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Francis Cockrell Movies

1973  
 
In this dark drama, filmed in the Mojave Desert, a conniving wife and her lover leave her husband, who broke his leg, alone in the desert to die. ~ Sandra Brennan, Rovi

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Starring:
Arthur HillDiana Muldaur, (more)
 
1967  
 
While pulling off an art heist, Robert Dewey (J.D. Cannon) is forced to knock out a museum executive. Convinced he has killed the man, Dewey may have no qualms about killing again. The FBI must stop Dewey before he manages to murder Helen Meade (Antoinette Bower), the woman who unwittingly messed up his meticulous escape plan. The highlight of this episode is a high-speed chase on a motorcycle (which, of course, was manufactured by the Ford Motor Company, the longtime sponsor of The F.B.I.). Watch for future Mod Squad star Peggy Lipton in a bit role. ~ Hal Erickson, Rovi

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1964  
 
A mysterious hulking figure prowls a university campus at night and yanks the door off of a locked storage room to steal chemicals -- a guard spots the intruder but before he can react, the man knocks him cold and kills him, carrying the body as if it weighed nothing. The police investigation, led by Lt. Branch (James Doohan), can't figure out how the door was removed or the guard was asphyxiated -- and the materials that were stolen are fairly mystifying as well, chemicals used in experiments with consciousness-expanding ("CE") drugs. Dr. Peter Wayne (Keith Andes), the head of the drug experimentation program, and his associate (and brother-in-law) Dr. Roy Clinton (Skip Homeier), insist that there's nothing missing that was worth a burglary, much less a murder, but the lieutenant insists on checking out a possible connection between the crimes and a group of students and faculty members who were previously dismissed from the university for their CE experiments. This leads to new puzzlements -- including a man (Aki Aleong) who turns up, seemingly dead, for no apparent reason -- and the murder of a philanthropist associated with the university, apparently committed by a man that no one except Dr. Wayne remembers seeing. And of what significance is one student's claim that he saw Dr. Clinton on campus, at the science building, on the night of the burglary, which Clinton insists can't be true? Or Clinton's suggestion that CE drugs may be at work on others around them, affecting their judgement and their abilities? The story poses lots of questions, as well as momentarily waxing poetic on the potential of consciousness-expansion, and then answers them very slightly too early and quickly, in this otherwise eerie and suspenseful mystery. ~ Bruce Eder, Rovi

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Starring:
Keith AndesSkip Homeier, (more)
 
1959  
 
In one of the series' eeriest episodes, American photographer Rita Wallace (Cloris Leachman) sets up shop in Paris, hoping to capture the "soul of France" in her pictures. Advertising for a model, Rita ends up using a strange, reclusive little man (Marcel Dalio) with a haunted look in his eyes. Not long afterward, A few nights later, Rita is attacked and nearly strangled to death by a mysterious intruder--and only after she carefully scrutinizes her recent photographs does she even begin to grasp the significance of this inexplicable assault. If "The Dark Room" seems to have a Hitchcock flavor, it may be because the episode was written by "Hitch"'s frequent collaborator Francis Cockrell. ~ Hal Erickson, Rovi

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Starring:
Cloris LeachmanAnn Codee, (more)
 
1959  
 
Heavily in debt, John Manbridge (Denholm Elliott) cannot wait to inherit the money promised him by his wealthy uncle Felix (Torin Thatcher). Hoping to speed up the process, John kills Uncle Felix, and then arranges a "perfect alibi." Only when Felix's body is found does John discover that the murder was entirely unnecessary -- but by then, he too has suffered his uncle's curious fate. ~ Hal Erickson, Rovi

