Christian Clavier Movies

The humanistic actions of Philippe D'Orleans, the cultured gentle regent to young Louis the XV in pre-revolutionary France (1719) are chronicled in this French costumer. Though the regent endeavors to keep his subjects cultured and happy to stop the peasants from rising up, he knows he has no real royal authority. To assist, D'Orleans enlisted the aid of a priest, who unfortunately cared nothing for his God, nor anyone but himself. The regent becomes distraught after his daughter, with whom he has been accused of committing incest, dies. His natural idealism is also shaken when he must execute a band of revolutionaries. True joy will only be found when the peasants successfully overthrow the aristocrats who held them down so long. The film's soundtrack features the music of the real Phillippe D'Orleans. ~ Sandra Brennan, All Movie Guide

Six vacationers from France find themselves on the sunny shores of Africa in a vacation village where organized fun is the order of the day. Spoofing such faddish getaways as "Club Med," the story focuses on the trials of a married couple who can't quite live up to their ideals of an "open" marriage, an overweight man who insists on trying to ski, a bore who cannot be gotten rid of, and a variety of small-time womanizers. ~ Clarke Fountain, All Movie Guide

The thin plot that ties the story of Clara (Isabelle Adjani) and Bertrand (Thierry Lhermitte), the man pursuing her, to a newly-formed rock band is fleshed out by the young actors, several of them cafe-theater players making a transition to the "big screen." The actors play six young "twenty-somethings" in Grenoble who decide to make a go of otherwise routine lives by forming a rock band called the "Why Notes." The story opens with their trip to Paris for the weekend and closes with their coming home. In between, Bertrand is after Clara who has just abandoned her husband of a few hours. In the end, what happens "in between" may not be as relevant as the way in which the characters live, speak, and act. ~ Eleanor Mannikka, All Movie Guide

Three workers in a social services office on Christmas Eve find themselves the center of a vortex of rag-tag humanity that all need their professional help, and more. Their visit from Santa Claus does not involve a trip down a chimney, but a walk-in by a somewhat derelict, irascible St. Nick hunting for the unfortunate Mrs. Nick, whose girth is wider than her husband's because she's carrying the future little Nick or Nicola -- she also has a sack, given that she is a bag lady, and she herself is in need of an orthodontist. This unusual couple is complemented by other characters in need of assistance, including a woefully abject transvestite and one character who no longer needs assistance because corpses are pretty much beyond help. Events conspire to bring everyone to the zoo, a fitting place for the cast of eccentrics, social workers not excluded. ~ Eleanor Mannikka, All Movie Guide

In this uneven take-off on some reluctant resistance fighters in World War II, a family of musicians find themselves the unwilling hosts of a segment of the German High Command when their Paris mansion is taken over by the occupying forces. What happens next is a series of individual skits, cameo appearances, and zany interludes that are not necessarily as strung together as they are strung out. Characters include: Adolph Hitler's melodious half-brother whose singing style is hilariously close to that of Julio Iglesias, a "good" German officer, stereotypical of any of those found in post-World War II movies, and a woman who provides the comedy in a 1970s television talk show when she expounds on what really happened in the Paris villa back when. It is the acting which carries the day for this film, more than the actual script or cinematic development. ~ Eleanor Mannikka, All Movie Guide

There are exactly 11 different slices of life in this comedic look primarily at the French and their mores. The series of 11 vignettes vary in length, in hilarity, in quality, and in content. In the segment on the changing culture of Paris, a French housewife has adapted to her neighborhood, dressing like an African and renaming her son Mohammed, she insists on the liberality of the neighborhood because the French (assuming erroneously that ethnic minorities are not also French) are accepted there. In another vignette, an average (gay) couple is interviewed on television about the social climate in their region. Other segments have varying success in their attempt to parody the world at large, making Tranches de Vie a somewhat uneven effort in the end. ~ Eleanor Mannikka, All Movie Guide

In this action thriller, Richard Anconina is Willie, a young and lonesome cop who loves lonesome cowboy music. While on a drug case Willie comes across a mulatta named Jo (model Ambre of Senegalese extraction), who is trapped in a dismal life of prostitution by two abusive Lebanese brothers, who also work in the illegal weapons business. Risking his own life, Willie frees Jo from their fierce imprisonment, but the battered woman runs right back again. Understanding her dilemma, Willie keeps at it until she comes around and stays with him -- but by now the two arms dealers have long decided to use their merchandise to wipe Willie off the Parisian streets. ~ Eleanor Mannikka, All Movie Guide

