Evelyn Brent Movies

The Golden Eye is a Charlie Chan mystery set on a Southwestern ranch. A once-dormant mine mysteriously begins to yield gold, bringing out the worst characteristics of several people involved. When murder enters the picture, Charlie Chan interrupts his vacation and investigates, with the dubious aid of his son Tommy (Victor Sen Yung) and his perennially frightened chauffeur Birmingham Brown (Mantan Moreland). The script for this film lifts many elements from several earlier sources, including the "high-heeled nun" bit from Hitchcock's The Lady Vanishes (38). The fourth Monogram "Charlie Chan" film to star Roland Winters as the soft-spoken Chinese sleuth, The Golden Eye is salvaged by the effortless expertise of comic relief Mantan Moreland. ~ Hal Erickson, Rovi

Johnny Mack Brown races to the rescue in the Monogram western Raiders of the South. But we're a bit ahead of ourselves here: we should explain that Johnny has come to the aid of helpless settlers who've been victimized by a vigilante group. The mysterious masked leader turns out be...but wait, we're gettting ahead of ourselves again. Featured in the cast is former silent screen star Evelyn Brent, and Superman's Perry White, aka John Hamilton. Raiders of the South benefits from the production polish indigenous to producer Scott R. Dunlap and director Lambert Hillyer. ~ Hal Erickson, Rovi

By the time Bowery Champs came out, the East Side Kids had become so domesticated that they actually had jobs. Muggs (Leo Gorcey), for example, works as a newspaper copy boy, and even aspires to be a crime reporter. He gets his chance when a wealthy man is murdered and the regular reporter isn't around to cover the case. Working on their own, Muggs and Glimpy (Huntz Hall) follow the trail of evidence to the victim's ex-wife Gypsy Carmen (Evelyn Brent). Hoping to get an exclusive story, the boys hide Gypsy at their clubhouse and continue their investigation. The whole thing ends up in an outsized nightclub brawl, pitting the East Siders against the actual murderer's minions. One of the most likeable entries in the "East Side Kids" series, Bowery Champs is highlighted by a running gag involving former gang member Bobby Jordan (playing himself), who spends the entire film looking for the rest of the guys. ~ Hal Erickson, Rovi

Producer Val Lewton once more utilized leftover Magnificent Ambersons sets for his psychological horror piece The Seventh Victim. Kim Hunter arrives in New York's Greenwich Village in search of her errant sister Jean Brooks. Gradually, the naive Hunter is drawn into a strange netherworld of Satan worshippers. The story is a bit too complex for its own good (especially with only a 71-minute running time to play with), but editor-turned-director Mark Robson and screenwriters Dewitt Bodeen and Charles O'Neal keep the thrills and shudders coming at a satisfying pace. Lewton regular Tom Conway offers his usual polished performance, while veteran character actresses Isabel Jewell and Evelyn Brent look appropriately gaunt and possessed in the "cult" sequences. ~ Hal Erickson, Rovi

Granite-jawed Jack Holt plays himself-or at least the screen version of "himself"-in the 15-chapter Columbia serial Holt of the Secret Service. To get the goods on a counterfeiting ring, federal agent Holt poses as master criminal Nick Farrel. The villains swallow this ruse hook, line and sinker, making one wonder how they ever had the intellectual capacity to flood the US with funny money. Aided and abetted by fellow agent Kay (Evelyn Brent), who poses as "Mrs. Farrel", Holt endures numerous brushes with death, emerging from all of them with nary a hair out of place nor a crease in his well-tailored business suit. As usual, director James W. Horne injects several moments of zany comedy in the proceedings: at one point, the villains receive a valuable piece of information, whereupon they all shout "Hooray" in unison! A less intentionally amusing aspect of the film is that neither Jack Holt nor Evelyn Brent change their clothes during the serial's 4-hour length, leading one to assume that the other cast members had lost their sense of smell. ~ Hal Erickson, Rovi

No relation to the much-later "Matt Helm" spy comedy of the same name, Pine-Thomas Productions' The Wrecking Crew serves as a virile vehicle for Richard Arlen and Chester Morris. The stars appear respectively as a demolition-crew boss and his top worker. Morris has earned a reputation as a "jinx", an onus he may have trouble overcoming on his latest peril-fraught assignment. Jean Parker costars as the romantic bone of contention between Arlen and Morris, while character actress Esther Dale scores as the no-nonsense owner of the wrecking firm. Dozens of stock shots from previous Paramount efforts are utilized to excellent effect in this two-fisted actioner. ~ Hal Erickson, Rovi

