George Brent Movies

President Richard Nixon's legal counsellor Charles Colson was tried for several criminal charges relating to the Watergate cover-up, eventually spending some time in prison. This film explores Colson's personal crisis, and the religious convictions which, crossing party boundaries, worked to bring about his conversion from being a cynical politician to becoming a committed Christian. Far from being corrupted in prison, Colson (Dean Jones) became a missionary for his beliefs and worked to reform many of the 'hard cases" he encountered there. After the period covered by the film, it is worthwhile to note that Colson chose a new career for himself following his release from prison -- prison missionary. ~ Clarke Fountain, All Movie Guide

A teacher turns away a woman who's being attacked in the middle of the night. After she's found dead, he's treated as an outcast and his daughter is kidnapped. ~ All Movie Guide

A contemptuous and self-serving immigrant, Clementi Sabourin (George Sanders) pulls himself up by his bootstraps by instrumenting a series of cons and seductions which bilk several very wealthy persons out of most of their money. Most of the action is related in a series of flashbacks after Sabourin's body is found dead in a Park Avenue apartment. Death of a Scoundrel is a fictionalized adaptation of the life and mysterious death of Serge Rubenstein. ~ John Bush, All Movie Guide

The fate in the Free World is threatened when three atomic scientists decide to sell their secrets to the Reds. American secret agent Steve (George Brent) heads to Tangier, where he poses as a black marketer in hopes of intercepting the rogue scientists. But Steve finds he has a formidable foe in the shapely shape of Soviet spy Millicent (Mari Aldon), who is posing as an American heiress to throw the Good Guy off the track. Dan Seymour, veteran of such espionage mellers of the 1940s as Casablanca and To Have and Have Not, has a juicy role as the head of the Tangier police. Tangier Incident wasn't quite an "A" picture, but it was too slick and expensive-looking to qualify for a "B." ~ Hal Erickson, All Movie Guide

The Last Page was the original British title for the 1952 murder meller Man Bait. Hollywood's George Brent plays a married bookstore owner who is blackmailed by scheming Diana Dors. The subsequent chain reaction of events leads to the death of Brent's invalid wife. It gets worse when Dors is killed by her partner-in-crime Peter Reynolds, and Brent is accused of the crime. The bookseller's faithful secretary Marguerite Chapman comes to the rescue. As with many British programmers of the 1950s which starred American actors, The Last Page was distributed in the U.S. by Lippert Productions. ~ Hal Erickson, All Movie Guide

Bride for Sale is an old-fashioned romantic triangle brightened by the star power of Claudette Colbert, George Brent and Robert Young. In search of a "perfect" husband, Nora Shelly (Colbert) decides to comb through the tax records of several eligible males, and to that end takes a job at Paul Martin's (Brent) accounting firm. When Paul learns the real reason behind Nora's diligence, he decides to teach her a lesson. He convinces his wealthy friend Steve Adams (Young) to woo and win Nora, then leave her flat. It doesn't take a genius to figure out that Paul and Steve will both fall in love with Nora by reel seven. Produced independently by Jack H. Skirball's Crest Productions, Bride for Sale proved to be a moneyspinner for its distributor, RKO Radio. ~ Hal Erickson, All Movie Guide

Red Canyon was one of several medium-budget, Technicolor westerns turned out by Universal-International between 1949 and 1959. Howard Duff plays wandering cowpoke Lin Sloane, who spends most of the film trying to capture a fabled wild stallion. While thus occupied, he finds time to romance Lucy Bostel (Ann Blyth), daughter of the region's most influential horsebreeder (George Brent). Conflicts arise when Lucy intends to race the captured stallion, much to the dismay of her father; there's also a major brouhaha involving Sloane's disreputable family heritage. Red Canyon was adapted by Maurice Geraghty from a rugged novel by Zane Grey. ~ Hal Erickson, All Movie Guide

