Felix Bressart Movies
German actor Felix Bressart made his stage debut in 1914, and his film bow in 1928's Liebe Im Kuhstall (1928). Forced out of Germany by the Nazis, Bressart came to the United States in 1936, concentrating on theatrical work until his first American film, Swanee River (1939). Two of his best screen roles were for director and fellow German expatriate Ernst Lubitsch: the hilariously hedonistic Soviet agent Buljanoff in Ninotchka (1939), and the deceptively mild-mannered Jewish actor Greenberg in To Be or Not to Be (1942). While playing the role of Professor Kropotkin in the 1949 film version of the popular radio series My Friend Irma, Felix Bressart died; he was replaced by the radio program's Kropotkin, Hans Conried, though Bressart still can be glimpsed in long shots. ~ Hal Erickson, All Movie Guide- 1949
William Powell stars in Take One False Step as a happily married college professor who foolishly agrees to a reunion supper with old flame Shelley Winters. Winters later disappears, and the evidence points to murder. To allay suspicion--and to avoid losing an important financial grant to his university--Powell starts his own investigation. The trail leads him to San Francisco, where poor Powell becomes mired in a confusing crime plot. Fortunately, Winters is still alive; unfortunately, Powell may not be for long. Adapted from the Irwin Shaw novel Night Call, Take One False Step is saved from tawdriness by the innate dignity of William Powell. Also, the film is leavened by unexpected moments of humor, notably the relaxed banter between Powell and Shelley Winters. ~ Hal Erickson, All Movie Guide
- Starring:
- William Powell, Shelley Winters, (more)
- 1949
My Friend Irma was supposed to be a straightforward adaptation of the popular radio sitcom of the same name. The film's focus therefore was supposed to be on air-headed Irma Peterson (Marie Wilson), her levelheaded roommate, Jane Stacy (Diana Lynn, taking over from the radio series' Cathy Lewis), and their various romantic misadventures. But the audience tended to ignore Irma, Jane, and the others in favor of two movie newcomers: Dean Martin and Jerry Lewis, cast respectively as would-be singer Steve Laird and dumb-dumb restaurant employee Seymour. Having risen to the top of the heap in the nightclub world, Martin and Lewis were discovered for films by producer Hal Wallis, who decided to test the boys out in secondary roles in an established property. Wallis felt that while Martin had potential as a singing star, Lewis was hopelessly inept as an actor. As the whole world knows by now, it was Lewis who ended up as the team's main attraction with his own inimitable brand of wacko humor. Even as early as Irma, Lewis manages to dominate every scene he's in, often by sheer force of will. Pretty soon, the viewer has forgotten the gossamer-thin plot (Irma's Runyonesque boyfriend, Al, played by John Lund, tries to promote Dino into stardom) and is waiting anxiously to get back to Jerry. When time came for the 1950 sequel, My Friend Irma Goes West, virtually the entire plot revolved around Martin and Lewis, with the official "stars" relegated to supporting roles. Like Marie Wilson, several of the My Friend Irma cast members were holdovers from the radio series, including Hans Conried as Professor Kropotkin. Felix Bressart had originally been slated to play Kropotkin on film, but when he died during shooting, Conried was brought in to complete his scenes (Bressart can still be glimpsed in a few medium and long shots). ~ Hal Erickson, All Movie Guide
- Starring:
- John Lund, Diana Lynn, (more)
In Portrait of Jennie, Joseph Cotten plays an artist, Eben Adams, who is unable to bring any true feeling to his work. While painting in Central Park one morning, Eben makes the acquaintance of a schoolgirl named Jennie (Jennifer Jones), who prattles on about things that happened years ago. Intrigued at her thorough knowledge of the past, Eben is about to converse with her further, but Jennie has vanished. Over the next few months, Eben meets Jennie again and again -- and each time she seems to have aged by several years. He paints her portrait, which turns out to be more full of expression and emotion than anything he's previously done. His curiosity peaked by Jennie's enigmatic nature, Eben uncovers evidence that he has been conversing -- and falling in love -- with the ghost of a girl who died years earlier in a hurricane. On the eve of the hurricane's anniversary, Eben rushes to meet Jennie at the site where she was supposedly killed. As a new storm rages, Jennie vanishes for good, but not before declaring that the love she and Eben have shared will live forever. Rescued from the storm, Eben