Ernie Alexander Movies

Ten cents a dance, that's what they pay her -- "her" being downtrodden taxi dancer Barbara (Barbara Stanwyck). The only thing Barbara sells is her time, or at least that's the story she gives her jellyfish husband Eddie (Monroe Owsley). But when wealthy Carlton (Ricardo Cortez) starts making goo-goo eyes at Barbara, Eddie accuses his wife of infidelity. This, in Eddie's mind, provides him with an adequate excuse to steal money from Carlton, which action leads to the no-good husband's downfall. Barbara's fate is more merciful: she ends up with Carlton, with whom she has fallen in love. ~ Hal Erickson, All Movie Guide

The short comedy The Fatal Glass of Beer stars the legendary W.C. Fields as Mr. Snavely, a prospector who is awaiting the return of his prodigal son, Chester, who has been in prison for the last few years. The last time Snavely saw his son was when the boy consumed "The Fatal Glass of Beer," and set out to the Big City in order to pursue a hedonistic life. The film is meant as a spoof of Northern melodramas that Fields enthusiasts have come to regard as an almost surreal masterpiece. ~ Perry Seibert, All Movie Guide

On the day that he is scheduled to perform a violin solo at a swank bridge luncheon held by his social-climbing mother, rich kid Wally Albright opts instead to play football with the Our Gang kids. With Wally's help, the kids win the game, but his expensive clothes are covered with mud. Unofficial "Gang" leader Spanky McFarland declares that he and his pals are perfectly capable of washing Wally's duds on their own --- and the result is a slapstick smorgasbord, culminating in a typically outsized Hal Roach traffic jam. Originally released on September 29, 1934, "Washee Ironee" was the only "Our Gang" comedy helmed by perennial Laurel and Hardy director James Parrott --- which may explain the presence of stalwart L & H supporting players Ellinor Van der Veer and Tiny Sandford in the cast. ~ Hal Erickson, All Movie Guide

Born on the proverbial wrong side of the tracks, Lady Lee (Barbara Stanwyck) rises to prominence as a professional gambler. Though she works in a somewhat shady casino, our heroine enjoys a reputation for utter honesty, refusing all entreaties to turn crooked. Impressed by this quality, wealthy young Garry Madison (Joel McCrea) falls in love with Lady Lee and asks her to become his wife. Madison's friends and family assume that Lady Lee is merely a gold-digger, but she proves them irrefutably wrong when she saves him from a murder charge. According to some sources, Tyrone Power can be spotted in a bit role in this "A-minus" Warner Bros. programmer. Gambling Lady would make an interesting double feature with the later Stanwyck vehicle The Lady Gambles. ~ Hal Erickson, All Movie Guide

Harold Lloyd plays Ezekial Cobb, a missionary's son who has spent his entire life in China. Cobb is sent to his father's home church in California, where it is hoped he will find a wife. A true babe in the woods, Cobb is befriended by politician Jake Mayo (George Barbier). Mayo is a cog in a crooked political machine whose bosses plan to set up a "reform" candidate for mayor, so that they can continue their underhanded activities unmolested. The candidate drops dead, so Mayo sets up the innocent Cobb as the mayor-to-be--a "cat's paw" to deflect attention from the system's corruption. But once elected, Cobb takes his duties quite seriously and begins to clean up the town. The machine frames Cobb with planted evidence of wrongdoing, destroying the lad's political career. Undaunted, Cobb remembers the story of an ancient Chinese leader, who, similarly disgraced, took the law in his own hands and executed all known criminals in his last days of power. Cobb orders that every crook in town be rounded up and brought to a dark cellar. He insists that they confess their crimes or face instant death--and backs up his words by "beheading" two of the crooks on the spot! Actually, these executions are cleverly designed magical illusions, and no one is really killed; but the terrified criminals are so hoodwinked by Cobb's apparent cold-bloodedness that they literally climb over one another to confess. Cobb is exonerated, and honesty is restored to his administration. While not Harold Lloyd's best feature film, The Cat's Paw is definitely his most unorthodox. ~ Hal Erickson, All Movie Guide

