed, Grant winds up behind bars, and Lorraine reunites with his faithful wife. Incidentally, this picture was produced by Harry Cohn, who would become famous -- or, perhaps, infamous -- as the head of Columbia Pictures. ~ Janiss Garza, All Movie Guide
- Starring:
- J. Frank Glendon, Rosemary Theby, (more)
