Leonard Cohen Movies
Leonard Cohen's dark but compelling blend of heady eroticism and brooding despair has earned him a devoted following as a singer, songwriter, poet, and novelist, and if the dour nature of his writing and the deep, craggy qualities of his voice have defined him as an acquired taste, enough people have come to develop an appreciation for his work that he's gained a worldwide reputation as one of the leading musical and literary figures of his generation.
Leonard Cohen was born in 1934 to a well-to-do family in Montreal, Canada; his father, who ran a successful clothing company, died when Leonard was only nine years of age. Encouraged by his mother to express himself creatively, Cohen began writing poetry in his early teens, and developed an interest in music (initially, he's said, because singing seemed a good way to impress girls). Cohen began writing and performing his own songs by the age of 15, and while a student at Montreal's McGill University, he formed a country & western combo called the Buckskin Boys. Cohen also began publishing his poetry while studying at McGill, and in 1956, a year after he graduated, Cohen published his first collection of verse, Let Us Compare Mythologies. While his first book was well-received but sold poorly, his second effort, 1961's The Spice Box of Earth, became an international success, and Cohen soon moved on to writing fiction, publishing two acclaimed novels, The Favorite Game (1963) and Beautiful Losers (1966). Cohen became something of a literary celebrity, and was the subject of a 1965 documentary, Ladies and Gentleman, Mr. Leonard Cohen, which examined Cohen as an artist, ladies' man, and free-thinker as he moved between homes in Montreal, New York, and the Greek island of Hydra.
By the mid-60's, Cohen had rekindled his interest in music, and after Judy Collins arranged for Cohen to perform at the 1967 Newport Folk Festival, he was signed by Columbia Records and released his first album, Songs of Leonard Cohen, in 1968. The album was enthusiastically received in folk circles, and in time earned a gold record, while Noel Harrison's cover of "Suzanne," perhaps Cohen's best-known song, became a top-ten hit. While Cohen always attracted a zealously loyal following, their numbers seemed to ebb and flow with time, especially in the mid-'70's, as Cohen began experimenting with more polished arrangements and production techniques (most infamously on an ill-conceived collaboration with Phil Spector, Death of a Ladies' Man). However, Cohen's musical career enjoyed a resurgence in 1987, when Jennifer Warnes released Famous Blue Raincoat, an album in which she covered nine of Cohen's songs; it was a critical and commercial success, and reminded audiences of the strength of his work, just in time for Cohen's outstanding 1988 album I'm Your Man. In 1992, Cohen returned with another successful album The Future, but Cohen spent most of the decade in self-imposed semi-retirement, studying Zen practices with a group of Buddhist monks at a monastery in California. He returned to recording in 2001, releasing an album called Ten New Songs.
While Leonard Cohen has appeared in several concert films (such as Dynamite Chicken and Message to Love: The Isle of Wight Festival), participated in a handful of experimental films inspired by his music or verse (including Angel and Poen), and written lyrics for songs used in Lewis Furey's Night Magic, his most significant contribution to the cinema has been the use of his songs in a number of important films. Among the first examples of Cohen's music being used on screen (and certainly the most notable) came when several tracks from Songs of Leonard Cohen were used to superb effect by Robert Altman as the score for McCabe and Mrs. Miller. Since then, Cohen's songs have appeared in the soundtracks of several well-known films. Bird on a Wire borrowed its title from one of his best-known songs (with Aaron Neville singing it on the soundtrack), and the same tune was warbled in character by
Margaret Ladd in A Wedding, while Natural Born Killers, Wonder Boys, Breaking the Waves and When Night Is Falling all featured performances by Cohen in their soundtracks. In addition to Ladies and Gentlemen, Mr. Leonard Cohen, there have been several other documentaries about Cohen, including The Song of Leonard Cohen, Songs From the Life of Leonard Cohen, and Leonard Cohen: Spring 1996. Cohen also made a rare appearance as an actor on a 1986 episode of the television series Miami Vice. ~ Rovi

- 2005
- PG13
- Add Leonard Cohen: I'm Your Man to Queue
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Leonard Cohen is widely regarded as one of the finest and most influential poets and songwriters of his generation, a writer whose artful mélange of love, eros, and despair has earned him a passionate international following and the respect and admiration of artists ranging from R.E.M. to Johnny Cash. In 2005, music producer Hal Wilner staged an all-star tribute concert in Australia in which a handful of major artists offered their interpretations of Cohen's songs, including Nick Cave, Jarvis Cocker of Pulp, Rufus Wainwright, Beth Orton, Kate and Anna Mcgarrigle, and many more. Leonard Cohen I'm Your Man includes highlights from this concert and thoughts on Cohen and his work from the participants as well as an extensive interview with Leonard Cohen himself as he talks in detail about his life and his art. The film also includes a special performance of "Tower of Song," in which Cohen is accompanied by U2. ~ Mark Deming, Rovi
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- Starring:
- Antony, Beth Orton, (more)

