Howard Christie Movies

This military comedy finds chief petty officer Doc Willoughby (Doug McClure) on board the submarine U.S.S. Bustard. He spends the majority of his off-duty time chasing women, getting in fights and trying to stay one step ahead of the irascible commanding officer. He scatters cockroaches in the captain's quarters in an attempt to gain shore leave to make time with a pretty female. Nancy Kwan is the Japanese nurse who is his love interest, and James Whitmore is the infuriated commander who suspects but is unable to pin anything on the resourceful CPO. ~ Dan Pavlides, All Movie Guide

Never once does Bobby Darin sing "Mack the Knife" or "Splish Splash" in Gunfight in Abilene. Instead, he plays a peaceable western sheriff, determined to stave off an outlaw invasion. The head outlaw is Leslie Nielsen, which makes this film very hard to watch with a straight face these days. The Universal City backlot gets a good workout in the blood-spattered finale of Gunfight in Abilene, which barely made the theatrical rounds before entrenching itself on late night television. The film should not be confused with Gunfighters of Abilene, a 1960 oater starring Buster Crabbe. ~ Hal Erickson, All Movie Guide

Frank Puglia reprises his 1944 role as Prince Cassim for this remake of the Arabian Nights adventure. Ali Baba (Peter Mann) battles against the Mongol invaders and fights for the woman he loves. Footage from the 1944 feature is used to tie the stories together. ~ Dan Pavlides, All Movie Guide

John Gant (Audie Murphy) rides into the town of Lordsburg and quietly checks into the hotel. He doesn't say much, nor does he need to -- his mere presence does the talking. Gant is a killer, a hired assassin, a gunman with 23 dead men to his credit, but he is not a murderer or a criminal; all of his killings have been legal, a result of self-defense when the men he was after drew on him. When he comes to a town, someone dies as surely as if he were the angel of death -- he even tells the town doctor in Lordsburg (Charles Drake) that he's in "a similar line of work," and ends up playing chess with him. Who has he come to "see" in Lordsburg? No one is sure, but as the sheriff (Willis Bouchey) tells his deputy, it will be mighty interesting watching the leading citizens over the next few days. Sure enough, the town banker (Whit Bissell) locks himself in his office with a gun, his business partner starts packing iron for the first time in his life, the man they cheated in their dealings is also going armed; and one guilty cuckold (Warren Stevens) is positive his ex-rival has paid Gant. Less than 12 hours after that, there's no law left in Lordsburg, every dirty little secret in every man's past starts bubbling to the surface, and gunplay has broken out in the streets between the men who think their respective rivals have brought Gant to town. ~ Bruce Eder, All Movie Guide

The 8-year-old "Ma and Pa Kettle Series" came to an end with The Kettles on Old MacDonald's Farm. In her last screen appearance, Marjorie Main is back as Ma Kettle, while Parker Fennelly replaces the defecting Percy Kilbride as Pa Kettle. This time, Ma and Pa try to smooth the path of romance for newlyweds Sally Flemming (Gloria Talbot) and Brad Johnson (John Smith). Despite her wealthy parents' objections, Sally intends to "rough it" with her back-to-the-soil husband by living on the Kettles' old, ramshackle farm. Ensuing comic complications include a set-to with a bunch of crooked loggers and a wild appearance at a rodeo. A worthwhile finale to this durable series, The Kettles on Old MacDonald's Farm was still making the second-run-theater rounds as late as 1960. ~ Hal Erickson, All Movie Guide

A tall horseman (Jock Mahoney) rides into the small town of Arborville, deserted except for redheaded Jody (Luana Patten), who's uncomfortable about it. Outside town, the rider finds all the townspeople working on an oil rig on a small ranch. They're led by Cal Moore (Charles McGraw), and include brothers Aaron (Claude Akins) and Adam Grant (Lee Van Cleef). The stranger asks a few questions, rousing the ire of the hot-tempered brothers, who toss him into a pool of oil. Glossy black but unconcerned, the stranger ambles out and rides back to town. Jody helps him clean up, so he tells her he has come to meet an old Indian who lived on the property where the oil well now is; he's clearly surprised when she refers to the old man, now missing, as Joe Dakota. Meanwhile, the townspeople gather, and we learn that Cal is a newcomer to town, an oil expert who decided to cast his lot with Arborville. We also learn that something happened to the old Indian, and that the townspeople were involved. The townspeople later are horrified when the stranger announces that he owns the land where the oil well is, and that his name is Joe Dakota.

Later, Jody comes to see Joe at the ranch, and reveals that the old man was her friend; she often came out to visit him. Joe tells her that the old man, whom he'd known well some years before, had simply borrowed his name. Jody says that the last time she'd visited the old Indian, he'd been drunk and had attacked (but not raped) her. Egged on by Cal, the townspeople had lynched him. The next day, Joe hangs a noose on the Arborville town sign, and puts a cross on the old man's grave. He explains that he was a captain in the infantry, and the old man was the finest scout he'd ever known. Everyone gathers at the oil well, where Joe explains that it was Cal who had attacked Jody, framing the old man for the crime to get the town to lynch him. He and Cal have a fight, but the townspeople, ashamed of what they've done, side with Joe.

