Matt Clark Movies

Filmmaker Larry Clark reunites with Kids screenwriter Harmony Korine, with some additional directorial assistance from cinematographer Ed Lachman, for this look at a group of troubled teens and their guardians living in Southern California. The film opens at a skate park, where a troubled character takes his own life; it then proceeds to chronicle the somewhat-interrelated lives of his classmates. The audience is introduced to Tate (James Ransome), a young man living in relative misery with his board-game-playing grandparents. Also tormented by his living situation is Claude (Stephen Jasso), a quiet, shy teen constantly henpecked by his brutish father (Wade Andrew Williams). Meanwhile, the vapid Shawn (James Bullard) occasionally trades verbal spars with his mother, in between leaving the house for sex sessions with his girlfriend's mom. Finally there is Peaches (Tiffany Limos), living alone with her devoutly religious father as she covertly experiments with her boyfriend (Mike Apaletegui). Though Ken Park played at such festivals as Toronto and Telluride in the fall of 2002, it would languish on the shelf for months and months afterward, as its explicit content made finding a U.S. distributor near-impossible. ~ Michael Hastings, All Movie Guide

In this comedy thriller, set in northern California, inept but lovable pot farmers Jack Madsen (Billy Bob Thornton) and Carter (Hank Azaria) work for San Francisco entrepreneur Malcolm Stockman (John Lithgow), who arrives for a visit via copter. As soon as Malcolm steps out, the copter pilot shoots him and takes off, leaving the two aghast along with apprentice Harlan (Ryan Phillippe). Minus a boss, the naive trio deduces no paychecks are forthcoming, so they collect cannabis for a big payoff and head to the nearby town where they meet up with go-between Lucy (Kelly Lynch). However, their explanations of Malcolm's whereabouts and their sudden need to sell some of the crop arouse suspicions, while their lazy days on the dope farm have left them unprepared as businessmen seeking buyers for millions in contraband. They soon find themselves in a shadowy new world of greed, paranoia, and duplicity. ~ Bhob Stewart, All Movie Guide

In this satirical "inside" look at the world of TV scripters, agent Danny (Tom Arnold) gives a 22-episode assignment to depressed, self-destructive writer-producer Brian (Stephen Rea), creatively spent and bereft of ideas. At his weekly poker game, Brian sees a romantic couple on a hotel balcony. When he tells the other writers about this, it triggers an impromptu story session. All four retreat across the street to the bar where Brian sees Georgia Feckler (Illeana Douglas) and decides she was the woman on the balcony. Desperate for ideas, he offers to buy the story of her life. After Brian vanishes with Georgia, his fellow scripters become concerned as to his whereabouts and decide to break into his living quarters. Shown at the AFI/Los Angeles Film Festival. ~ Bhob Stewart, All Movie Guide

A vengeful Native American woman hunts for the business tycoon who destroyed her life when she was only 12. Her ordeal began when he had her parents killed and then made it look as if she did it. ~ Sandra Brennan, All Movie Guide

This sequel to director Bernard Rose's superb, metaphorical Candyman is a more straightforward Gothic horror project, discarding any association with the events of the previous film (which was based on the short story "The Forbidden" by horror surrealist Clive Barker) aside from the title entity, played again by the imposing Tony Todd. A melancholy but extremely deadly ghost, Candyman is revealed -- in a compelling sequence of flashbacks -- as the vengeful spirit of Daniel Robitaille, a black portraitist in post-Civil War Louisiana who was set upon and horribly mutilated by an angry white mob in retaliation for his affair with a plantation owner's daughter. In present-day New Orleans, at the height of Mardi Gras festivities (the film's title refers to the literal translation of the Latin "Carnival"), Candyman walks the realm of the undead, with a hook in place of the hand he lost to the lynch mob, waiting to be summoned by the recitation of his name five times into a mirror. The latest victims of his evisceration skills include members of the Tarrant family, with young schoolteacher Annie (Kelly Rowan) next in line. Her family's connection with the Candyman legend is eventually revealed when Annie visits the family estate to uncover the link between her ancestors and Daniel Robitaille himself. This is a well-executed horror film, with fine performances and good use of the subtle menace underlying the Mardi Gras ambience, but the deft hand of Barker is clearly absent, leaving a standard horror plot without the mythical resonance of the original. The chilling Philip Glass score is a definite plus, though. ~ Cavett Binion, All Movie Guide