- 2005
- PG13
- Add Duck to Queue
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An aging societal outcast and a motherless duck set out to find shelter and meaning in a future where people are separated by as many degrees as they are connected. The year is 2009, and the last public park in Los Angeles has been closed to the public. The city is a desert, and dispossessed widower Arthur Pratt (Philip Baker Hall) has outlived his usefulness. A retired history professor who spent all of his savings caring for his beloved late wife, Arthur sets out to the park where his son and dearly departed are buried to pay his final respects before ending his own life. Arthur's grim westward march hits an unexpected hitch, however, when an orphaned duckling that has recently cheated death adopts the homeless septuagenarian as a surrogate mother figure. Once again displaced when their park becomes a landfill and their pond is drained, the unlikely pair embarks on a Sisyphean journey to find shelter and meaning in a world where their lives seem to have little value. ~ Jason Buchanan, Rovi
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- Starring:
- Philip Baker Hall, Bill Brochtrup, (more)

- 1999
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Canadian director Catherine Annau's debut work is a documentary about the legacy of Pierre Trudeau, the long-running Prime Minister of Canada, who governed during the 1970s. The film focuses particularly on Trudeau's goal of creating a thoroughly bilingual nation. Annau interviews eight people in their mid-30s on both sides of the linguistic divide. One tells of her life growing up in a community of hard-core Quebec separatists, while another, a yuppie from Toronto, recalls believing as a child that people in Montreal got drunk and had sex all day long. Annau has all of the interviewees discuss how Trudeau's policies affected their lives and their perceptions of the other side, in this issue that strikes to the heart of Canada's national identity. Just Watch Me: Trudeau and the '70s Generation was screened at the 1999 Montreal Film Festival. ~ Jonathan Crow, Rovi
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- 1996
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- Add Message to Love: The Isle of Wight Festival to Queue
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For about a year after the Woodstock Music and Art Fair in 1969, it seemed as though everyone wanted to stage a rock festival. However, The Rolling Stones' disastrous Altamont free concert (documented in the film Gimme Shelter) forever tarnished the image of the rock festival in the U.S., while in Europe, the 1970 Isle of Wight Festival was fortunately less deadly than Altamont, but nearly as controversial. Staged by two men with greater ambitions than practical experience (not unlike Woodstock), the festival was held on a small island off the British coast, where some of the finest rock talent of the day -- Jimi Hendrix, The Doors, The Who, Miles Davis, Joni Mitchell, Donovan, Jethro Tull, Joan Baez, Leonard Cohen, and Kris Kristofferson, among many others -- were scheduled to play over the course of five days. But while at Woodstock no one had given much thought about keeping gatecrashers out, at the Isle of Wight those without tickets were greeted with corrugated steel fences that sealed off the festival grounds. Huge numbers of visitors simply camped on hills surrounding the grounds, while others broke down the fences by force after refusing to pay the three pounds admission. This led to heated conflicts between the promoters (who railed bitterly against the audience from the stage), the festival's security staff (who had to deal with the many gatecrashers), the concert-goers (who were upset with both the admission price and the site's facilities, one spectator calling it "a psychedelic concentration camp"), and the performers (who had to deal with unruly audiences and the prospect of not being paid). It was estimated that 600,000 people attended the festival, but less than 50,000 actually paid to get in, spelling financial ruin for the promoters. American documentary filmmaker Murray Lerner brought a crew to record the festival on film, but thanks to the festival's bad publicity and uneven reviews, he was not able to obtain completion funds for the project until 1995, hence the presence of many musicians who had since passed away, such as Jimi Hendrix, Jim Morrison and Miles Davis. Message to Love: The Isle of Wight Festival examines the concert both on-stage and behind-the-scenes, capturing performances from many of the artists who appeared. We see Joni Mitchell and Kris Kristofferson angrily confronting the rowdy crowd, and The Who at the peak of their form (their full set was released as a separate film), alongside the numerous catastrophes and conflicts that dominated the festival's five days. ~ Mark Deming, Rovi
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- 1994
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Tibetan Buddhists believe that after a person dies, they enter a state of "bardo" for 49 days until a rebirth. In part two of the series, traditional Buddhist teachings on compassion and truth are vividly detailed. The contents of The Tibetan Book of the Dead are examined as we observe an elderly monk and his young student guide the soul of a person, recently deceased, into the afterlife. This remarkable documentary interweaves images and sounds of traditional Buddhist life. ~ Cara Saposnik, Rovi
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- 1994
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- 1993
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By now, few will remember the tragic kidnapping of the grandson of the man who, in the '60s, was the world's richest man, J. Paul Getty. Getty, a paranoid and miserly man, refused to pay ransom for his handsome, ne'er do well grandson, J. Paul Getty III. He may have believed that the boy engineered it himself, as a means to get some money out of the old skinflint. As a result, the boy was mutilated by his kidnappers (his ear was sliced off) in an attempt to persuade the old man of the seriousness of their intentions. As it happened, the kidnappers made two mistakes: one was to attempt to extort money from the world's richest miser, the other was in their handling of the boy, who managed to escape. Had it not been for those events, the world's media spotlight would probably have passed the otherwise undistinguished young man by. In this documentary, which assumes familiarity with these events, the troubled life and loves of the grandson's wife and her sister, luminous and beautiful twins from Switzerland, are explored in the light of the boy's tragic life. When Gisela married him, he was a handsome, charming, darling of the jet-set, and fully expected to inherit some portion of his grandfather's billions. In the kidnapping and its aftermath, not only did he become melancholy and erratic, ever more prone to dangerous drug use, but he was cut out of his grandfather's will. Angela, who was accused of being a gold-digger, loyally stuck by his side through all their ups and downs. In fact, even after J. Paul Getty III was rendered permanently comatose following an accident, she remained with him. One gathers that the marriage was something of a ménàge à trois, because Gisela's twin, Jutta, rarely left her side. ~ Clarke Fountain, Rovi
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- Starring:
- Paul Getty III

