George Brent Movies

In this depressing drama, even though she is an adult, the eldest daughter of a hillbilly clan headed by a brutal patriarch still must endure his vicious beatings. Finally her mother and other friends counsel her to leave the hills. She does and ends up in New York where she enrolls in nursing classes. While studying, she also meets the dashing young attorney who helped convict her father of a shooting several months before. After graduating, she returns home to assist a doctor in a free clinic. Unfortunately, her father will not let her back into the family home, which causes her no pain at all. When the ruthless father begins attempting to sell off her younger sister as a child bride, the nurse comes to her aide. A fight ensues between father and daughter culminating in the father's accidental death. Her beau defends her in court, but she is sentenced to 25 years in prison anyway. Unfortunately, the locals are angered by the killing and decide to get their own revenge and lynch her. Fortunately, the lawyer saves her and bundles her on a plane and gets her away from there. This film is adapted from a true story. ~ Sandra Brennan, All Movie Guide

With the considerable input of ex-Navy officer Frank Wead (who wrote the script) and technical adviser Cmdr. G. W. D. Dashielle, Submarine D-1 is far more realistic than the usual run of maritime melodramas. Pat O'Brien and Wayne Morris star as Butch Rogers and Sock McGillis, old submarine hands stationed in Panama. On land, Butch and Sock battle over pretty Ann Sawyer (Doris Weston). At sea and underwater, however, our two heroes are virtually inseparable. The documentary-style direction of Lloyd Bacon serves to heighten suspense when, during war games, Submarine D-1 is disabled deep, deep below the surface, endangering the lives of all on board. Ronald Reagan originally had a sizeable supporting role in this heady combination of laughs, thrills, and romance, but Reagan was cut from the final release print (though he still received billing in the film's pressbook). ~ Hal Erickson, All Movie Guide

When wealthy Mr. Ames is murdered, his beautiful wife Hope (Madeleine Carroll) is the principal suspect. She is acquitted through lack of evidence, but it's hardly a happy ending: her son Bobbie (Scotty Beckett) is taken away from her by spiteful relatives, who poison the boy's mind against her. Making matters worse, assistant DA Matt Logan (George Brent) is still convinced that Hope is guilty. Upon seeing Hope's devotion to her child, Logan softens a bit and alters his strategy. He offers a huge reward for additional information pertaining to the case, ostensibly to prove Mrs. Ames' guilt, but actually to clear her name so that she and her son can be reunited. If the outcome of The Case Against Mrs. Ames seems predictable, it is only because the actor who plays the real murderer was nearly always revealed as the "surprise" culprit in the final reel. ~ Hal Erickson, All Movie Guide

Bette Davis plays a facial cream heiress in this middling comedy, which Warner Bros. filmed partially in Florida. Mistaking George Brent for a fellow socialite, Bette quickly marries him only to discover that he is a penniless reporter searching for peace and quiet to finish the great American novel. As it turns out, Bette is not who she claims to be, either, but a waitress hired by the perfume company as a sort of advertising gimmick. Fearing she may lose George if he learns the truth, she goes out of her way to hide her true identity, to the point where the exasperated young man finds solace with Carol Hughes, a true blue blood. Everything works out in the end, of course, and the couple is reunited. ~ Hans J. Wollstein, All Movie Guide

Secretary Carol Baldwin (Jean Arthur) is in love with her boss, health-magazine publisher Fred Gilbert (George Brent). So what else is new? Well, for starters, Carol isn't terribly attractive, so Fred pays but little attention to her. Gee, nothing new here, come to think of it. Well, how about this: Carol undergoes a glamour treatment and wins Fred away from his dumb-blonde tootsie Maizie West (Dorothea Kent). Suffice to say that this cookie-cutter romantic comedy rises and falls on the appeal of its two talented stars. ~ Hal Erickson, All Movie Guide

In this romance, a social worker employed by Traveler's Aid finally is able to show her love to a construction foreman responsible for building the Golden Gate Bridge. She has loved him for nine years and is delighted that they can finally be together. Unfortunately, both of them are so busy that it is difficult to be together. Fortunately, they do eventually connect. The film contains actual footage of the construction of the great San Francisco Bridge. ~ Sandra Brennan, All Movie Guide

The Right to Live was the second film version of Somerset Maugham's The Sacred Flame (the first, produced in 1929, starred Conrad Nagel), which in its original form posed the question "Can there truly be such a thing as a mercy killing?" Put simply, it is the tragic tale of two brothers: Colin Trent (George Brent), strong and virile, and Maurice Trent (Colin Clive), crippled and bedridden. Though there's no hope for Maurice's recovery, his wife Stella (Josephine Hutchinson) has vowed -- publicly at least -- to remain faithfully by his side until the bitter end. When that end finally comes, the family doctor declares that Maurice has died a natural death. But Nurse Weyland (Peggy Wood), who has long suspected that something has been going on between Stella and her healthy brother-in-law Colin, believes that Maurice was murdered. Her insistence upon an autopsy is as much a product of her dedication to duty as to her own silent yearning for Colin. Thanks to the newly-strengthened Production Code, Maugham's powerful ending could not be used, thereby watering down what might have been a truly compelling and controversial film. ~ Hal Erickson, All Movie Guide