A superior B-Western in every way, this Hopalong Cassidy series entry features an especially compelling performance by former silent screen star Evelyn Brent. Along with his sidekicks, Lucky (Russell Hayden) and California (Andy Clyde), Hoppy (William Boyd) is searching for the gang that killed a couple of Bar-20 cowboys and rustled their steers. The trail leads to Gunsight, a lawless city lorded over by the proprietress of the Paradise Saloon, Belle Langtry (Brent). Although she falls in love with Hoppy, Belle, who has at least one murder on her conscience, refuses to mend her evil ways. Steadfastly refusing to fall for the lady's undoubted charms, Hoppy instead has a trick or two up his sleeve, and the villains are soon fighting among themselves with the mayor's teenage daughter (Bernice Kay) caught in the crossfire. ~ Hans J. Wollstein, Rovi

In this war drama, a commercial pilot joins the air corps of a South Pacific island, and there he finds that he must contend with a dictator. He also falls quietly in love with the leader's girlfriend. Unfortunately, the evil leader is the head of the air corps, and to get rid of the young man who threatens his relationship, he send the hero on a suicide mission. The two rivals end up in a dogfight. Fortunately, the hero wins the fight and gets the girl. ~ Sandra Brennan, Rovi

Speed Limited is an apt title; the speed in this quickie is limited to that of the proverbial tortoise. Ralph Graves heads the All-Hasbeen cast, playing an FBI agent. Graves spends most of the film's molasses-slow 52 minutes chasing down a vicious kidnapping ring. He also juggles with the affections of a mystery woman (Evelyn Brent) and a dizzy heiress (Claudia Dell). Filmed in 1936, Speed Limited gathered dust for four years before it was picked up for distribution by the fly-by-night Regent corporation. ~ Hal Erickson, Rovi

Panama Lady is a cleaned-up remake of the 1932 Helen Twelvetrees vehicle Panama Flo. Lucille Ball essays the old Twelvetrees role as Lucy, a nightclub "hostess" stranded in Panama by her ex-lover Roy (Donald Briggs). Victimized by a shakedown orchestrated by Roy, oil rigger McTeague (Allan Lane) holds Lucy responsible. To avoid landing in jail, Lucy agrees to accompany McTeague to his oil camp as his housekeeper. Assuming she's been brought to this godforsaken spot for sexual purposes, Lucy eventually realizes that McTeague's intentions are honorable: All he wants is his money back, and he expects our heroine to work off the debt on her feet! Ultimately Lucy and McTeague fall in love, but not before the scurrilous Roy re-enters her life. ~ Hal Erickson, Rovi

The first of six Mr. Wong whodunits, Mr. Wong Detective presented Boris Karloff as pulp writer Hugh Wiley's Oxford-educated Oriental sleuth. Wong is visited by Simon Dayton (John Hamilton), an industrialist fearing for his life. Dayton and his partners Meisle (William Gould) and Wilk (Hooper Atchley) have been selling a poison gas invented by Roemer (John St. Polis), who, feeling cheated out of the deal, shows up in Dayton's office waving a gun. Minutes later, Dayton is found murdered by his secretary, Myra Ross (Maxine Jennings). Police Captain Sam Street (Grant Withers), Myra's boyfriend, immediately puts Roemer under arrest. Wong is not convinced of the man's guilt, especially after discovering a broken piece of glass near the body. During the ongoing investigation, the two remaining partners are also slain, but who done it? Are the killers foreign-accented Baron Anton Mohl (Lucien Prival) and his beautiful Brooklyn-born associate who calls herself Countess Dubois (Evelyn Brent)? Or did Roemer do the dirty deed? Could the dead man's nosy office manager (Wilbur Mack) have committed the crime and does Mrs. Roemer (Grace Wood) know more than she is telling? As Mr. Wong discovers, the answer is to be found in the origin and purpose of the mysterious pieces of glass found near each victim. ~ Hans J. Wollstein, Rovi

Sudden Bill Dorn gets under way when a prospector strikes gold. Within what seems to be minutes, the entire population of a nearby town packs its mining equipment and race off to the lucky strike. One of the few speculators keeping his wits about him is the eponymous hero, played by Buck Jones. That's because he already has his hands full contending with heroine Lorna Kent (Noel Francis), fetching senorita Diana (Evelyn Brent), and black-hearted villain Mike Bundy (Harold Hodge). By the time Universal's Sudden Bill Dorn was released in early January of 1938, Buck Jones had already left the studio and pitched camp at Columbia. ~ Hal Erickson, Rovi

Anna May Wong, who cornered the 1930s market in Eurasian heroines, stars in Daughter of Shanghai. Wong is on the trail of the criminals who murdered her father. The villains are running an illegal-alien operation, smuggling cheap Chinese and Mexican labor into San Francisco and killing those unlucky souls who prove "inconvenient". Wong takes a job as an exotic dancer in a Central American nitery, hoping to trap the murderers in the act. Though J. Carroll Naish and Buster Crabbe are top-billed, the actual hero of Daughter of Shanghai is Chinese actor Philip Ahn, playing an FBI agent protecting Wong from the bad guys. ~ Hal Erickson, Rovi