Jean-Claude Carrière Movies

The quest for love gets a farcical French treatment in this lighthearted romp, the sophomore directorial effort from writer and star Pierre Etaix. Etaix plays Pierre, a shy youth under pressure from his mother to find a nice girl and settle down. In order to appease her, Pierre proposes marriage to his family's Swedish student boarder, whose poor grasp of French leads to a misunderstanding. Believing that he has been rejected, Pierre commences trying to find the right woman for him. After an abortive assignation with a seductive one-night stand, Pierre becomes obsessed with a popular actress he spots on television. Collecting all the memorabilia he can find associated with the woman, the love-struck Pierre even buys an engagement ring, but when he tracks down the object of his affection, he is surprised to find that she is old enough to be his mother. ~ Karl Williams, All Movie Guide

This dark, surrealistic horror film from cult filmmaker Jesus Franco is perhaps best-remembered for its images of the lethal Miss Muerte (Estella Blain) luring victims with razor-sharp fingernails while clad in a skull-mask and a revealing bodysuit. The real star of the film is Mabel Karr, portraying Irma von Zimmer, daughter of a mad scientist whose public humiliation led to his fatal heart attack. Vowing revenge, Irma uses her father's mind-control techniques to possess Miss Muerte, a nightclub performer. The hypnotized dancer murders the doctors whom Irma blames for her father's death, slicing their throats with her poisoned nails, until police Inspector Tanner (Franco) and Miss Muerte's boyfriend (Fernando Montes) track her down. One of Franco's most entertaining films, Miss Muerte is a great improvement over the similar El Secreto del Dr. Orloff, released the previous year. ~ Robert Firsching, All Movie Guide

Two of the most beautiful women in the European cinema of the 1960s -- Brigitte Bardot and Jeanne Moreau -- team up under the direction of Louis Malle in this engaging comedy/adventure. Maria Fitzgerald O'Malley (Bardot) is the daughter of an Irish political dissident who has traveled to Latin America with her father to take part in an anarchist political uprising. When her father is killed, Maria, left to her own devices, happens upon a traveling circus, where she strikes up a friendship with one of the performers, also named Maria (Moreau). Maria O'Malley joins up with the carnival, and she works up a dance routine with Maria; the act is a smash hit, especially after the Irish Maria accidentally loses part of her costume during a performance. Despite their success, the two Marias find themselves increasingly distressed with the poverty and brutality of the peasants' lives, and they soon decide to use their talents in support of revolutionary leader Flores (George Hamilton). Viva Maria!'s original ending was trimmed slightly for its American release, but the complete version was later released in the United States on DVD. ~ Mark Deming, All Movie Guide

While his icy wife is away tending to a sick friend, Benedict Boniface (Alec Guinness) has an affair with Marcelle Cot (Gina Lollobrigida), the pretty but neglected wife of the pompous architect Henri (Robert Morley). When Henri unexpectedly returns, Marcelle and Benedict don disguises and hide out to avoid being caught by her husband. The comedy of errors allows for several sight gags and farcical bedroom situations. Peggy Mount is particularly effective as the dominating wife who makes her husband tremble with fear by her very presence. ~ Dan Pavlides, All Movie Guide

Louis Malle directed this light comedy about crime and class in the City of Light. Georges Randal (Jean-Paul Belmondo) is a young man living in Paris at the turn of the century who is due to inherit a considerable fortune. However, his uncle, who is acting as his guardian, manages to spend Georges' money before he ever gets a chance to see it. Georges is also deeply in love with Charlotte (Geneviève Bujold), his cousin, and wants to marry her; however, the same uncle has promised her hand to another, a man Charlotte does not love. Understandably angry, Georges makes plans to steal the family's jewelry, intended for Charlotte, away from his dishonest uncle. Georges soon discovers that he enjoys being a thief, and begins robbing the wealthy as protest against the bourgeoisie. However, as Georges' ill-gotten nest egg grows, he finds himself becoming a member of the idle rich he professes to despise. ~ Mark Deming, All Movie Guide

A young man nervously waits in a church on his wedding day. His daydream splashes time forward 10 years as he finds himself married and working for his father-in-law. He has a brief but profound affair with a new secretary before returning to his wife. His nocturnal dreams have his bed taking off like an automobile cruising to exotic locales with beautiful women. He passes other men in beds on their way to destinations they will only reach in their dreams. His wife expresses a desire for a vacation and her bed turns into a train in this film that relies heavily on symbolism. ~ Dan Pavlides, All Movie Guide

