William Castle Movies
New York-born William Castle was known to some as one of the movies' great schlockmeisters, but his films are also among the most beloved "B"-pictures of the late 1950s and early 1960s, and he did produce one unabashed classic, Rosemary's Baby. Starting out as an actor on stage, he got to Hollywood in the late 1930s and became a director in 1943. He made numerous low budget pictures, most notably as part of the Whistler and Crime Doctor series, but it was as an independent producer during the late 1950s that Castle made his mark. Recognizing the growing enthusiasm for shock thrillers and horror films, he devised various exploitation campaigns to go with his films--thus, a good haunted-house chiller like The House On Haunted Hill was marketed around a new process called "Emergo," which consisted of a luminous skeleton swung out over the audience during scenes involving a disembodied skeleton's appearance on screen. Other pictures, such as The Tingler, gave selected members of the audience mild electric shocks through their seats during appropriately tense sequences. Even without these "effects," however, these films were good, solid competent pictures that hold up well on television. Castle soon began infusing his own personality into the marketing of his movies, appearing in opening wrap-around scenes and trailers, a kind of poor man's Alfred Hitchcock. Homicidal, Castle's near-parody of Hitchcock's Psycho, was one of his strangest films, and bears watching on that basis alone. Later on, as his string of exploitation titles ran out, Castle left the director's chair and produced his best, and best-known movie, Rosemary's Baby, directed by Roman Polanski. He died in 1977, soon after publishing his autobiography, Step Right Up! I'm Gonna Scare the Pants Right Off America. In 1993, Universal released Matinee, a Joe Dante-directed comedy built around a producer/director (John Goodman) loosely based on William Castle. ~ Bruce Eder, Rovi
A frankly adult comedy about the sex lives of the aimless and the rich, Shampoo is also a pointed commentary on the demise of 1960s idealism at the dawn of the Nixon era. It is Election Day, 1968, and randy Beverly Hills hairdresser George Roundy (Warren Beatty) is too worried about attending to all of his women's tonsorial and sexual needs, while trying to swing a bank loan to fund his own salon, to notice the fateful Presidential race. As George juggles the demands of girlfriend Jill (Goldie Hawn) and mistress Felicia (Lee Grant), not to mention Felicia's daughter (Carrie Fisher), he meets Felicia's husband Lester (Jack Warden) to get money for the salon and discovers that his beloved ex-girlfriend Jackie (Julie Christie) is now Lester's mistress. Lester asks George to escort Jackie to a banquet for Nixon supporters, leading to a series of climactic confrontations at the dinner and a Hollywood orgy that expose the conflicting demands of sex, love, and security among these terminally narcissistic L.A. denizens. As Nixon's victory speech drones in the background the following day and Paul Simon's mournful '60s music plays on the soundtrack, George's free-wheeling world collapses around him for reasons that he can barely begin to comprehend. Produced and co-written (with Chinatown scribe Robert Towne) by its star Warren Beatty, Shampoo became Beatty's second critical and popular success as a producer after Bonnie and Clyde, and it bolstered Hal Ashby's track record as director. Shampoo earned Grant an Oscar for Best Supporting Actress, as well as a Supporting Actor nomination for Warden and Beatty's first nomination as writer. With Nixon's 1974 Watergate disgrace adding an extra edge to the humor for 1975 audiences, this tragic bedroom farce became one of the highest-grossing films in Columbia Pictures' history at the time. ~ Lucia Bozzola, Rovi
- Starring:
- Warren Beatty, Julie Christie, (more)
The Day of the Locust is anything but a cheerful, light look at Hollywood in the '30s. It recreates both the town as well as the filmmaking world around which much of the town revolved with devastating accuracy. The movie tells the twin tales of talentless wannabe actress Faye Greener (Karen Black) and Homer Simpson (Donald Sutherland), a lovelorn accountant who couldn't care less about movies. Around this framework, a huge and intricate social network is tellingly revealed, until the film's gruesome and tragic ending. Not for those who prefer to hang onto their illusions about the glory days of Hollywood, The Day of the Locust, based on the novel by Nathanael West, is a must-see for serious film buffs. ~ Clarke Fountain, Rovi
- Starring:
- Donald Sutherland, Karen Black, (more)