In this light French comedy, Marie and Jerome (Marlene Jobert) and Patrick Chesnais) are a middle aged couple desperate to have a child. They have tried to deal with the official adoption agencies, but the bureaucracies are so hidebound that they'll likely reach their dotage before a child becomes available. Next they try to persuade a pregnant teen to give up her baby, but that doesn't work either. Marie and Jerome are left to resort to more desperate measures. Various well-known French funnymen have cameos, including Romain Bouteille and Christian Clavier. ~ Clarke Fountain, All Movie Guide

In this farcical spoof of spy thrillers, set in France, few obvious or old jokes are left untold, especially if they are at the expense of overweight women, the handicapped, or dogs who don't know where to defecate. The story itself concerns the unsanctioned efforts of a covert unit to gather evidence about illegal arms shipments with the unwitting help of an embassy employee. When it appears that she is about to ruin everything by getting married on a weekend which is important to their operation, project director La Squale (the Shark) (Jean Reno) directs that someone must seduce the woman's fiance so that she'll call off the weekend. Little does he know that the woman chosen is his own girlfriend -- the only one of his agents who is sufficiently thin to be alluring. One thing after another leads to the near failure of the operation -- including the efforts of the repentant fiance (Christian Clavier) to win his girlfriend back. ~ Clarke Fountain, All Movie Guide

In this crime comedy, Urbain (Christian Clavier) only got married because his wife blackmailed him into it: she was a tax fraud investigator. Since she's divorcing him, and will be entitled to a share of his prefabricated housing business, he's been skimming as much money as he can from it. The business will probably be bankrupt when the divorce goes through, but what does he care? He's got oodles of gold stashed in the walls of a model home mounted on a trailer. He and his beloved and similarly avaricious grandmother (Tsilla Chelton) plan to smuggle them in to Switzerland. Meanwhile, his soon-to-be ex-wife (Catherine Jacob) and his former chauffeur (Philippe Khorsand), who have been lovers for a long time, get wind of the scheme and take up the chase. ~ Clarke Fountain, All Movie Guide

Two men find themselves pulled away from their natures by otherworldly forces in this French comedy. While they're very different people, Antoine Carco (Gerard Depardieu), the owner of a strip club in Paris, and Father Tarain (Christian Clavier), a straight-laced man of the cloth, have one thing in common -- both are followed by guardian angels who guide them and tell them what to do. However, the good father's angel has a wild streak and likes urging him into trouble, while Carco's is very proper and a bit appalled with what he does for a living. When friend of Carco's is killed in Hong Kong, Carco honors the man's last request and flies to Hong Kong to bring his son back to Paris to be with his mother. Carco is also asked to fetch some money from members of the Triads (the Hong Kong Mafia), but this doesn't go over especially well with the mobsters. To insure the boy's safe return, Carco asks Father Tarain, who has been traveling, to take the boy back to Paris for him. The father agrees and takes the boy, not knowing that Carco stashed $40 million in Triad money in the kid's suitcase. Before long, Carso's conscience is bothering him about his recklessness, while Father Tarain's guardian angel is encouraging him to take a walk on the wild side. ~ Mark Deming, All Movie Guide

At $23 million, this sequel cost three times as much as the earlier Les Visiteurs (1993), France's second largest postwar success (with 13.6 million tickets sold). The follow-up features a voiceover summary of the first film while pages flip in an illuminated book. In the 1993 film, a magic potion launched 11th-century knight Godefroy de Montmirail (Jean Reno) and his loyal vassal Jacquouille la Fripouille (Christian Clavier) spinning through time to the modern-day French countryside where they found the Montmirail chateau converted into an upscale resort run by Jacquart (also played by Clavier), an innkeeper soon transported to the Middle Ages. The sequel opens with a prologue showing Jacquouille and Ginette (Marie-Anne Chazel) creating confusion in a contemporary supermarket. A stolen relic left in the 20th Century must be returned to the past, or Godefroy's marriage will be cursed. Jacquart faces his own problems -- wolves, angry peasants, torture, and burning at the stake. All the key characters flit back and forth between the 1990s and the past. In the present day, playboy Hubert de Montmirail (Reno) has been missing for 15 years, and his shrewish wife Cora (Claire Nadeau) finds the missing relic. When Godefroy turns up, he's naturally assumed to be the missing Hubert. Les Visiteurs II had the biggest opening day in French film history, breaking the record set by Men in Black and generating Gallic guffaws galore in a country where few films ever receive the sequel treatment. English language title The Corridors of Time: The Visitors II. ~ Bhob Stewart, All Movie Guide