Hal E. Chester Movies

Screened on U.S. television in 2001 as a presentation of Masterpiece Theatre, Take a Girl Like You is a two-part adaptation of English novelist Kingsley Amis' 1959 novel of the same name. The titular "girl" is Jenny Bunn (Sienna Guillory), a beautiful and virginal young woman who has the exhausting habit of inspiring lust in every man (and certain women) whose path she happens to cross. Hailing from England's industrial north, 20-year-old Jenny moves away from home to take a teaching job in a small town just outside of London. After arriving at her lodgings, a room in the house of the acrimoniously married Dick and Martha Thompson (Robert Daws and Emma Chambers), Jenny makes the acquaintance of Patrick Standish (Rupert Graves), the town's resident lothario. Patrick, a Latin teacher at the town's posh public school, becomes immediately obsessed with Jenny and wastes no time in forming a strategy to get her in the sack. Although Jenny is attracted to Patrick, she is also intent on saving herself for marriage. Additionally, she finds herself dealing with the amorous advances of Graham (Ian Driver), Patrick's socially inept Scottish flatmate; Julian Ormerod (Hugh Bonneville), a local millionaire and friend of Patrick's; and Dick, her dodgy landlord. By the end of episode one, Jenny and Patrick are officially dating, but Patrick, who is frustrated by Jenny's steadfast refusal to put out, continues to pursue a sleazy pastime as an unrepentant womanizer.
~ Rebecca Flint Marx, All Movie Guide

This World War II comedy finds Harry Frigg (Paul Newman) as the unwilling volunteer slated to rescue five generals from the clutches of the Germans and Italians. Frigg would rather spend his time goofing off than fighting the war, but his superiors make him a fake general and pack him off to retrieve the top brass. He has a romantic interest in the Countess (Sylva Koscina), an Italian beauty who helps Harry locate the missing officers. Tom Bosley, Andrew Duggan, Charles D. Gray, Jacques Roux and John Williams are the five generals who carry most of the comedy. Normal Fell and Buck Henry excel in small roles as well. General Prentiss (James Gregory) is the brains behind the plan that finds the frustrated Frigg rise to the occasion when he reluctantly accepts his assignment. ~ Dan Pavlides, All Movie Guide

A professor of astronomy, David Garrett (Ian Carmichael), is involved with a highly confidential project to develop missiles. He runs into an old friend from the Soviet Union who is now the world chess champion. As David soon discovers, the champion is with a team working for sinister businessman Hubert Marek (Curt Jugens). Marek intends to have David abducted while making it appear as if the professor has defected. Though he narrowly escapes one trap in England, David must continually ascertain who may be in on the group's scheme if he is to survive. Director Cy Endfield enjoyed much greater success earlier in 1964 with Zulu, his historical action feature about a native uprising in Africa. David Stone wrote the screenplay for Hide and Seek, adapted by Robert Foshko from Harold Greene's story. Stone and masterful cinematographer Gilbert Taylor (A Hard Day's Night, Dr. Strangelove, Star Wars) would soon have another project in common: Roman Polanski's psychological thriller, Repulsion. ~ Kristie Hassen, All Movie Guide

In the British farce School for Scoundrels, Ian Carmichael plays a naïve young loser, Henry Palfrey, who is anxious to get ahead in the world. He enrolls in a "school" that specializes in teaching one-upmanship -- the slogan is "How to win without actually cheating." Through fair means and foul, Henry learns how to come out top dog in any situation, with such experts as (the real-life) Stephen Potter (Alastair Sim) as his guide. A perceptive series of comic blackouts exposing the essential hypocrisy in all walks of life, School for Scoundrels was based on the book by Potter. ~ Hal Erickson, All Movie Guide

In this film, American Professor Dana Andrews investigates a devil-worshipping cult active in England. The cult has apparently been responsible for more than one death in recent months. When Andrews comes too close to the cult for comfort, the devil-worshipping leader slips a cursed parchment into Andrews' research files. This 1958 American release is a re-edit of Tourneur's original 1957 British film. ~ Iotis Erlewine, All Movie Guide

The Weapon is a loose grouping of elements first seen in the 1951 British melodrama The Yellow Balloon. Jon Whitely plays a young London boy who finds a loaded gun in a blitzed-out building. He fires, accidentally shooting a playmate. Believing he's killed his friend, the boy runs away--leading to a relentlessly suspenseful climax. Though filmed in England, The Weapon was geared from the start for primarily American audiences; its producer was Hollywood's own Hal E. Chester, and its adult stars included Steve Cochran and Lizabeth Scott. The script was written by Fred Freiberger, best known to sci-fi followers as the producer of the original Star Trek's third and final season. ~ Hal Erickson, All Movie Guide