The last gasp of gimmick-horror auteur William Castle (who produced and co-wrote), Bug is an entertaining throwback to the mutant-monsters-amok theme of the 1950s (themselves throwbacks of another kind) that he found so profitable. The film stars Bradford Dillman as a kinder, gentler mad scientist who discovers the presence of a bizarre strain of mutant cockroach emerging from the earth after a severe earthquake. Although larger than the average beetle, the most disturbing aspect of the critters is their innate ability to ignite fires with their bodies -- a talent dramatically revealed after a few of the bugs crawl up a vehicle's tailpipe. When Dillman discovers that the creatures possess a group intelligence, he attempts to train and breed them -- which proves to be less than a good idea. In Castle's heyday, this would have proven an ideal theme for one of his patented gimmicks (perhaps having little rubber bugs drop from the ceiling onto unsuspecting patrons at appropriate moments), but director Jeannot Szwarc (who later helmed Jaws 2 and the hankie-fest Somewhere in Time) plays the story straight, with remarkably chilling results. This is also remarkably violent for a mainstream PG film (particularly in the scene where Bad Seed Patty McCormack's hair is ignited by the six-legged arsonists) with a downbeat ending typical of many horror movies of the '70s. ~ Cavett Binion, Rovi
- Starring:
- Bradford Dillman, Joanna Miles, (more)
- 1974
- PG
Shanks is not so much a movie as an hallucinatory experience. World-renowned mime Marcel Marceau plays a dual role as a mute puppeteer and an eccentric inventor. The inventor dies, passing along his secrets for reviving corpses to the puppeteer. With the help of an enigmatic little girl, Marceau activates several dead bodies and goes on a robbery spree. Costarring with Marceau are fellow mime artists Tsilla Chelton and Phillipe Clay. Shanks had cult potential, but was released with a surprisingly lackluster ad campaign--all the more surprising in that the film was directed by that master huckster William Castle (whose last film this was). ~ Hal Erickson, Rovi
- 1974
Connie Stevens appears both with and without clothing in this made-for-TV a clef version of the Marilyn Monroe saga. The script, based on Alvah Bessie's novel The Symbol, contrives to have Stevens portray La Monroe in everything but name, right down to entering into a marriage with a famous sports figure (also given a fictitious name). ABC was threatened with legal action by several interested parties upon announcing plans to telecast Sex Symbol. The film was ultimately shown, albeit with several minutes of nudity and profanity trimmed (this was 1974, not 1994), though the missing footage was well documented in the press. The full "director's cut" version was shown theatrically in Europe, but has yet to be released on videotape. ~ Hal Erickson, Rovi
- Starring:
- Connie Stevens, Shelley Winters, (more)
A desperate group of convicts stage a minor riot to divert attention in an escape attempt. Red (Gene Hackman) and two others perpetrate the uprising, but word has leaked out and the riot is quickly changed into a symbolic protest against prison conditions and alleged cruelty by sadistic guards. Cully (Jim Brown) is the convict who is caught up in the riot of which he had no prior knowledge. As the prisoners take over the institution, a drunken party is hosted by two homosexuals in drag. The prisoners set up a mock court in which prison informers and guards are tried, convicted and brutally punished. Knives slash, fists fly and blood is spilled leading to the return of the vacationing warden. Red becomes the media spokesman for the group as the siege continues and the prisoners administer their own macabre brand of justice to those found guilty. The film is based on an actual riot that took place in Minnesota, an event that is chronicled in the novel by Frank Elli. An aura of authenticity is provided by real-life warden Frank A. Eyman, who added his personal experience to the realistic prison escape saga. ~ Dan Pavlides, Rovi
- Starring:
- Jim Brown, Gene Hackman, (more)
In Roman Polanski's first American film, adapted from Ira Levin's horror bestseller, a young wife comes to believe that her offspring is not of this world. Waifish Rosemary Woodhouse (Mia Farrow) and her struggling actor husband, Guy (John Cassavetes), move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbors Roman and Minnie Castevet (Sidney Blackmer and Ruth Gordon) soon come nosing around to welcome the Woodhouses to the building; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, Guy starts spending time with the Castevets. Shortly after Guy lands a plum Broadway role, Minnie starts showing up with homemade chocolate mousse for Rosemary. When Rosemary becomes pregnant after a mousse-provoked nightmare of being raped by a beast, the Castevets take a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castevets' circle is not what it seems. The diabolical truth is revealed only after Rosemary gives birth, and the baby is taken away from her. Polanski's camerawork and Richard Sylbert's production design transform the realistic setting (shot on-location in Manhattan's Dakota apartment building) into a sinister projection of Rosemary's fears, chillingly locating supernatural horror in the familiar by leaving the most grotesque frights to the viewer's imagination. This apocalyptic yet darkly comic paranoia about the hallowed institution of childbirth touched a nerve with late-'60s audiences feeling uneasy about traditional norms. Produced by B-horror maestro William Castle, Rosemary's Baby became a critically praised hit, winning Gordon an Oscar for Best Supporting Actress. Inspiring a wave of satanic horror from The Exorcist (1973) to The Omen (1976), Rosemary's Baby helped usher in the genre's modern era by combining a supernatural story with Alfred Hitchcock's propensity for finding normality horrific. ~ Lucia Bozzola, Rovi