convinces himself that Jennie was a mere figment of his imagination. Then he notices that he stills clutches her scarf in his hand. He looks at his portrait of Jennie (the only Technicolor shot in this otherwise black-and-white film) and understands what she meant when she said that their love would endure throughout eternity; it will do so through Cotten's art, both the portrait at hand and all future portraits. Based on the novel by Robert Nathan, Portrait of Jennie is one of the most beautifully assembled fantasies ever presented onscreen. Producer David O. Selznick's unerring eye for "rightness" enabled him to select the perfect stars, supporting cast (Lillian Gish, Ethel Barrymore, David Wayne, Cecil Kellaway, et al.), director, cinematographer (Joseph August), and composer (Dimitri Tiomkin, who based his themes on the works of Debussy), and blend everything into one ideally balanced package. ~ Hal Erickson, All Movie Guide
- Starring:
- Joseph Cotten, Jennifer Jones, (more)
A Song is Born is a musical remake of the 1941 comedy Ball of Fire, with the same producer (Sam Goldwyn) and director (Howard Hawks) at the helm. It will be recalled that the original film, co-scripted by Billy Wilder, was an amusing spin on "Snow White and the Seven Dwarfs," wherein seven pedantic professors, working on a dictionary of slang, "adopted" an authority on the subject, breezy burlesque dancer Sugarpuss O'Shea. In the remake, the septet of scholars are working on an encyclopedia of music, but they're held up on the subject of "swing." When nightclub singer Honey Swanson (Virginia Mayo), escaping from her gangster suitor Tony Crow (Steve Cochran), takes refuge in the professors' home, she offers to introduce them to the world of popular music. This proves to be quite a tuneful undertaking, since two of the professors are played by Danny Kaye and Benny Goodman! The tang and zest of original plotline has been muted to the point of harmlessness, but the film is saved by the presence of Goodman, his fellow bandleaders Charlie Barnet, Tommy Dorsey and Mel Powell, and specialty performers Louis Armstrong, Lionel Hampton and Buck & Bubbles. A Song is Born was Danny Kaye's final starring vehicle for Sam Goldwyn. ~ Hal Erickson, All Movie Guide
- Starring:
- Danny Kaye, Virginia Mayo, (more)
- 1946
A moody but extremely talented clarinet playing band-leader is contracted to write a symphonic, bluesy soundtrack for an upcoming film. Unfortunately, he can neither read nor write music. Instead he simply plays whatever he feels. The comedy in this musical begins when two professional arrangers are hired to transcribe his playing. Unfortunately, every time the musician's mood changes so does his style, so they must figure out some way to get him in a blue mood and keep him there till the project is completed. ~ Sandra Brennan, All Movie Guide
- Starring:
- Glenn Vernon, Marcy McGuire, (more)
- 1946
As its fortunes grew in the mid-1940s, Republic Pictures occasionally strayed from its usual manifest of westerns and serials, hoping to produce something of "class." Filmed on a lavish budget in glorious Technicolor, Republic's I've Always Loved You stars Philip Dorn as a tyrannical symphony conductor and Catherine McLeod as his gifted young pianist protegee. In his own way, Dorn loves McLeod, but it is he who destroys her career by browbeating her mercilessly during her Carnegie Hall debut. Effortlessly stealing the film from the leads are Maria Ouspenskaya as one "Mme. Goronoff" and comedy relief Fritz Feld. The plot of I've Always Loved You is rather derivative of several like-vintage British "concerto" films, but the classical music passages, performed by piano virtuoso Artur Rubinstein, are well worth the admission price. ~ Hal Erickson, All Movie Guide
- Starring:
- Philip Dorn, Catherine McLeod, (more)
- 1946
This A-minus musical stars Evelyn Keyes in the uncharacteristically comic role of Vicki Dean, the divorce-bound wife of theatrical impresario Steve Farraugh (Keenan Wynn). While mounting a big musical spectacular in Brazil, Farraugh simultaneously campaigns to win back his wife. The couple encounters romantic interference from tap-dancer Linda Lorens (Ann Miller) and Latin American singing heartthrob Tito Guizar (as himself). Nothing new here, but the cast puts over the material with such enthusiasm that the film seems better than it is. The highlight is Ann Miller's energetic specialty number "Man is Brother to a Mule" (it makes sense in context!) ~ Hal Erickson, All Movie Guide
- Starring:
- Evelyn Keyes, Keenan Wynn, (more)
- 1946
