Terence Chang Movies

A wealthy man and a beautiful and hard-working woman fall in love and then face their class distinctions in this romantic melodrama from director Michael Mak. Irene Wan plays an attractive nightclub hostess struggling to support her small baby and two siblings. One day a good-looking young man (Andy Lau) who works in a hospital comes into the club and eventually, the hostess and he fall in love. When she goes to his home to meet his exceptionally wealthy parents, she is overcome by insecurities about her own impoverished background and lack of education -- and the first possible rift between the two lovers begins to form. Portrayed with more honesty than the usual Hong Kong commercial film, this story does not overindulge in the histrionics common to most melodramas. ~ Eleanor Mannikka, All Movie Guide

Though John Woo's lifelong admiration of Sam Peckinpah, Sergio Leone, Martin Scorsese, and Stanley Kubrick are also evident in this stylish actioner, the film is essentially a tribute to Jean-Pierre Melville and his cult thriller Le Samouraï. During a restaurant shoot-out, hitman Jeff (Chow Yun-Fat) accidentally hurts the eyes of a singer (Sally Yeh). Later, he meets the girl and discovers that if she does not have a very expensive operation very soon, she will go blind. To get the money for the surgery, Jeff decides to perform one last hit. The cop (Danny Lee), who has been chasing Jeff for a long time, is determined to catch him this time. The film's number of victims makes The Terminator or Rambo pale in comparison, but its brilliant visual style and bravura direction earned accolades even from non-action fans. ~ Yuri German, All Movie Guide

Hard-Boiled is the last film directed by Hong Kong action auteur John Woo before his arrival in the U.S. This 1992 thriller, along with The Killer, is widely seen as one of his best from his Hong Kong days. Every ingredient of the quintessential Woo thriller is present, including his ever-present anti-hero (Chow Yun-Fat). Yun-Fat portrays a maverick, clarinet-playing cop nicknamed "Tequila" whose partner is killed in the dizzying chaos of a restaurant gunfight with a small army of gangsters. It is soon revealed that one of the mob's high-ranking assassins is Tony (Tony Leung), an undercover cop who, despite his badge, is dangerously close to the edge. Tequila and Tony must team up in a tense partnership, and their common pursuit of a vicious crime lord results in a brilliantly elaborate climax in a hospital, where the heroes must rescue newborn babies from the maternity ward while fighting off dozens of mob soldiers. The characters Tequila and Tony are two sides of the same coin, another trademark theme of Woo's films that would later be most fully realized with Nicolas Cage and John Travolta in the American hit Face/Off. ~ Jonathan E. Laxamana, All Movie Guide

Hong Kong director John Woo's second U.S. film (his first was Hard Target) delivers a number of exciting action sequences but is let down by a credibility-straining plot. John Travolta plays Vic Deakins, an Air Force pilot on what is supposed to be a routine night flight mission with his co-pilot, the younger Riley Hale (Christian Slater), whom Deakins constantly kids for lacking the "will to win." Deakins is actually a traitor who crashlands their Stealth Bomber in Death Valley so that he can steal two nuclear warheads onboard and sell them to terrorists who plan to blackmail the government. Deakins meets up with his cohorts, who have been waiting in the park, while Hale survives and teams up with a young, attractive park ranger (Samantha Mathis) to foil Deakins's plans. Plenty of action ensues, with car chases, collapsing mine shafts, fights on burning trains, and even the underground detonation of a nuclear device. Despite the script's implausibilities and inconsistencies, Woo amply displays the expertise with action sequences and man-to-man conflict that has made his Hong Kong films cult favorites. ~ Don Kaye, All Movie Guide

This Canadian action-adventure series debuted in its home country as a two-hour pilot on September 29, 1996, before settling into its weekly, 60-minute time slot on September 15, 1997. The action fluctuated between Vancouver and Hong Kong, focusing on a pair of daring and sexy professional thieves, Mac Ramsey (Ivan Sergei) and Li Ann Tsei (Sandrine Holt). Groomed from childhood to perform their acts of larceny on behalf of an international crime cartel, Mac and Li Ann eventually reformed when they were involuntarily recruited into a secret crime-fighting organization, presided over by the Director (Jennifer Dale). Likewise rechannelling his talents for good rather than evil was Li Ann's new fiancé, ex-cop Victor Mansfield (Nicholas Lea), whose presence heightened the sexual tension between the two main protagonists. The 22-episode series was syndicated throughout the world beginning in the late '90s, but audiences in the U.S. were denied the project until it entered Stateside syndication during the week of September 30, 2002. ~ Hal Erickson, All Movie Guide