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1959  
 
One of the true classics of suspense fiction, Rupert Croft-Cooke's short story Banquo's Chair had been adapted for radio and television innumerable times before it was given the Alfred Hitchcock touch in this unforgettable episode. John Williams plays Scotland Yard inspector Brent, who is determined to prove that John Bedford (Kenneth Haigh) is the murderer of one Miss Ferguson. Unfortunately, every effort to break Bedford down has failed, forcing Brent to take drastic measures. Hiring an actress (Hilda Plowright) who looks just like the late Miss Ferguson, the inspector stages a scene whereby the smug Bedford will be confronted by the "ghost" of his victim -- and will thus be so unnerved that he will confess on the spot. Needless to say, the scheme doesn't quite yield the results that Inspector Brent had expected. ~ Hal Erickson, Rovi

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1958  
 
Perry Mason (Raymond Burr) is intrigued when he receives a $2500 check from one Lucille Allred (Anna Lee), with no explanation why. Contacting Lucille's husband Bernard (Neil Hamilton), Perry is told that the woman has run off with another man. The situation becomes even more vexing when Bernard turns up murdered, not long after being in a highly suspicious car accident which also involved his business associate Bob Fleetwood (Harry Townes). Now Perry will be able to earn that $2500 as defense councel for Lucille Allred, who has been charged with her husband's murder. In an interesting bit of casting, Yvonne Craig appears as Bernard Allred's stepdaughter, some nine years before Ms. Craig and Neil Hamilton respectively played Barbara Gordon (aka Batgirl) and her dad Commissioner Gordon on TV's Batman. This episode is based on a 1947 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, Rovi

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1958  
 
The year is 1916; the place, a small English town. During the dedication ceremony for a new bridge, the townsfolk are shocked to see the body of a woman floating in the river. Well, technically speaking, not everyone is shocked. Henry Dow (Hume Cronyn), the mayor of the town, assumes that the body is that of an old acquaintance, Miss Wilkinson (Doris Lloyd). And Henry should know: he killed Miss Wilkinson himself. ~ Hal Erickson, Rovi

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1958  
 
Roald Dahl's classic short story A Dip in the Pool has been dramatized numerous times on both radio and TV, though never more memorably than in this episode of Alfred Hitchcock Presents. While taking an ocean voyage, chronic gambler William Botibol (Keenan Wynn) bets every penny to his name on a shipboard contest, predicated on the number of miles the ship will travel each day. When it appears as though he will lose his wager, Botibol hatches a desperate scheme: he will jump into the ocean, forcing the captain to turn the ship around and save him, thereby remaining within the "proper" mileage. But first, Botibol needs to find a friendly stranger who will witness his overboard leap and immediately report it to the captain. ~ Hal Erickson, Rovi

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1958  
 
Dr. Blane (Don Beddoe) asks Perry (Raymond Burr) for advice in dealing with his scapegrace son-in-law Jack Hardisty (Fredd Wayne), who has already embezzled thousands of dollars from the doctor and intends to blackmail the poor man out of even more money. Perry decides to confront Hardisty and stop in his tracks--but a murderer has beaten him to it. Unfortunately, Blane is charge with the crime by rural DA Hale (Paul Fix). The key to Perry's defense of the doctor is a candid camera. . .and as it turns, sometimes pictures DO lie! This episode is based on a 1943 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, Rovi

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1958  
 
While enjoying a leisurely ocean cruise in the company of secretary Della (Barbara Hale), Perry (Raymond Burr) is approached by passenger Anna Houser (Lurene Tuttle), who is worried about the wellbeing of her husband Carl (Theodore Newton). Not long afterward, Carl is seen jumping off the ship, an apparent suicide--but when the body is recovered, it turns out that he was shot. Accused of murder, Anna puts her fate in the hands of Perry, who in the course of piecing things together unearths the fact that Carl had once accepted a huge bribe while serving on a jury. And how does that mysterious wheelchair-bound passenger, whose face is completely wrapped in bandages, figure into the story? This episode is based on a 1938 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, Rovi

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1957  
 
Add Alfred Hitchcock Presents: The Dangerous People to Queue Add Alfred Hitchcock Presents: The Dangerous People to top of Queue  
While waiting at a train station, Mr. Jones (Albert Salmi) becomes convinced that another traveler, Mr. Bellfontaine (Robert H. Harris), is an escaped psycho killer -- and Bellfontaine arrives at the same conclusion about Jones. Their paranoia is fed by a policeman (Ken Clarke), who evidently thinks that either one of the men could be the killer. Sure enough, there's a criminal at large at the train station -- but his identity comes as quite a surprise. This was the final episode of Alfred Hitchcock Presents' second season. ~ Hal Erickson, Rovi