Produced by the U.S. Army Signal Corps, the 18-minute Don't Be a Sucker was designed as a cautionary fable for returning American GIs -- and, by extension, all Americans. Narrated by Lloyd Nolan, the film starts out by demonstrating the various methods by which unscrupulous sharpsters cheat homecoming servicemen out of their discharge pay. But there are many ways in which one can be suckered, as demonstrated by a soapbox demagogue who begins haranguing against minority groups. A scholarly professor (Paul Lukas) provides a coda for the story, reminding the viewer that Hitler came to power thanks to the "suckers" of Europe. Felix Bressart co-stars as a rather mature "typical" GI. Originally limited to military showings, Don't Be a Sucker was one of the few films of its kind to be distributed to civilian theaters. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Lukas, Felix Bressart, (more)
- 1946
An unusually elaborate film from the bargain-basement PRC studios, Her Sister's Secret is set in New Orleans at Mardi Gras time. The "secret" involves an illegitimate child. Nancy Coleman is impregnated by a soldier on leave, and when she fears that he'll never return, she persuades her married sister (Margaret Lindsay) to raise the child. The better-than-usual cast includes Phillip Reed as the soldier, along with Regis Toomey, Felix Bressart and Henry Stephenson. Her Sister's Secret was the sort of B-plus fare that PRC would specialize in when it reorganized in 1947 and changed its name to Eagle-Lion. ~ Hal Erickson, All Movie Guide
- Starring:
- Nancy Coleman, Margaret Lindsay, (more)
- 1945
In this a briefcase containing four wills is found next to the unconscious body of a man. He lies beside a plane crash. Each of the wills is made out to the man. Meanwhile a recent widow and a man work together to get the money her husband died for. They almost get it when they are accosted by the man who was found lying beside the planed. He claims to be a Nazi spy who is trying to get the money and use it to escape to Germany. The couple captures the spy and donates the money to their government. ~ Sandra Brennan, All Movie Guide
- Starring:
- James Craig, Signe Hasso, (more)
In their third film together, Spencer Tracy and Katharine Hepburn created one of the box-office sensations of 1945, a sparklingly witty wartime comedy about a marriage entered on the theory that love only gums up a relationship. Invited by a drunken Quintin Ladd (Keenan Wynn), devoted scientist Patrick Jamieson (Tracy) moves into the Washington mansion belonging to Ladd's cousin Mrs. Jamie Rowan (Hepburn), a widow, who, it soon appears, shares Pat's distaste of romantic love. Highly interested in the scientist's attempt to develop a high-altitude oxygen helmet for the war department, and tired of being hit on by men, an emboldened Jamie proposes marriage to Pat, insisting that theirs should be a union uncomplicated by love. Pat readily agrees and the two settle into a seemingly well-functioning life of shared passion for the oxygen experiments. But when Pat's former girlfriend turns up, Jamie discovers that she has fallen in love with her husband after all and attempts to win him back. The ploy, however, seems to backfire -- or does it? Originally written for Katharine Hepburn by her frequent collaborator Philip Barry, Without Love had enjoyed a moderately successful run on Broadway from 1942-1943 with Elliott Nugent as the scientist. The much more successful screen version became the final film of MGM contract director Harold S. Bouquet, who died of cancer soon after. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Spencer Tracy, Katharine Hepburn, (more)
- 1944
- NR
Fred Zinnemann directed this World War II drama, considered one of the best anti-Nazi dramas produced by Hollywood during the war years. The story concerns seven prisoners in a Nazi concentration camp who manage to elude the guards and the Gestapo. The commandant, in a rage over their escape, nails crosses to seven trees, planning to crucify each of the prisoners as they are captured. Gradually six of the prisoners are discovered by the Gestapo and crucified. The one remaining escapee, George Heisler (Spencer Tracy), has become embittered and cynical after his years in the concentration camp. But as an assortment of friends and strangers help him elude the Gestapo, Heisler finally makes it to neutral Holland, his faith in mankind restored. Jessica Tandy had her first screen appearance as Liesel Roeder, the wife of Paul Roeder (Hume Cronyn, Tandy's real life husband), one of the friends who helps Heisler make his way to freedom. ~ Paul Brenner, All Movie Guide
- Starring:
- Spencer Tracy, Signe Hasso, (more)
- 1944
