René Clément Movies
While an architecture student at Ecole des Beaux-Arts, Rene Clement painstakingly assembled the animated film Cesar les Galous. He made his live-action directorial debut in collaboration with Jacques Tati with the 1936 short Soigne ton Gauche. Clement spent the latter half of the 1930s filming documentaries in the French territories of Africa and Arabia. In 1937, he and archaeologist Jules Barthou were in Yemen preparing for the documentary short L'Arabie Interdite when they were captured, jailed and given death sentences. The two were freed and Clement returned to France with the film. In 1946, Clement acted as technical consultant on Jean Cocteau's Beauty and the Beast (1946); this enabled him to finally direct a feature film on his own, the highly regarded "French resistance" melodrama La Bataille du rail, which blended the verisimilitude of Clement's documentaries with the story-telling skills he'd gleaned from Cocteau. Though he'd begun his career with a cartoon and gained his postwar reputation by toiling on a Cocteau fantasy, Clement emerged as one of the postwar era's staunchest advocates of Neo-Realism. He also became fascinated with the challenge of filming under near-impossible conditions; witness his Les Maudits, a submarine drama lensed within a genuine (and none too spacious) sub. Rene Clement's masterpiece was Forbidden Games, a haunting tale of war's carnage told from a child's point of view. The film was honored with multiple industry awards, including the American Oscar. Almost as unforgettable was Gervaise (1956), an ultra-realistic Emile Zola adaptation starring Monica Vitti. Clement was known as a superb craftsman and often took his sweet time making films, but despite the time and effort expended, his subsequent output was of decidedly uneven quality. With the exception of Plein Soleil/Purple Noon (1960), the film that made Alain Delon an international star, and Le Passager de la Pluie/Rider on the Rain (1970), one of the few films to show the gentler side of Charles Bronson, Clement's films were generally poorly received at international box-offices. One of his more famous failures was the big-budgeted Is Paris Burning?, an international co-production featuring a script by Coppola and an all-star cast that fell far short of its concept. Clement made his final film, Le Baby-Sitter in 1975. Within a decade, Clement was nearly forgotten. Nearly, but not quite, for in 1984, he was awarded a special Cesar to honor a lifetime of achievement.~ Hal Erickson, All Movie Guide
- 1975
Maria Schneider is Michele, a young student sculptress assigned to look after the kidnapped baby of her ex-lover. She and the kid hit it off but are unable to escape until the kidnappers begin to kill one another off. ~ Clarke Fountain, All Movie Guide
- Starring:
- Maria Schneider, Sydne Rome, (more)
- 1972
In this decidedly offbeat and rather arty crime drama, a French fugitive heads for Canada and ends up joining a gang of desperate criminals who have been plotting to kidnap a crimelord's retarded daughter. Things go well until she accidentally dies. Despite the unfortunate turn of events, the crooks decide to keep on as if things were fine. The English language version was retitled to And Hope To Die and cut to 95 minutes. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jean-Louis Trintignant, Robert Ryan, (more)
- 1971
This English-language French production, directed by Rene Clement is a psychological/spy thriller, and features an excellent score by Gilbert Becaud. Faye Dunaway is Jill, the wife of a former industrial spy (played by Frank Langella). Her husband's employers are not perfectly reconciled to his retirement, however, even though he is firm in his refusal to rejoin them. As the film proceeds, we discover that Jill is a nervous sort, and the spymasters seek by various means to take advantage of her nervous temperament in order to induce her husband to work for them again. ~ Clarke Fountain, All Movie Guide
- Starring:
- Faye Dunaway, Frank Langella, (more)
Adapted from a novel by acclaimed mystery writer Sébastien Japrisot, this French/Italian nailbiter stars Marlène Jobert as Mélancolie "Mellie" Mau, a young woman stalked by on a rainy afternoon by a mysterious stranger. The man eventually breaks in on Mellie while her husband is gone and rapes her. She grabs a shotgun and kills her assailant, dumping the body into the ocean. When the body is recovered, American military officer Dobbs (Charles Bronson) accuses Mellie of the murder -- and of stealing the U.S. Army money that the rapist had been carrying with him -- and that's only the beginning. The plot piles one twist upon another, deliriously confounding the audience at every turn. ~ Hal Erickson, All Movie Guide
