Robert Clarke Movies

Robert Young stars as a WW2 pilot named Hank, who accompanies his pal Jerry (Bill Williams, in his film debut) on a furlough. Jerry introduces his girlfriend Helen (Laraine Day) to Hank, a notorious and unrepentent womanizer. In a twinkling, Hank tries to steal Helen away from Jerry-but succeeds only after proving that he's a nice guy after all. Ann Harding, one of RKO Radio's leading star of the early 1930s, returns to her old studio to play Helen's all-knowing mother. Those Endearing Young Charms is based on a Broadway play by Edward Chodorov, originally purchased for the screen by independent producer Sam Goldwyn. ~ Hal Erickson, All Movie Guide

This romantic fantasy was based on a popular play by Arthur Pinero. Oliver Bradford (Robert Young) is a young man who returned from World War II with severe facial scars; while he was engaged to be married before he left, he believes that no one could love him now, and he lives on the brink of suicide. Oliver meets Laura Pennington (Dorothy McGuire), a plain young woman who is convinced that her looks will never win her a man. These two lonely people marry, more out of desperation than love, and move into a small cottage which is all that remains of the large estate of Abigail Minnett (Mildred Natwick), who lost the rest of her property in a fire. The cottage has been the site of many happy honeymooners over the years, and inside its walls, Oliver and Laura discover that a magical transformation takes place; he regains the handsome features he once possessed, and she becomes beautiful. The couple find love and happiness with each other, but find that the cottage's magical spell only works as long as they remain at home with each other; the outside world does not recognize the beauty that they have found with each other. The Enchanted Cottage was previously adapted for the silent screen in 1924, with Richard Barthelmess and May McAvoy as the newlyweds. ~ Mark Deming, All Movie Guide

This WW II drama is the first to deal with the fateful atomic bomb attack on Japan. Originally, the film centered on the acquisition of a new kind of gun, but as it was in production during the time the Bomb was dropped, the producers were quick to change the story to suit the times. It tells the story of a straight-arrow American pilot who was raised in Japan and is asked to return there to get a captured scientist to garner valuable information about the A-bomb. The pilot, Major Ross, realizes that he will not survive the mission, but as he has just lost his lover, he cares little for life. Before he goes, his face is surgically altered so he looks Japanese and he then infiltrates the camp where the scientist is being held. There he finds his girl friend, an army nurse, who has also been captured. Unfortunately, she has fallen in love with a fellow inmate. The determined Major Ross remains focused and completes his mission, but not before encountering considerable danger at the hands of enemy officers. The end of the film features actual newsreel footage of nuclear bombings from Pathe. ~ Sandra Brennan, All Movie Guide

In this western, a young cowboy rides out to avenge his father's killer. Eventually, he finds the scoundrel, but by this time opts not to kill him for the cowboy has fallen in love with the outlaw's niece. Later, the killer ends up killed and the hero is blamed for the crime. Mayhem ensues until the hero can prove his innocence. In the end, he and the niece get together and live a long happy life together. ~ Sandra Brennan, All Movie Guide

Bedlam is one of the costlier psychological-horror efforts from RKO producer Val (Curse of the Cat People) Lewton. Boris Karloff stars as the supervisor of the notorious 18th century British insane asylum St. Mary's of Bethlehem, better known as "Bedlam." Anna Lee, who co-stars as the feisty mistress of a fatuous government official, is appalled by the miserable treatment afforded the Bedlam inmates and insists that reforms be initiated. The crafty, politically connected Karloff responds by having Lee herself incarcerated in the institution: she is a "willful woman", and therefore must be insane. With the help of a few of the more rational patients, Lee stages a mutiny, capturing Karloff and giving him a mock trial. Though they don't truly intend to harm Karloff, he is seriously injured by one of his tormented patients. Assuming that Karloff is dead, the other inmates wall up his body in the cellar--and as the last brick is put in place, we see Karloff's eyes suddenly open! Though it has it moments of genuine terror, Bedlam is as historically accurate as possible, right down to the archaic dialogue passages. For the most part, the film is an indictment against political corruption, with Karloff (in a terrific, multi-faceted performance) alternately bullying and wheedling to save his own behind. Val Lewton (writing under the pseudonym Carlos Keith) based his film on one of the illustrations in Hogarth's "The Rake's Progress," glimpses of which are seen throughout the film as transitional devices. ~ Hal Erickson, All Movie Guide

Barbara Hale landed her first A-picture starring role in the engaging romantic comedy Lady Luck. Hale is cast as Mary Audrey, the descendant of a long line of professional gamblers. Haughtily turning up her nose at the "family business," Mary spends most of her time keeping her poker-happy grandfather William (Frank Morgan) from losing his shirt. In spite of herself, Mary falls in love with another gambler, Larry Scott (Robert Young), but only after he promises to reform. Naturally he doesn't, compelling Mary to leave him on their honeymoon, thereby setting the stage for all the comic complications to follow. By film's end, Mary herself has caught the gambling bug, forcing Grandpa William and husband Larry to straighten her out! ~ Hal Erickson, All Movie Guide

