Margaret Brewster Movies
This hippie parable, co-written and directed by James Ivory and produced by his long-time partner Ismail Merchant, tries to make a heavy-handed parallel between civilization and corruption. A tribe of nameless natives (played by Sam Waterston, Susan Blakely, Salome Jens and Martin Kove, among others) finds a croquet ball and, rolling it along the ground mystified by what it might be, stumbles upon an estate. They enter and occupy the mansion and don the clothes and trappings of civilized luxury. A dividing line begins to develop between strong and weak tribe members, with the weak becoming subordinate to the others. A lavish party is thrown that resembles nothing so much as a summer weekend gathering of sophisticates. After a game of croquet, however, the natives begin to tire of their masquerade and devolve back into their original, more primitive state, and disappear into the forest. Cinematographer Walter Lassally makes the film's point more blunt and obvious by filming the prologue in black and white and then switching to color once the tribe discovers the estate. One of Ivory's co-writers was Michael O'Donoghue, infamous bad boy of the original Saturday Night Live writing staff. ~ Karl Williams, Rovi
- Starring:
- Lewis J. Stadlen, Anne Francine, (more)
- 1971
In this film that seeks to make a comedy about obscene telephone callers, several callers and their victims are shown. Most of the film is about one of the callers who is so beguiling that before long, many of his victims are hoping that he will call them back. Indeed, one of his victims is so entranced that she exerts considerable effort trying to find him, not for prosecution, but to see how his real-life virility compares with his virtuoso telephoning. One interesting sidelight is that the film contains three members of Andy Warhol's art-gang (including Ultra Violet). ~ Clarke Fountain, Rovi
- 1970
- R
Unwilling to claw his way to the top of the corporate ladder, the college-educated Jonathan (Jordan Christopher) prefers the carefree life of a cab driver. A rebel, he vents his daily frustration by kicking pigeons in the park. The film's rambling plot encompasses such eccentric characters as a naive motorcyclist, a gay interior decorator and a parent-subsidized hippie who embarks upon a bumpy romance with Jonathan, whose lack of commitment proves his downfall. Very much a product of its times (psychedelic camerawork and all), Pigeons was originally released under the strenuously "hip" title Sidelong Glances of a Pigeon Kicker. ~ Hal Erickson, Rovi
- Starring:
- Jordan Christopher, Jill O'Hara, (more)
A jewel thief is at large on the Riviera, and all evidence points to retired cat burglar Cary Grant. Escaping the law, Grant heads to the Cote D'Azur, where he is greeted with hostility by his old partners in crime. All of them had been pardoned due to their courageous activities in the wartime Resistance, and all are in danger of arrest thanks to this new crime wave. But Grant pleads innocence, and vows to find out who's been copying his distinctive style. With the reluctant aid of detective John Williams, Grant launches his investigation by keeping tabs on the wealthiest vacationers on the Riviera. One such person is heavily bejeweled Jessie Royce Landis, who is as brash and outspoken as her daughter Grace Kelly is quiet and demure. But "still waters run deep," as they say, and soon Kelly is amorously pursuing the far-from-resistant Grant. Part of Kelly's attraction to Grant is the possibility that he is the thief; the prospect of danger really turns this gal on. Being Cary Grant, of course, he can't possibly be guilty, which is proven in due time. But by film's end, it's obvious that Kelly has fallen hard for Grant, crook or no crook. Occasionally written off as a lesser Alfred Hitchcock film (did we really need that third-act fashion show?), To Catch a Thief is actually as enjoyable and engaging now as it was 40 years ago. Though the Riviera location photography is pleasing, our favorite scene takes place in a Paramount Studios mockup of a luxury hotel suite, where Grant and Kelly make love while a fireworks display orgasmically erupts outside their window. And who could forget the scene where Jessie Royce Landis disdainfully stubs out a cigarette in an expensive plate of eggs? Adapted by frequent Hitchcock collaborator John Michael Hayes from a novel by David Dodge To Catch a Thief won an Academy Award for cinematographer Robert Burks. ~ Hal Erickson, Rovi
- Starring:
- Cary Grant, Grace Kelly, (more)
- 1953
During the early days of East Indian independence in 1947, a native rebellion threatens a hotel full of Britishers, Europeans and Americans. Gunrunner Alan Ladd could care less about anything other than his own neck. Ladd runs up against the resistance of a pacifist Indian leader (Charles Boyer), who hopes to quell the factional disturbances. Falling in love with Deborah Kerr, blind daughter of missionary Cecil Kellaway, Ladd decides to forego mercenary involvement in India's internal affairs and to shepherd the stranded non-Indians to safety. Paramount was overproducing again in 1951, so Thunder in the East didn't go into release until 1953, at which time its story was outdated enough to result in utter indifference from the paying public. ~ Hal Erickson, Rovi
- Starring:
- Alan Ladd, Deborah Kerr, (more)
- 1953
Even without its 3D/stereophonic sound gimmickry, Second Chance is a crackling good suspenser. Robert Mitchum plays Russ Lambert, a prizefighter who heads to South America to forget a recent tragedy in the ring. Here he meets Clare Shepard (Linda Darnell), who is likewise running away -- not from her bitter memories, but from her boyfriend, a vicious gangster. Also newly arrived in South America is Cappy Gordon (Jack Palance), the cold-blooded triggerman for Clare's ex-beau. After several close calls and near-misses, the three main characters converge in a disabled cable car, high above a deep abyss. Filmed on location at RKO Radio's Mexican facilities, Second Chance takes a while getting started, then rapidly builds to a heart-pounding finale. ~ Hal Erickson, Rovi
- Starring:
- Robert Mitchum, Linda Darnell, (more)
- 1952
Olivia de Havilland and Richard Burton star in this adaptation of Daphne du Maurier's gothic novel. In a reversal of Jane Eyre, it is the hero who arrives at the home of a mysterious woman. Rachel (de Havilland) is the widow of a Cornish man of property (John Sutton), who died in suspicious circumstances. Philip Ashley Burton is the dead man's cousin, who in probing his relative's demise immediately suspects Rachel -- and goes on suspecting her even after he falls in love with her. Going against the inheritance laws of the era, Burton turns over his cousin's estate to Rachel, but she refuses his entreaties of marriage. He soon falls ill, and it is whispered that Rachel has poisoned him. ~ Hal Erickson, Rovi
- Starring:
- Olivia de Havilland, Richard Burton, (more)
