Sergio Castellitto Movies

This short film is filmmaker Isabel Coixet's contribution to the anthology film Paris, Je T'Aime. In it, Sergio Castellitto stars as a philandering husband scheming to break up a long marriage with his wife (Miranda Richardson) and run off with his lover (Leonor Watling) -- only to be greeted by some shocking news when his wife arrives to meet him for dinner. Paris, Je T'Aime premiered at the 2006 Cannes Film Festival. ~ Matthew Tobey, All Movie Guide

This gentle Italian drama is based upon the 1919 autobiographical novel by Federico Tozzi. The film tells the story of teenagers Ghisola and Pietro whose closeness is born of the pain the two experience in their daily lives. Ghisola, only 14-years old, must work in the fields away from her family. Pietro is emotionally abused by his father. When his father discovers their mutual affection, he sends Ghisola away. Pietro does not see her again until he is an adult. She has changed. Now pregnant and alone, Ghisola tries to seduce Pietro so he will marry her. ~ Sandra Brennan, All Movie Guide

Enhanced by glamorous locations and beautiful people, this story is about Gloria (Jo Champa), a fashion model who is searching for a missing babysitter. Gloria has clues about the whereabouts of Sara (Fabienne Babe) from videotapes she liked to make as a sort of a visual journal. Gloria is joined in her search by Vittorio (Sergio Castellito), who is romantically attracted to Sara but also interested in Gloria. As the search continues, it becomes clear that Gloria and Sara are more than just acquaintances. ~ Eleanor Mannikka, All Movie Guide

Letitia Masson wrote and directed this tale told in flashbacks as a detective tracks a young woman. After France Robert (Sandrine Kiberlain) steals cash and then leaves Marseilles nightclub owner Pierre (Jean-Francois Stevenin) at the altar, he still yearns for her, so he puts private investigator Luigi Primo (Sergio Castellitto) on her trail. Luigi, who married a French lawyer (Mireille Perier) but is now divorced, sends regular progress bulletins on tape. He begins the quest by talking to France's small-town parents and former boyfriend, traveling about in Paris, Grenoble, and Marseilles as he assembles the jigsaw of her past life. Shown in the Certain Regard section at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide

Giovanni (Lou Castel) comes home after his brother's suicide to encounter the same family problems that have been around for years: his mother is a religious fanatic now obsessed with her son's errant spirit, his older brother has a cold and uncaring relationship with his children and his wife, and Giovanni's uncle who runs the wealthy family's house is always out to turn a profit for himself. When Giovanni goes to berate his dead brother's lover for not even coming to his funeral (his brother gave her an apartment and an income, and then she broke off with him because she did not love him), an unexpected attraction starts that builds in intensity as time goes on. Eventually, they start an emotionally-charged relationship that goes up and down like a roller coaster, their conflicts fueled in part by the ghost of the dead brother, by the fact that she is pregnant with his child, and by the difference in their economic status. As their relationship continues, it becomes a question of whether or not they will be able to overcome their differences -- a question that looms larger every day. ~ Eleanor Mannikka, All Movie Guide

A run of bad luck coupled with devastating pride marks the beginning of a once-successful businessman's inexorable downward slide that lands him in the subterranean bowels of the "Hotel Paura." This downbeat drama chronicles his descent. Carlo Ruggeri had a happy marriage and a good career as an executive until the day his company merged with another and he lost his job. His wife Liliana is at first supportive, but then the lease on their apartment expires and because Carlo is unemployed, the landlord refuses to renew it. With nowhere left to go, Carlo, Liliana and their son Paolo end up in welfare housing. Carlo is deeply embarrassed and refuses to ask his friends and family for help. Any that is offered, he promptly refuses, along with a couple of jobs that he deems unsuitable. Eventually Liliana looses her patience, takes Paolo and moves in with her family. No longer eligible for the government-sponsored housing, Carlo is forced into the street where he becomes a beggar. Some small salvation comes when he hooks up with the kindly Lucia, a street dweller who takes him to an abandoned subway station they call the Hotel Paura. Surrounded by the most intense poverty he has ever known, Carlo makes some profound self-discoveries. ~ Sandra Brennan, All Movie Guide

The innovative Italian neuropsychiatrist Marco Lombardo Radice started at treatment movement which draws its name from the unlikely object of worship found in the Peanuts cartoon series, The Great Pumpkin, and it seems likely that this movie and its story represent some kind of homage to his memory. Arturo's wife walked out on him, and now he devotes all his time to his job. He (Sergio Castillitto) is a professor of psychiatry at the university hospital in Rome, and specializes in children's problems. When Pippi (Alessia Fugardi) is brought in for a consultation, it is alleged that she is an epileptic, but the good doctor thinks otherwise. He convinces her reluctant parents to leave her in his care, and through a series of brilliant manipulations, he manages to cure her. The world of mental illness and how it is handled in Italy are not seen through rose-colored glasses, here, and reviewers found tht what could have been a mere tear-jerker manages to be a convincing, gripping drama. ~ Clarke Fountain, All Movie Guide

