Michael Cimino Movies
Writer/producer/director
Michael Cimino, the son of a Long Island-based music publisher, earned an MFA in Painting at Yale University, where he also became involved with student theatrical productions. Upon moving to New York City, he augmented his acting lessons with ballet classes, and began directing TV commercials and industrial films around 1963. In 1971,
Cimino moved to Hollywood, where he wrote his first big-studio film, the
Douglas Trumbull-directed
Silent Running. This led to his own feature-length directorial debut,
Thunderbolt and Lightfoot (1974), a successful
Clint Eastwood vehicle which
Cimino patterned after one of his favorite '50s films,
Captain Lightfoot. Given virtual
carte blanche for his next project,
Cimino spent nearly three years on the preparation and production of
The Deer Hunter, a long, elegiac Vietnam-era epic which won five 1978 Oscars, including Best Picture. Operating on the theory that
Cimino could do no wrong, United Artists gave the filmmaker another free hand on his next project,
Heaven's Gate (1980). The melancholy history of this mother of all cinematic fiascoes has been thoroughly covered elsewhere, so suffice to say that the production's combination of clashing egos, on-set drug participation, misfired "atmosphere" sequences, muddy (and muddled) battle scenes and incomprehensible dialogue added up to the Picture That Killed United Artists.
This critical blow derailed his career, though he continued to work periodically. He directed Mickey Rourke in both the 1985 thriller Year of the Dragon and a 1990 remake of The Desperate Hours, and hired Woody Harrelson to head-up his 1996 film The Sunchaser. It was another ten years before his next project when he contributed to the omnibus film To Each His Own Cinema. ~ Hal Erickson, Rovi

- 2007
-
At the time of its production, To Each His Own Cinema represented the latest arrival in a tidal wave of internationally oriented omnibus films, with no official relation between them but all produced within a few years of one another. Few could claim a roster of talent comparable to this one, which boasts contributions by 33 of the most acclaimed directors in world cinema,
each responsible for three minutes of celluloid. Gilles Jacob, president of the Cannes Festival, devised the project as a "gift" to commemorate the festival's 60th birthday, and recruited many Golden Palm winners in the directorial selection process. Simply put, Jacob asked each director to express, cinematically, his or her "state of mind of the moment as inspired by the motion picture theater." Featured filmmakers include Joel and Ethan Coen; Olivier Assayas; Atom Egoyan; Walter Salles; Lars von Trier; Nanni Moretti; Roman Polanski; Theo Angelopoulos; Chen Kaige; Andrei Konchalovsky; and many, many others. Many of the initial entries (by Angelopoulos and others) involve the neglect or disrepute into which contemporary cinema, as a collective viewing experience, has fallen; a few segments, such as the Coen Brothers' short, about a cowboy (Josh Brolin) who attempts to determine which movie he should go see in sunny Los Angeles, employ a light and whimsical approach. At the other end of the spectrum sits David Cronenberg's piece -- a brutal short in which he prepares to commit a very public and graphic suicide on television before millions of viewers. Other highlights include Moretti -- offering a typically witty divertissement on what cinema means -- and Zhang Yimou, who lyrically depicts the gathering of numerous rural children for a screening at a movie theater. ~ Nathan Southern, Rovi
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- 1996
- R
Michael Cimino, the director of The Deer Hunter and the ill-fated Heaven's Gate, helmed this bizarre New Age action picture in 1996. Based on a screenplay by Charles Leavitt, the film stars Woody Harrelson as Dr. Michael Reynolds, a rich, young L.A. physician who worries more about promotions and buying a $2 million home for his family than about his patients. Reynolds is assigned a 16-year-old convicted murderer, Brandon Monroe (Jon Seda), as his new patient. Brandon is a half-Cherokee gang member who killed his own stepfather, has terminal cancer, resents his privileged doctors, and has beaten up several pediatricians who've tried to care for him. Brandon gets a gun while going to the bathroom at the hospital and kidnaps Reynolds, stealing a car. While constantly threatening his doctor's life, Brandon takes him on a trip to an Arizona Indian reservation with the aim of immersing himself in a magic lake which native tradition says has healing powers. Along the way, the pair meet up with motorcycle gang members, rattlesnakes, and several New Age philosophers. Eventually, the materialistic doctor and the young tough gain a grudging respect for each other's values, and Reynolds even steals money to buy Brandon medicine. ~ Michael Betzold, Rovi
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- Starring:
- Woody Harrelson, Jon Seda, (more)

