James Clavell Movies

This adaptation of the book by James Clavell focuses on the power of suggestion on impressionable young minds. ~ John Bush, All Movie Guide

Noted novelist and sometime film director James Clavell, wrote, directed, and produced this adaptation of J.B. Pick's novel, set during the Thirty Years' War of 1618-1648. During the chaotic confrontations and shifting alliances of the war, a hidden valley protected from the outside world becomes an oasis of peace. Vogel (Omar Sharif), a one-time school teacher now on the run, travels into the peaceful valley. Following Vogel a short time later is a rag-tag and exhausted army, led by The Captain (Michael Caine). Utilizing Vogel as a mediator, the Captain arranges a truce with the valley population -- pledging to protect the people of the valley from invasion in return for food and shelter during the cold winter months. At the end of the season, the army leaves to fight another battle, Vogel is asked to depart from the hidden valley, and the valley and its population continues on and endures. ~ Paul Brenner, All Movie Guide

Sidney Poitier, who in 1955 played a student in a tough inner-city high school, portrays a teacher assigned to a similar institution in To Sir, With Love. Unable to find work as an engineer, Poitier accepts a teaching post in London's East End slums. To reach his sullen, rebellious students, Poitier throws away his textbooks and endeavors to reach them as human beings--and as the adults they're going to become. It's an uphill climb, but gradually the students are won over. They begin referring to Poitier as "Sir," not out of blind obedience but as a gesture of genuine affection. Not that there aren't obstacles to overcome: in addition to trying to get through to hardcase student Christian Roberts, Poitier must face down the resistance and hostility of his fellow teachers. The sweetly sentimental finale amply displays the vocal talents of Lulu, who trills the title song. Based on the novel by E. R. Brainwaite, To Sir, With Love was one of the biggest moneyspinners of 1967 (with this film, Guess Who's Coming to Dinner and In the Heat of the Night, Sidney Poitier had quite a year). In 1996, a belated made-for-TV sequel was produced, briefly reuniting To Sir with Love co-stars Sidney Poiter, Lulu and Judy Geason, none of whom looked a day older. ~ Hal Erickson, All Movie Guide

Adapted from an Alistair MacLean novel, The Satan Bug is one of the best efforts in the "deadly virus at large" genre. Insane scientist Dr. Hoffman (Richard Basehart) steals several vials containing a lethal germ culture from a government lab. Hoffman has been unhinged by the notion of the government playing God and now it's his turn to do the same. Hot on his trail are Lee Barrett, a scientific investigator (George Maharis) and Ann, a general's daughter (Anne Francis). The climax, which seems to have been borrowed from the 1939 Bela Lugosi serial The Phantom Creeps, finds Maharis wrestling with the controls of a runaway helicopter, wherein the deadly vials are being jostled about. ~ Hal Erickson, All Movie Guide

The Great Escape is based on the true story of a group of Allied prisoners of war who managed to escape from an allegedly impenetrable Nazi prison camp during World War II. At the beginning of the film, the Nazis gather all their most devious and troublesome POWs and place them at a new prison camp, which was designed to be impervious to escapes. Immediately, the prisoners develop a scheme where they will leave the camp by building three separate escape tunnels. Richard Attenborough is the British soldier who masterminds the whole plan, and who commands his motley squad--featuring Charles Bronson as a Polish trench-digging expert, James Garner as an American with a talent for theft, Donald Pleasence as a masterful forger, and Steve McQueen as an American rebel--through the construction of the tunnels and, eventually, their escape. An epic adventure film, The Great Escape runs nearly three hours, featuring a rousing Elmer Bernstein score and exciting action sequences -- including a notorious motorcycle chase between McQueen and the Nazis -- the likes of which had never been seen before in Hollywood productions. ~ Stephen Thomas Erlewine, All Movie Guide

This flawed sequel uses footage that was cut from its precursor, King Solomon's Mines, along with repeats of a few scenes from that film, to construct a story about a return to Africa to look for the fabled mines. Harry Quartermain (George Montgomery) is the son of the man who first set out on the quest for the source of Solomon's wealth, and he is determined to succeed where his father failed. He goes to Africa with his good friend Rick Cobb (David Farrar) and as they continue on their journey, Erica Neuler (Taina Elg) joins them. She is the daughter of a missionary who has been killed by a local tribe. As the trio fight off deadly snakes, crocodiles, and similar denizens of the jungle, Harry cannot hide his antagonism toward Erica. She is German, and Harry's mother was killed at sea by Germans in World War I. Only the determination to find the mines and a certain ambivalence in Harry's feelings toward Erica, and vice-versa, keep the trio united in their goal. ~ Eleanor Mannikka, All Movie Guide

Wealthy Helene Delambre (Patricia Owens) is discovered late at night in the factory owned by her husband Andre (David Hedison). Helene stands beside a huge metal press, which has crushed the head and arm of her husband. Held for murder, the near-catatonic Helene refuses to tell anyone--not even Andre's brother Francois (Vincent Price)--why she did it. Francois cannot help but notice that Helene reacts in mortal terror when a tiny flies zips through the room. Nor can he disregard the statement made by Helene's son Philippe (Charles Herbert) that the fly has a curious white head and leg. When Francois pretends that he's captured the fly, Helene relaxes enough to tell her story. It seems that Andre, a scientist, had been working on a matter transmitter, which he claimed could disintegrate matter, then reintegrate it elsewhere. After a few experiments, Andre tried the transmitter himself. Just as he stepped into the disintegration chamber, a fly also flew into the chamber. We aren't immediately shown the results of this, save for the fact that Andre afterward insists upon keeping his head and arm covered. Alone with her husband, Helene abruptly removes the covering, revealing that Andre now bears the head of a fly! His atoms have become mixed up with the fly, and now he is unable to reverse the procedure. Deciding that his transmitter will be a bogy rather than a blessing to mankind, Andre smashes the apparatus and burns his notes. He then instructs Helene, via body language, to crush his fly-like head and arm in the press. Neither Francois nor inspector Charas (Herbert Marshall) believe the story...until, while staring intently at a spider's web in the garden, they see a tiny entrapped fly with Andre's head and arm, tinnily screaming "Help me! Help me!" as the slavering spider approaches (If you're wondering why Vincent Price and Herbert Marshall do not look one another in the eye during this scene, it is because they couldn't deliver their dialogue without dissolving into laughter). Infinitely subtler than the admittedly excellent 1986 remake, the 1958 The Fly is one of the definitive big-budget horror films of its decade. Best bit: the prismatic "fly's eye view" of the screaming Patricia Owens. The Fly was adapted from George Langelaan's short story by James (Shogun) Clavell. ~ Hal Erickson, All Movie Guide