Paolo is a divorced father of two who earns his living as a nightclub entertainer. One night, he meets Francesca, a strangely attractive woman, and after some rather peculiar talk about her having had sex with an Indian guru, they head off for his beach house for an assignation. Francesca uses some special secrets taught to her by her guru to turn him into a paralyzed sex-slave. All he can do is talk, while his body is out of his control and his penis remains continually erect. He seems to accept the situation, although it becomes pretty awkward when his children come over for a visit. After that, things take a darker turn. Viewers who saw this film at the 1991 Cannes Film Festival considered it self-indulgent, and too much like Ferrari's earlier La Dernière Femme (1976). ~ Clarke Fountain, All Movie Guide

Two people with a similar fetish for the exotic Asian fabric have an odd relationship in this off-beat French romance set in 1914. In the beginning, Marie enters a Paris department store and carefully heads for the fabric part. With cat-like caution she moves beside a bolt of silk, suddenly pouncing upon it, slashing the fabric with a straight razor and the pressing its cool satiny smoothness to her body until she faints with pleasure. Upon regaining consciousness, Marie finds herself booked for shoplifting and sent to a psycho ward where she meets Doctor Gabriel who asks her surprisingly intimate questions about her fetish for stealing silk in public. He seems to relish every erotic detail. Knowing that she is unable to control her passionate urges, she decides that she needs to be imprisoned. While serving her time and finally leaning to read and write, Dr. Gabriel fights the Germans in North Africa. A wound prompts his discharge and this gives him the chance to pen his case study of Marie, "The Scream of the Silk." The newly literate Marie reads the article, sees herself and sends him a heartfelt letter of thanks. Gabriel responds, confessing that he too is a 'silko-phile' with a similar obsession. Via their letters, the two slowly fall in love while Gabriel's doting housekeeper watches over him. ~ Sandra Brennan, All Movie Guide

Marcello Mastroianni (1924-1996) was arguably the most famous and respected leading man in the history of Italian cinema. A favorite of such directors Federico Fellini, Luchino Visconti and Michelangelo Antonioni, Mastroianni's fame in Europe extended to the United States, where he was nominated for three Academy Awards and frequently starred opposite another celebrated Italian player, Sophia Loren. Filmmakers Mario Canale and Annarosa Morri offer a look at the public and private sides of this legendary actor in the documentary Marcello: A Sweet Life, which features archival interviews with the actor alongside reminiscences from his family, friends and colleagues. Interview subjects include actresses Claudia Cardinale and Anouk Aimee, directors Ettore Scola, Mario Monicelli and Lina Wertmuller, and Marcello's daughters Barbara Mastroianni and Chiara Mastroianni. Marcello: A Sweet Life received its world premiere at the 2006 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Ernesto (Sergio Castellitto of Va Savoir) is a successful artist and devout atheist who finds out that his mother, whom he despised, is being considered for sainthood. Ernesto's young son, Leonardo (Alberto Mondini), influenced by his religion teacher, has developed a fear of God, whom he tries to shoo away like a pest. "If He's everywhere," Leonardo reasons, "then I'm not free -- even for a second." Ernesto's estranged wife, Irene (Jacqueline Lustig), encourages Leonardo's faith, and seems to be on the side of Ernesto's family, who are greedily clamoring to get Ernesto to participate in the canonization process. His mentally unstable brother, Egidio (Donato Placido), who will speak only to Ernesto, murdered their mother years earlier, and holds the key to her beatification. At a party, Ernesto insults a deranged monarchist, Conte Bulla (Toni Bertorelli), who then challenges him to a duel. Ernesto goes to complain to Leonardo's religion teacher, expecting to find an ugly old woman, and instead finds Diana (Chiara Conti), an impossibly beautiful young woman who admires his work. Ernesto meets the Cardinal (Maurizio Donadoni), and tells the man that his mother was "stupid" and "had no passion." "Loving someone is the best way to declare my atheism," he declares. But as he gets caught up in all the intrigue, Ernesto recognizes a connection to his hated mother that he cannot escape; he has the same mocking smile. Marco Bellocchio's My Mother's Smile was shown at the 2002 New York Film Festival and at the 2002 Cannes Film Festival, where it won a Special Mention for the Prize of the Ecumenical Jury. ~ Josh Ralske, All Movie Guide