- 1990
- R
- Add The Desperate Hours to Queue
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The Desperate Hours directed by Michael Cimino, is an attempt to remake the Humphrey Bogart classic of the same name with indifferent results. Bosworth (Mickey Rourke), a brutal criminal on the run with his partners, takes over a house occupied by an unhappily married couple Nora (Mimi Rogers) and Tim (Anthony Hopkins) and their young son and daughter. Bosworth has escaped from jail with the help of his defense attorney Nancy Breyers (Kelly Lynch). The film focuses on the interactions of the family and Bosworth as he plans his escape to Mexico. Cimino wastes little time in developing the characters or explaining the implausible premise that Bosworth would chose an occupied house and hold an innocent family captive when the logical choice would be to lay low and wait for his chance to escape. Both Hopkins and Rourke, usually excellent actors, give wildly over-the-top performances, aided by the lurid, over-written dialogue of the screenplay and the badly paced, ill-conceived direction by Cimino, which instead of creating tension and suspense, simply confuses the already muddled and incomprehensible plot. The Desperate Hours is a pale example of the original with little to recommend it. ~ Linda Rasmussen, Rovi
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- Starring:
- Mickey Rourke, Anthony Hopkins, (more)

- 1987
- R
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Adapted from Mario Puzo's novel, The Sicilian is an attempt to chronicle the life and times of Mafia leader, patriot and real-life Robin Hood Salvatore Giuliano, the infamous bandit who, together with his rag-tag band of guerillas, attempted to liberate 1940s Sicily from Italian rule and make it an American state. Giuliano (Christopher Lambert) robs from the rich conservative landowners to give to the poor, serf-like peasants, who in turn hail him as their savior. As his popularity grows, so does his ego, and he eventually thinks he is above the power of his backer, Mafia Don Masino Croce (Joss Ackland). The Don, in turn, sets out to kill the upstart by convincing his cousin and closest advisor Gaspare (John Turturro) to assassinate him. Nearly thirty minutes of screen time were haphazardly hacked off director Michael Cimino's original cut by the studio. ~ Jeremy Beday, Rovi
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- Starring:
- Christopher Lambert, Terence Stamp, (more)

- 1985
- R
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Best known for his 1978 film The Deer Hunter or perhaps the less-successful Heaven's Gate, director Michael Cimino turned to this fast-paced actioner set in an authentic (back lot) Chinatown. This thriller stars a rogue Polish-American cop (Mickey Rourke) out to not only keep Chinatown safe for the local consumers, but to dismantle its deep-rooted crime and drug cartels as well. No one backs the crusading cop in the latter objective, and as he faces a suave and wily crime boss (John Lone of The Last Emperor) and a libidinous newscaster (Ariane), he may be taking on more than he can handle. At least his wife thinks so, and the guys at City Hall think so -- but mayhem and murder will strew the streets with corpses before the smoke clears and the dust settles, and a vague, unresolved future sets in. ~ Eleanor Mannikka, Rovi
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- Starring:
- Mickey Rourke, John Lone, (more)

- 1981
- R
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A notorious artistic and financial failure, Michael Cimino's Heaven's Gate was blamed for critically wounding the movie Western and definitively ushering out the 1970s Hollywood New Wave of young, brash, independent filmmakers. Taking a revisionist, post-Vietnam view of American imperialism, Cimino used the historical Johnson County War incident in Wyoming to create an impressionistic tapestry of Western conflict between poor immigrant settlers and rich cattle barons led by Canton (Sam Waterston) and his hired gun Nate Champion (Christopher Walken). Attempting to mediate is idealistic Harvard graduate and county marshal Averill (Kris Kristofferson), who is both Nate's friend and his romantic rival for the affections of Ella Watson (Isabelle Huppert). However, war erupts, at great cost to all involved. Flush from his success with the Oscar-winning The Deer Hunter (1978), Cimino demanded creative control, and his insistence on shooting on location and building historically accurate sets and props multiplied the film's original budget to a then-astronomical $36 million. When United Artists premiered the original 219-minute version (sight unseen), they discovered that Cimino had produced an elliptical epic, compounding the box-office difficulties of making a Western without any major stars. Critics howled about Cimino's incomprehensible self-indulgence, and United Artists pulled the film after several days. Re-released five months later, 70 minutes shorter, Heaven's Gate bombed again, and MGM bought out the financially crippled United Artists. The ailing Western genre virtually vanished during the 1980s, Cimino's career never recovered, and Hollywood studios had had enough of bankrolling financially risky ventures by "auteur" directors. Heaven's Gate's reputation recovered somewhat after its video release, as it garnered praise from some viewers for such visually remarkable sequences as the Harvard dance and the final battle, as well as for David Mansfield's haunting score. Steven Bach's book Final Cut provides a full production history. ~ Lucia Bozzola, Rovi
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- Starring:
- Kris Kristofferson, Christopher Walken, (more)

- 1979
- R
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Bette Midler stars as Rose in this somber drama loosely based on the life of the late Janis Joplin. She plays an ill-fated singer who succumbs to the pressures of performing by indulging in drugs and alcohol. Her sweetheart Dyer (Frederic Forrest) is the former chauffeur who naively tries to save her from self destruction, while her British manager Rudge (Alan Bates) is ultimately blamed for not preventing her inevitable fall. The story mirrors any one of a number of popular singers who have fallen victim to the excess of success. Midler and Forrest were nominated for Oscars for their performances, with Best Editing laurels given to Timothy O'Meara and Robert Wolf. The Rose was a box office smash and was the plum role that elevated Midler to star status in the eyes of the public and Hollywood. ~ Dan Pavlides, Rovi
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- Starring:
- Bette Midler, Alan Bates, (more)

