Robert Carson Movies

County Fair is an amiable racetrack drama starring Rory Calhoun. A veteran horse trainer, Calhoun has developed a somewhat unsavory reputation. He redeems himself by arranging for near-impoverished matron Florence Bates to win an important race. It's all for the love of a good woman--in this case, Bates' niece Jane Nigh. ~ Hal Erickson, All Movie Guide

After the film-noir melodramatics of Lady in the Lake and Ride the Pink Horse, actor/director Robert Montgomery turned to comedy in Once More, My Darling. Montgomery plays a former movie idol hired by the government to woo a young heiress (Ann Blyth). Someone had previously given the girl some jewelry stolen by the Nazis during the war, and the government wants to find out who that someone was. In the grand tradition, Montgomery pursues Blyth until she finally catches him. Produced by longtime Alfred Hitchcock associate Joan Harrison, Once More, My Darling is more conservatively directed than Montgomery's earlier works, though the director earns at least one laugh by playing a clever editing joke. ~ Hal Erickson, All Movie Guide

One of four western films made for PRC by bantam-weight Bob Steele, Ambush Trail stars Steele as cowpoke Curley Thompson. The villain of the piece intends to bankrupt all the local ranchers and grab up the surrounding property for himself. But with Curley involved, the bad guy and his minions don't have a chance. The screenplay, by D. W. Griffith alumnus Elmer Clifton, is a medley of western cliches, pausing every so often for a first-rate action sequence. Perennial sagebrush sidekick Sid Saylor provides negligible comedy relief. ~ Hal Erickson, All Movie Guide

Her Favorite Patient is the TV title for Bedside Manner, an improbable comedy directed by future master of "realism" Andrew L. Stone. Ruth Hussey plays a big-city doctor who travels to a small town to assist her surgeon uncle (Charlie Ruggles). The townsfolk resist the notion of a female physician, but she wins them over by proving to be an expert on all things medical. Test pilot John Carroll, love-struck by Ms. Hussey, fakes a head injury so that he can remain at her side. Despite her high I.Q., Hussey can't see through Carroll's ruse...or perhaps she prefers not to. ~ Hal Erickson, All Movie Guide

A lively espionage drama that reunited the stars and director of the previous year's The Maltese Falcon, Across the Pacific was originally envisioned as the story of a Japanese invasion of Hawaii. Real-life events of December of 1941, however, precluded such a scenario and the location was changed to the Panama Canal. For reasons known only to Warner Bros., the title was retained despite the fact that none of the action takes place in the Pacific. Humphrey Bogart plays Rick Leland, a disgraced ex-army man, who, after being turned down by the Canadian military, jumps a Japanese steamer bound for the Panama Canal Zone. Also onboard are Alberta Marlow (Mary Astor), a small-town girl claiming to be en route to Los Angeles; Dr. Lorenz (Sydney Greenstreet), a corpulent sociologist with a suspiciously friendly regard for all things Japanese; and Joe Totsuiko (Victor Sen Yung), a happy-go-lucky second generation Japanese-American on his way to visit the old country. But no one is exactly who he or she claims to be and the voyage from Halifax via New York City to Panama becomes a matter of life and death for the passengers in general, and for the future of the United States in particular. Director John Huston was forced to leave the film three weeks into the four-week shooting schedule when summoned to report to the Department of Special Services. According to Huston, he purposefully placed Humphrey Bogart's character in a highly precarious situation and left it up to his replacement, Vincent Sherman, to come up with the solution -- which Sherman did in an especially fiery climax. ~ Hans J. Wollstein, All Movie Guide

When two young island-dwelling people fall for each other, their rival parents do not embrace the romance with welcomed arms as one family is content with a simple and lazy life and the other is just the opposite. ~ Kristie Hassen, All Movie Guide

Buster Crabbe is a doctor, accompanying a shipment of fever serum to a remote jungle village. The ship is torpedoed by a U-Boat. Crabbe and his girlfriend Sheila D'Arcy are marooned on a small island. When D'Arcy falls ill to jungle fever, Crabbe heroically dives into the ocean to retrieve the serum. Its adventure quotient aside, Jungle Man has all the production expertise of an 8-millimeter home movie. ~ Hal Erickson, All Movie Guide

Having struck pay dirt with its Blondie films, Columbia Pictures launched another "domestic" film series, based on Margaret Sidney's "Five Little Peppers" stories. The third and last entry in the series was The Five Little Peppers in Trouble, neither the best nor worst of this negligible project. Once more, Dorothy Peterson plays the widowed Mrs. Pepper, while her five precocious and resourceful offspring are portrayed by Edith Fellows, Dorothy Ann Seese, Charles Beck, Tommy Bond (best remembered as "Butch" in the Our Gang comedies) and Bobby Larson (replacing Jimmy Leake, who appeared in the first Pepper outing in 1939). Unable to watch over her kids and go to work at the same time, Mrs. Pepper bundles the little Peppers off to boarding school. The Five Little Peppers in Trouble is describable only as "cute"; you take it from there. ~ Hal Erickson, All Movie Guide