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1957  
 
A strangler is plaguing fog-bound London, and each time the culprit strikes, two men are the first to arrive at the murder scene. One of them is Ottermole (Theodore Bikel), the police sergeant investigating the murders; the other is an obnoxious newspaper reporter (Charles Davis). Trouble is, the reporter always manages to beat the detective to the crime scene -- a fact that will result in tragedy for at least one of the two protagonists. Generally regarded as one of the best mystery stories ever written, Charles Davis' The Hands of Mr. Ottermole had previously been dramatized on both the radio and TV versions of Suspense. ~ Hal Erickson, Rovi

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1957  
 
Previously filmed as a theatrical feature in 1939, Alec Coppel's semi-serious mystery play I Killed the Count was adapted 17 years later as Alfred Hitchcock Presents' only three-part episode. In part three, Inspector Davidson (John Williams) is no closer to solving the murder of Count Martoni than he was in parts one and two -- especially since no fewer than three people have come forward, confessing to the crime. Finally, Davidson is able to separate wheat from chaff and determine who is truly guilty...but he may be forced to free the miscreant on a legal technicality. ~ Hal Erickson, Rovi

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1957  
 
Previously filmed as a theatrical feature in 1939, Alec Coppel's semi-serious mystery play I Killed the Count was adapted 17 years later as Alfred Hitchcock Presents' only three-part episode. In part two, Inspector Davidson (John Williams) has his hands full trying to determine who murdered the much-hated Count Martoni. No sooner has one suspect confessed to the crime than another suspect comes forward with another confession! Making matters worse for Davidson, there is not enough evidence to convict either one of the confessors. ~ Hal Erickson, Rovi

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1957  
 
Previously filmed as a theatrical feature in 1939, Alec Coppel's semi-serious mystery play I Killed the Count was adapted 17 years later as Alfred Hitchcock Presents' only three-part episode. In part one, London police inspector Davidson (John Williams) hopes to find out who killed the much-hated Count Martoni (John Hoyt). There seems to be no shortage of suspects, and when one of them steps forward to confess to the murder, Davidson is certain that the case is closed...but it isn't, not by a long shot. ~ Hal Erickson, Rovi

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1957  
 
While vacationing in Bear Valley, Perry (Raymond Burr) is pressed into service when wheelchair-bound water skiier Mark Cushing (Eric Sinclair). It seems that Belle Adrian (Sylvia Field) had sworn vengeance against Mark for assaulting her daughter Carla (played by a pre-I Dream of Jeannie Barbara Eden). The key evidence in the case turns out to be something as simple as a lipstick sample. Paul Fix makes the first of several appearances as William Hale, the small-town district attorney with whom Perry matches wits whenever outside the jurisdiction of his tradtional nemesis Hamilton Burger. This episode is based on a 1951 novel by Perry Mason creator Erle Stanley Gardner). ~ Hal Erickson, Rovi

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1956  
 
Fired after decades of loyal service to an investment firm, mousy Benjamin Stepp (John Qualen) retaliates by murdering his boss Mr. Baldwin (Sebastian Cabot). Imagine Stepp's astonishment when, the day after the murder, Mr. Baldwin shows up in the office alive and well -- and not only rehires Stepp, but gives him a raise and a promotion. Not surprisingly, Stepp cannot rely upon the evidence of his own eyes...but what happens after he has gotten over his initial shock is quite a surprise indeed. ~ Hal Erickson, Rovi

