Eric Clapton Movies

Few artists can claim to have been as close a witness to the birth of rock and roll as guitarist Scotty More, and with this concert the Tupelo, Mississippi native who stepped into the Memphis Recording Service with Elvis Aaron Presley to record "That's All Right" is joined by a series of special guests including Mark Knopfler, Eric Clapton, and Paul Ansell in performing twenty-eight of The King's best-loved hits. Songs include "Jailhouse Rock", "Blue Moon", "All Shook Up", and "Blue Suede Shoes", and other special guests include Dvae Gilmour, Steve Gibbons, Albert Lee, Martin Taylor, and Mike Sanchez. ~ Jason Buchanan, All Movie Guide

While he began receiving international acclaim durring his stints with The Yardbirds and John Mayall's Bluesbreakers, Eric Claption truly rose to the status of rock's premier guitar hero with the bluesy power trio Cream, which teamed him with two unusually gifted and individual collaborators, Jack Bruce on bass and Ginger Baker on drums. Cranking out four acclaimed studio albums and a long string of live shows in a scant two years, Cream called it quits on November 26, 1968 with a concert at London's Royal Albert Hall, which was captured on film for this release. ~ Mark Deming, All Movie Guide

Oscar Collins (Jack MacGowran) is a professor who specializes in the behavior and collecting of butterflies. One day, he discovers he can watch his beautiful neighbor Penny (Jane Birkin) through a crack in the wall of his apartment. He is soon overtaken by his voyeuristic tendencies and engages in a series of psychedelic daydreams as he watches the beautiful woman in various stages of her life and lovemaking. The musical score is provided by George Harrison. ~ Dan Pavlides, All Movie Guide

Organized by George Harrison after close friend Ravi Shankar alerted him to the plight of refugees seeking independence from Pakistan, this 1971 concert offers performances by both Harrison and Shankar in addition to featuring such legendary recording artists as Bob Dylan, Eric Clapton, and Ringo Starr. Songs performed in this Madison Square Garden mega-concert include "Blowin' in the Wind", &Here Comes the Sun" and "While My Guitar Gently Weeps". ~ Jason Buchanan, All Movie Guide

"You don't make up for your sins in church; you do it in the streets; you do it at home. The rest is bulls--t, and you know it." Returning to the autobiographical milieu of his 1968 debut Who's That Knocking at My Door? for his third feature, Martin Scorsese examined the daily struggles of a wannabe hood to keep his morals straight on the streets of Little Italy. Driven equally by his wish to become a respectable gangster like his uncle (Cesare Danova) and his desire to live his life like St. Francis, Charlie (Harvey Keitel) takes on his energetically unhinged friend Johnny Boy (Robert De Niro) as his own personal penance, intervening to get Johnny Boy to pay off a debt to the local loan shark Michael (Richard Romanus). Despite his promises to his epileptic girlfriend Teresa (Amy Robinson) that they will move out of Little Italy once he strengthens his position in his uncle's world, Charlie's involvement with Johnny Boy further ensnares him in the neighborhood. When Johnny Boy decides to mouth off to Michael rather than pay him, Charlie, Johnny Boy, and Teresa try to flee Michael's murderous anger (and an assassin played by Scorsese), forcing Charlie to realize that the rules of the streets do not mesh with absolution. Whereas fellow "film school generation" director Francis Ford Coppola transformed the Hollywood gangster movie into metaphorical epics about the Mafia and capitalism in The Godfather (1972) and The Godfather Part II (1974), Scorsese revised the genre in the opposite direction, focusing on the gritty minutiae of daily life and drawing from personal memory. Combining documentary-style realism (even though most of the film was shot in L.A.); kinetic editing and camera movement; and expressionistic lighting, angles, and film speed, Scorsese presents an intimate picture of the trivial incidents and latent violence of Charlie's and Johnny Boy's world, naturalistically unfolding their experiences rather than simply explaining what motivates them. They lead a claustrophobic, petty existence that Scorsese and screenwriter Mardik Martin witnessed growing up in Little Italy, complete with a soundtrack of hit songs like "Be My Baby" and "Jumping Jack Flash" that had poured out of neighborhood radios. Mean Streets opened at the New York Film Festival to excellent notices and played strongly in New York but failed to duplicate that level of business elsewhere. Even so, Mean Streets established Scorsese and De Niro as formidable young talents and marked the beginning of a long-running and fertile collaboration that continued in such films as Taxi Driver (1976), Raging Bull (1980), The King of Comedy (1983), and Goodfellas (1990). Scorsese's exceptional grasp of the texture of day-to-day life, the rhythm and cadences of street talk, and cinema's visual and aural possibilities makes Mean Streets one of the pivotal films of the 1970s, as well as of Scorsese's career, and an influence on such future filmmakers as Spike Lee and Quentin Tarantino, among many others. ~ Lucia Bozzola, All Movie Guide