This prison reform-minded melodrama from B-movie director Gordon Douglas opens with an introduction from Lewis F. Lawes, the real-life prison warden turned author of 20,000 Years in Sing Sing (1932). Lawrence Tierney stars as Jim Roland, one of the founding members of the Inmate's Welfare League, a prisoners' rehabilitation group operating inside the California state prison San Quentin. The League keeps internal peace at the prison and helps career criminals go straight, training them for a law-abiding life on the outside. Upon his parole, Jim became one of the program's first success stories, but the same can't be said for Nick Taylor (Barton McLane). Once a model prisoner, Taylor has broken out of the facility and gone on a violent crime spree. When San Quentin officials, including Warden Kelly (Harry T. Shannon), consider shutting down the program, the membership feels responsible and appeals to Jim for help. The ex-con, now a responsible citizen, sets out to bring Taylor to justice and save the League, putting his own life at risk. Douglas employs a brisk pace in San Quentin (1946), which is also the feature film debut of actor Raymond Burr, who appears in the supporting role of Jeff Torrance. ~ Karl Williams, All Movie Guide

Befitting his status as a genre star, Boris Karloff earns top billing over leading man Ralph Byrd in RKO's final Dick Tracy caper. The former Frankenstein monster plays an escaped convict masterminding a daring bank robbery. To get in and out of the bank without being noticed, the gang uses an asphyxiating gas that leaves anyone inside momentarily frozen in place. Everyone, that is, except for bank customer Tess Truehart (Anne Gwynne), who is able to contact Dick Tracy (Byrd) from a phone booth in the bank. With little or no clues, Tracy and his man Friday, Pat Patton (Lyle Latell), question the bank customers but none can shed any light on the mysterious goings-on. The disappearance of Dr. A. Tomic (Milton Parsons) and the odd behavior of his associate, Dr. I.M. Learned (June Clayworth), crack the case wide open, however, and Tracy is eventually able to track down both Gruesome and the surprising identity of his boss, L.E. Thal (Edward Ashley). According to some reports, RKO wanted to release Dick Tracy Meets Gruesome as "Dick Tracy Meets Karloff" but that title was vetoed by Karloff himself. The legendary horror star apparently later accepted his own box-office value and a 1949 Universal comedy was released as Abbott and Costello Meet the Killer, Boris Karloff. ~ Hans J. Wollstein, All Movie Guide

Based on Zane Grey's 1922 novel To the Last Man, filmed previously by Paramount in 1923 and 1934, this fine RKO Western marked the return to his home lot of Tim Holt after a stint in the Army Air Corps. Returning to his Arizona homestead, Marvin Hayden (Holt) lands in the middle of the age-old feud between the Haydens and the Jorths, both families accusing the other of murder. The feud, however, has been engineered by someone else entirely and when the dust settles, Marvin announces his engagement to Ellen Jorth (Martha Hyer). Although both were ostensibly based on Zane Grey novels, Thunder Mountain bears no resemblance to the 1935 George O'Brien oater of the same title. ~ Hans J. Wollstein, All Movie Guide

With 1947's Desperate, a disturbing, noirish twist on traditional moral values, responsibility, and guilt, director Anthony Mann entered the ranks of class-A directors, though he'd still have to spend a few more years in "B" pictures. In his first important role, Steve Brodie plays newlywed trucker Steve Randall, who finds himself in the wrong place at the wrong time during a fur robbery. Kidnapping Steve, the criminals, led by Walt Radak (Raymond Burr), threaten to mutilate Mrs. Randall (Audrey Long) unless Steve confesses to a murder committed by Radak's brother during the theft. Pretending to play along with the villains, Steve manages to escape with his wife in tow. The rest of the film is a prolonged chase, with the Randalls pursued by both the crooks and the cops. A surprise ending caps this film noir mini-classic, which is best appreciated when not seen in its computer-colorized version. ~ Hal Erickson, All Movie Guide

The success of 1947's Badman's Territory prompted RKO Radio to assemble another "outlaw rally," Return of the Badmen. Randolph Scott plays US marshal Vance, assigned to rid the Oklahoma Territory of outlaws. This proves to be quite a challenge, inasmuch as virtually every frontier bad guy has converged upon the territory. Led by the surly Sundance Kid (Robert Ryan), the rogue's gallery includes the Younger Brothers (Steve Brodie, Richard Powers, Robert Bray), the Daltons (Lex Barker, Walter Reed, Michael Harvey) and Billy the Kid (Dean White). For all the formidable villainy, the film's most fascinating conflict develops between the two heroines: feisty Cheyenne (Anne Jeffreys) and prim 'n' proper Madge Allen (Jacqueline White). Return of the Badmen posted a huge profit, spawning yet another "all-star" western from RKO, 1951's Best of the Badmen. ~ Hal Erickson, All Movie Guide

"Boys Town" goes to turn-of-the-century St. Louis in this moving drama that chronicles the love of a determined priest struggling to turn around the lives of a street-wise gang of newsboys living at his homeless shelter. The good father has little money and must use his wits and ability to convince others to help out to supply the little shelter. Much of the story centers on his relationship with a troubled lad who accidentally kills someone. ~ Sandra Brennan, All Movie Guide