Jack Clayton Movies

Based on a novel by Muriel Spark (The Prime of Miss Jean Brodie), the British TV drama Memento Mori boasts an impressive cast of veterans, including Maurice Denham, Cyril Cusack, Sir Michael Hordern, Renee Ashershon, and Maggie Smith. The story concerns an eccentric group of senior citizens who are being plagued by a cryptic phone caller. The mystery man (or woman) says only "Remember, you must die!" before hanging up. For a while, it seems as though the domineering Ms. Smith is the instigator of the crank calls, but don't be too sure. Memento Muri premiered in the US as a two-part installment of Masterpiece Theatre, telecast October 25 and November 1, 1992. ~ Hal Erickson, All Movie Guide

After a carnival comes to Green Town, the good citizens are compelled to follow their deepest desires, caught under the spell of the malevolent Dr. Dark (Jonathan Pryce) who can grant those desires on one condition: that the grantees will forever join his freak show. Dr. Dark is after two young boys from the town in particular, while others in the town would certainly be easy marks. The sour-faced, older schoolteacher (Mary Grace Canfield) wants to be a seductive young woman, Ed the bartender (James Stacy) would like to regain his lost left arm and leg, and the librarian (Jason Robards) worries about a wasted life spent only in books. As Dr. Dark works his own brand of voodoo, the citizens and the two boys -- as well as the whole carnival itself -- approach a final reckoning. Something Wicked This Way Comes was based on a Ray Bradbury novel. ~ Eleanor Mannikka, All Movie Guide

Dirk Bogarde is a no-good rotter who returns to his family after several years' absence. Only his seven children are present to greet Bogarde as he enters his shabby London home, and they're somewhat vague as to the whereabouts of the mother. What Bogarde doesn't know is that his wife had died some time ago. The kids (including future stars Pamela Franklin and Mark Lester) decided amongst themselves that they didn't want to be broken up and sent to orphanages; thus, they secretly buried their mother and went on about their business, pretending that mom was still alive. Money-hungry Bogarde threatens this cozy set-up, leaving the children little recourse but to prepare a second grave. Our Mother's House was based on a novel by Julian Gloag; one of the screenwriters was Haya Harareet, who eight years earlier had been Charlton Heston's leading lady in Ben-Hur (59). ~ Hal Erickson, All Movie Guide

In this lugubrious but brilliantly realized adaptation of Henry James' classic novella The Turn of the Screw, 19th century British governess Miss Giddens (Deborah Kerr) arrives at a bleak mansion to take care of Flora (Pamela Franklin) and Miles (Martin Stephens), the wealthy household's two children. Outwardly the children are little darlings, but the governess begins to feel that there's something unwholesome behind those beatific smiles. After several disturbing examples of the children's evil impulses, Miss Giddens gets information from the housekeeper (Megs Jenkins) that suggests that the children may be possessed by malign spirits -- or are all these events just the products of Miss Giddens's own imagination? The best and most frightening vignette in The Innocents occurs when the governess casually kisses young Miles, then recoils in horror when she realizes that someone other than Miles has kissed her back. Unlike many CinemaScope productions, The Innocents plays better in the claustrophobic confines of the TV screen. ~ Hal Erickson, All Movie Guide

In this mystery, a movie producer gets bored with his wife and begins an affair with a fiery actress. In the end, he jilts his mistress and returns to his wife. The trouble begins when someone stabs the actress and he is labelled the prime suspect by a detective. Later the producer discovers that the actress is still alive, and that the detective was her husband. A real murder follows and the producer is arrested. His loyal wife launches her own investigation and proves that her husband was innocent. The real killer, the husband of the actress, ends up killed in a car wreck. ~ Sandra Brennan, All Movie Guide

Three Men in a Boat is the second film version of the comic novel by Jerome K. Jerome. The titular trio is played by popular British comedian Jimmy Edwards, up-and-coming leading man Laurence Harvey and stalwart character actor David Tomlinson. Escaping their dull weekday pursuit, the three pals take a pleasure excursion down the Thames in a small boat, encountering all sorts of comic and romantic complications. Jill Ireland makes an early screen appearance as a young lady who briefly bewitches the bookish Harvey. Though dated, Three Men in a Boat was just as capable of eliciting laughter as it had been in its first cinematic incarnation in 1933. ~ Hal Erickson, All Movie Guide

In this comedy three bookies attempt to win back their recent losses by kidnapping the favored horse and substituting it with a heavily drugged nag. ~ Sandra Brennan, All Movie Guide