Music video and TV commercials director Antoine Fuqua made his feature directorial debut with this action thriller starring Hong Kong superstar Chow Yun-Fat. Chinese immigrant John Lee (Yun-Fat) has a violent past as a professional killer. It brings him only remorse, but it makes him the ideal assassin. In exchange for his family's safety, Lee is forced to take a job with a powerful underworld figure, Asian crime kingpin Terence Wei (Kenneth Tsang), who wants Lee to settle a deadly vendetta against police detective Stan Zedlov (Michael Rooker) by killing Zedlov's seven-year-old son. At the last minute, with the boy in his sights, Lee chooses to face Wei's vengeance rather than go through with the killing. In addition to making Lee a target, the decision also endangers his mother and sister back in Shanghai. Planning a return to China, he visits document forger Meg Coburn (Mira Sorvino) to get a phony passport, but they are interrupted by Wei's army of killers, and a lengthy chase and gun battle is set in motion.

Director Fuqua stressed to his team that the aim was to design a "Taxi Driver for the 1990s," with production beginning February 10, 1997 in downtown Los Angeles, and the first shoot at the historic Mayan Theater, refurbished into the trendy nightclub for the film's stylish opening scene with hundreds of extras carousing while Lee guns down Romero (Carlos Leon) at close range. The eight-story, nearly condemned Giant Penny building in the heart of L.A. served as locations for a police station interior, a hotel room, and Meg Coburn's office, and a chaotic gunfight was filmed amid the spray, brushes, and hoses of Joe's Car Wash in LA. The art department transformed one area into a Chinatown-like streetscape of damp, narrow alleys, and blinking red neon lights, site of a night filming where Yun-Fat shot off 546 rounds with two guns, one in each hand, while the repetitive action left his hands blistered and shaking. More gunplay was at a video arcade replicated at the original Lawry's center just north of downtown L.A., and Lee's tranquil Buddhist temple was fashioned under this same roof. In addition to physical training, Mira Sorvino, who had never handled a gun prior to this film, took weapons training to prepare for her role. Sorvino majored in Asian studies at Harvard, speaks Mandarin, and lived for eight months (1988-89) in Beijing, where she studied Chinese, taught English, and saw Chinese films, including Hong Kong action films. She felt The Replacement Killers brought her a step closer to her goal of making a film in Mandarin and working with a Chinese director. ~ Bhob Stewart, All Movie Guide

Nick Chen (Chow Yun-Fat) was the first Chinese-born immigrant in the NYPD, and is now one of the force's most decorated officers. As such, he's been named leader of the city's Asian Gang Unit, who are the primary peacekeepers in Chinatown. Trouble has just arrived for the Triads, the long-entrenched Chinese gangsters who are the real power behind Chinatown. After years of posing as honest businessmen, the Triad's powers are threatened by the newly arrived Fukienese Dragons. With a gang war on the horizon, the city sends a new recruit, Danny Wallace (Mark Wahlberg), to join Chen's unit. Danny finds Chen and the AGU in a very comfortable (perhaps too comfortable) relationship with the Triads. When the mobsters attempt to corrupt Danny, Chen must reassess his relationship with the Triads, and Danny must also learn that certain concessions must be made to ensure the peace in this world set apart from the rest of New York. ~ Ron Wells, All Movie Guide

Director John Woo brings Hong Kong-style martial arts action to this comic book-flavored sequel that eschews the complicated plot and political maneuverings of its predecessor in favor of pure, adrenaline-charged thrills. Tom Cruise returns as Ethan Hunt, an operative for the top-secret government agency IMF (Impossible Missions Force). Fellow agent Sean Ambrose (Dougray Scott) has gone rogue, stealing a sample of a deadly synthetic virus named Chimera that could rapidly wipe out the world's population. Ambrose's plan is to sell Chimera to the highest bidder in exchange for shares of stock in the winner's company. Summoned by the new IMF chief (Anthony Hopkins in an uncredited cameo role), Ethan is assigned to recruit the help of Ambrose's former lover Nyah Nordoff-Hall (Thandie Newton), a gorgeous woman who left Ambrose broken-hearted and who may be able to quickly regain his confidence. Once he meets and spends a night with Nyah, however, Ethan is smitten, and now must both capture Ambrose and keep Nyah alive as she infiltrates a nest of vipers. Sophisticated disguises, gun battles, and high-speed chases are the order of the day, very much in the James Bond mold. Mission: Impossible 2 is based on a story by Star Trek: The Next Generation writers Ronald D. Moore and Brannon Braga, with a script polish by Robert Towne. ~ Karl Williams, All Movie Guide

