Tim Clawson Movies

David O. Russell's Silver Linings Playbook stars Bradley Cooper as Pat, a bipolar man from Philadelphia who has spent the last eight months in a mental hospital. He was ordered there after a violent incident involving his wife and another man. Pat moves in with his father (Robert De Niro), a lifelong Eagles fans who has low-level OCD issues. Pat wants to get back together with his wife, even though there is a restraining order keeping him from contacting her. He soon befriends Tiffany (Jennifer Lawrence), a depressed young woman who's mourning the death of her husband by engaging in compulsive sex with almost everyone she meets; she also knows his wife and offers to deliver a letter of his to her if he acts as her partner in a local dance competition. Silver Linings Playbook screened at the 2012 Toronto International Film Festival. ~ Perry Seibert, Rovi

Would you pay money to journey into the mind of the star of Con Air, The Killing Fields, and In The Line of Fire? Puppeteer Craig Schwartz (John Cusack) is having money problems, so he takes a temporary job as a file clerk on the seventh-and-a-half floor of a large office building. One day, while rummaging behind a cabinet, he finds a small door that leads to the center of the mind of actor John Malkovich (played by, you guessed it, John Malkovich). Craig discovers that entering the portal allows him to become John Malkovich for a brief spell, and in time he and his beautiful but aloof co-worker Maxine (Catherine Keener) get the bright idea to charge admission for the privilege of spending 15 minutes inside the head of a well-known actor. Malkovich realizes that something strange is happening to him, but can do little to stop it, as strangers take over his mind for a quarter-hour at a time. Craig's wife, Lotte (Cameron Diaz), eventually takes a trip into Malkovich's psyche, and she soon finds herself in love with Maxine, with whom Malkovich has an affair; meanwhile, Maxine in time becomes infatuated with both Craig and Lotte, but only when they're inside Malkovich. Being John Malkovich marked the feature-length debut of director Spike Jonze, who previously made acclaimed music videos for Weezer, the Beastie Boys, and the Breeders, among others. ~ Mark Deming, Rovi

This sequel to director Bernard Rose's superb, metaphorical Candyman is a more straightforward Gothic horror project, discarding any association with the events of the previous film (which was based on the short story "The Forbidden" by horror surrealist Clive Barker) aside from the title entity, played again by the imposing Tony Todd. A melancholy but extremely deadly ghost, Candyman is revealed -- in a compelling sequence of flashbacks -- as the vengeful spirit of Daniel Robitaille, a black portraitist in post-Civil War Louisiana who was set upon and horribly mutilated by an angry white mob in retaliation for his affair with a plantation owner's daughter. In present-day New Orleans, at the height of Mardi Gras festivities (the film's title refers to the literal translation of the Latin "Carnival"), Candyman walks the realm of the undead, with a hook in place of the hand he lost to the lynch mob, waiting to be summoned by the recitation of his name five times into a mirror. The latest victims of his evisceration skills include members of the Tarrant family, with young schoolteacher Annie (Kelly Rowan) next in line. Her family's connection with the Candyman legend is eventually revealed when Annie visits the family estate to uncover the link between her ancestors and Daniel Robitaille himself. This is a well-executed horror film, with fine performances and good use of the subtle menace underlying the Mardi Gras ambience, but the deft hand of Barker is clearly absent, leaving a standard horror plot without the mythical resonance of the original. The chilling Philip Glass score is a definite plus, though. ~ Cavett Binion, Rovi

Embracing the supposed nihilism and cynicism of the "slacker" generation, S.F.W. (1995) caused nary a blip on the media-saturated cultural radar screen that it criticized. Stephen Dorff stars as Cliff Spab, an aimless, hard-drinking youth. Spab becomes a national hero when he is one of several people held hostage by gun-toting terrorists in a convenience store. He doesn't care much about his own life or anything else, and his attitude of "So f---ing what?" translates into debates with his terrorist captors and gloomy pronouncements that charm viewers. After a month-long siege, a crisis erupts when the store runs out of beer and junk food, so Cliff finds himself a free man whose celebrity image is emblazoned on t-shirts and whose presence is requested at a rock concert where he is required to do nothing other than appear. In the meantime, Spab's girlfriend Wendy (Reese Witherspoon) becomes a ubiquitous talk show guest. Ostensibly a satire of the celebrity-obsessed culture of the 1990s, the film was withheld from distribution for a year because of thematic similarities to Oliver Stone's Natural Born Killers (1994). ~ Karl Williams, Rovi

Here's a fictionalized account of Jack Ruby's perspective of the events leading up to his assassination of Lee Harvey Oswald. Danny Aiello appears convincingly as the nightclub-owner Ruby who (according to this telling) points the finger at an FBI conspiracy as the force behind the Kennedy assassination. The film includes some actual footage from Ruby's Oswald shooting. ~ Rovi

Truth or Dare is an outrageous, insightful, carefully controlled and (to non-fans) overlong documentary of singer Madonna's 1990 Blonde Ambition tour. Though much of the film is a paean to self-love and self-aggrandizement, we are permitted to see Madonna at her worst as well as her best. Just when the audience is on the verge of giving up the flamboyant vocalist as a bad job, she displays a sudden attack of sensitivity, such as her protective attitude towards a timid homosexual in her troupe. Among the many celebrities who poke their heads into the proceedings are Warren Beatty, Sandra Bernhard, and Kevin Costner, who makes the fatal error of coming backstage to tell Madonna that he thinks she's "neat." If you've had your fill of the Material Girl, take a look at the parody documentary starring MTV's Julie Brown, Medusa: Dare to Be Truthful. ~ Hal Erickson, Rovi

Elliott Hong directs Johnny Yune in the martial arts comedy They Call Me Bruce? Yune plays an immigrant who everyone refers to as "Bruce," because he reminds everyone of Bruce Lee. Bruce unknowingly works for a gangster making cocaine drop-offs. The film shows Bruce interacting with a variety of American stereotypes, and then figuring out how his bosses are using him. ~ Perry Seibert, Rovi