- Starring:
- Marlène Jobert, Charles Bronson, (more)
In 1944, with Paris on the verge of Liberation by the allies, Adolph Hitler ordered that the City of Light be blown up and burned to the ground. General Dietrich Von Choltitz, after much rumination, decided that he didn't want to go down in history as the man who destroyed Paris. His refusal to follow Hitler's orders would make him a pariah in Germany for the rest of his life; nor was his gesture ever rewarded by the Allies. From this very human story in the midst of one of the most inhuman conflicts in history grew the screenplay (by Gore Vidal and Francis Ford Coppola) of the all-star, internationally produced Is Paris Burning? Whereas the earlier The Longest Day was able to support a castful of celebrities and brief subplot vignettes, Is Paris Burning? seems more weighted down than weighty. Still, a modern audience will have fun playing "spot the star" throughout the film, especially when those spotted stars include the likes of Gert Frobe (as Choltitz), Jean-Paul Belmondo, Alain Delon, Kirk Douglas (as Patton), Glenn Ford (as Bradley), Yves Montand, Simone Signoret, Robert Stack, and even Anthony Perkins as a wide-eyed GI. Filmed on a gargantuan scale, Is Paris Burning? was based on a book by Larry Collins and Dominique LaPierre. The film was lensed in black and white, save for the Technicolor finale (in the original road-show prints). ~ Hal Erickson, All Movie Guide
- Starring:
- Jean-Paul Belmondo, Charles Boyer, (more)
Alain Delon stars as Marc, a small-time swindler and Casanova who finds himself on the hit-list of an American gangster. He escapes the first attempt on his life in Monte Carlo and hides out serving as a chauffeur for the married Barbara (Lola Albright). Marc seems to have gotten into a bigger mess when he finds that Barbara's husband was murdered by her lover Vincent (Robert Oumansky), whom she is now hiding in her chateau. Barbara is planning to pass Marc off as her lover, hoping he will be knocked off by the authorities rather than Vincent. Attempting to save Marc -- or just complicating matters -- is Barbara's niece Melinda (Jane Fonda), who has fallen in love with Marc. If Marc plays his cards right, he may be able to get out of his uncomfortable predicament. Cinematographer Henri Decae also worked with Fonda on Roger Vadim's 1964 La Ronde -- a film wherein Fonda was granted a great deal more exposure. ~ Kristie Hassen, All Movie Guide
- Starring:
- Alain Delon, Jane Fonda, (more)
- 1963
This French/Italian effort travelled under the titles Le Jour Et L'Heure, Il Giorno e L'Ora and Viviamo Oggi in Europe. In Great Britain, it was known as Today We Live. No matter the title, the film stars Simone Signoret as a world-weary French aristocrat who finds a purpose in life by joining the World War II Resistance. She is ordered by her fellow undergrounders to hide allied paratrooper Stuart Whitman in her own country estate. At first resenting this intrusion in her life, Signoret falls in love with Whitman, and together they try to escape into Spain. The Day and the Hour was based on a story by Andre Barret. ~ Hal Erickson, All Movie Guide
- Starring:
- Simone Signoret, Stuart Whitman, (more)
- 1961
Just after he made Alain Delon a star in the successful Plein Soleil (Purple Noon), director René Clement works with him again in this slightly long but entertaining satire set in Italy in the 1920s. Ulisse (Delon) is a naive young man out looking for a job after being released from the army. He drops the offer he gets from a group of fascists to go in with the Fossatis, a family of anarchists (unknown to him). Humor is supplied in the misadventures of Ulisse and a few others, such as two would-be explosive experts (Ugo Tognazzi and Aroldo Tieri). Thanks to the daughter (Barbara Lass) of the head honcho, there are a few romantic moments in store for Ulisse. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Barbara Lass, Alain Delon, (more)
- 1960
In this crime drama, a crook tries to pull off the biggest job of his illustrious career by stealing extremely important, valuable documents. ~ Sandra Brennan, All Movie Guide
- Starring:
- Françoise Arnoul, Michel Piccoli, (more)
