Sydney Chaplin Movies
Sydney Chaplin's acting career is perhaps more comparable to that of his namesake uncle than to his internationally loved father Sir Charles Chaplin. The second son from his father's ill-fated marriage to young actress Lita Grey, Sydney and his elder brother Charles Jr. were raised by Grey following her divorce from the elder Chaplin. The young actor got his start in his father's Limelight (1952) following military service. He later went on to appear in his father's swan song, A Countess From Hong Kong (1964). Chaplin appeared regularly in films of varying quality through the mid-'70s. He is also noted as a stage actor and has starred in several Broadway musicals including Bells Are Ringing and Funny Girl. ~ Sandra Brennan, All Movie Guide
"Nobody knew how a Pharaoh talked!" That's how producer/director Howard Hawks explained some of the sillier dialogue exchanges in the William Faulkner-Harry Kurnitz-Harold Jack Bloom script for Hawks' Land of the Pharaohs. Extravagantly produced with a cast of seeming millions (actually there were some 10,000 extras), the film speculates on the circumstances surrounding the construction of the Great Pyramids of Egypt. Jack Hawkins plays the Pharaoh, who orders enslaved architect James Robertson Justice to build a magnificent, thief-proof tomb for him. At first, the people of Egypt willingly pitch in to construct the huge pyramid. But as the years roll by and the work shows no signs of abating, the Pharaoh begins relying upon forced labor from lands he has conquered. He also plunders the coffers of his neighboring countries. Cyprus can't pony up the necessary gold, so the country sends luscious Joan Collins (complete with a jewel in her navel) as a "present" for the Pharaoh. Fascinated by the spitfire Collins, the Pharaoh makes her his second wife. What he doesn't know is that Collins is just as much a predator as she would be in the TV series Dynasty. Hoping to gain all of the Pharaoh's kingdom and the riches therein, she stage-manages her husband's death. After the funeral procession, the Pharaoh is sealed in his tomb by a series of sand-operated weights, levers and pulleys (this speculation as to how the Pyramids were closed is the most fascinating part of the film). Collins watches in barely controlled glee; she isn't yet privy to the Egyptian custom of entombing the Pharaoh's widow alive, along with her husband's body--but she soon will be. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Hawkins, Joan Collins, (more)
London, 1914. Calvero (Charles Chaplin), a once-great music hall comedian, weaves drunkenly home to his shabby flat. As he arrives home, he is suddenly sobered by a bad smell. It isn't his shoes, as he originally assumes, but the smell of gas, emanating from behind a locked door. Calvero smashes his way in, finding the unconscious Terry (Claire Bloom). Carrying the girl to his attic apartment, Calvero revives Terry, then asks why she is so determined to kill herself. The girl explains that she has always dreamed of becoming a great dancer, but her legs are paralyzed. Calvero vows to raise enough money to help the girl. He goes back on stage, where his old-fashioned act is greeted with a riot of silence. Now it is Terry's turn to encourage Calvero to go on living-and in so doing, she regains the use of her legs. Hired by the Empire theatre corps de ballet, Terry arranges for the management to hire Calvero as a supernumerary. Impresario Postant (Nigel Bruce), not recognizing the famous Calvero in clown makeup, fires him. Only after Terry pleads with Postant to give Calvero another chance does the producer relent, securing a comeback appearance for the ageing comedian and his old partner (Buster Keaton). Calvero's antics bring down the house, just like the old days, but the effort is too much for the old fellow, and he collapses backstage. As Calvero dies, he proudly watches his protegee Terry carry on the "show must go on tradition" by dancing for the crowd. Thanks to the political climate of the time, Limelight was denied a wide distribution; in fact, it didn't play Los Angeles until 1972, twenty years after its completion. At that time, Chaplin's theme music, which had gained popularity on the "hit parade," was honored with an Academy Award. While the film has moments of unmatched hilarity (especially during the fabled Chaplin-Keaton teaming towards the end), the elegiac tone of Limelight was best summed up by critic Andrew Sarris: "To imagine one's own death, one must imagine the death of the world, that world which has always dangled so helplessly from the tips of Chaplin's eloquent fingers." ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Chaplin, Claire Bloom, (more)
