Lynton Brent Movies
A dignified-looking young character actor, Lynton Brent began his career on the stage, appearing in plays such as The Student Prince, Paid in Full, and as Laertes in Hamlet before entering films in 1930. Handsome enough in an average kind of way, Brent played such supporting roles as reporters (King Kong [1933]), radio operators (Streamline Express [1935]), and again Laertes, in the play-within-the-film I'll Love You Always ([1935], Garbo's interpreter Sven Hugo Borg was Hamlet!). Today, however, Brent is mainly remembered for his many roles in Columbia short subjects opposite the Three Stooges. His dignity always in shambles by the denouement, Brent was a welcome addition to the stock company, which at the time also included such comparative (and battle scarred) veterans as Bud Jamison and Vernon Dent. Leaving the short subject department in the early '40s, Brent played everyone from henchmen to lawmen in scores of B-Westerns and action melodramas, more often than not unbilled. He worked well into the television era, retiring in the late '60s. Offscreen, Brent was an accomplished architect and painter. ~ Hans J. Wollstein, All Movie Guide
Unable to secure Hollywood-studio backing for his Depression-era agrarian drama Our Daily Bread, director King Vidor financed the picture himself, with the eleventh-hour assistance of Charles Chaplin. Intended as a sequel to Vidor's silent classic The Crowd (1928) the film casts Tom Keene and Karen Morley as John and Mary, the roles originated in the earlier film by James Murray and Eleanor Boardman. Unable to make ends meet in the Big City, John and Mary assume control of an abandoned farm, even though they know nothing about tilling the soil. Generous to a fault, the couple opens their property to other disenfranchised Depression victims, and before long they've formed a utopian communal cooperative, with everyone pitching together for the common good. Beyond such traditional obstacles as inadequate funding, failed crops and drought, John is deflected from his purpose by sluttish blonde vamp Sally (Barbara Pepper), but he pulls himself together in time to supervise construction of a huge irrigation ditch -- a project which consumes the film's final two reels, and which turns out to be one of the finest and most thrilling sequences that Vidor (or anyone) ever put on film. The acting by Tom Keene and Barbara Pepper is atrocious, but John Qualen saves the show as a dedicated Swedish farmer, especially when he loudly rejects the notion that communal farming is a "Red" idea (this didn't stop the anti-New Deal press from labelling the film as "Pinko" back in 1934 -- and never mind that the communist press considered the film "capitalist propaganda"!) The optimistic finale, distinguished by its Eisentein-like "rhythmic" editing, fortunately lingers in the memory far longer than the film's dramatic and structural defects. Our Daily Bread is also enhanced by Alfred Newman's stirring musical score, later borrowed by Darryl F. Zanuck for his production of Les Miserables (1935). ~ Hal Erickson, All Movie Guide
- Starring:
- Karen Morley, Tom Keene, (more)
- 1934
In their fourth two-reeler for Columbia, the Three Stooges are mistaken for college football heroes by a beautiful gangster's moll. The latter was played by a very young Lucille Ball, who would always credit the Stooges with introducing her to "slapstick and physical comedy." According to Jack White, brother of Stooges producer Jules White, Lucille quickly left the studio because "Harry Cohn didn't want to bother with her. He didn't think she had any talent!" ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Moe Howard, Larry Fine, (more)
In the first of two proposed serials for Mascot Pictures, Western hero Ken Maynard goes up against a murderous fiend known as "the Rattler." Wearing a strange disguise consisting of eye glasses, a fake nose, and crepe-hair mustache, the Rattler, aka "the Menace of the Mountain," attempts to control the mountain -- and its hidden gold -- from a secret cave filled with strange electronic gadgets. Maynard is Ken Williams, a young cowboy coming to the aid of Jane Corwin (Verna Hillie), whose railroad worker father (Lafe McKee) was the Rattler's first victim. Just as in a previous Mascot serial, The Hurricane Express (1932), the masked villain of Mystery Mountain uses a seemingly endless supply of rubber masks that enables him to perform his skullduggery disguised as almost every member of the cast. He is finally brought to ground in chapter 12, "The Judgment of Tarzan" ("Tarzan" being Maynard's faithful steed), and is revealed to be supposedly solid citizen Edward Earle. The denouement, of course, was a typical Mascot "cheat," the masked villain having up to that point been played by Edmund Cobb. Maynard, whom Mascot producer Nat Levine had gotten on the cheap at 10,000 dollars a week, proved almost not worth the trouble he created. The difficult star demanded that the serial be filmed at his old stomping grounds, Universal City, and kept changing the script and direction to suit himself. Although Mystery Mountain proved the most successful Mascot serial up to that time, Levine had had enough of the obstinate Maynard and replaced him with newcomer Gene Autry in The Phantom Empire (1935). ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Ken Maynard, Tarzan the Horse, (more)