John Woo directs the sci-fi action thriller Paycheck, based on a story written by Philip K. Dick in 1953. Waking up with his short-term memory erased, engineer Michael Jennings (Ben Affleck) learns that he has been doing highly secretive work for the last three years in exchange for billions of dollars. But when he tries to get paid, he finds out that he himself had previously exchanged the money for an envelope of random clues to his life. Chased by an FBI agent (Michael C. Hall) and his old boss Rethrick (Aaron Eckhart), Michael uses the clues to find out his identity and prove his innocence. Uma Thurman appears as his love interest and partner, Rachel. ~ Andrea LeVasseur, All Movie Guide

Omnibus films attained renewed popularity during the 1990s and 2000s; this particular seven-episode film-a-sketch arrived during that period, and involved several top-tiered international filmmakers including John Woo, Spike Lee, Ridley Scott, Emir Kusturica and three others. Each helmer was asked to shoot a segment of between 16-18 minutes in length, for UNICEF, on the subject of exploited and/or underprivileged children around the world. The package opens with "Tanza," helmed by Algerian novelist-cum-filmmaker Mehdi Charef and shot in Burkina Faso. It concerns the 12-year-old female title character - an adolescent freedom fighter - who trollops through the countryside accompanied by young male guerilla fighters who spout off deliberately nonsensical English-language dialogue. Kusturica takes the reins for the second segment, "Blue Gypsy," an overtly comical episode in the vein of Time of the Gypsies about a precocious young boy who makes the split from his alcoholic father and thieving family and goes to live in a juvenile detention center, finding it preferable to home. The third episode, helmed by co-producer Stefano Veneruso and entitled "Ciro," recalls neorealismo with its Naples-set tale of a young boy unloved and systematically neglected by his mother, who resorts to spending time with other neglected children and stealing watches, and then gets caught in the direst of ways. The fourth segment, Spike Lee's delicately-handled "Jesus Children of America," stars Hannah Hodson as Blanca, a young Brooklynite ostracized by her peers because her parents are junkies; when she learns of her HIV-positive status, her world crumbles. For the 5th episode, "Bilu and Joao," Brazilian director Katia Lund casts child actors Francisco Anawake de Freitas and Vera Fernandes as two impoverished tykes whose days involve walking around the outskirts of Sao Paulo and pulling a wooden cart, into which they pile aluminum and paper - but do so joyously, with the courage and grace of two individuals delighting in subhuman work despite the direst of circumstances. For the sixth segment, "Jonathan," Ridley Scott teams up to co-direct with daughter Jordan Scott; the episode stars David Thewlis (Naked) as an emotionally-traumatized war photographer who encounters a band of Eastern European orphans. And the closer, John Woo's "Song Song and Little Cat," studies the contrast between the lives of two young Asian girls from polar opposite ends of the socioeconomic spectrum: Oi Ruyi is Little Cat, an abjectly impoverished child discovered in the garbage, during infancy, by a homeless man; she grows up helping her discoverer forage for victuals until he dies, leaving her aimless and bereft. Woo cuts between her story and that of Song Song, a wealthy and pampered little girl whose story is equally tragic in its own way, as her parents are undergoing a bitter divorce. Though this film, as indicated, enlisted the support of at least two major Hollywood directors (Scott and Lee) it did encounter extreme difficulty securing U.S. theatrical and ancillary distribution, which effectively kept it out of North America in the years that immediately followed its global release. ~ Nathan Southern, All Movie Guide

Veteran action filmmaker John Woo produces this sequel to the 2004 film Appleseed. Partners both at home and on the battlefield, Deunan, a young but skillful warrior, and Briareos, an experienced cyborg soldier, protect the utopian city of Olympus, where the last of humanity dwells in peace following a war that's killed off the rest of the world's population. As members of the elite police squad E.S.W.A.T., they take their orders from Gaia, an artificial intelligence that governs the city through the use of biologically engineered humanoids called Bioroids. Trouble stirs when Gaia engineers a new member for E.S.W.A.T. based on Briareos' DNA. The new team member, Tereus, looks and acts eerily like the old Briaros, before so much of his body was replaced with robotics following the war. Even more disconcerting, Tereus seems to have the same feelings as Briareos for Deunan! ~ Cammila Albertson, All Movie Guide

John Woo's action classic The Killer gets remade by director John H. Lee (A Moment to Remember) in this Terence Chang-produced picture. The original film pitted a hitman with a heart against an undercover police officer and featured some of the most dynamic gunplay ever committed to the screen. ~ Jeremy Wheeler, All Movie Guide