Sergio Castellitto Movies

One man's work ethic and sense of personal responsibility sends him on a great journey in this drama from filmmaker Gianni Amelio. Vincenzo (Sergio Castellitto) has devoted most of his adult life to working in a steel mill, where he looks after the machines and sees that they're in good repair. One day, Vincenzo gets the news that the mill is going out of business and the equipment has been sold to a concern in China. While Vincenzo is upset about the loss of his job, before long something greater is weighing on his mind -- one of the machines sold to the Chinese has a defect that led to the death of Vincenzo's co-workers years before, and he's convinced if he doesn't do some preventative maintenance on the equipment, another worker could be killed. Determined to prevent a needless fatality, Vincenzo flies to China and sets out to find the faulty machine, with the help of Liu Hua (Tai Ling), a young woman serving as his interpreter. La Stella Che Non C'e (aka The Missing Star) was screened in competition as part of the 2006 Venice Film Festival. ~ Mark Deming, All Movie Guide

Marcello Mastroianni (1924-1996) was arguably the most famous and respected leading man in the history of Italian cinema. A favorite of such directors Federico Fellini, Luchino Visconti and Michelangelo Antonioni, Mastroianni's fame in Europe extended to the United States, where he was nominated for three Academy Awards and frequently starred opposite another celebrated Italian player, Sophia Loren. Filmmakers Mario Canale and Annarosa Morri offer a look at the public and private sides of this legendary actor in the documentary Marcello: A Sweet Life, which features archival interviews with the actor alongside reminiscences from his family, friends and colleagues. Interview subjects include actresses Claudia Cardinale and Anouk Aimee, directors Ettore Scola, Mario Monicelli and Lina Wertmuller, and Marcello's daughters Barbara Mastroianni and Chiara Mastroianni. Marcello: A Sweet Life received its world premiere at the 2006 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Ernesto (Sergio Castellitto of Va Savoir) is a successful artist and devout atheist who finds out that his mother, whom he despised, is being considered for sainthood. Ernesto's young son, Leonardo (Alberto Mondini), influenced by his religion teacher, has developed a fear of God, whom he tries to shoo away like a pest. "If He's everywhere," Leonardo reasons, "then I'm not free -- even for a second." Ernesto's estranged wife, Irene (Jacqueline Lustig), encourages Leonardo's faith, and seems to be on the side of Ernesto's family, who are greedily clamoring to get Ernesto to participate in the canonization process. His mentally unstable brother, Egidio (Donato Placido), who will speak only to Ernesto, murdered their mother years earlier, and holds the key to her beatification. At a party, Ernesto insults a deranged monarchist, Conte Bulla (Toni Bertorelli), who then challenges him to a duel. Ernesto goes to complain to Leonardo's religion teacher, expecting to find an ugly old woman, and instead finds Diana (Chiara Conti), an impossibly beautiful young woman who admires his work. Ernesto meets the Cardinal (Maurizio Donadoni), and tells the man that his mother was "stupid" and "had no passion." "Loving someone is the best way to declare my atheism," he declares. But as he gets caught up in all the intrigue, Ernesto recognizes a connection to his hated mother that he cannot escape; he has the same mocking smile. Marco Bellocchio's My Mother's Smile was shown at the 2002 New York Film Festival and at the 2002 Cannes Film Festival, where it won a Special Mention for the Prize of the Ecumenical Jury. ~ Josh Ralske, All Movie Guide

Arthur Joffe directed this French comic fantasy, in French and English dialogue, about God (voice of Pierre Arditi), invisible and spinning through Heavenly space on an asteroid, along with his sidekick angel Rene (Ticky Holgado). God observes Earthly events on His television set. After hacking out a screenplay on the Hebrew keyboard of a manual typewriter, the Deity needs a director, lands as a burning bush in back of the Hollywood sign, finds Hollywood hostile, jumps to Paris, and travels from one body to another, eventually settling on tekkie Jeanne (Helene de Fougerolles), an employee at Harper Audiovisual. Faxes in Hebrew begin arriving, and Jeanne hears voices. With God's screenplay translated to French, it finally goes up to the 127th floor for an okay by Mr. Harper himself (Tcheky Karyo). But there's a problem -- God is not very happy about Mr. Harper's alterations, as he explains, "I wrote the Bible, the best-selling book of all time! Where do they get off editing my script?" ~ Bhob Stewart, All Movie Guide