Angel on the Amazon gives the viewer a pretty good notion of what Lost Horizon or She might have looked like had they been produced by Republic Pictures. Vera Ralston stars as huntress Christine Ridgeway, who embarks on one of her many hunting expeditions in the company of her husband Anthony Brian Aherne. While deep in the jungles of the Amazon, the Ridgeways and their party come across the wreckage of a plane. Among the survivors are pilot Jim Warburton George Brent and Dr. Karen Lawrence Constance Bennett. Warburton is impressed by the fact that, though apparently well on in years, Christine has retained her youthful appearance. Dr. Lawrence eventually discovers the secret of Christine's eternal beauty, which by film's end has atrophied considerably. The rambling screenplay whisks the viewer from Brazil to the Riviera to Pasadena, all courtesy of the Republic back lot. ~ Hal Erickson, All Movie Guide

If Eagle-Lion's Out of the Blue looks more like a slick Warner Bros. product at times, it's because the film was peopled by former Warners personnel, both in front of and behind the cameras. George Brent and Carole Landis play the Earthleighs, tenants in a roomy Greenwich Village apartment. When Mr. Earthleigh isn't being nagged by his domineering bride, he's enmeshed in a feud with his neighbor, loose-living artist David (Turhan Bey). During his wife's absence, Earthleigh makes the mistake of inviting Olive (Ann Dvorak), a glamorous interior decorator who's somewhat the worse for drink, to his apartment. When Olive passes out on his floor, Earthleigh assumes that she's dead-and in the course of subsequent events, so does everyone else. Adding to the general zaniness is Deborah (Virginia Mayo), one of David's sexier models, who weaves in and out of the proceedings at the most inopportune moments, and a huge, cantankerous canine named Rabelais. Despite some formidable competition, the comedy honors in Out of the Blue are won hands-down by Ann Dvorak, in a truly offbeat performance. ~ Hal Erickson, All Movie Guide

Slave Girl is the sort of fare that the Universal higher-ups used to dismiss as "tits and sand;" nonetheless, this kind of entertainment (along with the equally lowbrow Abbott and Costello and Ma and Pa Kettle pictures) paid the bills for the studio's more ponderous projects. The slave girl of the title is Yvonne DeCarlo, one of many in servitude to a 19th century Tripoli potentate (Albert Dekker). Two-fisted American diplomat George Brent, accompanied by brawling sailors Broderick Crawford and Andy Devine, has been sent by his government to negotiate the release of hostages captured by the potentate. When negotiations break down, DeCarlo agrees to help Brent free the prisoners through more direct means, provided he takes her away with him. If Slave Girl was supposed to have been taken with a straight face, Universal would never have included brief cutaways to a wisecracking camel (!), whose name is "Humpy" and whose voice is provided by Buddy Hackett. ~ Hal Erickson, All Movie Guide

Elizabeth MacDonald (Claudette Colbert) is a newly married corporate librarian in 1918 Baltimore working for a chemical company owned by the Hamilton family and managed by Larry Hamilton (George Brent). Just as she is celebrating the armistice and anticipating the return of her husband John (Orson Welles), she learns he was killed in action, just days before the cease fire. Pregnant with their child and alone in the world, she is taken in by Larry Hamilton, who has loved her from afar and is driven by sympathy for her plight. She has her baby, a boy named Drew, and she and Larry marry, raising the child as his own and never telling the boy of his real father. Meanwhile, in an Austrian hospital, a horribly wounded and disfigured American officer (Welles) without any identification insists to the doctor treating him (John Wengraf) that he be allowed to die. The doctor saves his life, but the shock of his injuries and the strain of his recovery causes him to lose his memory, and he ends up adopting a new identity. Cut to 1939, and the outbreak of the Second World War in Europe. Drew (Richard Long) is about to graduate from college and wants to join his fraternity brothers, who are planning on going to Canada, signing up with the Royal Canadian Air Force, and heading to England to fly against the Germans. Drew is not yet 21, however, and needs the permission of his parents, but Elizabeth is appalled by the notion of losing Drew to war the same way that she lost John.