Tommy (Roger Daltrey) is a "deaf, dumb and blind kid" who retreats into himself after the death of his father. His mother, Nora (Ann-Margret), and stepfather Frank (Oliver Reed) take him to see a specialist (Jack Nicholson) but Tommy is apparently a hopeless case. That is, until Tommy discovers that "he sure plays a mean pinball." Tommy gains fame when he defeats the Pinball Wizard (Elton John) for the world championship. As a result, Tommy becomes such a celebrity that he even founds his own religious cult. But his fans begin to commercialize his fame, while Tommy wants to stick to the straight and narrow. When Tommy wants to end the commercialization of his message, his supporters accuse him of being hypocritical and turn on him. Ann-Margret, with a slinky red dress slit way up the side, was nominated for a Best Actress Oscar, losing out to Louise Fletcher in One Flew Over the Cuckoo's Nest. ~ Paul Brenner, All Movie Guide

Penned by Dan Greenburg, Private Lessons details the plight of a rich, fifteen-year-old boy (Eric Brown) whose French maid (Sylvia Kristel of the Emmanuelle series) is hired to teach him the finer points of l'amour. A contrived subplot involving a blackmail scheme complicates matters but really only serves as padding between the erotic scenes. In the end, the boy ends up wiser for the wear in more ways than one as he learns all the sordid details. Typical of many early '80s adolescent-oriented T & A films, this entry includes plenty of leering nudity and debauchery, although it seems comparatively tame compared with many others. Surprisingly, Private Lessons was a box-office hit at the time of its release; presumably, many film-goers had seen Kristel in her role as Emmanuelle, although they would have been disappointed to learn a body-double stood in during her love scenes in this case. A similarly-themed film, My Tutor, was released soon after. ~ Jeremy Beday, All Movie Guide

The highlights of two benefit concerts staged in support of Amnesty International are collected in this British performance film, which features ample helpings of both music and comedy. The members of the Monty Python comedy troupe serve as headliners, performing live variations on some of their most famous sketches. Additional humor is provided by such luminaries as Peter Cook, while the musical segments include performances by Pete Townshend, Eric Clapton, and Sting, amongst others. While all of the performers deliver the goods, the film's overall effectiveness is unfortunately limited by the purely functional direction and often poor image quality. ~ Judd Blaise, All Movie Guide

The A.R.M.S. (Action for Research Into Multiple Sclerosis) concert was videotaped live at the Royal Albert Hall in London on September 20, 1983. An ensemble of superstar musicians paid tribute to former Faces guitarist Ronnie Lane, who was diagnosed with MS. In part one of this two-part set, Eric Clapton, Ray Cooper, Fernando Saunders, James Hooker, Chris Stainton, Kenny Jones, Charlie Watts, Steve Winwood, Andy Fairweather, and Bill Wyman provide the music. Songs performed are "Everybody Oughta Make a Change," "Rita Mae," "Lay Down Sally," "Rambling on My Mind," "Have You Ever Loved a Woman," "Cocaine," "Man Smart, Woman Smarter," "Road Runner," "Slowdown Sundown," "Take Me to the River," and "Gimme Some Lovin'." ~ Karla Baker, All Movie Guide

Meant to be a parody of the recent invasions of Grenada and the Falkland Islands, this comedy about the laid-back governor (Michael Caine) of "Cascara," a fictional British island somewhere in the Caribbean, and the international parade of characters who come through his territory is a pastiche without a clear center. Among these multinational characters are an American industrialist out to exploit the island's rich source of mineral water -- also the source of all the subsequent trouble on the island -- some inexplicable French-German visitors, a singing revolutionary with ties to Fidel Castro, and various parodies of Brit diplomats and politicians, Margaret Thatcher included. ~ Eleanor Mannikka, All Movie Guide