Claude Chabrol

A television weatherwoman is pursued simultaneously by a spoiled pharmaceutical heir and a successful -- but much older -- writer in director Claude Chabrol's blackly comic tale of romance and class differences. Gabrielle Deneige (Ludivine Sagnier) has a high-profile job detailing the forecast on French TV. Yet despite Gabrielle's staunch work ethic, she values her privacy over her professional career and lives in a modest house with her aging mother (Marie Bunel). One day, renowned author Charles Saint-Denis (François Berléand) is interviewed at the television station where Gabrielle works, and the two feel an instant, powerful connection. Later, at a book signing, the pair continues to flirt despite the presence of entitled rich kid Paul Gaudens (Benoît Magimel) -- who openly despises the writer and longs to claim Gabrielle as his own. Despite the fact that Charles is still happily married to his wife of 25 years (Valeria Cavalli), with whom he has set up home in a posh ultra-modern estate in the countryside, he and Gabrielle share an intimate afternoon at the author's nearby pied-à-terre. Later, as the potentially psychotic Paul steps up his pursuit of Gabrielle, the girl begins to question whether either of her suitors is pure in his intentions. ~ Jason Buchanan, All Movie Guide

In this bizarre surrealist comedy from France, a handful of oddball characters live in world where people heap strange forms of abuse on animals -- dwarves stage bullfights with rhinos, zoos open restaurants where the privileged can dine on the animals on display, and the wealthy lock themselves into their mansion with the angry pit bulls trained to protect them. In the midst of such madness, a stocky animal handler (Gustave Kervern) who can neither hear nor speak falls in with a pair of dissolute zookeepers (Benoit Delepine and Eric Martin) who are hooked on ketamine and shoot one another with tranquilizer darts for fun. The zookeepers involve their new friend in a crazy scheme to kidnap the pet dog of a very wealthy and extremely large woman, Avida (Velvet), but the three men prove to be wildly inept criminals, and once they're found out, Avida forces them to help her in a plan to take her own life. Featuring a cameo appearance from acclaimed filmmaker Claude Lelouch, Avida was written and directed by Benoit Delepine and Gustave Kervern, who also act in the film; it received its American premiere at the 2007 Tribeca Film Festival. ~ Mark Deming, All Movie Guide

The master of French suspense joins forces with the queen of English suspense fiction for this tense tale of the treacherous love affair between a disturbed bridesmaid and an unsuspecting young man. Philippe (Benoit Magimel) lives in a quiet French town with his hairdresser mother Christine (Aurore Clément) and two younger sisters. Soon after the news breaks about a local girl who has mysteriously vanished, Philippe's mother introduces her children to Gerard (Bernard Le Coq) -- a local businessman who may have matrimonial intentions toward the attractive beautician. Soon after receiving permission from her children to present Gerard with a sculpture of a woman's head that had previously adorned the family garden, however, the elusive beau seems to disappear without a trace. Philippe is intent on recovering the captivating piece of art, and after stealthily recovering it in a clandestine mission he places it in his closet without telling the rest of the family. Later, at his sister's wedding, Philippe meets attractive bridesmaid Senta (Laura Smet) and passion between the pair quickly ignites during a stormy seduction. A model and aspiring actress who lives alone in a massive villa inherited from her father, sultry Senta may be physically irresistible, yet she also seems to have a few morbid preconceptions about life, love, and death. As the affair between the pair grows increasingly heated, Philippe at first takes her request to murder a stranger as a means of proving his love as a joke. The more he gets to know her the more that it appears that Senta is in fact deadly serious about her dark request. ~ Jason Buchanan, All Movie Guide

Claude Chabrol directed this well-crafted thriller, which recalls the style and themes of his best-known work of the 1960s. Marie-Claire "Mika" Muller (Isabelle Huppert), who has inherited control of a large and successful Swiss chocolate company, remarries well-known musician André Polonski (Jacques Dutronc), to whom she was briefly wed 18 years ago. After their divorce, André married a woman named Lisabeth and they had a son, Guillaume (Rodolphe Pauly), whom André was left to raise alone after Lisabeth's death in an auto accident. One of André's favorite stories is how Guillaume was almost exchanged for another baby at the hospital shortly after he was born; one day André receives a visit from a young woman named Jeanne (Anna Mouglalis), who claims to be the other child. Jeanne and André soon find they have a remarkable amount in common, and that Jeanne bears a striking resemblance to the late Lisabeth. Jeanne is beginning to wonder if there's something no one has ever told her when Mika gives her a thermos of special hot chocolate as a nightcap, which she then spills all over Jeanne. Jeanne's boyfriend, Axel (Mathieu Simonet), facetiously suggests that the cocoa might be poisoned, and out of curiosity, he tests it, finding that it has indeed been laced with a sedative notorious for its use in cases of date rape. Merci Pour le Chocolat is based on a novel by American crime novelist Charlotte Armstrong. ~ Mark Deming, All Movie Guide

The 50th film from legendary French New Wave writer and director Claude Chabrol is a typically Hitchcockian comic thriller about a pair of con artists. Up to now, the duo of Betty (Isabelle Huppert) and Victor (Michel Serrault) have contented themselves to small scams at hotel conventions, such as spiking the drink of a gambler, then rolling him for his winnings after he follows the flirtatious Betty back to his room and passes out. It then develops that, for the past year, without telling Victor, Betty has been plotting an enormous score involving Maurice (François Cluzet), the treasurer of an international corporation, who's planning to abscond with a briefcase containing five million Swiss francs in syndicate money. Betty's plan is for Victor to swap an identical briefcase with Maurice's and walk away with the jackpot, but Victor becomes suspicious of Betty's solo venture. Is his once-loyal partner betraying him? What about Maurice, who's no fool, and his gangster bosses, who will surely want their money returned? A dizzying array of potential double-crosses muddles the question of who's grifting who in the Betty-Victor-Maurice triangle. Rien Ne Va Plus (1997) screened at several film festivals under the English-language title The Swindle. ~ Karl Williams, All Movie Guide