- Starring:
- Mia Farrow, John Cassavetes, (more)
- 1968
Project X boasts better special effects than usual for tight-fisted producer/director William Castle, but it crumbles in the story department. Christopher George is a secret agent living in the year 2118, who through a complex scientific charade is convinced that he's living in 1968. The plan is for George to uncover a secret germ formula that had been hidden away 50 years earlier. Castle's propensity for borrowing gimmicks from earlier films is well known; this time he reaches back as far as a nearly-forgotten 1954 episode of the TV series Flash Gordon! The biological warfare throughline of Project X was more convincing in its source material, a novel by Leslie P. Davies. ~ Hal Erickson, Rovi
- Starring:
- Christopher George, Greta Baldwin, (more)
- 1967
In this spooky comedy, a couple and their adolescent son move into a quiet New England summer cottage. Soon their arrival, a series of strange and increasingly destructive occurrences begin to happen. Not believing in poltergeists, the puzzled parents immediately suspect their son. The real perpetrators are a trio of angry ghosts who want the cabin all to themselves. When the mortal family refuses to move, the ghostly trio (two women and a man) sink two boats belonging to the couples' wealthy uncle. Once again the poor boy is blamed and this nearly drives him insane for he can see the ghosts. More trouble follows when one of the lady spirits falls in love with the handsome uncle. ~ Sandra Brennan, Rovi
- Starring:
- Sid Caesar, Vera Miles, (more)
A nosey housewife (Marguerite Viby) takes on extra responsibilities when her husband (Buster Larsen) hurts his back while reading the Sunday paper. When she finds a dead body in the upstairs office, she calls the police. The detective (Ole Monty) is summoned, and he discovers the woman is his old school dancing partner. When she turns around to renew the old acquaintance, the corpse is gone in this offbeat situation comedy. ~ Dan Pavlides, Rovi
- Starring:
- Sid Caesar, Robert Ryan, (more)
- 1966
The twelve-year old heir to a fortune decides to fight back after he learns that his avaricious uncle is out to kill him in this thriller. He learns of the plot after his uncle, who is next in line for the fortune, generously invites him to visit him on a remote tropical island. To help foil the man's evil scheme, the boy enlists the aide of a young girl. It's a good thing too as the wicked relative has written a book on how to kill people and uses every trick in it to kill him including sharks, poison mushrooms, tarantulas, fire, and hypnotism to do the deed. When the children begin trying to beat him at his own game, a deadly game of cat and mouse ensues until the uncle finally calls it quits and leaves the islands. ~ Sandra Brennan, Rovi
- Starring:
- Nigel Green, Mary Badham, (more)
- 1965
With true William Castle-style flamboyance the advertisements for I Saw What You Did intrigued non-etymologically inclined audiences by warning them that this suspenseful thriller was about uxoricide. He then had some of the theaters where the film was shown equipped with seat belts so frightened audience members wouldn't flee the theater in a panic. It was a spooky film, but wasn't all that scary. The tale begins upon a dark and foggy night as two teenage girls, bored with their baby-sitting job, decide to have a little fun and make some prank phonecalls. Every time some hapless person answers, they whisper conspiritorally "I saw what you did. I know who you are." Unfortunately, they happen to call a man who has just murdered his wife --- in the shower no less! He takes the call seriously and so sets off into the night to find the girls and silence them forever. ~ Sandra Brennan, Rovi
- Starring:
- Joan Crawford, John Ireland, (more)
In this chilling blood-tale in "Psycho" style, Robert Bloch modernizes the Lizzy Borden story. A wife (Joan Crawford) literally axes her cheating husband and his lover, witnessed by her three-year-old daughter. Mom is packed off to the insane asylum for 20 years before reuniting with the daughter (Diane Baker). From this point, the axe murders continue along a contrived plot intended to lead the audience astray until the mystery is solved. Crawford's strong performance and the excellently constructed suspense are the best elements of the film -- and the chopping saves the show when the plot tends to slow. ~ Lucinda Ramsey, Rovi
- Starring:
- Joan Crawford, Diane Baker, (more)