René Clément's thriller Purple Noon stars Alain Delon as Tom Ripley, an American who travels to Europe on an all-expenses-paid mission to convince his friend, the errant playboy Philippe Greenleaf (Maurice Ronet), to travel to San Francisco at the request of the wealthy Greenleaf family. Initially, the pair enjoy the good life in Italy, often to the anger and dismay of Philippe's much put-upon fiancee Marge (Marie Laforet). However, as Tom's funds begin to run dry, it becomes more and more apparent that Philippe has no intentions of returning to the U.S., forcing Tom to consider more nefarious means of maintaining his extravagant lifestyle. Purple Noon is adapted from Patricia Highsmith's novel The Talented Mr. Ripley, and like Alfred Hitchcock's classic Strangers on a Train, also based on Highsmith's work, the theme of identity transference is dominant. The subject even extends to the homoerotic undercurrents which simmer below the surface of Tom and Philippe's relationship, setting into motion a love/hate tension which explodes during a high seas journey. ~ Jason Ankeny, All Movie Guide
- Starring:
- Alain Delon, Maurice Ronet, (more)
- 1957
An overbearing woman is determined to force her two kids to turn her struggling rice plantation into a success. Unfortunately, it is located on the Indochinese coast and is being threatened by rough seas; all that stands between the paddies and the ocean is a small seawall. More trouble comes in the form of a government agent who tries to get them to abandon the land. After falling in love with the beautiful daughter, the agent abandons his mission. But then her brother tires of his mother's constant harping and flees to Bangkok and this leads to more problems. Featuring an international cast, much of the film was shot on location in Thailand. ~ Sandra Brennan, All Movie Guide
- Starring:
- Anthony Perkins, Silvana Mangano, (more)
Emile Zola's obscure novel entitled "L'Assommoir" has been made into several films. This is one of the best. In this two hour movie an entire mini-series worth of problems have been compressed about a young woman to whom life has dealt hard blows. Set in the 19th-century, this woman deals with an alcoholic husband while doing everything within her power to keep the family together. An incredibly depressing movie in which the protagonist keeps on trying no matter what besets her, the performances are creditable and the direction superb. Self-involved characters give viewers no one to cheer for, but this movie received multiple awards, ranging from Best Actress at the Venice Film Festival to an Oscar nomination for Best Foreign Film. The music was composed by Georges Auric. ~ Tana Hobart, All Movie Guide
- Starring:
- Maria Schell, François Perier, (more)
- 1954
Rene Clement's Monsieur Ripois was released in English-speaking countries as The Knave of Hearts and Lovers, Happy Lovers. Relying heavily on voiceover narration and subjective camerawork, the film has Gerard Phillipe in the title role. Believing himself to be love with his wife's best friend (Natasha Parry), Ripois pours out his heart to her by recounting his past amours. Though he has known many women, he has never truly loved any of them. This has proved more troublesome for Ripois than for the ladies in his life, but somehow he never learns his lesson--not even during the film's final scene. British actresses Valerie Hobson and Joan Greenwood are well cast as Ripois' wife and former girlfriend, respectively, while Germaine Montero has an effective cameo as a warm-hearted prostitute. ~ Hal Erickson, All Movie Guide
- Starring:
- Gérard Philipe, Germaine Montero, (more)
One of the first films to see the horrors of war through the eyes of children, Forbidden Games was a critical smash, winning prizes from the New York Film Critics, the British Academy, and the Venice Film Festival. Adapted by Francois Boyer, director Rene Clement, and two others from Boyer's novel, the story focuses on Paulette (Brigitte Fossey), a five-year-old refugee from Paris taken in by a peasant family after her parents are killed during a bombardment of a civilian convoy. Michel Dolle (Georges Pujouly), the family's 11-year-old son, becomes her best friend, and they create a cemetery in which Paulette's dog is interred, along with other animals and insects, some of whom the children kill themselves. The Dolle family is too busy feuding with the Gouards, their neighbors, to notice the absence of the children. Eventually, authorities locate Paulette and insist that she be placed in an orphanage for legal adoption. Unsentimental and yet heartbreaking, Forbidden Games demonstrates the strategies of children who witness war to deal with the constant presence of death. It's also a bitter condemnation of the selfishness of adults who could offer their charges more love and protection. ~ Tom Wiener, All Movie Guide
- Starring:
- Brigitte Fossey, Georges Poujouly, (more)
- 1950