In this drama, an amateur pilot is driven to living life in the fast lane after he pilots that plane that crashed and killed his parents and his sister. He goes on to marry. He and his new wife live in terrible conditions until he suddenly inherits $8,000 which he uses to buy a plane and start up a commuter service. Unfortunately, he finds himself again in debt. His disgusted wife leaves, but when he is hurt in a car crash, she eventually returns. ~ Sandra Brennan, All Movie Guide

A pre-stardom Bette Davis struggles mightily as the "other woman" in this rather obvious divorce court drama from Warner Bros. George Brent stars as William Reynolds, a hardworking but markedly unmotivated office manager whose wife, Nan (Ann Dvorak), manages to make ends meet with the little she's got. Enter Patricia Berkeley (Davis), a high-powered advertising exec, with whom William falls madly in love. Does he leave the little wife for the glamorous co-worker? Well almost, but all bets are off when young Buddy Reynolds (Ronnie Cosbey) is hit by a car and nearly killed. ~ Hans J. Wollstein, All Movie Guide

This drama examines the rivalry between a mother and the daughter she is too vain to acknowledge. The mother is a famous actress who does not want her true age to be known. She, therefore, keeps her 19-year old daughter secreted away in a boarding school. The daughter is too old to be concealed. She wants her own life, and she wants her mother to acknowledge her existence. She goes to New York to see her mother. At her mother's house, the young woman encounters her mother's newest suitor. He sees the young girl and falls for her. The mother becomes terribly jealous and tries to thwart the romance. She fails, and the happy young couple get married. ~ Sandra Brennan, All Movie Guide

Romance throws a spanner into the works of a con game in this light drama. Donald Free (William Powell) is a private detective whose career in on the skids. Dan Hogan (Arthur Holh) is another, less scrupulous shamus who persuades Free to help him frame Janet Reynolds (Margaret Lindsay), a wealthy woman with a taste for gambling living in Paris. Free goes along with the scheme, but things become complicated when he begins falling in love with her. ~ Mark Deming, All Movie Guide

The quintessential "backstage" musical, 42nd Street traces the history of a Broadway musical comedy, from casting call to opening night. Warner Baxter plays famed director Julian Marsh, who despite failing health is determined to stage one last great production, "Pretty Lady." Others involved include "Pretty Lady" star Dorothy Brock (Bebe Daniels); Dorothy's "sugar daddy" (Guy Kibbee), who finances the show; her true love Pat (George Brent); leading man Billy Lawlor (Dick Powell); and starry-eyed chorus girl Peggy Sawyer (Ruby Keeler). It practically goes without saying that Dorothy twists her ankle the night before the premiere, forcing Julian Marsh is to put chorine Peggy into the lead: "You're going out there a youngster, but you've got to come back a star!" Delightfully corny, with hilarious wisecracking support from the likes of Ginger Rogers, Una Merkel, and George E. Stone, 42nd Street is perhaps the most famous of Warners' early-1930s Busby Berkeley musicals. Based on the novel by Bradford Ropes (which was a lot steamier than the movie censors would allow), 42nd Street is highlighted by such grandiose musical setpieces as "Shuffle Off to Buffalo," "Young and Healthy," and of course the title song. Nearly fifty years after its premiere, it was successfully revived as a Broadway musical with Tammy Grimes and Jerry Orbach. ~ Hal Erickson, All Movie Guide

Baby Face is a good example of the kind of spitfire lead female characters that appeared in the cinema of pre-code Hollywood. Lily Powers (Barbara Stanwyck) works as a barmaid in her father's factory-town saloon where she learns to deal with the unwanted advances of male customers. When her father dies, she moves to New York City with her maid, Chico (Theresa Harris), to become a ruthless gold digger. First she meets office boy Jimmy McCoy (a young John Wayne in an uncharacteristically clean-cut role) who helps her get a job at the Gotham Trust Company. From there, she seduces and discards various men (George Brent, Donald Cook, Henry Kolker) as she sleeps her way to the top of the company. Jealously between the men causes a murder scene, so Lily takes her furs and jewels and moves to Paris with Chico. The production code censors tacked on an ending that featured Lily giving away her money and returning to her home town with Brent. ~ Andrea LeVasseur, All Movie Guide