MGM's notion of a "B" picture would be an "A" production at any other studio, and Blonde Fever is no exception. Philip Dorn heads the cast as restauranteur Peter Donay, happily married to the pleasant but plain Delilah (Mary Astor). Approaching "that certain age", Donay's head is turned by curvaceous waitress Sally Murfin (Gloria Grahame, in her first important film role). At first only mildly amused by the flirtatious Donay, Sally begins turning on the charms herself when she finds out that he's won a $40000 lottery. It takes six reels, but Donay finally realizes how much he loves and needs his faithful wife, and how little Sally truly cares about him. Blonde Fever is based on a play by Ferenc Molnar, though it must have taken a lot of cutting to cram the original into 65 minutes' running time. PS: Hume Cronyn and Jessica Tandy, personal friends of director Richard Whorf, show up in unbilled cameos. ~ Hal Erickson, All Movie Guide
- Starring:
- Philip Dorn, Mary Astor, (more)
Those willing to accept Carmen Miranda as a "typical" 1920s type will be able to swallow the rest of the lavish but rather silly 20th Century-Fox musical Greenwich Village. Most of the action takes place in a New York speakeasy managed by tough guy Danny O'Mara (William Bendix). Providing entertainment in this rowdy establishment is songwriter Kenneth Harvey (Don Ameche), singing sensation Bonnie Watson (Vivian Blaine) and fortune-teller/dancer Princess Querida (Carmen Miranda). Harvey aspires to become a serious composer, while O'Mara has yearnings to produce a hit Broadway show. Everything works out to everyone's satisfaction by fadeout time, and Harvey (of course) falls in love with Bonnie. Specialty acts included the ballroom dance team of Tony and Sally De Marco, the precision-tap specialists The Four Step Brothers, and an up-and-coming group of nightclub comedians called The Revuers (Judy Holliday, Adolph Green, Betty Comden and Alvin Hammer), whose main routine, alas, ended up on the cutting room floor. ~ Hal Erickson, All Movie Guide
- Starring:
- Carmen Miranda, Don Ameche, (more)
- 1943
Hoping to achieve a brilliant career as a violinist, Julia Seabrook (Ann Sothern) divorces her husband Jeff (Melvyn Douglas), feeling as though he's holding her back. But Jeff is still in love with Julia, and he's willing to move Heaven and Earth to get her back. Meanwhile, David Torrance (Lee Bowman) and Philip Barrows (Richard Ainley) also ardently pursue the mercurial Julia. And that's about all the plot there is in this wafer-thin MGM formula picture. The stars go through the same paces they've gone through in countless earlier films, filling the requisite 89 minutes with sheer personality and little else. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Sothern, Melvyn Douglas, (more)
- 1943
One can only imagine the reaction of arch-conservative MGM head Louis B. Mayer when Song of Russia first tumbled over the spools in the studio projection room. It must be remembered, however, that back in 1944 it was politically expedient for Hollywood to offer hosannas to America's Russian allies, and to gloss over the less-attractive aspects of the Stalin regime. Based on Scorched Earth, a story by Leo Mittler, the film stars Robert Taylor as John Meredith, a famous American symphony conductor who is touring Russia just before the war. Meredith falls in love with Russian lass Nadya Stepanova (Susan Peters), who impresses him with her conviviality and charm: why, she's almost like a typical American girl! In the course of their romance, Meredith and Nadya visit a collective farm, where the peasants sing, dance and smile all day. The lovers marry, only to have their honeymoon abruptly halted when the Nazis invade the Soviet Union. Nadya promptly joins the Resistance, solemnly assembling molotov cocktails and shooting down Germans with her comrades. Just before the Nazis swarm into Nadya's village, the peasants set fire to the place so that Hitlers minions will not be able to plunder its resources. All of this is played out against the music of Tschiakovsky and other Russian composers. During the HUAC investigations in the early 1950s, several of the personnel involved in Song of Russia were required to explain why they'd been involved in so blatantly "pro-communist" a project. Louis B. Mayer blithely explained that he "just wanted to make a picture about Russians, not communists," while star Robert Taylor -- likewise a staunch anti-Red -- insisted that he'd been forced to make the film, and that he'd demanded script deletions throughout productions. In the end, the losers were screenwriters Richard Collins and Paul Jarrico, both of whom ended up on the egregious Hollywood Blacklist, simply for adhering to America's wartime pro-Soviet sentiments. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Susan Peters, (more)