While arch surrealist Luis Bunuel never made a secret of his skepticism about the existence of God, he was also raised as a strict Spanish Catholic and remained fascinated with the church's teaching throughout his life, and his obsessions with both faith and the contradictions of dogma provided the basis for this episodic satiric comedy. Jean (Laurent Terzieff) and Pierre (Paul Frankeur) are two threadbare vagabonds who are making their way from Paris to Spain on a pilgrimage to Santiago de Compostela, where the remains of Saint James are believed to be kept. While Jean and Pierre's journey begins in the 20th Century, as they travel they seemingly develop the ability to move through time and space as they pass through a variety of historical scenes taken from a broad range of theological texts -- and all involving heresy in one form or another. As they walk the long road to Santiago de Compostela (when they can't catch a ride), Jean and Pierre encounter Jesus (Bernard Verley), who decides not to shave his beard to keep his mother happy; a young boy with stigmata and unusual powers; the Marquis de Sade (Michel Piccoli), who patently struggles to teach atheism to a young girl he's captured; an eccentric priest who has an irreversible belief in transubstantiation until he changes his mind; two men who put their debate over Catholic dogma to the test in a duel with swords; and Satan (Pierre Clementi), who shows up just in time for a car wreck. La Voie Lactee (aka The Milky Way) was scripted by Bunuel and his frequent screenwriting collaborator Jean-Claude Carriere; each of the film's historic episodes was adapted faithfully from an actual biblical text or historical account. ~ Mark Deming, All Movie Guide

Based on a Eugene Saccomano novel entitled The Bandits of Marseilles, this movie was followed by a sequel entitled Borsalino and Co. This movie captures the mood of 1930 Marseilles beautifully with the use of ambience and music. Alain Delon and Jean-Paul Belmondo portray two gangsters who kill their way to the top. ~ Tana Hobart, All Movie Guide

Based on a melancholy romance by Francoise Sagan, this film recounts the circumstances of a relationship from start to tragic finish. Among other things, it features an early film appearance by Gerard Depardieu in a small role. Gilles (Marc Porel) works for a news agency and has an American mistress. It is a good job, and his mistress is very pretty, but he feels depressed. He is unable to shake his melancholy and goes to visit his sister in the countryside. There, he meets a mature woman whose inner richness attracts him. They form a relationship which brings her back to Paris with him. She has cut all her ties to her old life in order to be with him and then discovers that her love for him is much greater than his for her, though he does not wish to be unkind. Indeed, he cannot conceal that he is bored with her. Devastated, and wishing to set him free, she commits suicide. ~ Clarke Fountain, All Movie Guide

This dark offbeat comedy features Marcello Mastroianni and Catherine Deneuve. Mastroianni plays Giorgio, who lives on a island somewhere off the Mediterranean coast of France. He lives there with his dog, and the remains of an old German World War II airbase. He earns his living drawing cartoons. Liza (Deneuve) swims to the island from a rich man's yacht, and the yacht's crew confirm the end of her relationship with the owner by bringing her luggage to the island. She and Giorgio meet and become involved. She is jealous of his relationship with the dog and kills her rival while assuming its duties: wearing a collar, fetching sticks, etc. A great deal more happens in this movie, all of it symbolic. ~ Clarke Fountain, All Movie Guide

Adapting the Gothic novel The Monk, by Matthew G. Lewis, Luis Buñuel and Jean-Claude Carrière wrote the screenplay for this French film, directed by Buñuel's friend, Ado Kyrou. In the story, Ambrosio (Franco Nero) is a monk who is sexually tempted by an emissary of the Devil, a young girl in monk's robes. After he has committed numerous crimes, it appears that he will be caught and punished by the Inquisition. Instead, he signs up on the Devil's team and wins his freedom...and eventually, the papacy. ~ Clarke Fountain, All Movie Guide

This French-produced thriller was shot entirely in English. Jean-Louis Tritignant stars as Lucien, a hit man who goes to Los Angeles to end the life of an important local mobster. The mobster's heirs, who hired Lucien, had already hired yet another hit man (Roy Scheider) to kill him. He speaks very little English, and the lifestyles and customs of Los Angelenos puzzle him completely. One of the films highlights is its use of many unusual decayed and shabby sites in the Los Angeles area, such as Venice Beach. ~ Clarke Fountain, All Movie Guide

Among the other interesting features of this French crime drama is a brief consideration of the dire consequences of the legalization of drugs. The Chief (Michel Bouquet) is a drug dealer whose empire ranges beyond the country guilty of legalizing drugs. He has been captured and nearly killed by an American rival and is being kept painfully alive by life-support machinery. The film begins in the future when the Chief is awakened from suspended animation and in flashback recounts his story to the naked woman who has freed him. ~ Clarke Fountain, All Movie Guide