- 1964
Irene Trent (Barbara Stanwyck) was married to the inventor Howard (Hayden Roarke) before the blind electronics genius blows himself up following an argument between the couple. Irene leaves after the arguments only to learn of her husband's demise later. When Irene has reoccurring dreams of a faceless lover, she confides in her friend and attorney Barry Moreland (Robert Taylor) of her vision. She also tells him that Howard had accused her of marital infidelity and had her trailed by a private detective. William Castle directed the suspenseful thriller written by Psycho author Robert Bloch. Taylor and Stanwyck appear in their first film together in 27 years. The two were married from 1939 to 1951 and appeared in two films before their marriage. Their mutual respect as friends and performers is evident in The Night Walker. ~ Dan Pavlides, Rovi
- Starring:
- Robert Taylor, Barbara Stanwyck, (more)
Fabian, Tab Hunter, and Peter Brown star as three surfers--Jody, Steamer and Chase--who make a pilgrimage from California to the north shore of Oahu for a vacation. Surfers from all over gather here every winter to compete with each other for the title of "the last ride" champion. While surfing the gigantic waves of the Pacific, the three young men each find romance with attractive young ladies (Shelley Fabares, Susan Hart, and Barbara Eden). Ride the Wild Surf features extensive surf footage of the Hawaiian Islands by cinematographer Joseph Biroc. Biroc was credited for a total of five feature productions in 1964. ~ Kristie Hassen, Rovi
- Starring:
- Fabian, Shelley Fabares, (more)
- 1963
Set in the title manse, this chilling comedy chronicles the spooky exploits of a Yankee car salesman working in London who sets out to deliver a car to a remote and very creepy Welsh estate. Unfortunately he discovers the owner dead. While attempting to leave a fierce storm erupts and he has a wreck. He returns to the mansion to seek shelter from the disparate sisters therein. Once warm and dry, he meets the rest of their strange family, including twins, a looney who is building an ark, and the matriarch of the household. The storm rages on and as the grim night slowly passes, family members are bumped off at appallingly regular intervals leaving the American to solve the crimes.. ~ Sandra Brennan, Rovi
- Starring:
- Tom Poston, Robert Morley, (more)
- 1963
An international bevy of beautiful teenage girls represent their countries as the daughters of diplomats. The teenage temptresses use their feminine wiles to steal some top-secret files vital to the survival of freedom-loving nations everywhere. Produced and directed by William Castle, the drawbridge of the film's plot falls between suspense and comedy and ends up mired in a moat of demeaning international caricatures. ~ Dan Pavlides, Rovi
- Starring:
- Kathy Dunn, Murray Hamilton, (more)
- 1962
TV actor Tom Poston stars as Prof. Jonathan Jones in this early feature-film appearance, a standard comedy-fantasy oriented to the youngsters. The good professor has come into possession of "zotz," a coin that has three magical properties. It can either cause intense pain if its bearer points an accusing finger at an intended victim or it can make things move in slow-motion, with the right command. If the accusatory finger and the command are used simultaneously, the victim dies. Naturally, just about everyone wants this coin. The hapless professor is soon involved in problems at school, at the Pentagon, and worse yet, with a group of commie agents who have their own designs on the coin. ~ Eleanor Mannikka, Rovi
- Starring:
- Tom Poston, Julia Meade, (more)
- 1961
- NR
- Add Mr. Sardonicus to Queue
In this 1961 William Castle film based on Ray Russell's novel Sardonicus, Guy Rolfe stars as the wicked Sardonicus, a wealthy count who wears a mask because his face is frozen in a horrifying death grimace. Ronald Lewis stars as Sir Robert Cargrave, a brilliant doctor who is at the top of his field in the early 20th century. A curious letter from his former love, Maude (Audrey Dalton), draws him to Europe where she lives in a remote castle with her brooding husband, his badly scarred, but dedicated man-servant, Krull (Oscar Homolka), and a frightened housekeeper whom Sir Robert finds tied up and covered with leeches. The good doctor soon discovers the truth behind the leeches...and the true nature of his visit when Sardonicus reveals his terrible story: He dug up his father's grave in search of a winning lottery ticket, and upon seeing the corpse, his face muscles froze leaving him looking like a living skull. Dangling Maude as his ransom, Sardonicus forces Sir Robert into attempting a radical treatment to make his face normal again, but even when it is a success, the evil Sardonicus can find no cure from the curse of his father's desecrated corpse. Castle appears in the climax to offer viewers an opportunity to afford additional punishment on Sardonicus which leads to a satisfying conclusion. ~ Patrick Legare, Rovi
- Starring:
- Guy Rolfe, Audrey Dalton, (more)