Six convicts plan a prison break and are successful, though their ringleader (William Bendix) is injured in the attempt. He promises to share the fortune in gold he has stowed away if they help him get to a doctor. ~ John Bush, All Movie Guide

The direction of Reginald LeBorg and the cinematography of Stanley Cortez go a long way to dissipate the essential tawdriness of Models, Inc. Colleen Gray stars as seductive Rusty Farraday, who maneuvers model-agency owner John Stafford (John Howard) into marriage. Once the matrimonial knot has been tied, Rusty's no-good former boyfriend Lennie Stone (Howard Duff) reenters her life. Stone comes up with a plan to exploit Stafford's gorgeous models for the purposes of what journalist Walter Winchell used to call "feelthy peectures." The girls are forced to pose in the near-nude for the pleasure of the low-lifes who pay Stone for the privilege. Models Inc was hastily assembled by a firm called Mutual Pictures for the grind-house circuit; less than a year after its theatrical release, the film was making the TV Late Show rounds. ~ Hal Erickson, All Movie Guide

The Highwayman is based on the famous narrative poem by Alfred Noyes. The title character, played by Philip Friend, is a bold masked bandit of 18th-century England, who robs from the rich and gives (a little) to the poor. He is loved by Bess (Wanda Hendrix), the lovely daughter of an innkeeper. The film doesn't pick up the plotline of the Noyes poem until some ten minutes before the end. Everyone who read The Highwayman in high school will recall that King George's men camp themselves in the inn awaiting the Highwayman's appearance--and so that Bess won't tip off her lover, they tie her up with a musket aimed at her heart. Bess courageously manages to fire the musket just as the Highwayman approaches, saving his life at the cost of her own. Upon the subsequent death of the Highwayman, he and Bess are reunited in the Hereafter. Fairly pedestrian for the most part, The Highwayman comes to a poignant climax, but it still pales beside the Alfred Noyes original. ~ Hal Erickson, All Movie Guide

Joe Kirkwood Jr. once more plays Ham Fisher's comic-strip creation Joe Palooka. This time around, Joe's faithful girl Ann Howe is essayed by Lois Hall, while James Gleason replaces Leon Errol in the role of Joe's manager Knobby Walsh. The story gets under way when soft-hearted pugilist Palooka witnesses a gangland rubout. Joe is all for testifying, but the police can do nothing: the body has disappeared, and all evidence has been destroyed. Even so, Joe publicly identifies the killers, leading to any number of perilous situations. The climax borrows heavily from the 1944 thriller Murder My Sweet, with a doped-up Joe suffering hallucinations in the boxing ring. Joe's pal Humphrey Pennyworth is played by Robert Coogan, a little chubbier than he was when last we saw him in Joe Palooka Meets Humphrey. ~ Hal Erickson, All Movie Guide

This "Joe Palooka" entry concentrates on Joe's porcine pal Humphrey Pennyworth (played by Robert Coogan, the brother of former child star Jackie Coogan). When soft-hearted pugilist Joe Palooka (Joe Kirkwood Jr.) arrives for a bout in Humphrey's home town, everyone gets sucked into a crooked scheme concocted by duplicitous town mayor Phiffeney (Jack Kirkwood). Nothing is meant to be taken seriously in this one, as indicated by the film's climax, which degenerates into an old-fashioned pie fight. As usual, top billing in Humphrey Takes a Chance is bestowed upon Leon Errol as Joe Palooka's dyspeptic manager Knobby Walsh. Joe's girlfriend Anne Howe is played by Lois Collier, the latest in a long line of actresses to essay this role. Also released as Joe Palooka in Humphrey Takes a Chance, the film was inspired by the "Joe Palooka" comic strip by Ham Fisher. ~ Hal Erickson, All Movie Guide

Monogram's low-budget, high-grossing "Joe Palooka" series carries on in this 66-minute entry. Joe Kirkwood plays Joe Palooka, the soft-hearted pugilist created for the funny papers by Ham Fisher. This time, Joe is framed on a bum rap by a group of gamblers who hope to fix the outcome of an upcoming bout. When Joe manages to clear himself, the gamblers go a step farther by having the scrupulously honest boxer accused of murder. On the lam from the law, Joe is forced to solve the murder himself--and he'd better hurry if he's going to get to the Big Fight on time. Virginia Welles is cast as Joe's love interest Ann Howe, while comedian Leon Errol is afforded top billing as Joe's manager Knobby Walsh. ~ Hal Erickson, All Movie Guide