John Clements Movies

It was Richard Attenborough's lifelong dream to bring the life story of Indian political and spiritual leader Mahatma Gandhi to the screen. When it finally reached fruition in 1982, the 188-minute, Oscar-winning Gandhi was one of the most exhaustively thorough biopics ever made. The film begins in the early part of the 20th century, when Mohandas K. Gandhi (Ben Kingsley), a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of "passive resistance," endeavoring to win freedom for his people without resorting to bloodshed. In the horrendous "slaughter" sequence, more extras appear on screen than in any previous historical epic. The supporting cast includes Candice Bergen as photographer Margaret Bourke-White, Athol Fugard as General Smuts, John Gielgud as Lord Irwin, John Mills as the viceroy, Martin Sheen as Walker, Trevor Howard as Judge Broomfield, and, in a tiny part as a street bully, star-to-be Daniel Day-Lewis. Gandhi won eight Academy Awards, including Best Picture, Best Actor, and Best Director. ~ Hal Erickson, All Movie Guide

A scientist's attempts to clear the name of a friend nearly destroy his life in this intelligent science fiction drama. Prof. Sharpley (Harold Goldblatt) is a research scientist from Oxford University working with the British government on experiments in sensory deprivation. One day, Sharpley suddenly and shockingly commits suicide by throwing himself under an oncomming train while holding a briefcase stuffed with cash. While investigating the death, the police present the theory that Sharpley was a double agent, perhaps allied with the Communists, and that the death was the final result of his shame over betraying Great Britain. However, Sharpley's friend and associate Dr. Henry Longman (Dirk Bogarde) strongly disagrees, and he speculates that Sharpley's death had something to do with his research. In hopes of clearing Sharpley's name with police investigator Maj. Hall (John Clements), Longman begins subjecting himself to sessions in a sensory deprivation tank in order to prove that use of the technique can make one unusually suceptable to brainwashing or hypnotic suggestion. Longman emerges from the chamber frightened and disoriented, and in Long's presence one of his associates is able to convince Longman that he no longer cares for his wife Oonagh (Mary Ure). The doctor returns home displaying a callous and distant attitude toward his pregnant wife, and his personality begins to display an increasing number of deeply troubling changes. James Kennaway adapted the screenplay from his own novel. ~ Mark Deming, All Movie Guide

The British Train of Events explores the consequences of a railroad accident from four different viewpoints. Jack Warner plays the engine driver, whose daughter's boy friend is responsible for the crash. Peter Finch plays a homicidal actor whose "perfect murder" of his wife is thwarted by the wreck. Lonely orphan girl Joan Dowling is killed while trying to help her fellow passenger, duplicitous German POW Laurence Payne, escape. The fourth story is the humorous tale of a woman scorned (Valerie Hobson), who survives the crash with a renewed determination to get even with her composer-conductor lover (John Clements). ~ Hal Erickson, All Movie Guide

Fact, fiction and espionage are combined in this drama that follows the exploits of Eisenhower's top aide, Mark Clark, and other important Allies as they journey to an important meeting held on Algeria's coast. The precise location of this vital secret gathering is upon a piece of film which must not fall into enemy hands, lest the Allied honchos get captured. The film is hidden in a German colony in Algiers. It is up to one of Britains top spies to bring it to safety. He is hindered by a Nazi spy who follows him. He is assisted by an American woman and a French woman. They are successful and gun-play ensues as they try to flee the country. ~ Sandra Brennan, All Movie Guide

Tomorrow we Live is the more upbeat American title of the British war drama At Dawn we Die. When his village is overtaken by Nazis, Frenchman Jean Baptiste (John Clements) tries to go to England. Armed with secret information about a German submarine base, Jean hopes to avenge his countrymen. Unfortunately, thanks to inquisitive soldiers and fifth columnists, Jean may never make it to the White Cliffs of Dover. On the plus side, however, Jean's fellow patriots do their best to sabotage the enemy until the (hopefully) inevitable day of Liberation. The strangest aspect of Tomorrow we Live is that all the Frenchmen are played by popular British actors, despite the influx of French expatriates in the United Kingdom. ~ Hal Erickson, All Movie Guide