The Good Die Young is a psychological crime yarn, exploring the motivations of four participants in an armed robbery. American ex-GI Joe (Richard Basehart) hopes to use his share of the haul to bring his British wife to the US. Professional boxer Mike (Stanley Baker) finds himself unable to work in his chosen profession when his hand is broken, while his life savings are stolen by his disreputable brother-in-law. American airman Eddie (John Ireland) has deserted upon discovering that his wife (Gloria Grahame) is unfaithful. And shabby aristocrat Rave (Laurence Harvey) needs to pay off his wife's gambling debts. In other words, all four amateur criminals would have been better off staying single, which may or may not be the subliminal message of The Good Die Young. ~ Hal Erickson, All Movie Guide

Moulin Rouge is the story of 19th century French artist Henri de Toulouse-Lautrec, portrayed by José Ferrer. The film records his frustration over his physical handicap (the growth in his legs was stunted by a childhood accident), his efforts to "lose" himself in Paris' bawdy Montmartre district, and his career as a painter, which brought him money only when he turned out advertising posters--but what posters! Toulouse-Lautrec's drinking and debauchery lead to his early death, which in the hands of director John Huston is staged (brilliantly) in the manner of a musical comedy finale. This is the film in which Zsa Zsa Gabor actually acts, in the role of demimonde entertainer Jane Avril. As a bonus, the film's musical score (by Georges Auric) managed to hit the Top Ten charts in the U.S. When this immensely successful film was released to television in the late '50s, Moulin Rouge proved to be one of the strongest-ever incentives to purchase a color TV set. ~ Hal Erickson, All Movie Guide

In ancient Bagdad, the young prince Ahmad (John Justin) is betrayed, deposed, and imprisoned by his vizier Jaffar (Conrad Veidt), an evil and calculating man who is also a master of the Black Arts. But Ahmad is saved from prison, and certain execution, by Abu (Sabu), a young thief who has made his way in life by stealing whatever he needs. Together they escape from Bagdad and make their way to the port city of Basra, where they hope to sign to sail with the renowned sailor Sinbad. But Ahmad chances to catch a glimpse of the daughter (June Duprez) of the Sultan (Miles Malleson, who also co-wrote the screenplay), and falls hopelessly in love with her. Sneaking into the garden where she spends most of her days, she meets him and the two are bound together forever in that moment, he the first man she has ever seen, and she the most beautiful woman he has ever beheld. But no sooner have they declared their love for each other then Jaffar arrives in Basra, seeking the princess' hand in marriage -- and to secure the blessing of her father, a fanatical collector of toys, he offers the aging Sultan a fantastic mechanical flying horse that bears him into the clouds at will. The sultan agrees to the marriage, but the princess flees the city. Abu and Ahmad are captured and before either can tell the sultan of their plight, Jaffar works his magic, leaving Ahmad blind and transforming Abu into a dog -- conditions that will remain until he holds the princess in his arms.
Everything in the movie up to this point has been told in flashback, by Ahmad, as he is lured to the palace of his enemy. Jaffar has captured the princess, but she has fallen into a deep sleep that will not end -- so his doctors assure him -- until she is reunited with Ahmad. He achieves this goal, and the princess awakens, only to be parted from Ahmad again by Jaffar, who sails for Basra with her as his prisoner. But she won't love him, and the kind of love he wants from her can only be given by her, not taken by him. When Ahmad and Abu -- now restored by Jaffar's regaining the princess -- try to follow him, he calls up a storm that sweeps them from the sea. Abu finds himself on a beach alone, and while searching for Ahmad he finds a strange bottle, which he opens, and out comes a real genie (Rex Ingram), hundreds of feet tall. The genie means to kill him, but Abu outwits the genie and secures from him three wishes. Abu must find Ahmad, but to do that he must go to the Palace of the Goddess of Night, half a world away, and steal the All-Seeing Eye. Abu does this, getting past guards, both human and monstrous, and from there it is on to Ahmad. But a misunderstanding between them leaves the two friends separated, Ahmad captured by Jaffar and sentenced -- along with the princess, who will not love Jaffar -- to death. Meanwhile, Abu is stranded countless miles away. And then one desperate act by the boy suddenly sends Abu into a magical, golden kingdom, the Land of Legend, where he is greeted as their new king. The old king (Morton Selten) shows him the symbols of his rule, which include magical arrows forged to destroy injustice. Abu still must save his friend, and to do it commits one last act of theft -- but can he arrive in time? ~ Bruce Eder, All Movie Guide