Much against his will, Spanky McFarland had been entered in a kiddie talent contest by his ambitious mother (Kitty Kelly). Hoping to dissuade his Mom from forcing him into a theatrical career, Spanky arranges for the other Our Gang kids to "razz" him during the performance, thereby making certain that he'll lose. While backstage, however, Spanky befriends little Marianne Edwards, who desperately needs the prize money to buy a new dress. Stricken by stage fright, Marianne rushes offstage in tears before she can go into her act. Touched by the girl's plight, Spanky is now determined to win the contest and turn the prize money over to the girl--but the other Gang members don't know that, and they're primed to greet Spanky's recitation with a barrage of boos, catcalls, noisemakers and peashooters. As in the previous comedy Our Gang: Mike Fright, this two-reeler scores its biggest laughs by contrasting the pretensions of "professional kids" with the down-to-earthness of the Gang. As an added bonus, this film marks the debut of future series stalwart Carl "Alfalfa" Switzer. "Beginner's Luck" was originally released on February 23, 1935. ~ Hal Erickson, All Movie Guide

Another of MGM's Wallace Beery-Jackie Cooper assault on the tear ducts, O'Shaugnessy's Boy casts Beery as oafish but lovable circus animal trainer Windy O'Shaughnessy. Believing himself happily married to acrobat Martha (Sara Haden), Windy is shocked to discover that Martha has walked out on him with their young son Stubby (Jackie Cooper). Conditioned by his nasty mother and nastier aunt (Leora Maricle) to think that Windy is a no-good, Stubby grows up despising his father, who has been reduced to a mere circus roustabout. Windy's comeback with a brand-new animal act coincides with his lachrymose reconciliation with his beloved so -- but not before one of those nick-of-time rescue scenes so beloved by MGM's scenario department. Cast as "Stubby as a Child" is Spanky McFarland, who like Jackie Cooper was a member of Hal Roach's Our Gang Kids. ~ Hal Erickson, All Movie Guide

This musical drama stars Dick Powell as the son of an admiral (Lewis Stone), who'd rather sing than go to sea. Through the genteel pressures of Powell's girlfriend and nightclub partner Ruby Keeler, Powell dons Navy garb and becomes a hero. Busby Berkeley had nothing to do with this one; the direction was in the capable hands of sentimentalist supreme Frank Borzage. The Borzage touch was particularly noticeable in a heartrending--but non-maudlin--scene in which Ross Alexander is "washed out" as an Annapolis cadet. Shipmates Forever proved to be a treasure trove of background music for the Warner Bros. cartoon department. ~ Hal Erickson, All Movie Guide

When widower Stephen Blake (Melvyn Douglas) and divorcee Edith Farnham (Mary Astor) are the only guests at a snowed-in mountain resort, sports director Snirley (Romaine Callender) and hostess Alma Peabody (Dorothy Stickney) try to promote a romance between Stephen and Edith. However, Stephen's son Tommy (Jackie Moran) and Edith's daughter Brenda (Edith Fellows) think this is a rotten idea and do what they can to prevent them from getting together. ~ Bill Warren, All Movie Guide