Flamboyant, egomaniacal theatrical impresario Oscar Jaffe (John Barrymore) transforms chorus girl Mildred Plotka (Carole Lombard) into leading lady Lily Garland, the toast of Broadway. Once she's ascended to stardom, Mildred/Lily cannot abide Jaffe's obsessive control of her life and career. When he hires a private detective (Edgar Kennedy) to keep tabs on her, it's the last straw. Lily whisks herself off to Hollywood, where she quickly becomes a top movie star. Months pass: without his "creation" to star in his productions, Jaffe goes bankrupt. With his faithful stooges O'Malley (Roscoe Karns) and Webb (Walter Connolly) in tow, Jaffe boards the Twentieth Century Limited, one step ahead of his creditors. By an incredible coincidence, Lily is also on the Twentieth Century, accompanied by her stuffy fiance George Smith (Ralph Forbes). With near-maniacal glee, Jaffe undertakes the herculean task of signing Lily to star in his upcoming spectacular staging of "The Passion Play". Now the laughs, which have been erupting at safe intervals for the past 45 minutes, really begin to cascade, with Oscar, Lily, and a wide variety of eccentrics chasing each other around the Twentieth Century as it speeds its way from Chicago to New York. Based on the Broadway play by Ben Hecht and Charles MacArthur, Twentieth Century is "screwball comedy" at its screwiest. Director Howard Hawks once claimed that he was the first to treat his romantic leads like comedians: whether he was or not, it is true than Barrymore and Lombard deliver two of the funniest performances of the 1930s. Nearly 50 years after the release of Twentieth Century, the property was revived as a Broadway musical, On the 20th Century, starring Kevin Kline and Madeline Kahn. ~ Hal Erickson, All Movie Guide
- Starring:
- John Barrymore, Carole Lombard, (more)
"How would you like to star opposite the tallest, darkest leading man in Hollywood?" Enticed by these words, brunette leading lady Fay Wray dyed her hair blonde and accepted the role of Ann Darrow in King Kong -- and stayed with the project even after learning that her "leading man" was a 50-foot ape. The film introduces us to flamboyant, foolhardy documentary filmmaker Carl Denham (Robert Armstrong), who sails off to parts unknown to film his latest epic with leading lady Darrow in tow. Disembarking at Skull Island, they stumble on a ceremony in which the native dancers circle around a terrified-looking young girl, chanting, "Kong! Kong!" The chief (Noble Johnson) and witch doctor (Steve Clemente) spot Denham and company and order them to leave. But upon seeing Ann, the chief offers to buy the "golden woman" to serve as the "bride of Kong." Denham refuses, and he and the others beat a hasty retreat to their ship. Late that night, a party of native warriors sneak on board the ship and kidnap Ann. They strap her to a huge sacrificial altar just outside the gate, then summon Kong, who winds up saving Ann instead of devouring her. Kong is eventually taken back to New York, where he breaks loose on the night of his Broadway premiere, thinking that his beloved Ann is being hurt by the reporters' flash bulbs. Now at large in New York, Kong searches high and low for Ann (in another long-censored scene, he plucks a woman from her high-rise apartment, then drops her to her death when he realizes she isn't the girl he's looking for). After proving his devotion by wrecking an elevated train, Kong winds up at the top of the Empire State Building, facing off against a fleet of World War I fighter planes. ~ Hal Erickson, All Movie Guide
- Starring:
- Fay Wray, Robert Armstrong, (more)
- 1932
This thriller involves a shipboard murder, castaways on a desert island, another murder, a wild man, and the hapless hero who must deal with it all. ~ Sandra Brennan, All Movie Guide
- Starring:
- Monte Blue, Lila Lee, (more)
- 1932