The pageantlike This England was designed by the Anglo-American film corporation to boost the morale of the war-besieged island nation. The story unfolds in the ancient British community of Claverly Village, which has already weathered serveral centuries of political upheavals, both foreign and domestic. A.R. Rawlinson and Bridge Boland's screenplay traces the history of the village from the Feudal Era to the Second World War, with Emlyn Williams (who also contributed additional dialogue), John Clements and Constance Cummings enacted the roles of several Claverly citizens throughout the years. Cummings is at her best in the "Spanish Armada" sequence, portraying a fetching gypsy not unlike her Latin American charmer in Harold Lloyd's Movie Crazy (1932). Perhaps because of its episodic construction, This England is one of those unfortunate films that never seems to turn up intact when shown today. ~ Hal Erickson, All Movie Guide

Clive Brook heads the cast of this low-key British war film. Brook plays the skipper of a tiny English cruiser, performing convoy duty in the north seas. A German battleship targets the cruiser for a deadly game of cat and mouse. Just when it seems that Brook and his crew will be blown out of the water, a battle squadron comes to the rescue. One of the first World War II combat films, Convoy features future stars Stewart Granger and Michael Wilding in very minor roles. ~ Hal Erickson, All Movie Guide

This was the first sound production of A.E.W. Mason's classic adventure novel, which was brought to the screen three times in the silent era. Harry Faversham (John Clements) is the son of a military man who expects his son to follow in his footsteps on the fields of battle. Gen. Burroughs (C. Aubrey Smith), the father of Faversham's sweetheart, Ethne (June Duprez), was also a hero in the Crimean War, and he often regales Harry with tales of his exploits under fire. However, Harry is not so sure he believes in the family's tradition of military service and resigns his commission in 1898, shortly before his company is scheduled to head into the Sudan. Three of Faversham's comrades in arms, Capt. John Durrance (Ralph Richardson), Lt. Peter Burroughs (Donald Gray), and Lt. Arthur Willoughby (Jack Allen), each present Harry with a white feather, symbolizing their belief that he is a coward; Ethne shares their belief, and gives him one as well. Disgusted with himself, Faversham disguises himself as a Sangali tribesman and travels to the Sudan so that he might be able to move behind enemy lines and serve the British forces as a scout and reconnaissance agent. When his former regiment is attacked, Faversham is able to lead Burroughs and Willoughby to safety, with the wounded Durrance not realizing that the Arab who saved his life was in fact the man that he accused of cowardice. The Four Feathers was a great critical and commercial success and received an Academy Award nomination for Best Cinematography. ~ Mark Deming, All Movie Guide

The incredibly complex plot of Republic's Star of the Circus can be whittled down to a single sentence: A jealous circus magician is hoist on his own petard when he tries to eliminate his rival for the affections of a beautiful dancer. Otto Kruger plays the villain, an illusionist called The Great Garvin; Gertrude Michael is the dancer, a long-stemmed lovely named Yester; and Patrick Barr is Truxa, Yester's high-wire-artist lover. What particularly sticks in Garvin's craw is the fact that he thought he'd already killed Truxa. But in fact he has been taken in by a double deception, revealed only in the final few minutes. British actor John Clements, later the star of The Four Feathers, makes his American debut in Star of the Circus, while that gifted pantomimist Gene Sheldon--who also coscripted the film--plays a major role (Fans of TV's Zorro will remember Sheldon as the mute servant Bernardo). ~ Hal Erickson, All Movie Guide

Marlene Dietrich and Robert Donat star in this gripping melodrama about the Russian revolution, based on the novel by James Hilton. Donat plays A.J. Fothergill, a British interpreter in St. Petersburg who is ordered to leave Russia after writing an article that criticized the czar. Fothergill meets a British secret agent who can arrange for him to stay in Russia if he will agree to spy for England and monitor revolutionary groups trying to depose the czar. Fothergill infiltrates a group planning to kill Russian nobleman Vladinoff (Herbert Lomas); the radicals bomb Vladinoff's coach, but he and his daughter, Alexandra (Marlene Dietrich) escape unharmed. Fothergill is arrested and sent to Siberia. When the monarchy is deposed during the Russian Revolution in 1917, Alexandra is arrested by Communist forces and put on trial. Fothergill is freed from prison with his friend Axelstein (Basil Gill), and they are now revolutionary heroes. Alexandra must go to Petrograd to face trial and Fothergill is chosen to escort her. When they reach the train station, Fothergill discovers the White Army (fighting to restore the czar) is coming. He leads Alexandra to safety behind the White Army lines, but the Red Army has surrounded the city and Fothergill, smitten with Alexandra, rescues her again before the city is shelled. ~ Paul Brenner, All Movie Guide

