Robert Clarke Movies

RKO Radio's A Game of Death was the first official remake of Richard Connell's The Most Dangerous Game, given a contemporary WW2 twist. Novelist Rainsford (John Loder) and brother-and-sister shipwreck victims Ellen (Audrey Long) and Robert (Russell Wade) are among the innocents stranded on remote island at the mercy of Nazi madman Krieger (Edgar Barrier). Fancying himself a sportsman, Krieger offers his captives an hour's head start before he begins hunting them down like animals. The by-now-familiar plotline is not as compelling as in the original 1932 version of Most Dangerous Game or the 1956 Mexican-based remake (Run for the Sun), thanks to the pedestrian acting of everyone except Edgar Barrier. Still, Robert Wise imbues the story with plenty of tension, especially in the closing reels. ~ Hal Erickson, All Movie Guide

Thanks to the loopholes in the legal system, Officers Jim Reed (Kent McCord) and Pete Malloy (Martin Milner) are frustrated in their efforts to bring a hardened drug dealer and a teenage car thief to justice. Inevitably, a tragedy results from these judicial inquities. Featured in the cast as one of Jim and Pete's fellow officers is Joe Kapp, former pro quarterback with the Minnesota Vikings and the Boston Patriots. This is the final episode of Adam-12's fifth season. ~ Hal Erickson, All Movie Guide

Officers Jim Reed (Kent McCord) and Pete Malloy (Martin Milner) round up some kids who have been committing minor crimes while playing hookey. Though society at large is willing to write off these youngsters as incorrigible, Reed decides to appeal to the kids' parents to help curb truancy. . .and to find out just how many crimes can actually be attributed to the truants, or to someone older who is acting as a ring leader. Barbara Nichols, one of Hollywood's favorite "dumb blondes" (dumb on film if not real life, that is), is seen as Mrs. Stephens. ~ Hal Erickson, All Movie Guide

There's not much doubt this film's a direct descendant of Schwarzenegger's Terminator classic, though it's certainly a distant descendant. Here a fugitive from a far-away planet escapes execution in a hijacked spaceship and crashes on the planet Earth where he's befriended by some young campers and the local constable. However this Terminator take also has a chasing enforcer (the Alienator) who shows up before long, sent to capture the escapee. The earthlings come to the defense of their new friend and fight it out with the indestructible Alienator. ~ All Movie Guide

Bedlam is one of the costlier psychological-horror efforts from RKO producer Val (Curse of the Cat People) Lewton. Boris Karloff stars as the supervisor of the notorious 18th century British insane asylum St. Mary's of Bethlehem, better known as "Bedlam." Anna Lee, who co-stars as the feisty mistress of a fatuous government official, is appalled by the miserable treatment afforded the Bedlam inmates and insists that reforms be initiated. The crafty, politically connected Karloff responds by having Lee herself incarcerated in the institution: she is a "willful woman", and therefore must be insane. With the help of a few of the more rational patients, Lee stages a mutiny, capturing Karloff and giving him a mock trial. Though they don't truly intend to harm Karloff, he is seriously injured by one of his tormented patients. Assuming that Karloff is dead, the other inmates wall up his body in the cellar--and as the last brick is put in place, we see Karloff's eyes suddenly open! Though it has it moments of genuine terror, Bedlam is as historically accurate as possible, right down to the archaic dialogue passages. For the most part, the film is an indictment against political corruption, with Karloff (in a terrific, multi-faceted performance) alternately bullying and wheedling to save his own behind. Val Lewton (writing under the pseudonym Carlos Keith) based his film on one of the illustrations in Hogarth's "The Rake's Progress," glimpses of which are seen throughout the film as transitional devices. ~ Hal Erickson, All Movie Guide

The Dumas-inspired Blades of the Musketeers began life as an hour-long TV show, produced by Hal Roach Jr. as a possible series pilot. Robert Clarke, who'd previous headlined a pilot for a never-sold "Robin Hood" series, plays D'Artagnan, while the rest of the Musketeers are portrayed by John Hubbard (Athos), Mel Archer (Porthos) and Keith Richards (Aramis). The plot follows the traditional "Queen's Necklace" portion of Dumas' The Three Musketeers, with D'Artagnan and his brothers in arms defending Queen Anne (Marjorie Lord) against the machinations of Cardinal Richelieu (Paul Cavanaugh) and Rochefort (Peter Mamakos). Rounding out the cast are Don Beddoe as a comic-relief King Louis, Lyn Thomas as the courageous Constance, and Kristine Miller as the scheming Milady De Winter. Within the limitations of its tiny budget and 54-minute time span, Blades of the Musketeers is a not-bad rendition of a familiar adventure yarn. ~ Hal Erickson, All Movie Guide