Working on the theory that the only thing funnier than Laurel and Hardy is two sets of Laurel and Hardys, Our Relations milks its central mistaken-identity situation for all it's worth. Stan Laurel and Oliver Hardy are two solid citizens, happily married and highly respected in their community. One morning, Hardy receives a letter from his mother, containing an old photo of himself and Laurel with their twin brothers, Alf Laurel and Bert Hardy. Mamma also reveals that Alf and Bert turned out to be "bad lads" and ran off to sea, and that reportedly they'd been hanged for taking part in a mutiny. "Isn't that calamitous!" remarks Hardy, who conspires with Laurel to hide the facts about their no-good brothers from their wives. Meanwhile, in another part of town, the S.S. Periwinkle pulls into port. Among the crew members are the selfsame Alf and Bert, who have decided to entrust their pal Fin (James Finlayson) with their month's salary. Fin has promised to invest the dough so that the boys will become millionaires "before you can say Jack Robinson". Alf and Bert are then summoned to the cabin of their captain (Sidney Toler), who orders them to pick up a valuable package for him, then meet him later at Denker's Beer Garden. While waiting for the captain at Denker's, Alf and Bert are captivated by a pair of waterfront floozies, Alice (Iris Adrian) and Lily (Lona Andre). Talked into buying the girls a huge meal for which they haven't the necessary funds, Alf and Bert decide to go back to Fin and reclaim their money, leaving the contents of the captain's package-a valuable pearl ring-with tough waiter Joe Groagan (Alan Hale) as security. Later, Laurel and Hardy take their wives Betty (Betty Healy) and Daphne (Daphne Pollard) to lunch-and, inevitably, they end up at Denker's Beer Garden, where the equally inevitable mix-ups begin to occur. Things snowball from bad to worse before both sets of twins, an angry captain, a disgruntled Fin, the wives, the floozies, a genial drunk (Arthur Housman) and a brace of smooth gangsters (Ralf Harolde and Noel Madison) all converge at the upscale Pirate Club. Several slapstick complications later, Laurel and Hardy are captured by the gangsters, who threaten to dump the boys in the river with their feet encased in cement if they don't cough up the pearl ring. Alf and Bert come to the rescue, and all is well, at least until the film's boffo punchline. Based on W.W. Jacobs' short story The Money Box, Our Relations is perhaps the most plot-heavy of Laurel and Hardy's features for Hal Roach Studios. It is also one of their funniest, as well as their most lavishly produced. The film was officially listed as "A Stan Laurel Production"-as if Laurel hadn't been the prime creative force behind all of the team's previous films. ~ Hal Erickson, All Movie Guide

Carl "Alfalfa" Switzer, Our Gang's resident crooner, has been preparing for weeks to perform in a radio talent contest. With Spanky McFarland as his manager, Alfalfa is a shoe-in for first prize -- until neighborhood bully Butch (Tommy Bond), who intends to perform a violin solo on the same radio show, threatens to blacken Spanky's eye unless Alfalfa withdraws from the contest. The terrified Spanky convinces Alfalfa that he has "a frog in his throat" and will be unable to perform. Eventually, however, Spanky's conscience gets the better of him, and he urges Alfalfa to sing anyway -- with surprising results. In the early scenes of the serial, the viewer is given a guided tour of the Gang's paste-and-paper "voice studio" (complete with Darla Hood as receptionist and Eugene "Porky" Lee and Billy "Buckwheat" Thomas as go-fers). Framing Youth was originally released on September 11, 1937. ~ Hal Erickson, All Movie Guide

One Hour to Live affords John Litel, usually cast as rock-solid businessmen and incorruptable attorneys, the opportunity to play a double-dyed villain. Litel is cast as crooked fight manager Rudy Spain, who orders the murder of a boxer (Jack Carr) who has turned honest. By having his dirty work done by his sinister henchman Stanley Jones (Paul Guilfoyle), Spain remains above suspicion-to everyone but police lieutenant Sid Brady (Charles Bickford), who's still sore that Spain stole his girlfriend Muriel (Doris Nolan) away from him. Spain eventually manages to incriminate himself by trying to kill Muriel, but as it turns out, he is only a small cog in a much larger criminal machine. And when Lt. Brady finds out who's really the brains behind that machine, is he in for a surprise (as is the audience!) ~ Hal Erickson, All Movie Guide

Dr. Kildare's Crisis is actually one suffered by his fiancee, nurse Mary Lamont (Laraine Day). Mary's financier brother Douglas Lamont (Robert Young) is subject to unpredictable seizures, and for a while it seems that he is suffering from hereditary epilepsy. This being 1940, Douglas' affliction carries an onus which seriously threatens the impending marriage between Mary and Jim Kildare (Lew Ayres); after all, who knows how their children will turn out? But by using an unorthodox therapeutic method, Dr. Kildare proves that Douglas' medical condition was borne of an accident rather than a genetic disorder. The final diagnosis is rendered by crusty Dr. Gillespie (Lionel Barrymore), who thereby manages to justify his appearance in the film in the very last reel. ~ Hal Erickson, All Movie Guide