- 1943
If you believe all-American Fred MacMurray as an Oxford don, you'll probably swallow the rest of Above Suspicion. Newly married to Joan Crawford, MacMurray goes on a honeymoon in prewar Germany. Actually it's more business than pleasure: they are secret agents for the British, attempting to smuggle back information about a new superweapon being developed by the Nazis. Evil, mean, cruel and also wicked German officer Basil Rathbone imprisons and tortures Crawford (though she still looks like a million bucks), but McMurray comes to the rescue, paving the way for a suspenseful race-to-the-border climax. The tenor of Above Suspicion can be summed up in a scene in which, after being confronted by a monolingual stormtrooper, Fred MacMurray says in English "Nuts to you, dope!," whereupon the Nazi scratches his head and wonders aloud, "Vass iss das 'dope'?" ~ Hal Erickson, All Movie Guide
- Starring:
- Joan Crawford, Fred MacMurray, (more)
- 1942
When the US marines land in Iceland during WW2, camp lothario John Payne wastes no time scoping out the local female population. He makes a casual pass at skating champ Sonja Henie, only to discover that she has taken his attentions as a marriage proposal! Unable to weasel out of his situation thanks to the rigidity of Icelandic customs, Payne conspires with his buddy Jack Oakie to discourage Henie from making any further wedding plans. By the film's 70-minute mark, of course, our hero is madly in love with our heroine and wants to skate down the aisle with her. Curiously, given the fact that there is plenty of natural ice in Iceland, most of Sonja Henie's musical numbers take place in a lavish Reykjavik nightclub. The tuneful Harry Warren-Mack Gordon musical score includes the popular "There Will Never Be Another You". ~ Hal Erickson, All Movie Guide
- Starring:
- Sonja Henie, John Payne, (more)
- 1942
An innocent man is put on trial, but is he really as innocent as he claims? Diplomat David Talbot (William Powell) and his bride Lucienne (Hedy Lamarr) are enjoying a honeymoon in Paris when David is confronted by extortionists who demand money in exchange for not turning him in to the police. David has no idea what the men are talking about and ignores their threats, but the men prove good to their word, and David finds himself on trial for a series of thefts. At the trial, David's name is cleared when Henri Sarrow (Basil Rathbone) testifies that he knew the man who committed the crimes, a friend of his who recently died. However, after the trial, David meets Sarrow, who informs David that he lied under oath; according to Sarrow, David did indeed commit the robberies while suffering from amnesia after a severe blow to the head, and if he wants to keep the facts quiet, he'll do whatever Sarrow says. ~ Mark Deming, All Movie Guide
- Starring:
- William Powell, Hedy Lamarr, (more)
Ernst Lubitsch directs the 1942 political satire classic To Be or Not to Be, which marked the final screen appearance of comedienne Carole Lombard. In Warsaw at the beginning of WWII, Maria Tura (Lombard) and husband Joseph (Jack Benny) perform anti-Nazi plays with their theater troupe until they are forced to switch to Shakespeare's Hamlet. Lt. Stanislav Sobinski (Robert Stack) falls for Maria and meets up with her during Joseph's famous "To Be or Not to Be" speech as Hamlet. When Stanislav is eventually dispatched for war, he implicates Maria with Professor Siletsky (Stanley Ridges), who has a secret plan to destroy the Warsaw resistance. The Polish theater troupe is then forced to use their theatrical skills to ensure their survival. Eventually, they turn to impersonating Nazi officers -- and even Hitler himself -- in order to outwit the enemy and keep the resistance safe from spies. To Be or Not to Be opened to a controversial release in 1942, when the U.S. was still very much involved in WWII. It was remade in 1983 starring Mel Brooks and real-life wife Anne Bancroft. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Carole Lombard, Jack Benny, (more)
- 1941
Having tried to wrest Shirley Temple away from 20th Century-Fox for nearly seven years, MGM was finally able to put the enormously popular child star under contract in 1941. Alas, by this time the bloom was off the rose for 13-year-old Temple, and her inaugural MGM production Kathleen was met with sublime indifference. For the record, the film casts Temple as Kathleen Davis, the irritatingly forthright daughter of neglectful widower John Davis (Herbert Marshall). Fed up with being left in charge of her superstrict nursemaid (Nella Walker), Kathleen welcomes the arrival of her new governess, warm-hearted Dr. A. Martha Kent (Laraine Day). In her usual take-charge manner, our heroine begins trying to arrange a marriage between her father and Martha, choosing to ignore the fact that Mr. Davis already has a fiancee in the form of actress Lorraine Bennett (Gail Patrick). So poorly did Kathleen fare at the box office that MGM dropped Shirley Temple's contract after this one film. ~ Hal Erickson, All Movie Guide