Into their family comes a visitor, Erich Kessler (Welles), a crippled, ailing Austrian refugee and chemical expert hired by Hamilton's company, who arrives in Baltimore with his young daughter Margaret (Natalie Wood). Kessler starts to recognize places in the city, including the home where Elizabeth lived, and when they meet, despite her discomfort at having an Austrian army veteran in the house, she does her best to welcome him. Elizabeth also starts to notice little aspects of Kessler that remind her vaguely of John. But much as she is haunted by these strange similarities, she is appalled when Kessler seems to encourage Drew to pursue his goal of fighting the Nazis. Even Kessler's presence in their home, despite his genial and deferential manner, is a vexation to Elizabeth, bringing the horror of the war and what the Nazis represent into their midst and making Drew even more fervent in his desire to join up and fight. When Margaret displays terrible fears and nightmares, it comes out that she isn't really Kessler's child at all, but the daughter of the doctor who saved his life (he and his wife had been executed by the Nazis).

Larry, meanwhile, must watch from the sidelines, not aware of Kessler's real identity and unable to resolve the conflict between his admiration for Drew's intentions and his love for his wife. When Drew decides to ignore his parents' wishes and go to Canada and enlist without their permission, Kessler follows and stops him (despite his own weakened condition), and brings the young man home. A confrontation ensues upon their return, and Kessler explains to her that, whomever she thinks he might have been, the past has passed. Elizabeth finds the strength and courage to face the future, and the coming of the new war and what it may bring. ~ Bruce Eder, All Movie Guide

Temptation is an appropriately moody romantic melodrama, providing a golden opportunity for some memorable histrionics by star Merle Oberon. Set in Egypt (courtesy of the Universal backlot), the film casts Oberon as Ruby, the new wife of wealthy archaeologist Nigel (George Brent). Unbeknownst to her husband, Ruby has had quite a checkered past, involving several divorces and gosh only knows how many extramarital affairs. While Nigel is out digging up an ancient mummy, Ruby takes up with Baroudi (Charles Korvin), a slick but impoverished Egyptian opportunist. When Baroudi threatens to leave Ruby unless she puts her husband out of the way, she methodically begins to poison the unwitting Nigel. Only in the last few minutes does Ruby realize that she's throwing her life away -- not to mention her husband's -- for a no-good heel, setting the stage for a spectacular revenge-and-retribution finale. Temptation was International Pictures' final production before its merger with Universal. ~ Hal Erickson, All Movie Guide

The wonderfully suspenseful psychological drama Spiral Staircase is the prototype of the "old dark house, lady in distress" thriller, full of dark corners, flickering candles and featuring a mysterious, menacing killer whose true identity remains hidden until the end. Helen Capel (Dorothy McGuire), mute because of a childhood trauma, cares for the owner of the house, the wealthy Mrs. Warren (Ethel Barrymore), a demanding, widowed invalid. Helen has quietly fallen in love with one of Mrs. Warren's sons, Dr. Parry (Kent Smith), who she believes to be a gentle and understanding man. Helen's peaceful life is changed forever when three local women, all with physical handicaps, are found murdered. The movie builds to a suspenseful conclusion as Helen finds herself in the midst of a life-and-death battle in the house, as the true identity of the murderer is revealed. Dorothy McGuire is exquisite as the innocent, sweet Helen and gives a totally convincing performance in the difficult role. She uses her expressive face to perfectly convey Helen's emotions, fear and ultimate bravery. Ethel Barrymore won an Academy Award nomination for her performance as Mrs. Warren and plays the difficult "Grande Dame" with great relish. Director Robert Siodmak, noted for his stylish direction of atmospheric suspense films, uses all his plot devices with great skill and craftsmanship, increasing the suspense and sense of foreboding as Helen is observed through the eyes of her stalker, who the audience sees only as a pair of menacing eyes. ~ Linda Rasmussen, All Movie Guide