Roy Chanslor Movies

Never mind the title Bengal Tiger; Warner Bros. wasn't about to make a full-fledged jungle epic on a B-picture budget, so most of the action takes place in a stateside circus. At base, the film is Warners' 1936 edition of its 1932 hit Tiger Shark, resurrecting the "old guy and young guy battling over the same girl" bit. Animal trainer Barton MacLaine and his younger assistant Warren Hull duke it out over beautiful June Travis. Things come to a pretty pass when the titular tiger escapes during a circus fire. MacLaine is ingested while trying to corral the beast, and Hull ends up with the girl. ~ Hal Erickson, All Movie Guide

This action film is set in Asia during World War II and follows the exploits of a truck driver who must investigate the mysterious death of his younger brother. The trucker had been driving in convoys along the dangerous Burma Road between Rangoon and Chungking for a long time when he decided it was time to return to the U.S. and become an auto mechanic. Unfortunately, he is delayed by his younger brother who arrives in the country. Apparently he is mixed up in some kind of international intrigue and gets killed. The older brother eventually discovers a ring of Eurasian hijackers conspiring to thwart the convoys that deliver vital supplies. ~ Sandra Brennan, All Movie Guide

When director Julien Duvivier's episodic, all-star drama Flesh and Fantasy proved a bit too long in previews, Universal decided to remove the film's opening segment, which dealt with the foredoomed romance between an escaped criminal and a blind girl. Because this segment was too good to waste, the studio hired screenwriter Roy Chanslor to come up with additional material and Reginald LeBorg to direct a few new scenes, so that the episode could be released as a separate feature film. The result was the 65-minute Destiny, a curious melange of the sublime and the banal. The Duvivier-directed footage stars Alan Curtis as fugitive-from-justice Cliff Banks, who hides from the authorities in the farmhouse owned by kindly Clem Broderick (Frank Craven). Clem's daughter Jane (Gloria Jean), blind from birth, "sees" only the good in the outwardly unsavory Cliff, so it isn't surprising that the two fall in love. This tender little episode was supposed to have ended tragically, but Universal insisted upon a few "framing" scenes, directed by LeBorg, wherein Cliff is shown to be innocent of the crimes for which he has been imprisoned, and which allowed Cliff and Jane a happy denouement The stylistic schism between the "old" and "new" scenes is glaringly obvious; still, what's left of the original Duvivier footage is terrific, with Alan Curtis and Gloria Jean offering the finest performances of their screen careers. ~ Hal Erickson, All Movie Guide

A talented cast hacks its way through a so-so script and miles of stock footage in Universal's Drums of the Congo. In the heart of Africa, naval intelligence officer Kirk (Don Terry) searches for a rare metal vital to the war effort (just why it's vital is never thoroughly explained). He is aided in his quest by missionary Ann Montgomery (Ona Munson) and by dishevelled "bwana" Congo Jack (Stu Erwin). Alas, a couple of minions of the Third Reich are also after the elusive metal, and they're not above committing murder to get what they want. The most novel aspect of Drums of the Congo is the casting of likeable, fresh-faced Universal ingenue Peggy Moran as one of the villains. ~ Hal Erickson, All Movie Guide

In this high-seas adventure, a woman creates a great rift between old friends: an experienced older diver, and his younger protege. They become enemies when a gold-digger marries the latter. She soon leaves him in favor of a wealthy yachtsman. She is aboard his boat when an accident occurs. The two divers must salvage the costly boat before it sinks. Trouble ensues when the older diver gets his foot trapped between iron beams on the foundering ship. Meanwhile, on the surface, a large storm is brewing. The salvage crew wants to leave the stricken diver and get safely back to port, but the younger diver, remembering their friendship, risks it all to save him. Just as he frees his friend with an underwater torch, the corpse of the troublemaking woman floats by. ~ Sandra Brennan, All Movie Guide

Flying Cadets is basically a vehicle for William Gargan and Edmund Lowe, doing a Flagg-and-Quirt act as a pair of eternally bickering ex-WWI pilots. The "official" plot is carried along by Frank Albertson as Bob Ames, a young airplane fancier who hopes to create a school for aspiring aviators. He also wants to land a government contract for the development of a speedy new aircraft that he's designed in his spare time. Both of these goals are intertwined when Ames is able to establish his school, with grouchy-but-loveable Trip (Gargan) as his assistant and Trip's grouchier-but-more loveable brother Rocky (Lowe) as chief flying instructor. Flying Cadets has the "look" of one of Universal's Richard Arlen-Andy Devine adventure quickies, even down to its heavy reliance on stock footage. ~ Hal Erickson, All Movie Guide

Front Page Woman was one of those bread-and-butter vehicles that forced Bette Davis to go on strike against Warner Bros., demanding more worthwhile scripts. On its own terms, the film is a briskly entertaining newspaper yarn about two warring reporters (Davis and George Brent). In their efforts to out-scoop each other, Bette and George frequently land in hot water, especially after phoning in contradictory information concerning a murder trial. In the climax, Davis and Brent are both sent to cover a spectacular fire. While competing over interviews and evidence, the two newshounds discover that they're in love with each other. Front Page Woman was remade nearly scene-for-scene as the "Torchy Blaine" B picture Blondes at Work (37). ~ Hal Erickson, All Movie Guide