This gentle French comedy has a meandering plotline as it traces the exploits of a young man recognized as a the son of a star. The main protagonist is 23-year old Harvey who works as the guide for a group of Georgian singers who have a Paris gig. He is interested in Dinara, the 18-year old interpreter for the group. While in a restaurant, they encounter Marco Garciano who tells them he played the small lad in Crin blanc, a classic French film. He is really a half-time chauffeur and con-artist. Marco tells Harvey that he is the son of Gascogne, the father of the New Wave, and close friend and inspiration to many directors between 1958 and 1962. Marco tries to prove his point by taking Harvey and Dinara to meet some former French film impresarios. They see Alexandra Stewart and Bernadette Lafont. They also meet Claude Chabrol while he eats lunch. They meet many more including director Michel Deville. All they meet are convinced that Harvey is indeed Gascogne's son. Many of the female stars claim to be his mother. ~ Sandra Brennan, All Movie Guide

In homage to one of France's great directors, this highly personal documentary features those that knew him best, including his daughter Ewa and fellow filmmaker Claude Chabrol as they offer their comments and analysis of his career and his fascinating life. ~ Sandra Brennan, All Movie Guide

Produced by French New Wave founder Claude Chabrol, The Eye of Vichy is an extraordinary 110-minute account of Nazi-occupied France during World War II. The film, narrated by Brian Cox, documents the pro-Nazi sentiments of Marshall Petain's Vichy regime and its efforts to spread propaganda against both the Allied Forces and the Jews. Authentic newsreels, advertisements, and feature-film footage produced by the Nazis and their collaborators make the documentary chillingly real. The black-and-white production contains English subtitles and commentary. ~ Kathleen Wildasin, All Movie Guide

After trying a job as a stripper in a Barcelona carnival, Eva (Aure Attika) is ready for something new, so she heads over to France and becomes the roommate of a gay American artist (Phillip Bartlett) and works as the housewife for two wealthy older homosexuals (Claude Chabrol and Jean-François Balmer. After she gets settled, she takes a job at a government office for a while but then decides to have a child, which her obliging roommate makes with her the old fashioned way. He then returns to his usual preference, while Eva explores becoming an artist herself. From time to time in this easygoing comedy, Eva's similarly independent and quirky mother (Bernadette Lafont) shows up. ~ Clarke Fountain, All Movie Guide

Henry Miller's novels were almost entirely autobiographical, and concerned not only his environment and friends, but also recorded his many sexual exploits - which he apparently viewed with something like spiritual awe. Despite his sexual obsessions, his novels are respected worldwide for their brilliant depictions of time and place, and have occasionally been made into movies. This 1990 film by Claude Chabrol makes a reportedly poor effort to bring the novel Quiet Days In Clichy to the screen, and transforms the seedy exploits of a penniless expatriate in Paris to the boyish pleasures of a couple of sweet-faced middle class lads who hang out in expensive whorehouses and go to cocktail parties with fashionable people. ~ Clarke Fountain, All Movie Guide

Noted French director Claude Chabrol helmed this oddity, a remake of German director Fritz Lang's 1922 classic Dr. Mabuse. The film features an all-star international cast as it tells the futuristic horror story of a bizarre epidemic which has swept West Berlin leaving a grim trail of grisly suicides. Meanwhile, the media broadcasts weird, highly suggestive propaganda. The authorities are appalled by all the bloodshed, but only one lone cop suspects that the "suicides" are really the work of a demented criminal mastermind. The film is also known as Dr. M. ~ Sandra Brennan, All Movie Guide

Based on a novel by Patricia Highsmith, Le Cri du Hibou concerns Robert (Christophe Malavoy), a commercial artist who has moved to a quiet neighborhood in Vichy, hoping to escape a severe depression brought on by the unpleasant breakup of his marriage to Veronique (Virginie Thevenet). Robert finds himself spying on his new neighbor Juliette (Mathilda May), but there's little or no erotic component to his voyeurism -- she seems to lead a simple and well-ordered life, and it makes Robert feel better to watch someone so secure and at ease. Robert even goes so far as to tell Juliette how much her admires her quietly contented existence, but beneath the surface, Juliette is hardly as secure as she looks. Robert's remarks make her wonder if her life has become too placid, and she decides to break off her engagement with Patrick (Jacques Penot) to pursue a relationship with Robert. This sends Patrick into a rage, and he plots an elaborate revenge -- he picks a dramatic fight with Robert, and then goes into hiding, leading people to believe Robert killed him. The ruse fools Juliette, who is distraught at the thought that her new love might be a murderer (even though Robert has expressed no romantic interest in her). Le Cri du Hibou was adapted and directed by France's leading suspense director, Claude Chabrol. ~ Mark Deming, All Movie Guide

Gael Seguin and Myriam David star in this drama about a brother and sister who are orphaned from the war. The two turn their apartment into a photography studio to make ends meet. The sister is brokenhearted when she falls for a young man who eventually leaves with her brother. ~ Dan Pavlides, All Movie Guide