Golddigging Verna Wilson (Natalie Morehead) files suit against married millionaire John Randolph (Montague Love) for breach of promise. On the verge of collecting $100,000 in "hush money," Verna discovers that her former lover (Roy D'Arcy) has broken out of jail and is heading after her with blood in his eye. Frantically, she books passage on an ocean liner bound for Europe. During the voyage, Verna is confronted by another man -- Dick Randolph (Jack Mulhall), son of the disgraced millionaire. Not long afterward, Verna's ex-lover catches up with her . . . and the result, inevitably is murder. But who done it (and who is it "done" to?) Love Bound was also released as Murder on the High Seas and Souls for Sale. ~ Hal Erickson, All Movie Guide
- Starring:
- Natalie Moorhead, Jack Mulhall, (more)
Thirteen years after a dinner party where the wealthy host dropped, the thirteen guests are invited to reassemble at the dinner table. First to arrive is Ginger Rogers--who is promptly killed. It turns out that the dead woman was an impostor, hired to impersonate a real guest (Ginger Rogers again). Playboy detective Lyle Talbot is called in to investigate. It seems that the man who died 13 years ago was just about to announce the heir to his fortune, thus all the guests fall under suspicion. The culprit's true identity is hidden by a hood; the culprit's method of murder is a complex electrocution device. In an excitingly staged finale, Ginger is kidnapped by the hooded killer, but is rescued by Lyle Talbot. Made on a shoestring by Monogram Pictures, Thirteenth Guest is a marvelous "old house" mystery, with Ginger Rogers giving her all as the damsel in distress. ~ Hal Erickson, All Movie Guide
- Starring:
- Ginger Rogers, Lyle Talbot, (more)
- 1932
The 1932 Tom Mix western talkie Texas Bad Man has much in common with the sombre silent efforts by Mix's former rival William S. Hart. Lawman Mix deliberately cultivates a reputation as an outlaw in order to infiltrate a gang of thieves. What sets this one apart from most budget westerns of its period are the believable situations and three-dimensional characterizations. In particular, Willard Robertson as the head villain delivers a performance that under different circumstances might very well have earned him an Oscar nomination. Also worthy of praise is the cinematography, courtesy of longtime Tom Mix associate Daniel Clark. ~ Hal Erickson, All Movie Guide
- Starring:
- Tom Mix, Fred Kohler, (more)
- 1931
In this melodrama that was considered utterly scandalous in its day, an impoverished, beautiful young ghetto girl quickly learns that she can get to Easy Street on her back. Her indecent journey begins when a scout discovers her working in a department store. He gets her signed up to a modeling agency where she soon becomes the mistress of the owner. He gives her plenty of money and a nice place to live. She tries to share the money with her family, but they strongly disapprove of the means by which she is "earning" it. The young model later falls in love with an Argentine tycoon who proposes, but is unable to marry her because he must hastily return to Buenos Aires to attend to personal matters. He asks that she wait for him. She wants to, but finds herself seduced by the lure of her other lover's money and so moves in with him. When the tycoon finally returns and finds out, he is utterly devastated and tragedy ensues for the girl. There are two prints of the film around: one features a happy ending, while in the other, the tragedy continues. ~ Sandra Brennan, All Movie Guide
- Starring:
- Constance Bennett, Adolphe Menjou, (more)
- 1931
In this crime drama, an ambassador must become a police snitch for a corrupt vice squad and it nearly destroys his career. He survives the incident with reputation intact. But then the cops come 'round again. He is uncooperative until they begin threatening the woman he loves. In the end, the man gets revenge by testifying in a court case that questions the dubious practice of using informers to gather evidence. ~ Sandra Brennan, All Movie Guide
- 1930
Last Dance was loosely based on the real-life story of a newspaper mogul who married a Broadway taxi dancer. For the purposes of the film, Jason Robards Sr. plays wealthy Tom Malloy, while Vera Reynolds is cast as dime-a-dance damsel Sally Kelly. Though she enjoys Tom's company, Sally has no intention of "clipping" him, but a shyster lawyer has other ideas. The ambulance chaser convinces Sally to sign a breach-of-promise complaint against Tom, but Sally isn't aware of the complaint's contents until she gets to court (no one ever said this picture was believable). The ensuing newspaper-tabloid headlines cause a great deal of embarrassment for both hero and heroine; all the same, everything ends happily for both. A visual gimmick unique to The Last Dance has each song number preceded by a superimposed close-up of the sheet music: the film's one big song, "Sally, I'm Looking For You Sally", is warbled not by Vera Reynolds, as might be expected, but by comedy-relief George Chandler. ~ Hal Erickson, All Movie Guide
- Starring:
- Vera Reynolds, Jason Robards, Sr., (more)