Goddbye Broadway is wrapped up by two stage & screen veterans, Alice Brady and Charles Winninger. The stars play vaudevillians Molly and Pat Malloy, who are suckered into investing $4000 in a ramschackle New England hotel. After a variety of predictable but amusing complications, the Malloys turn the tables on the sharpsters (Jed Prouty and Frank Jenks) who unloaded the property on them. Radio fans will enjoy seeing comedian Tommy Riggs, whose squeaky-voiced "Betty Lou" alter ego was a major airwaves attraction throughout the 1930s and 1940s. Directed by Leo McCarey's brother Raymond, Goodbye Broadway is based on James Gleason's 1927 stage comedy The Shannons of Broadway, previously filmed in 1929. ~ Hal Erickson, All Movie Guide

In this drama, a press agent loses his job and becomes a Hollywood radio columnist. He is angry about having to change careers and ends up launching a smear campaign upon the actor who got him fired. He begins by announcing that the star's brother is a gangster. This causes the star to be blackballed. The columnist's wife begs him to stop, telling him that she will leave him if he doesn't. He does and peace is restored. ~ Sandra Brennan, All Movie Guide

An inordinate number of Hollywood detective films--including virtually the entire Bulldog Drummond series--extracted humor from the notion of "coitus interruptus." Honeymoon Deferred is the self-explanatory title of a 1940 Universal programmer. Edmund Lowe plays a private detective, newly married to the toothsome Margaret Lindsay. Just as they've settled into their honeymoon hideaway, Lowe's boss is murdered. Thus he heads off to suspectville, while wifey fumes and plays solitaire. If Honeymoon Deferred were any more lightweight, it would float away. ~ Hal Erickson, All Movie Guide

One of the strangest westerns on record, Johnny Guitar has less in common with Zane Grey than it does with Sigmund Freud and Krafft-Ebbing. The title character, played by Sterling Hayden, is a guitar-strumming drifter who was once the lover of Arizona saloon-owner Vienna (Joan Crawford). Though her establishment doesn't make a dime, Vienna doesn't care because the railroad is going to come in soon, bringing a whole slew of thirsty new customers. This puts her at odds with bulldyke rancher Emma Small (Mercedes McCambridge), who doesn't want any new settlers on her land. Hating Vienna with a purple passion, Emma will do anything to drive her out of the territory...and even worse, Emma's got the law and the other ranchers on her side. Hoping to keep Emma at bay, Vienna hires Johnny Guitar, who unbeknownst to everyone else in town is a notorious gunslinger. But Johnny prefers to bide his time, waiting for Emma to strike before he makes his move. As a result, Vienna endures several life-threatening experiences, culminating with a feverish chase through the Arizona wilds with lynch-happy Emma and her minions in hot pursuit. According to most sources, the animosity between Joan Crawford and Mercedes McCambridge was quite real, added several extra dimensions to their scenes together. Director Nicholas Ray and screenwriter Philip Yordan stuff the film with so much sexual symbolism that one wonders why they left out a train going into a tunnel. Ms. Crawford's vivid red-and-blue wardrobe scheme was later appropriated by Ray for James Dean in Rebel Without a Cause--with equally stunning results. In addition to the stars, Johnny Guitar is well stocked with reliable supporting players, including Ernest Borgnine, Ben Cooper, Royal Dano (superb as a consumptive, book-reading hired gun) and Paul Fix. ~ Hal Erickson, All Movie Guide

The all-purpose title Man Hunt was trotted out for this 1936 Warner Bros. "B". Aging country newspaper editor Chic Sale is laughed off by the rest of his community for his tall tales. When an escaped Public Enemy (Ricardo Cortez) shows up in the vicinity, Sale decides to prove his worth by tracking down the criminal himself. The G-Men on the case tell Sale to mind his own business, but it is the old codger who collars Cortez and drags him in. No one made gangster pictures as well as Warner Bros., so even a low-priority item like Man Hunt has its moments. ~ Hal Erickson, All Movie Guide

Universal's standing Show Boat sets get another workout in the 60-minute B-picture Mississippi Gambler. On the trail of mob hitman Mathews (Douglas Fowley), reporter Johnny Forbes (Kent Taylor) journeys from New York to Mississippi. Here he finds big-time gangster boss Carvel (John Litel), long thought dead but actually living pseudonymously as a respectable plantation owner. Despite his civilized veneer, Carvel continues mastermining his criminal empire, including a chain of gambling emporiums. With the help of leading ladies Beth (Frances Langford) and La Verne (Claire Dodd), Forbes manages to trap Carvel in his own den. Shemp Howard shows up as a zany taxi driver, doing a lot more for the film than it does for him. ~ Hal Erickson, All Movie Guide