- 1978
- R
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One of several 1978 films dealing with the Vietnam War (including Hal Ashby's Oscar-winning Coming Home), Michael Cimino's epic second feature The Deer Hunter was both renowned for its tough portrayal of the war's effect on American working class steel workers and notorious for its ahistorical use of Russian roulette in the Vietnam sequences. Structured in five sections contrasting home and war, the film opens in Clairton, PA, as Mike (Robert De Niro), Nick (Christopher Walken), and Stan (John Cazale, in his last film) celebrate the wedding of their friend Steve (John Savage) and go on a final deer hunt before the men leave for Vietnam. Mike treats hunting as a test of skill, lecturing Stan about the value of "one shot" deer slaying and brushing off Nick's urgings to appreciate nature's beauty. As Mike ruminates post-hunt, the film cuts to the horror of Vietnam, where the men are captured by Vietcong soldiers who force Mike and Nick to play Russian roulette for the V.C.'s amusement. Mike turns the game to his advantage so they can escape captivity, but the men are permanently scarred by the episode. Steve loses his legs; Nick vanishes in the Saigon Russian roulette parlors. Mike returns alone to Clairton a changed man, as he rejects the killing of the deer hunt and finds solace with Nick's old girlfriend Linda (Meryl Streep). Disgusted by the antics of his male cohorts at home, Mike decides to bring Steve back from a veterans' hospital, and he returns to Saigon to find Nick. As Saigon falls, Mike discovers how far gone Nick is; the survivors gather in Clairton for a funeral breakfast, singing an impromptu rendition of "God Bless America." ~ Lucia Bozzola, Rovi
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- Starring:
- Robert De Niro, John Cazale, (more)

- 1974
- R
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As much an eccentric character study as a road movie, Michael Cimino's directorial debut follows the adventures of a quartet of misfits in their life of crime. Retired thief Thunderbolt (Clint Eastwood) and sweet drifter Lightfoot (Jeff Bridges) meet cute when Thunderbolt jumps into Lightfoot's stolen car to escape a gunman. The pair embarks on an oddball journey to get Thunderbolt's loot from an old robbery before his former associates, the sadistic Red (George Kennedy) and cretinous Goody (Geoffrey Lewis), get to it first, but all four are too late; the one-room schoolhouse hiding place has apparently vanished. So instead, the four play house and work legit jobs while they plot to rob the same place Thunderbolt and Red hit before. Although the plan goes awry, Thunderbolt and Lightfoot discover that they may still have succeeded-or so they think. As the easy-going mediator between the two, Eastwood's Thunderbolt was a move away from his tough cop-westerner image; his audience accepted this then-atypical performance enough to turn Thunderbolt and Lightfoot into a moderate hit. Bridges received his second Best Supporting Actor Oscar nomination, but Cimino turned down a subsequent deal with Eastwood, moving instead to his artistic peak with The Deer Hunter (1978) and career nadir with Heaven's Gate (1980). ~ Lucia Bozzola, Rovi
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- Starring:
- Clint Eastwood, Jeff Bridges, (more)

- 1973
- R
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The second Dirty Harry movie, Magnum Force concerns itself with a vigilante group that has targeted notorious scofflaws for extermination. When a prominent gang boss or drug-runner is set free by the airheaded liberal courts, a covert group of "avengers" is soon on hand to blow the miscreant to bits. While detective Dirty Harry Callahan (Clint Eastwood) is no great friend of civil liberties, he is dead set against wholesale murder as a solution to legal loopholes. Discovering that all the killings have been committed by the same weapon, Callahan reaches the conclusion that his on-the-edge partner, Charlie McCoy (Mitchell Ryan), is responsible. But the answer is less transparent than that, as Harry learns almost at the cost of his own life. Co-scripted by John Milius and Michael Cimino, Magnum Force was followed by three additional Dirty Harry installments: The Enforcer (1976), Sudden Impact (1983) and The Dead Pool (1988). ~ Hal Erickson, Rovi
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- Starring:
- Clint Eastwood, Hal Holbrook, (more)

- 1971
- PG
- Add Silent Running to Queue
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Bruce Dern stars as the caretaker of a greenhouse located on a group of space stations that are sent into orbit. The Earth has been stripped clean of foliage, and the greenhouse contains the last remaining greenery from the planet. Dern's staff includes three human beings and a trio of endearing robots named Huey, Dewey, and Louie. When word arrives, from the powers that be, that the greenhouse is to be destroyed (the space station is more valuable to man when hauling cargo and not "preserving the ecology of the universe"), Dern decides to ignore the order. He also decides to go it alone, "circle the wagons" with his robots, and fend off all outside attempts to eliminate his ecological paradise. Special-effects maven Douglas Trumbull directs, Michael Cimino was one of the screenwriters, and Peter "PDQ Bach" Schickele wrote the musical score. ~ Hal Erickson, Rovi
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- Starring:
- Bruce Dern, Cliff Potts, (more)