- Starring:
- Shirley Temple, Herbert Marshall, (more)
- 1941
"Mr. and Mrs. North" started as a series of comic articles about a Park Avenue married couple, written by Richard and Frances Lockridge. One of these articles was "The Norths Solve a Murder", which was adapted as a stage play by Owen Davis Sr. and was later spun off into a popular radio and TV comedy-mystery series. The Davis play made it to the screen in 1941 as Mr. and Mrs. North, with Gracie Allen (in a rare appearance without George Burns) as dizzy socialite Pamela North and William Post Jr. as her long-suffering husband Jerry. Upon returning home from a vacation, Pam North opens her closet door--and out pops a dead body. As it turns out, all the suspects are close friends of the Norths, a fact that encourages Pam to gently interfere in the ongoing murder investigation conducted by Lt. Weygand (Paul Kelly). A second murder serves only to send Pam off on another flight of convoluted logic, but somehow or other the case is solved and justice is served. ~ Hal Erickson, All Movie Guide
- Starring:
- Gracie Allen, William Post, Jr., (more)
- 1941
Married Bachelor is a cute little MGM situation comedy, designed for the bottom half of the studio's double bills. Robert Young plays an married author who has penned several books on how to stay single. Naturally, he has to pose as a bachelor for publicity purposes...but wife Ruth Hussey is expecting. The only other leading-man material in the cast is the feckless Lee Bowman, so it is he who must pose as Hussey's husband. Married Bachelor was adapted by future MGM head man Dore Schary from a story by Manuel Seff (we don't know if Seff was married or not). ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Young, Ruth Hussey, (more)
Greer Garson is dignity and integrity personified in the role of the real-life Edna Gladney. After several life experiences which rival daytime drama for unrelenting misery and melodrama, Edna marries flour-mill owner Sam Gladney (Walter Pidgeon). They have a baby, who dies shortly after Edna discovers that she can never have any other children. To give her life some meaning, Edna sets up the Texas Children's Home and Aid Society, which specializes in caring for illegitimate children and offering them for adoption. After her husband's death, Edna becomes a powerful political figure, succeeding in removing the stigma of illegitimacy by having that word stricken from all future Texas birth certificates; in this way, she honors the memory of her own half sister, who had killed herself upon discovering she was born out of wedlock. MGM thought enough of Blossoms in the Dust to film the production in Technicolor, a luxury usually reserved in 1941 for musicals or Westerns. ~ Hal Erickson, All Movie Guide
- Starring:
- Greer Garson, Walter Pidgeon, (more)
All that MGM's Ziegfeld Girl lacks is Technicolor; otherwise, the film has talent and "sock" entertainment value in abundance. The story focuses on three showbiz hopefuls-Judy Garland, Hedy Lamarr and Lana Turner-and the efforts to attain the lofty status of "Ziegfeld Girl." Garland is compelled to leave her family vaudeville act; she bids her dad Charles Winninger a tearful farewell, and later falls in love with Turner's brother Jackie Cooper. In her bid for success, Lana forgets all about her faithful boyfriend James Stewart, who turns to bootlegging to come up to the financial stature of Lana's new beau, socialite Ian Hunter. Lamarr nearly dumps her impoverished violinist husband Philip Dorn as she climbs the ladder of success. There are happy endings in store for two of the three female leads, but we'll let you watch the film yourselves to find out who wins and who loses. Featured in the cast are Tony Martin, Edward Everett Horton, Eve Arden, Dan Dailey, and, in a poignant cameo as a wardrobe woman, the "ever popular" Mae Busch. Song highlights include "Minnie from Trinidad", "You Never Looked So Beautiful Before", "I'm Always Chasing Rainbows", "Laugh? I Thought I'd Split My Side", "Caribbean Love Song", "Whispering", "Mr. Gallagher and Mr. Shean" (performed by Charles Winninger and the surviving half of the Gallagher-and-Shean duo, Al Shean-who happened to be the Marx Bros.' uncle), "You Stepped Out of a Dream" and "You Gotta Pull Strings." ~ Hal Erickson, All Movie Guide
- Starring:
- James Stewart, Judy Garland, (more)
