Vincenzo Cerami Movies

In this rich, complex drama, the threat of terrorism serves as a backdrop to an examination of dysfunctional family relationships. Fausto Rossi portrays neglected teenager Emilio, whose father Dario (Jean-Louis Trintignant), a university professor, introduces him to his student, Giulia (Laura Morante) and her lover, Sandro (Vanni Corbellini). Emilio loves photography, and sets about taking pictures of the pair, soon coming to believe that Giulia and his father are lovers. Because Dario and his son are respectful of each other's privacy to a fault, Emilio can't ask, so he starts to spy. When he finds Sandro dead in the street one day, the apparent victim of a Red Brigade terrorist shooting, Emilio decides to keep an even closer eye on his father. It is never completely confirmed whether Dario and Giulia were really having an affair or whether Dario was involved in terrorism, because these issues are not necessarily director Gianni Amelio's concern. Amelio is concerned with perception, and in this fascinating film he examines his young protagonist's multi-faceted interpretations of an elusive truth, revealing that such a thing may not even exist. This is a powerful, absorbing film for thoughtful viewers in search of a challenge. ~ Robert Firsching, All Movie Guide

In a routine drama about teen drug addiction, Antonio Morelli (Ben Gazzara) is a lawyer with good community standing who is overwhelmed when he discovers that his son has a heroin habit. Antonio lets his law practice slide, and he does everything he can to get his son off drugs -- but nothing works. Finally, in desperation he intentionally starts taking heroin himself in a risky effort to show his son what it looks and feels like from the other side of the fence. He can only hope this last-ditch effort achieves what nothing else could up to now. ~ Eleanor Mannikka, All Movie Guide

Giovanni (Lou Castel) comes home after his brother's suicide to encounter the same family problems that have been around for years: his mother is a religious fanatic now obsessed with her son's errant spirit, his older brother has a cold and uncaring relationship with his children and his wife, and Giovanni's uncle who runs the wealthy family's house is always out to turn a profit for himself. When Giovanni goes to berate his dead brother's lover for not even coming to his funeral (his brother gave her an apartment and an income, and then she broke off with him because she did not love him), an unexpected attraction starts that builds in intensity as time goes on. Eventually, they start an emotionally-charged relationship that goes up and down like a roller coaster, their conflicts fueled in part by the ghost of the dead brother, by the fact that she is pregnant with his child, and by the difference in their economic status. As their relationship continues, it becomes a question of whether or not they will be able to overcome their differences -- a question that looms larger every day. ~ Eleanor Mannikka, All Movie Guide

Ferroccio Ferri (Paolo Rossi) is a quiz-show champion who is an expert on camels in this offbeat comedy. He is eligible for the upcoming show that will award a sizeable sum of money to the grand-prize winner. Camillo (Diego Abatantuono) is the manager of a second-rate traveling troupe who recruits Ferri to ride a camel for a promotional tour of the Po Valley. Sabina Guzzanti plays a notoriously bad singer in Camillo's troupe with comedic flair. Ferri loses on the quiz show and meets the beautiful Anna (Giulio Boschi) on the train ride back home. Anna talks Ferri into posing as her lover so she can dump her fiancee in front of her mother (Laura Betti) and father (Giancarno Sbragia). ~ Dan Pavlides, All Movie Guide

A sightless gunslinger and his "seeing-eye" steed is in charge of safely transporting 50 mail-order brides to an isolated Texas town. Unfortunately, a group of Mexican bandits have their own designs on the women. This comical Italian western follows the attempts of the blind hero to rescue them. By the time he gets there the women have decided that they have had enough of all men. ~ Sandra Brennan, All Movie Guide

An off-beat comedy that takes a close look at the homeless and the hungry, Minestrone pulls off its wry and acerbic vision thanks to Sergio Citti, director and co-author of the script (with Vincenzo Cerami). Roberto Begnigni as Maestro contributes his own comedic talents to the film. The story centers around three characters who are brought together through the common human need to survive. Francesco (Franco Citti) and Giovanni (Ninetto Davoli) first meet at a garbage can, fending off a hungry dog for the scraps of food inside. The two men become friends, and soon get thrown in jail for causing a traffic snarl as they look up at the sky. Once in jail, however, they get to know the "upper crust" Maestro who cops his meals by walking into good restaurants dressed to the hilt and leaving without paying the bill. The three hook up as pals, and the story continues as their adventures take them out into the world again, giving the audience a chance to see society's role in the larger issue of hunger. ~ Eleanor Mannikka, All Movie Guide