- 1992
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- Add Life According to Agfa to Queue
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In general, one could say that Tel Aviv is where worldly Israelis go to play, and Jerusalem is where religious ones go to pray. In this tragic drama, the characters are all denizens of Tel Aviv's nightlife, and the action centers around an all-night bar owned by two women with difficult romantic relationships. The first owner is Dalia (Gila Almagor), who is the mistress of a film producer in ill health. The second owner is Leora (Irit Frank), whose policeman boyfriend Benny (Shuli Rand) can't stop tomcatting around. The bar is currently populated by the owners, some well-lubricated soldiers, Leora's boyfriend Frank, Riki (a mentally fragile woman who is "under doctor's orders" never to allow herself to be alone), a singer, some drug dealers, and the Arabs who work in the kitchen. Benny plays the hero at first by rescuing Riki (Avital Dicker) from the soldiers, but then he seduces her, with tragic results. More tragedy follows, as the crows of truth come home to roost. ~ Clarke Fountain, Rovi
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- Starring:
- Gila Almagor, Shuli Rand, (more)

- 1990
- PG13
- Add Bird on a Wire to Queue
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The can't-miss teaming of Mel Gibson and Goldie Hawn is squandered on a clumsy, illogical romantic melodrama. Running across her old boyfriend Gibson at a Wisconsin gas station, Hawn is astounded that he seems not to recognize her. How could she have known that Gibson was put into the Witness Relocation Program after testifying against a homicidal mob boss (say, don't they usually alter your appearance when they put you in that program?) Curious over Gibson's furtive behavior, Hawn unknowingly sets herself up as a target for the bad guys. The whole affairs culminates in an after-hours showdown at a zoo (a plot device vastly improved upon in the 1996 Arnold Schwarzenegger vehicle Eraser). While Bird on a Wire admittedly has its moments of enjoyment, most of the film is on a par with Gibson's embarrassing, homophobic scene with a pair of epicine hairdressers. And whoever heard of the Chinatown section of Racine, Wisconsin? ~ Hal Erickson, Rovi
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- Starring:
- Mel Gibson, Goldie Hawn, (more)

- 1989
- R
- Add Love at Large to Queue
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Director Alan Rudolph's 1989 model mood piece stars Tom Berenger as shabby private eye Harry Dobbs, who is hired by the mysterious Miss Dolan (Anne Archer). Dolan wants Dobbs to tail her abusive boyfriend, Rick (Neil Young). Dobbs immediately demonstrates his uncanny powers of detection by trailing the wrong man (Ted Levine), whose story turns out to be far more fascinating than Rick's. Meanwhile, Dobbs is himself pursued by female P.I. Stella Wynkowski (Elizabeth Perkins), which hardly pleases Dobbs' jealous girlfriend, Doris (Ann Magnuson). ~ Hal Erickson, Rovi
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- Starring:
- Tom Berenger, Elizabeth Perkins, (more)

- 1988
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- 1986
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Director Jean-Luc Godard pokes fun at the follies and injustices of small-time filmmaking in this drama-comedy about two apparent has-beens who are trying their best to get together the funds and the cast for a last, desperate bid for cinematic fame and fortune. The duo (Jean-Claude Mocky and Jean-Pierre Leaud) and their assistants mull over the meaning and purpose of cinema, but at the same time, the cattle-call for their proposed new production does not rise above its bovine metaphor. While eyeing beauteous new actresses with a dash of lasciviousness, the pair are also keeping track of would-be backers with more than a dash of cunning manipulation. Along the way, everything from hypocrisy to Roman Polanski gets a drubbing. ~ Eleanor Mannikka, Rovi
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- Starring:
- Jean-Pierre Léaud, Jean-Pierre Mocky, (more)

