Patrice Chéreau

This adaptation of Leos Janacek's From the House of the Dead, an opera itself adapted from the work of Dostoyevsky, concerns the stories of people interned in a Russian prison camp. ~ Perry Seibert, All Movie Guide

On the heels of his award-winning, emotionally devastating 2001 drama The Piano Teacher, German filmmaker Michael Haneke weaves this disturbing tale of a family forced into a harrowing confrontation with a group of strangers set against the backdrop of a global apocalypse. In the aftermath of an unseen but catastrophic global disaster, a shaken family slowly makes their way to the presumed safety of a holiday home in the French countryside. Upon arrival, the family discovers their home inhabited by a woman and a horrified man. When a shot rings out, a life is taken, and time seems to stand still. In the aftermath of unspeakable violence, it appears that the only hope for a band of desperate refugees lies in a nearby train station and a locomotive that -- despite their most optimistic hopes and prayers -- may never actually arrive. ~ Jason Buchanan, All Movie Guide

A middle-aged Frenchwoman is either experiencing delusions of grandeur or the full force of destiny in director Tonie Marshall's 2002 romantic drama Nearest to Heaven (Au Plus Pres Du Paradis). When single non-fiction book author Fanette (Catherine Deneuve) accidentally bumps into former schoolmate Bernard (Bernard Le Coq) -- who was smitten with Fanette in school but whose affection remained unrequited -- she is reminded of another man whom she loved intensely. This other man, Philippe, left a huge impression on Fanette as she begins to lose herself in reminiscences over the brief, intense relationship the two experienced. After catching a number of screenings for the 1957 film An Affair to Remember -- which was also Fanette and Philippe's favorite film during their fling -- Fanette gets the notion from what may or may not be a figment of her imagination to go to New York and visit the observation deck of the Empire State Building. Setting out under the pretense of putting the finishing touches on her latest book, she arrives in the States and discovers her usual photographer has been replaced by the single and somewhat attractive male photographer Matt (William Hurt) -- which further confuses Fanette when she eventually develops feelings for him. ~ Ryan Shriver, All Movie Guide

Patrice Chereau (Queen Margot) directed this French drama about a train trip to an artist's funeral. Friends of painter Jean-Baptiste Emmerich (Jean-Louis Trintignant, seen in flashbacks) gather at a Paris railroad station for a four-hour journey to Limoges, where Emmerich wanted to be buried. The dozen travelers include art historian Francois (Pascal Greggory) and his lover Louis (Bruno Todeschini), who develops an interest in teenage Bruno (Sylvain Jacques). Traveling parallel with the train is a station wagon with Jean-Baptiste's body, and this vehicle is driven by Thierry (Roschdy Zem), husband of Catherine (Dominique Blanc), who's on the train with their daughter. Francois plays a taped interview with Jean-Baptiste, revealing his sexual appeal to both men and women. Lucie (Marie Daems) is convinced that she was his main love. Also on board is his nephew, Jean-Marie (Charles Berling) and Jean-Marie's estranged wife, Claire (Valeria Bruni-Tedeschi), After the funeral in "Europe's largest cemetery," the storyline continues in the mansion of Jean-Baptiste's brother, Lucien (also played by Trintignant). With hand-held camerawork for almost two-thirds of the film, the production involved two extra cars connected to a real scheduled train, headed one way in the morning and returning in the afternoon, with cast and crew logging some 12,000 kilometers over two weeks. Source music runs the gamut from James Brown to Jim Morrison. The title refers to the dying words uttered by the painter -- which actually are the last words spoken by filmmaker Francois Reichenbach who died in 1993 (and appropriated here by his friend, co-scripter Daniele Thompson). One of Francois Reichenbach's best-known films (and subject of an entire book) is the documentary Medicine Ball Caravan (aka We Have Come for Your Daughters,1971), a curious effort to duplicate the success of Woodstock (1970) by simply inviting a large number of musicians, hippies, and counterculture types aboard a cross-country train and filming the result. Shown in competition at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide

The historical novel by Alexandre Dumas was adapted for the screen with this lavish French epic, winner of 5 Césars and a pair of awards at the Cannes Film Festival. Isabelle Adjani stars as Marguerite de Valois, better known as Margot, daughter of scheming Catholic power player Catherine de Medici (Virna Lisi). Margot is an heiress to the throne during the late 16th century reign of the neurotic, hypochondriac King Charles IX (Jean-Hugues Anglade), a time when Protestants and Catholics are vying for political control of France. Catherine decides to make an overture of good will by offering up Margot in marriage to prominent Protestant Huguenot Henri of Navarre (Daniel Auteuil), although she also schemes to bring about the notorious St. Bartholomew's Day massacre of 1572, when tens of thousands of Protestants are slaughtered. The marriage goes forward but Margot doesn't love Henri and takes a lover, the soldier La Mole (Vincent Perez), also a Protestant from a well-to-do family. Murders by poisoning follow, as court intrigues multiply and Catherine's villainous plotting to place her son Anjou (Pascal Greggory) on the throne threatens the lives of La Mole, Margot and Henri. The American release version was cut to 145 minutes. ~ Karl Williams, All Movie Guide

Director Michael Mann based this lushly romantic version of the James Fenimore Cooper novel more on his memory of the 1936 film version (starring Randolph Scott) than on Cooper's novel (in fact, Philip Dunne's 1936 screenplay is cited as source material for this film). Set in the 1750s during the French and Indian War, the story concerns Hawkeye (Daniel Day-Lewis), the European-born adopted son of Mohican scout Chingachgook (Russell Means). Hawkeye and his party, which also includes the Mohican Uncas (Eric Schweig), joins up with a group of Britons who have recently arrived in the Colonies. The group consists of Cora Munro (Madeleine Stowe) and her younger sister, Alice (Jodhi May), who are rescued from a Huron war party by Hawkeye. Hawkeye's band accompanies them to the British Fort William Henry, which is being besieged by a French and Huron force. The fort falls to the French, and Colonel Munro (Maurice Roeves) surrenders to French General Montcalm (Patrice Chéreau). The terms of the surrender are that the British merely abandon the fort and return to their homes. However, the French's bloodthirsty ally, the Huron warrior Magua (Wes Studi), has made no such agreement, and, as the British retreat from the fort, he plans to massacre them in a terrible Huron attack. ~ Paul Brenner, All Movie Guide

Amnesty International produced this film, which features more than two dozen greats of French cinema making pleas for the lives of political prisoners around the world. Each filmmaker speaks passionately on behalf of an individual whose life has been warped by political intolerance, imprisonment, torture or murder, as the lives of those prisoners or sufferers are documented onscreen. A variety of directors contributed shorts with this theme, and the ways in which the appeals are dramatized differ markedly from one to the next. ~ Clarke Fountain, All Movie Guide

This big-budget historical epic from acclaimed Egyptian director Youssef Chahine features a crazed turn by Patrice Chereau as Napoleon Bonaparte. The film, an Egyptian-French co-production, deals with Napoleon's occupation of Alexandria and its effect on a typical Egyptian family. Michel Piccoli leads the cast as a general in Napoleon's army who tentatively befriends a local poet. ~ Robert Firsching, All Movie Guide

In 1982, legendary Polish filmmaker Andrzej Wajda fled his homeland and relocated in France to direct this powerful story about the ethical boundaries of power and leadership, which had many parallels to Poland's volatile political situation in the late 1970s and early 1980s. Danton (Gérard Depardieu) and Robespierre (Wojciech Pszoniak) were close friends and fought together in the French Revolution, but by 1793 Robespierre was France's ruler, determined to wipe out opposition with a series of mass executions that became known as the Reign of Terror. Danton, well known as a spokesman of the people, had been living in relative solitude in the French countryside, but he returned to Paris to challenge Robespierre's violent rule and call for the people to demand their rights. Robespierre, however, could not accept such a challenge, even from a friend and colleague, and he blocked out a plan for the capture and execution of Danton and his allies. Wajda remained in France until 1989, when the collapse of Communist rule made it possible for him to return to his homeland. ~ Mark Deming, All Movie Guide

When her old resistance buddies come to her looking for someone to helm a financially troubled liberal newspaper, Judith (Simone Signoret) is at first reluctant, but for this old hero of the French anti-Nazi resistance, challenges are hard to ignore. She takes on the job, mortgaging her house to keep the paper solvent. When things take a turn for the worse, because of concerted opposition by conservative forces, she is forced to sell the paper, and she regards this as a personal failure. ~ Clarke Fountain, All Movie Guide