Whether true or not (evidence indicates "not"), the legend of Captain John Smith and Pochahontas is one of history's great romantic stories. This 1953 filmization of the story was made on a near-nonexistent budget. Anthony Dexter, who two seasons earlier had starred in the unsuccessful biopic Valentino, plays Captain Smith, while Jody Lawrence, a Columbia all-purpose heroine, is Indian maiden Pocahontas. After rescuing Smith from the wrath of her father (Douglass Dumbrille), Pocahontas is presented to the court of Britain's King James II. In flashback, Captain Smith attempts to explain why Pocahontas chose not to marry him, but his best friend Rolfe (Robert Clarke) instead. ~ Hal Erickson, All Movie Guide

Despite its Latino title, Casa Manana was an all-American production from Monogram studios. The title refers to the nightclub where songstress Linda (Virginia Welles) works. Linda's boyfriend Larry (Robert Clarke) has purchased the nitery, hoping to transform his lady love into a big star. The fly in the ointment is brutish Horace (Robert Karnes), who is also in love with Linda and who isn't too particular about the methods he uses to win her away from Larry. Guest stars in this musical melodrama include the Rio Brothers, Eddie Le Baron Orchestra, Spade Cooley, Yadira Jimenez, Zarco & D'Lores, the Mercer Brothers, Armando & Lita, Betty & Beverly, Olga Perez and Davis & Johnson. ~ Hal Erickson, All Movie Guide

In this Australian drama, a killer on the run is found lying flat on his face in a wet clay bank. He is rescued by potters who shelter him within their community. There he falls in love with a woman. Unfortunately, another man who has been calling upon the woman gets jealous and turns the fugitive in to the cops. The woman gets revenge. ~ Sandra Brennan, All Movie Guide

Elevating Criminal Court above the B-picture norm is the inventive direction by Robert Wise and the better-than-usual performances by all concerned. In a break from his heroic "Falcon" role, Tom Conway stars as Steve Barnes, a criminal attorney known for his unorthodox courtroom tactics. After accidentally killing a crooked nightclub owner, Barnes is stuck on the horns of a dilemma when his sweetheart, cabaret singer Georgia Gale (Martha O'Driscoll), is arrested for the crime The problem: How can Barnes clear Georgia of the murder without implicating himself? As for the solution...well, best not to reveal that here. All that keeps Criminal Court from A-picture status is its 62 minute running time; on the other hand, the film's impact might have been blunted had it been any longer. ~ Hal Erickson, All Movie Guide

Befitting his status as a genre star, Boris Karloff earns top billing over leading man Ralph Byrd in RKO's final Dick Tracy caper. The former Frankenstein monster plays an escaped convict masterminding a daring bank robbery. To get in and out of the bank without being noticed, the gang uses an asphyxiating gas that leaves anyone inside momentarily frozen in place. Everyone, that is, except for bank customer Tess Truehart (Anne Gwynne), who is able to contact Dick Tracy (Byrd) from a phone booth in the bank. With little or no clues, Tracy and his man Friday, Pat Patton (Lyle Latell), question the bank customers but none can shed any light on the mysterious goings-on. The disappearance of Dr. A. Tomic (Milton Parsons) and the odd behavior of his associate, Dr. I.M. Learned (June Clayworth), crack the case wide open, however, and Tracy is eventually able to track down both Gruesome and the surprising identity of his boss, L.E. Thal (Edward Ashley). According to some reports, RKO wanted to release Dick Tracy Meets Gruesome as "Dick Tracy Meets Karloff" but that title was vetoed by Karloff himself. The legendary horror star apparently later accepted his own box-office value and a 1949 Universal comedy was released as Abbott and Costello Meet the Killer, Boris Karloff. ~ Hans J. Wollstein, All Movie Guide

Friday (Jack Webb) and Smith (Ben Alexander) follow up reports that a shabbily dressed eight-year-old boy and a six-year-old girl have been going door to door in a fashionable Bel-Air neighborhood, begging for food. A tip from a servant in one of the homes indicates that the little beggars are two of three severely malnourished youngsters who are living in squalor in a large, decaying house. The detectives find out that the children have been abandoned (and not for the first time) by their alchoholic mother--and that the youngest of the three kids is dying of a skull fracture. This episode is based on the Dragnet radio broadcast of February 1, 1951. ~ Hal Erickson, All Movie Guide