- 1985
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In this fantasy-drama-romance, forbidden love between an angel (Carole Laure) and a singer (Nick Mancuso) is set against the singer's attempts to resuscitate a fading theater. During the period of one night, the singer is visited by three different guardian angels out to help him succeed in putting together a stunning show (a show that will include some of Canada's best dancers). One of the angels (Laure) takes a liking to the singer, and that gives rise to musical numbers on the nature of the creative genius and the conflicts that can arise between art, artifice, and real life. ~ Eleanor Mannikka, Rovi
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- Starring:
- Nick Mancuso, Carole Laure, (more)

- 1972
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- 1971
- R
- Add McCabe & Mrs. Miller to Queue
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Memorably described by Pauline Kael as "a beautiful pipe dream of a movie," Robert Altman's McCabe & Mrs. Miller reimagines the American West as a muddy frontier filled with hustlers, opportunists, and corporate sharks -- a turn-of-the-century model for a 1971 America mired in violence and lies. John McCabe (Warren Beatty) wanders into the turn-of-the-century wilderness village known as Presbyterian Church, with vague plans of parlaying his gambling winnings into establishing a fancy casino-brothel-bathhouse. McCabe's business partner is prostitute Mrs. Miller (Julie Christie), who despite her apparent distaste for McCabe helps him achieve his goal. Once McCabe and Mrs. Miller become successful, the town grows and prospers, incurring the jealousy of a local mining company that wants to buy McCabe out. Filmed on location in Canada, McCabe & Mrs. Miller makes use of such Altman "stock company" performers as Shelley Duvall, René Auberjonois, John Schuck, and Keith Carradine. The seemingly improvised screenplay was based on a novel by Edmund Naughton and the movie features a soundtrack of songs by Leonard Cohen. McCabe & Mrs. Miller joined such other Altman efforts as M*A*S*H, The Long Goodbye, and Thieves Like Us in radically revising familiar movie genres for the disillusioned Vietnam era. ~ Hal Erickson, Rovi
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- Starring:
- Warren Beatty, Julie Christie, (more)

- 1971
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- Add Fata Morgana to Queue
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The term which has become this film's title, Fata Morgana, refers to mirages, and is an apt title for this storyless, hallucinatory work shot in the deserts of North Africa. It is a rhythmic, musical succession of images and short scenes. One of the images is a pianist and drummer who play tiredly, surrounded by endless tracts of desert. This is an image that has been adapted and re-used in countless music videos and is a small piece of evidence suggesting that this is a very influential film. The narration, in English, comes from a Guatemalan creation myth, and the accompanying music ranges from Couperin to Cash, with significant contributions by Leonard Cohen. Fata Morgana is one of the early features by the renowned director Werner Herzog, better known for Aguirre, Wrath of God and Fitzcarraldo. As is the case for many of Herzog's films, he paid a high price in physical pain to shoot this one; he was arrested and tortured by an African government in the mistaken belief that he was a mercenary soldier. ~ Clarke Fountain, Rovi
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- 1971
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With a barrage of cinematic distancing devices at hand (flashbacks and flash-forwards, super-imposed titles, missing frames, projectionist cue-marks placed in the wrong locations in a film reel), Dennis Hopper concocts a hallucinatory acid-trip concerning an American movie company making a western in Peru. In a remote mountain village in Peru, a Hollywood film company wraps up shooting a western and returns to California. Staying behind is a young stunt man, Kansas (Dennis Hopper). In the village, he takes up with the resident whore, Maria (Stella Garcia). At this point, the film flash-forwards to Kansas being crucified by the villagers. Back in the old time frame, the Peruvians decide that they want to make their own movie. Not having the necessary film equipment, but plenty of local raw material, the villagers construct the needed cameras, microphones, and sound recorders out of bamboo, and although the equipment is faked, the villagers substitute real, bloody violence for the make-believe violence of Hollywood. During this eruption of violence in the Peruvian village, the local priest (Tomas Milian) blames Kansas for the carnage. The priest decides that movies are the root of all worldly evil and convinces the villagers to seize Kansas. ~ Paul Brenner, Rovi
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- Starring:
- Dennis Hopper, Stella Garcia, (more)

- 1970
- R
This film contains a collection of commercials, interviews, and music featuring Joan Baez, Richard Pryor, John Lennon, Yoko Ono, Lenny Bruce, Andy Warhol, and Allen Ginsberg. ~ Iotis Erlewine, Rovi
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- 1967
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