This second of three movie versions of P.C. Wren's adventure novel Beau Geste is a virtual scene-for-scene remake of the 1927 silent version. We open on the now-famous scenes of a remote, burning desert fort, manned by the dead Foreign Legionnaires, then flash back to the early lives of the Geste brothers. As children, the Gestes swear eternal loyalty to one another and to their family. One of the boys, young Beau (played as a youth by Donald O'Connor), witnesses his beloved aunt (Heather Thatcher) apparently stealing a valuable family jewel in order to finance the Geste home; Beau chooses to remain silent rather than disgrace his aunt. Years later, the grown Beau (Gary Cooper) again protects his aunt by confessing to the theft and running off to join the Foreign Legion. He is joined in uniform by faithful brothers John (Ray Milland) and Digby (Robert Preston), who in turn are pursued by a slimy thief (J. Carroll Naish). The crook is in cahoots with sadistic Legion Sgt. Markov (Brian Donlevy, in one of the most hateful portrayals ever captured on celluloid), who is later put in charge of Fort Zinderneuf, where Beau and John are stationed. When the Arabs attack, Markov proves himself a valiant soldier; it is he who hits upon the idea of convincing the Arabs that the fort is still fully manned by propping up the corpses of the casualties at the guard posts. Beau is seriously wounded, and while the greedy Markov searches for the jewel supposedly hidden on Beau's person, he is held at bay by loyal John. The suddenly enervated Beau kills Markov, then dies himself--but not before entrusting two notes to John, one of which requests that John give Beau the "Viking funeral" he'd always wanted (this is why the fort is in flames at the beginning of the film). After the battle, Digby Geste, a bugler with the relief troops, comes upon Beau's dead body, and appropriates the notes. As it turns out, John Geste is the only one who survives to return to England. He gives his aunt Beau's letter, which explains why Beau had confessed and run off--"a 'beau geste', indeed" comments his tearful aunt. No one missed nominal leading lady Susan Hayward in this essentially all-male entertainment. For years available only in muddily processed or truncated versions, Beau Geste was restored to its pristine glory by the American Film Institute in the late 1980s. ~ Hal Erickson, All Movie Guide

Brash and vigorous director William Wellman always had a place in his filmography for movies glorifying the early years of aviation -- from the start of his career (Wings), until the end (Lafayette Escadrille). But, perhaps, never has his devotion to aviation been made more vivid than in his 1938 drama Men With Wings. Wellman, in this film, attempts to dramatize the history of aviation from the early days of the Wright Brothers until the 1930s, when airline transportation first became viable. The story centers upon two contrasting aviation types: the barnstormer, Pat Falconer (Fred MacMurray), and the methodical scientist of flight, Scott Barnes (Ray Milland). Through these two archetypes, Wellman follows Pat and Scott from childhood to adulthood. Pat marries childhood sweetheart Peggy Ransom (Louise Campbell) and they have a child. Scott, who had always loved Peggy, remains in the background, not wanting to break up his solid friendship with Pat. But Pat is clearly doomed by his recklessness and breakneck individuality. After fighting in the skies during World War I, he refuses to sit back and do the methodical work of flight research like Scott. Always searching for another war to fight, Falconer leaves Scott and Peggy behind, taking off for China to help the Chinese fight Japanese invaders. ~ Paul Brenner, All Movie Guide

A Star is Born came into being when producer David O. Selznick decided to tell a "true behind-the-scenes" story of Hollywood. The truth, of course, was filtered a bit for box-office purposes, although Selznick and an army of screenwriters based much of their script on actual people and events. Janet Gaynor stars as Esther Blodgett, the small-town girl who dreams of Hollywood stardom, a role later played by both Judy Garland and Barbra Streisand in the 1954 and 1976 remakes. Jeered at by most of her family, Esther finds an ally in her crusty old grandma (May Robson), who admires the girl's "pioneer spirit" and bankrolls Esther's trip to Tinseltown. On arrival, Esther heads straight to Central Casting, where a world-weary receptionist (Peggy Wood), trying to let the girl down gently, tells her that her chances for stardom are about one in a thousand. "Maybe I'll be that one!" replies Esther defiantly. Months pass: through the intervention of her best friend, assistant director Danny McGuire (Andy Devine), Esther gets a waitressing job at an upscale Hollywood party. Her efforts to "audition" for the guests are met with quizzical stares, but she manages to impress Norman Maine (Fredric March), the alcoholic matinee idol later played by James Mason and Kris Kristofferson. Esther gets her first big break in Norman's next picture and a marriage proposal from the smitten Mr. Maine. It's a hit, but as Esther (now named Vicki)'s star ascends, Norman's popularity plummets due to a string of lousy pictures and an ongoing alcohol problem. The film won Academy Awards for director William Wellman and Robert Carson in the "original story" category and for W. Howard Greene's glistening Technicolor cinematography. ~ Hal Erickson, All Movie Guide