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1956  
 
Newly arrived in Heaven, mystery writer Alexander Arlington (John Williams) asks permission from Recording Angel Wilfred (Alan Napier) to return to Earth so that he can find out who murdered him. The list of suspects is formidable indeed, including not only Arlington's faithless wife Carol (a pre-Gunsmoke Amanda Blake), but also his nephew and his secretary. In his efforts to reconstruct the crime, Arlington succeeds only in getting himself bumped off all over again -- and it looks for a while as though he'll never discover "whodunit." ~ Hal Erickson, Rovi

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1956  
 
A young Charles Bronson is cast as con artist Frank Bramwell, who in concert with his equally larcenous wife Lorna (Norma Crane) intends to fleece a wealthy old eccentric named Monica Laughton (Estelle Winwood), who has a habit of hanging funeral wreaths on her door when she believes that someone in her largely imaginary "family" has died. Upon inveigling their way into Monica's home by posing as her kinfolk, the conniving couple learns that the old lady is even more delusional than ever, imagining all sorts of nonexistent relatives and household pets. One thing Monica hasn't imagined, however, is that plate of delicious-looking cookies in the kitchen, which Frank and Lorna eagerly devour.... ~ Hal Erickson, Rovi

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1956  
 
A short story by once-notorious novelist Michael Arlen is the basis for this episode, in which a pair of British practical jokers place a bet with visiting American Howard Latimer (Biff McGuire) that he won't be able to spend an entire night in a supposedly haunted mansion. Though he does not scare easily, Latimer is aghast when he is seemingly confronted by the "ghost" of a young murder victim named Julia. Two years pass before Latimer again crosses paths with the men who made the bet -- and the results aren't pretty. An earlier version of "The Gentleman from America" was released in the U.K. as the 1948 theatrical feature The Fatal Night. ~ Hal Erickson, Rovi

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1956  
 
Escaped criminal Sam Cobbett (John Cassavetes) breaks into a remote farmhouse and takes a young woman named Mary Schaffer (Marisa Pavan) hostage. At first, Sam has the upper hand in the situation, but as the night progresses, he becomes unnerved by Mary's peculiar behavior. Especially off-putting is the fact that Mary does not flinch whenever Sam raises his voice -- nor does she ever take her eyes off his face! Lamont Johnson, who went on to direct several memorable episodes of The Twilight Zone, essays an acting role on this occasion. ~ Hal Erickson, Rovi

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1956  
 
The men behind America's first venture into space are honored in this drama that paid special emphasis on historical accuracy and obtained much input and assistance from the US Air Force. The story centers on an Air Force doctor who performs many detailed test to discover how the human body will respond to the rigors of space travel including its reactions to being ejected in a space capsule from 45,000 feet, to traveling 1,000 miles per hour in a rocket sled, and ascending to 100,000 feet in a balloon. His devoted wife supports him all the way even though he sometimes insists on using himself as a guinea pig. ~ Sandra Brennan, Rovi

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Starring:
Guy MadisonVirginia Leith, (more)
 
1956  
 
Domineering Hermione Carpenter (Isobel Elsom) wants to take a trip to America and then return home to home to England for Christmas, but her henpecked husband Herbert (John Williams) has other ideas. Murdering Hermione, Herbert buries her in the cellar and heads to America on his own. He is smugly certain that, by the time he's back in England, the cement covering Hermione will have hardened and he'll be in the clear. Unfortunately, it turns out that the late Hermione has planned a little homecoming surprise for Herbert. Based on a story by John Collier, "Back for Christmas" had previously been adapted several times on the radio anthology Suspense, most memorably with Peter Lorre in the leading role. ~ Hal Erickson, Rovi

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1956  
 
When he takes a voluntary pay cut to help out his financially strapped boss, Dick Paine (Skip Homeier) must face the wrath of his nagging wife Beth (played by no less than Joanne Woodward). Demanding that Dick stand up for his rights, Beth tells him to go back to the office and confront his pinchpenny boss. Alas, Dick returns empty-handed, leading to a tragic denouement. This final episode of Alfred Hitchcock Presents' first season was previously heard on the radio anthology Suspense under the title "Too Little to Live On," starring Ozzie and Harriet Nelson. ~ Hal Erickson, Rovi

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