Universal-International turned out quite a number of well-down, medium-budget westerns in the late 1950s, often starring Audie Murphy. This time, however, the lead is former stuntman Jock Mahoney, whom the studio was trying to groom as a star; his easy-going but very masculine personality made him ideal for roles such as this. The movie, co-written by Perry Mason's "Hamilton Burger," (William Talman), seems to owe something to Bad Day at Black Rock, but the plot works well in this context, too. There are good small details, like a wine store instead of a saloon, the town's beloved water trough, and the stranger's midnight shave. Richard H. Bartlett's direction is as low-key as the movie -- scarcely a shot is fired, and few wear guns -- and as likable. Joe Dakota is "just another movie," but it's a very good example of its long-gone kind. ~ Bill Warren, All Movie Guide

George Nader stars as David Carr, a construction engineer operating in the Belgian Congo. In true jingoistic fashion, Carr wants to introduce the local natives to civilzation by re-zoning the Congotanga Falls region. Because this region is currently exempt from extradition, a small colony of fugitive criminals has sprung up. Among these worthies is suspected murderess Louise Whitman (Virginia Mayo), who like her fellow exiles would prefer that Carr not bring the region under the control of the Congolese government. One of these exiles is so anxious to get rid of Carr that he hires Chicago gunman Bart O'Connell (Michael Pate) to do the job. The supporting cast of Congo Crossing is a feast for film buffs, ranging from Peter Lorre as a cynical police inspector to Rex Ingram as a dedicated doctor. ~ Hal Erickson, All Movie Guide

Based on the novel by Kenneth M. Dodson, Away All Boats stars Jeff Chandler as a tough Navy captain who takes charge of a group of raw, undisciplined sailors during World War 2. To keep his men from getting on each other's nerves, Chandler makes himself the target of their excess hatred by assuming the pose of a rigid martinet who cares nothing about his crew's wellbeing. He finds an ally in lieutenant George Nader, who catches on to Chandler's "act" and helps him maintain discipline. The crew survives numerous Japanese air and sea attacks with flying colors. ~ Hal Erickson, All Movie Guide

In this western, the ex-sheriff of Abilene returns from the Civil War a changed man. Traumatized by the horrors of war, the man wants little to do with guns and killing. The veteran sheriff is further disturbed by the fact that during a great battle, he accidentally killed the brother of an old friend. He finally gets back into town to discover that his friend has become a landgrabber, and has also stolen the sheriff's girl friend. Now to stop his greedy pal, the sheriff is forced to forget about his own troubles. ~ Sandra Brennan, All Movie Guide

The best thing that can be said about Abbott and Costello Meet the Keystone Kops is that it's better than the team's previous outing Abbott and Costello Meet Dr. Jekyll and Mr. Hyde. Set in 1912, the film casts Bud Abbott and Lou Costello as a couple of New Yorkers who are swindled out of their life savings by a crooked lout (Fred Clark). Pursuing the villain to Hollywood, the boys discover that the double-dealer is now posing as an autocratic Russian film director. To put A&C out of the way, the crook and his partner in crime (Lynn Bari) hire the boys as stunt men, intending to kill them off at the first opportunity. But the comic duo save the day when they enlist the aid of the Keystone Kops in capturing the fleeing villain, who has absconded with the studio payroll. Pretty dull stuff for most of its 78 minutes, Abbott and Costello Meet the Keystone Kops finally comes to life during the climactic chase, which is every bit as funny and thrilling as anything put together in the silent era. Though the film is rife with anachronisms, a measure of authenticity is achieved by such silent-era guest stars as Mack Sennett (who gets to throw a pie at Costello), Heinie Conklin, Herold Goodwyn and Hank Mann. ~ Hal Erickson, All Movie Guide

Actor Abner Biberman specialized in unpleasant characters; when he turned director in the mid-1950s, he specialized in unpleasant subjects. The Looters is a marked-down variation of the Spencer Tracy film The Mountain. When a plane crashes on Pike's Peak, a group of mercenaries agree to search for survivors. The real motivation of some members of the rescue party is to strip the plane of all valuables, and to dispose of awkward witnesses. But a handful of the crash survivors also have looting on their minds, leading to a bloody clash in the snowy crags. ~ Hal Erickson, All Movie Guide

Tony Curtis was by 1955 an accomplished enough actor to get through the costumed derring-do of The Purple Mask minus the awkwardness he'd displayed in his earlier swashbucklers. Curtis is cast as Rene, a foppish 18th century French nobleman who doubles as the Purple Mask, a Royalist supporter who kidnaps officers of the Republic and ransoms them back to Napoleon (Stefan Bekassy) for a hefty fee. Managing to elude Napoleon's minions through most of the picture, Rene gives himself up only when the love of his life, the beautiful Laurette (Colleen Miller), is placed in danger. Even when facing the guillotine, however, Rene has a few tricks up his lacey, perfumed sleeve. The Purple Mask was based on La Chevalier au Masque, a play by Paul Armont and Jean Manouissi. ~ Hal Erickson, All Movie Guide