Matthew Chapman Movies

Shauna (Liv Tyler) has two men competing for her affections -- one a Christian named Joe (Patrick Wilson), the other an atheist named Gavin (Charlie Hunnam). Events transpire in such a way that Gavin ends up on the ledge of a tall apartment building and Joe gives him one hour to jump to his death or another person is going to die. All the while, a police officer (Terrence Howard) tries to talk Gavin off of the ledge. The Ledge was directed by Matthew Chapman. ~ Jason Buchanan, Rovi

Three people attempt to bend justice for their own purposes in this drama based on the best-selling novel by John Grisham. After a man dies in a shooting incident, his wife files a lawsuit against the company that manufactured the gun, with her lawyer, Wendell Rohr (Dustin Hoffman), arguing that the firm in question knew the shop which sold the weapon was not following federal regulations pertaining to the sale of firearms. As the case goes to trial, the firearm manufacturer is taking no chances on the outcome of a potentially devastating case, and they hire as part of their legal team Rankin Fitch (Gene Hackman), a "jury consultant" who makes it his business to see that he knows enough about the jurors to be able to guarantee the result of the trial. Fitch and his team have learned incriminating secrets about nearly everyone hearing the evidence, but Fitch discovers two factors he wasn't counting upon -- Nick Easter (John Cusack), the jury member who appears to have an agenda all his own, and Marlee (Rachel Weisz), a mysterious woman who has her own plans regarding bending the jury to her will. Bruce Davison, Jeremy Piven, and Bruce McGill round out the supporting cast. Incidentally, in John Grisham's original book, the case was filed against a cigarette manufacturer, but the producers opted to adjust the story after several real-life trials against tobacco companies. ~ Mark Deming, Rovi

When New York psychiatrist Bill Capa (Bruce Willis, in an uncharacteristically un-smirking performance) visits Los Angeles to take over his murdered colleague's therapy group, he finds himself embroiled in the thick of a mystery when he bumps into (literally) Rosa (Jane March) and begins a torrid affair. Double-identities, death threats and love scenes abound as he delves deeper into the case to uncover the truth about his friend's death. ~ Jeremy Beday, Rovi

A normally gentle photojournalist becomes a raging vigilante down in Rio following the death of the gentle prostitute he had befriended. ~ Sandra Brennan, Rovi

Slow Burn, directed by Matthew Chapman, a well-above average, made-for cable-TV mystery thriller tells the story of a detective and his search for the missing son and ex-wife of his client. Based on a novel by Arthur Lyons, and well-directed by Matthew Chapman this intelligent thriller follows detective Jacob Ash (Eric Roberts) as he investigates the disappearance of Donnie (Johnny Depp) the missing son of his client Gerald McMurty (Raymond Barry) and his ex-wife artist Laine Fleischer (Beverly D'Angelo) during a routine visit to Las Vegas. As the investigation continues Jacob discovers an intricate web of deceit and betrayal that leads to a murder which Jacob must solve. D'Angelo, frequently underrated, is top notch in her role of the frightened woman who may have secrets. Roberts, who can be uneven, is successful in creating an engaging and sexy character who has a good deal of appeal and a good chemistry with D'Angelo. Slow Burn is a surprising, engaging thriller with good performances and an intelligent premise and is highly recommended. ~ Linda Rasmussen, Rovi

Matthew Chapman wrote and directed this hackneyed love story with Helen Mirren as Beaty, a nightclub hostess who turns tricks. Emory (John Shea) is an expatriate American who works the lights at Beaty's nightclub and is in love with her. But Beaty cannot deal in flowery sentiment, especially since she needs money, not romance, to support her young son. But Emory sees a way to attain money and romance -- he plans to execute a drug deal with his low-life partner and use the proceeds to take Beaty and her son away from the degenerate surroundings and into the light-of-day in the English countryside. But unfortunately, things do not go as planned. ~ Paul Brenner, Rovi