This TV movie recounts the true-life story of a corporate takeover in the greed-driven 1980s. James Garner is F. Ross Johnson, CEO of RJR-Nabisco. Having just been burned by an expensive failure of a smokeless cigarette product, Johnson doesn't wish to incur the wrath of the stockholders. He begins drawing up plans to buy RJR-Nabisco outright so he'll have no one to answer to but himself. Unfortunately for Johnson, his company is also being coveted by sharkish "buyout king" Henry Kravis (Jonathan Pryce), who turns out to have $25 billion at his beck and call. Barbarians at the Gate was adapted by Larry Gelbart from the book by Bryan Burrough and John Helyar. Advertised as a "docucomedy", the film premiered March 20, 1993, over the HBO cable service. ~ Hal Erickson, All Movie Guide

A rising young executive is ecstatic to learn that he is to be acting president at the small-town bank his company just purchased until he gets there and realizes that it is a sperm bank. This base little comedy centers on his attempts to make the place profitable and also chronicles the growing love between himself and the uptight but pretty biologist who works there. ~ Sandra Brennan, All Movie Guide

A pair of lawyers must balance their professional principles (such as they are) against family loyalties in this courtroom drama. Jedediah Ward (Gene Hackman) is a leftist lawyer who has based his career on helping people avoid being taken for a ride by the rich and powerful; he's pursued principle at the expense of profit, though he has a bad habit of not following up on his clients after their cases are settled. Jed's daughter, Maggie (Mary Elizabeth Mastrantonio), has had a bad relationship with her father ever since she discovered that he was cheating on her mother, and while she also has made a career in law, she has taken a very different professional route by working for a high-powered corporate law firm and has adopted a conservative political agenda. Jed is hired to help field a lawsuit against a major auto manufacturer whose station wagons have a dangerous propensity to explode on impact, but while his research indicates he has an all but airtight case against them, the case becomes more complicated for him when he discovers that Maggie is representing the firm he's suing. ~ Mark Deming, All Movie Guide

When a young Caucasian military man is thrown into an all African-American barracks for punishment, he slowly earns the respect of his peers while they all are forced to contend with the prejudicial acts of a racist sergeant. Charlie Sheen, Laurence Fishburne, Martin Sheen (who also directed) and others appear in this well-intentioned drama. ~ Kristie Hassen, All Movie Guide

This muddled attempt at creating a new supernatural serial killer franchise (in the mode of Freddy Krueger in the Nightmare on Elm Street series) features perennial movie thug Brion James as sadistic mass murderer Max Jenke, who hacked up more than 100 victims with a meat cleaver before his eventual capture by dedicated cop Lucas McCarthy (Lance Henriksen). Unwilling to cease his homicidal spree after his death, Jenke had been conducting bizarre experiments in soul-transference prior to his capture; his execution in the electric chair subsequently transforms his evil essence into electrical current. In this new form, the seemingly unstoppable maniac launches a supernatural siege against McCarthy and his family until the tormented cop finally faces him down on his own nightmare turf. Originally conceived as another House sequel, this film consists of long periods of tedium punctuated by outbursts of graphic gore and surreal effects. This condition is partially the result of footage being shot by two separate directors; it seems as if neither of them knew what the other was doing. James is amusingly sleazy as the cackling madman, but his one-note material is not compelling enough to merit a recurring character. ~ Cavett Binion, All Movie Guide

Fenian (James Liu) is exiled from his small village for revealing his dreams that the plague will return after two centuries. He sets out to search for the mythical island of Avalon in this 15th-century adventure saga full of breathtaking scenery. Director John J. Anderson, a protégé of Ansel Adams, shows he was greatly influenced by the work of Werner Herzog. Spectacular photography from the British Isles, British Columbia, and Washington and Oregon in the Northwestern United States is the highlight of the film. Anderson's excellence in using natural light shows he has learned well from his mentor. ~ Dan Pavlides, All Movie Guide

Based on a novel by Louis L'Amour, this made-for-HBO western stars Sam Elliott, an enigmatic gunslinger who comes to the aid of a family traveling through the wilderness. ~ Jason Ankeny, All Movie Guide

Filmed in Canada for American television, Love Mary is based on the true story of Dr. Mary Groda Lewis. When we first meet Mary, she's neither a Lewis nor a doctor, but instead a troubled young girl played by Kristy McNichol. Diagnosed as retarded and incorrigible, Mary is shunted off to a reform school. Here, counselor Rachel Ticotin discovers that Mary's handicap is not retardation but dyslexia. After years of intense and compassionate therapy, Mary is allowed to re-enter the outside world--where two illegitimate pregnancies and a debilitating stroke do not dissuade the girl from her goal of becoming a doctor. Refreshingly, there is no individual human villain in Love Mary; her parents (Piper Laurie and Matt Clark) are supportive throughout the film, while the other authority figures are shown to be subservient to a faulty, pigeonholing "system." ~ Hal Erickson, All Movie Guide