Homicidal represents producer/director William Castle's slant on Hitchcock's Psycho. The film concerns a young woman named Miriam Webster (Patricia Breslin) who seemingly has everything a girl could want - including a successful flower shop business, and a handsome beau, Karl (Glenn Corbett), who works as a pharmacist. Events take a turn for the worse, however, when Miriam's half-brother, Warren, returns from Europe - with a rather unpleasant friend in-tow: a blonde named Emily (Jean Arless). Emily promptly sets about destroying Miriam's life: the newcomer attempts to wheedle Karl away from Miriam, then rips the flower shop to pieces, then ultimately reveals a little taste for knife-wielding that directly threatens Miriam's safety. Like The Tingler and other Castle outings, this one originally featured a gimmick, preserved in the video release: a "fright-break" just prior to the climax, which allowed terrified audience members approximately 45 seconds to get out of their seats and leave the theater - to avoid the prospect of being "frightened to death." One look at Jean Arless's credit in the cast listing betrays the final twist in this one, directly (and unapologetically) lifted by Castle from Psycho. ~ Hal Erickson, Rovi
- Starring:
- Glenn Corbett, Patricia Breslin, (more)
Gimmick-loving producer William Castle strikes again with this fun haunted-house thriller which invited audiences to find the hidden ghosts roaming about a haunted house through a special process called "Illusion-O" by which patrons could employ a special pair of red-and-blue-colored glasses to detect ghosts on the screen during the film's color-tinted sequences. The story is set in the mansion of the deceased occult scientist Dr. Zorba, whose nephew Cyrus and his family occupy the creepy estate and discover that they are not the only tenants. It seems the Doctor has been harboring 12 elusive specters on the premises, the appearance of which can only be detected through his final invention: a special pair of ghost-viewing goggles. To further complicate matters, it is learned that Zorba has stashed a small fortune somewhere in the house, and someone -- or something -- is determined to stop Cyrus and family from finding it. This film's original release featured an introduction from Castle, describing the "Illusion-O" process and demonstrating the proper use of the tinted glasses; he also appears in an epilogue stating that the glasses can be used to detect ghosts outside the theater! ~ Cavett Binion, Rovi
- Starring:
- Charles Herbert, Jo Morrow, (more)
As famous for the gimmick with which the film was shown as for its genuinely spine-tingling story, The Tingler follows a pathologist (Vincent Price) as he searches for the cause of a series of deaths and discovers that the victims have a large insect-like creature growing on their spinal chords. The creature attacks when the people are frightened and is only killed when the host emits a blood-curdling primal scream. This is coupled with a subplot to scare the deaf-mute owner of a silent movie house to death. Along the way, a couple of characters are injected with LSD and begin hallucinating like mad. When one of the nasty monsters "escaped" into a movie theater, the film's gimmick would begin. In order to further frighten audiences, director William Castle had certain theater seats rigged with small Army surplus devices that would deliver a mild electric shock to the spine in hopes of inducing terrified screams. Castle also planted audience members who would scream and faint. The house lights would go up, the film would stop and ushers would carry the unconscious person out of the theater. ~ Perry Seibert, Rovi
- Starring:
- Vincent Price, Judith Evelyn, (more)
- 1958
This first "gimmick" outing from horror producer William Castle is mainly distinguished by the clever ad campaign promising $1000 insurance for each patron (from Lloyds of London, no less!) against the possibility that they may die of fright during a screening of the film. (A similar gimmick would later be employed by the producers of the less imaginative thriller The Screaming Skull, who promised patrons an all-expense-paid funeral.) Castle certainly had nothing to worry about, since there is nary a moment of heart-stopping terror to be found in Macabre. That said, the plot is consistently entertaining, involving small-town doctor Rod Barrett (William Prince) racing the clock to locate his missing daughter after she is buried alive in the town cemetery by the same psychopathic killer who murdered his wife and her sister. It's clear that Castle had not yet honed his talents as a huckster of cheap thrills -- which reached their cheesy apex in The Tingler -- but there is definitely a spark of mischief here. ~ Cavett Binion, Rovi
- Starring:
- William Prince, Jim Backus, (more)
Rating Systems
Blockbuster
BLOCKBUSTER name, design and related marks are trademarks of Blockbuster L.L.C.
2013 Blockbuster L.L.C. All rights reserved.
Portions of Content Provided by Rovi Corporation. 2013 Rovi Corporation.