Somewhere between his more celebrated Walls of Malapaga and Forbidden Games, French filmmaker Rene Clement squeezed in the romantic drama Le Chateau de Verre. The film is based on a novel by Vicki Baum, of Grand Hotel fame. Michele Morgan stars as Evelyn, a married woman taking a vacation without her husband. Evelyn enjoys a brief but intense romance with Remy (Jean Marais), another vacationer. Later on, Remy suffers the taunts of his much-older mistress Marie (Elina Labourdette) who feels that he is an inadequate lover. Hoping to prove something to himself, he visits Evelyn once more. By now, however, she is suffering the pangs of guilt and remorse over her infidelity. Eventually she does return to Remy, but the consequences are disastrous. ~ Hal Erickson, All Movie Guide
- Starring:
- Michèle Morgan, Jean Marais, (more)
- 1948
French filmmaker Rene Clement's international reputation was secured with Au Dela des Grilles. A French-Italian production, the film sagaciously teamed the most popular stars of each nation: France's Jean Gabin and Italy's Isa Miranda. Gabin is cast as a murderer who escapes prosecution by stowing away on a ship. Suffering from a toothache, he disembarks in Italy in search of a dentist, only to have his few possessions stolen. This setback leads to an extended emotional interlude involving Gabin, a waitress (Miranda) and the waitress' daughter (Andrea Checchi). While keeping in line with the realistic nature of Clement's postwar films, Au Dela des Grilles harks back to the more lyrical style of his prewar efforts. Released in English-speaking countries as Behind the Barriers and The Walls of Malapaga, Au Dela des Grilles won the 1948 "Best Foreign Film" Academy Award, and also earned Clement the "Best Director" prize at the Cannes Film Festival. ~ Hal Erickson, All Movie Guide
- Starring:
- Jean Gabin, Isa Miranda, (more)
- 1947
This psychological drama is set aboard a submarine carrying Nazi officials fleeing their country just before the end of World War II. They are trying to get to South America, but along the way they meet with many obstacles including a bout with a destroyer where they are depth-charged. When the count's wife, Marly, (she is also the on-board general's mistress) is wounded the sub lands in France where the Germans snatch a doctor. The doctor knows his life is in danger. To combat the self-exiles he begins manipulating their emotions, getting them to feel despair, defeat, and helping them realize that all their actions are hopeless. ~ Sandra Brennan, All Movie Guide
- Starring:
- Michel Auclair, Henri Vidal, (more)
- 1946
Droll French comedian Noel-Noel essays the title role in Le Pere Tranquille (The Quiet Daddy). Contrary to expectations, the star isn't a secret father, but in fact the unknown head of a WW2 resistance movement. By playing the fool whenever the Nazis are around and about, Noel-Noel is able to conceal his double life and successfully carry out his various sabotage missions. This deft combination of comedy and melodrama builds to a particularly suspenseful climax. Le Pere Tranquille was directed by Rene Clement, who also helmed the classic "underground" film Battle of the Rails. ~ Hal Erickson, All Movie Guide
- Starring:
- Noël-Noël, Nadine Alari, (more)
Jean Cocteau's adaptation of Beauty and the Beast (originally released in France as La Belle et la Bête) stars Josette Day as Beauty and Jean Marais as the Beast. When a merchant (Marcel André) is told that he must die for picking a rose from the Beast's garden, his courageous daughter (Day) offers to go back to the Beast in her father's place. The Beast falls in love with her and proposes marriage on a nightly basis; she refuses, having pledged her troth to a handsome prince (also played by Marais). Eventually, however, she is drawn to the repellent but strangely fascinating Beast, who tests her fidelity by giving her a key, telling her that if she doesn't return it to him by a specific time, he will die of grief. The film features a musical score by Georges Auric. ~ Hal Erickson, All Movie Guide
- Starring:
- Josette Day, Jean Marais, (more)
La Bataille du Rail (Battle of the Rails) is regarded by many cineastes as the one truly great French "resistance" film. Based on fact, the episodic plotline details the courageous efforts by French railray workers to sabotage Nazi reinforcement-troop trains. The film's thesis is that this underground activity was largely responsible for the allied victory on D-Day. Writer-director Rene Clement enhanced the reality of the story by filming on actual locations and using genuine railway employees and resistance fighters in the cast. Admittedly slow going at times, La Bataille du Rail is more successful as a morale-booster than as pure entertainment. ~ Hal Erickson, All Movie Guide
- Starring:
- Jean Daurand, Tony Laurent, (more)