Philippe de Morannes has an agreement with his girlfriend, the well-known actress Paulette Nanteuil. Either one of them can sleep with someone else if they give their partner a day's notice. In the six years they have been living together, this agreement has not been an issue. Philippe is researching a book about Carl Herickson, an international screen star. One day, while waiting in the star's suite for him to return, he encoutners Claudine, a friend of Paulette's who is a journalist doing an interview of the star. In the midst of a mild but very witty flirtation with her, the star arrives, and expresses a wish to see a local theatrical performance. Hardly thinking about it, he recommends his wife's current play. In a series of misadventures, the film star and the stage star wind up sleeping together. The next day, Philippe and Paulette have a heated and funny discussion about who was unfaithful to whom. This comedy is a remake of the 1938 film Quadrille, by Sacha Guitry. ~ Clarke Fountain, All Movie Guide

Two people with a similar fetish for the exotic Asian fabric have an odd relationship in this off-beat French romance set in 1914. In the beginning, Marie enters a Paris department store and carefully heads for the fabric part. With cat-like caution she moves beside a bolt of silk, suddenly pouncing upon it, slashing the fabric with a straight razor and the pressing its cool satiny smoothness to her body until she faints with pleasure. Upon regaining consciousness, Marie finds herself booked for shoplifting and sent to a psycho ward where she meets Doctor Gabriel who asks her surprisingly intimate questions about her fetish for stealing silk in public. He seems to relish every erotic detail. Knowing that she is unable to control her passionate urges, she decides that she needs to be imprisoned. While serving her time and finally leaning to read and write, Dr. Gabriel fights the Germans in North Africa. A wound prompts his discharge and this gives him the chance to pen his case study of Marie, "The Scream of the Silk." The newly literate Marie reads the article, sees herself and sends him a heartfelt letter of thanks. Gabriel responds, confessing that he too is a 'silko-phile' with a similar obsession. Via their letters, the two slowly fall in love while Gabriel's doting housekeeper watches over him. ~ Sandra Brennan, All Movie Guide

Off-beat is a description scarcely adequate to describe this highly-original Italian comedy-drama that takes place within a woman's womb and centers on the conversations between two developing fraternal twins, known only as Big Guy and Little Guy. The fetuses are played by long-haired grown men who wear beads and have are strategically covered by their umbilical cords. Each of the embryos has a distinct personality complete with built in fears of the strange world awaiting them outside. Big Guy is the aggressive brute who resents having to share his watery home with Little Guy, the intellectual one. Little Guy is small enough to climb up into his mother's fallopian tubes where a peephole allows him some view of the world. He can even watch TV. Armed with such information, he visits Big Guy and together they talk about it all. Sometimes when they sleep, both have fantastic dreams of meeting their beautiful mother. ~ Sandra Brennan, All Movie Guide

In this erstwhile comedy, Penelope (Isabelle Adjani) is already sufficiently unsettled by the fact that she is no longer a top model, and must cast around for another occupation. When her boyfriend leaves her, she becomes quite hysterical, conjuring up schemes for revenge, contemplating suicide, and so on. These dramatics eventually exasperate her best friend Sophie (Clementine Celarie) so much that she contemplates killing Penelope, her ex-boyfriend, or the two of them together, just to stop the whining. ~ Clarke Fountain, All Movie Guide

Bear witness to the rise of the most corrupt and ruthless ruler ever to preside over the Roman Empire as filmmaker Paul Marcus tells the tale of Nero's unlikely ascent to the throne, and his historical fall at the hands of his own vengeful kingdom. After murdering his sister's husband on grounds of conspiracy, the increasingly incoherent Caligula exiles his grieving sibling and sets into motion a devious plan that will one-day find her son Lucius presiding over all of Rome. Beset on all sides by tyranny and bloodlust, Lucius rises to power as Nero while facing the constant wrath of all who oppose his legacy. His paranoia soon reaching a fever pitch, Nero struggles to maintain power as his army, his people, and his own mother, ultimately turn against him. ~ Jason Buchanan, All Movie Guide

In this earnest docudrama, ten episodes depicting the suffering arising out of drug-use are shown. In one story, a pharmacist working an overnight shift helps a boy through drug withdrawal. In another, a mother whose daughter is now free of drugs gives her a pair of valuable coral earrings as a celebratory gift. In another, an newborn is shown suffering from withdrawal: his mother was addicted throughout her pregnancy. Each scene illustrates some aspect of the travails of drug addiction, but never simplistically blames the victims alone for their plight. ~ Clarke Fountain, All Movie Guide