H. G. Wells was both the author of the original source -- an essay, rather than an actual novel, concerning mankind's future -- and the screenplay (in conjunction with Lajos Biro) of this epic science fiction tale, but it was producer Alexander Korda who framed the terms on which it is presented, vast and elegant, and visually striking. Opening in the year 1940, we see the next century of human history unfold, initially with amazing prescience. In Everytown (a stand-in for London) in 1940, the people prepare to celebrate Christmas amid rumors and rumblings of war -- forward-thinking pacifists like John Cabal (Raymond Massey) try to raise concerns amid a populace either too fearful to think about the risks, or so pleased with business conditions that they're oblivious to the downside of war. And then it comes, devastating Everytown (in scenes shockingly close to the actual World War II London blitz, a half-decade away when these scenes were written) and the country, and finally the world. After 30 years, the war goes on, except that there are no more nations to fight it, only isolated petty fiefdoms ruled by brigand-like strongmen, running gangs organized like tiny armies. Among the most ruthless and successful of them is Rudolph (Ralph Richardson), who runs what's left of Everytown. He keeps his people in line by force, and his war with his neighbors going with his bedraggled troops, while pressuring the tiny handful of scientists, mechanics, and pilots to keep as many of the aging, decrepit planes as they can operating. A few educated men around him -- whom he doesn't really trust -- try to resist the worst of his plans and orders, while going through the motions of carrying them out. And then, one day, out of the sky comes a plane the like of which they've never seen before, sleek and fast, and piloted by a mysterious man whom Rudolph orders imprisoned. It is John Cabal, older but just as dedicated to the cause of peace, and ready to fight for it. He announces the existence of a new order, run by a society of engineers and scientists, called Wings Over The World, here to re-establish civilization. Rudolph will hear none of it, thinking instead to use Cabal's plane and those of any of his friends who follow as weapons of war -- but Rudolph's wife Roxana (Marguerite Scott) sees the wisdom of what Cabal offers and helps him. The bombers of Wings Over The World drop the Gas of Peace, which puts the entire population of Everytown to sleep -- all except Rudolph, who goes down fighting and dies -- allowing the army of the Airmen to enter and free the city. Seventy years go by, during which the Earth is transformed and a new civilization rises, led by scientists and engineers. Immense towers now rise into the sky, and the population is freed from most of the concerns that ever led to it war. In fact, a new complacency starts to take hold amid a populace for whom most needs are now easily met -- all except the leaders, engineers who keep advancing, year after year, with new projects and goals. And now, having conquered the Earth and all of the challenges it has to offer, Oswald Cabal (Raymond Massey), the great-grandson of John and the current leader, is about to embark on the grandest project of all, moving into deep space. The first launch of a manned vehicle, fired by the Space Gun, is about to take place. But there is discontent being spread by the sculptor Theotocopulos (Cedric Hardwicke), who is weary and distressed from this constant push toward new advances and progress -- he wants mankind to reassert itself over this ever-advancing technology, and sees the Space Gun and all it represents as a new threat. In a speech, he exhorts the restive populace to stop the launch. They proceed, en masse, to attack the Space Gun, while Cabal struggles to beat them to their objective and take the next bold step into space. "All of the Universe," he declares, "or nothing -- which shall it be?" ~ Bruce Eder, All Movie Guide

In this politically oriented sci-fi film, a star's collision with the moon causes a British village to be shot into space. The village scientist is then elected the new head of state, though this upsets the conservatives who dislike his socialist tendencies. ~ Sandra Brennan, All Movie Guide