Comedian Roberto Benigni wrote and directed this Italian farce, in which he stars as Dante, a bus driver who is the exact double of the infamous gangster Johnny Toothpick (Benigni again). After Dante meets Johnny's girlfriend Maria (Nicoletta Braschi), he travels to her Palermo villa, where it quickly becomes apparent that Maria is setting up Dante to take the fall for Johnny's illicit behavior. ~ Jason Ankeny, All Movie Guide

Comedian Antonio Albanese directed this comedy about the strained relationship between three brothers -- and also played all three of the siblings himself. A funeral in Sicily reunites three brothers who have not seen each other in years -- Alex, an arrogant photographer; Salvatore, a businessman who has forsaken his Sicilian heritage and become a chauvinist of Northern Italy; and Pacifico, a teacher who is so mild-mannered his family didn't even remember he existed until he showed up for the memorial service. Albanese also co-wrote the screenplay for La Fame e la Sete with Vincenzo Cerami, who received notice for his script for Roberto Benigni's Life Is Beautiful. ~ Mark Deming, All Movie Guide

Physician Robert Briand (Robin Renucci) runs a leper colony in the 15th century that takes in new residents who suffer from the ravages of syphilis. When the beautiful Marie-Blanche (Isabelle Pasco) is brought to the grim, prison-like facility, Robert finds she displays no apparent signs of disease. He risks everything when he falls in love with the woman and makes plans to run away with her. Erland Josephson plays Robert's father, with Piera Degli Esposti as Robert's faithful assistant Terese. ~ Dan Pavlides, All Movie Guide

In this WW II tragicomedy, famed Italian funnyman Roberto Benigni (The Monster) portrays Guido, who moves during the '30s from the country to a Tuscan town, where he is entranced by schoolteacher Dora (Nicoletta Braschi, Benigni's real-life wife). Dora likes Guido, but she remains faithful to her pompous fiancé, so Guido has an uphill struggle. Meanwhile, anti-Semitic attitudes lead to attacks against Guido's Jewish uncle (Giustino Durano). Leaping ahead to five years later, during WW II, Guido and Dora are married and have a son Giosue (Giorgio Cantarini). After they are imprisoned in a concentration camp, Guido goes to elaborate lengths to keep his son from understanding the truth of their situation. He tells the boy that they are competing with others to win an armored tank -- so everything from food shortages to tattoos is explained as necessary for participation in the contest. ~ Bhob Stewart, All Movie Guide

Enhanced by a good musical score and good cinematography, this first-time directorial effort by Francesca Comencini is an engrossing, partially autobiographical story of a drug-addicted couple who heroically try to break their destructive habit. Maria (Giulia Boschi) and Paolo (François Siener) agree to live apart and not reunite until they are heroin-free. Their scheme works, and to celebrate they take a vacation in Sri Lanka together -- but it was ill-timed. The two lapse in their resolve and soon they are shooting up as before. Paolo despairs of being normal again, and Maria devotes herself to playing her grand piano as a consolation and inspiration in her fight against her drug habit. The couple's differing attitudes toward their addiction soon reach dramatic and tragic proportions, as the film nears the closing credits. ~ Eleanor Mannikka, All Movie Guide

Set during the Mussolini years, Open Doors stars Gian Maria Volonte as an old-line judge. Volonte tries to remain faithful to the letter of the law, despite the "improvements" made by the Fascists. His insistence upon justice over dogma results in government reprimands, and ultimately poses a threat to Volonte's well-being. The honesty vs. corruption theme transcends the film's period settings, resulting in an allegorical masterpiece that has significance in any country, any time. Open Doors was a nominee for the "best foreign picture" Academy Award. ~ Hal Erickson, All Movie Guide