Jean-Claude Carrière Movies

In this bizarre surrealist comedy from France, a handful of oddball characters live in world where people heap strange forms of abuse on animals -- dwarves stage bullfights with rhinos, zoos open restaurants where the privileged can dine on the animals on display, and the wealthy lock themselves into their mansion with the angry pit bulls trained to protect them. In the midst of such madness, a stocky animal handler (Gustave Kervern) who can neither hear nor speak falls in with a pair of dissolute zookeepers (Benoit Delepine and Eric Martin) who are hooked on ketamine and shoot one another with tranquilizer darts for fun. The zookeepers involve their new friend in a crazy scheme to kidnap the pet dog of a very wealthy and extremely large woman, Avida (Velvet), but the three men prove to be wildly inept criminals, and once they're found out, Avida forces them to help her in a plan to take her own life. Featuring a cameo appearance from acclaimed filmmaker Claude Lelouch, Avida was written and directed by Benoit Delepine and Gustave Kervern, who also act in the film; it received its American premiere at the 2007 Tribeca Film Festival. ~ Mark Deming, All Movie Guide

Noted Spanish filmmaker Carlos Saura follows up on his 1999 opus Goya with this wild and woolly reimagining of a 1930s adventure serial from the mind of a surrealist master. The film opens in the present with an aged Luis Buñuel listening to a script pitch about the search for a magical table smuggled from the Ottoman empire to Spain several centuries ago. As the spiel plods on, Buñuel's mind drifts, imagining himself during his prime with his buddies Salvador Dali and Garcia Lorca. The trio search for the missing item of furniture through the winding alleys and sewers of Toledo. Along the way, the actors playing Buñuel, Dali, and Lorca reflect on playing the parts of great artists while engaging in witty banter with one another. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

La Guerre Dans le Haut Pays is a period piece set in the winter of 1797-98, during the six days leading up to the fall of Bern and the victory of Napoleon's army, when the Bern government is faced with mixed loyalties from its subjects. The population of the lower valley is divided, but the upper region remains loyal, since they have been given special autonomy and a favorable system of taxation. David, a postman, works between the two regions. His father, who is a hard-line conservative, does not approve of his relationship with Julie, who is from the lower part of the valley. Julie's father, on the other hand, is more open to the new ideas of liberation. As a result of his work, David is exposed to new ideas and becomes a believer in equality and justice. When he meets Ansermoz, who is forced by his poverty to work as a mercenary for the French government, David distances himself more and more from his father. The last straw is when his father wants him to fight with those who support Bern. David refuses and plans to run away with Julie, while his father is determined to carry the combat. Tragedy strikes when the father and the son face each other on opposite sides of the battlefield. For lovers of historical drama, the film offers plenty of escapist action and excitement, with interspersed ideological clashes and fanaticism. All these are enhanced by celebrated French screenwriter Jean-Claude Carriere's contribution to the script. The romantic love story spices up the generally male-dominated nature of the story. For audiences who prefer films dealing with not-so-grandiose subjects, La Guerre Dans le Haut Pays, which competed at the 49th International Berlin Film Festival in 1999, has very little to offer. ~ Gönül Dönmez-Colin, All Movie Guide

The lines between reality, mysticism and the surreal are never clearly drawn in this romantic but intellectually challenging and arty Indian film, a first time effort from novelist Vijay Singh. Ostensibly a chronicle of a young writer's spiritual/romantic quest for his enigmatic soulmate, Singh's film offers a new look at East Indian myths and superstitions that simultaneously explores them objectively and seeks to prove them false. The tale begins in a Paris cemetery, the final resting place of surrealist author Andre Breton. There aspiring Indian author Nishant has come to reflect. Instead he finds the beautiful and strange Jaya, woman who claims a holy man back in India told her that during the 1920s she had been Nadja, the enigmatic young woman who inspired Breton's best known work. Intrigued Nishant moves to question her more closely, but Jaya simply disappears and Nishant is next seen in the Himalayas preparing to travel down the Ganges river, a sacred stream particularly loved by Jaya. Along the way he encounters Zehra, a dancer/prostitute who reminds him strongly of Jaya. Zehra is indeed his soul mate and a passionate affair commences that is later threatened when Jaya again comes to him in Benares, the sacred city where the fate of men and woman is decided. ~ Sandra Brennan, All Movie Guide

This drama is based upon an 18th century French novel by Crebillon. It represents the sharp conversations between a clever, free-thinking writer and a beautiful noblewoman as he tries to seduce her. At her request, he must recount his previous love exploits. He also describes the times he spent in prison after he was arrested for his licentious writings and suspicious acquaintances. ~ Sandra Brennan, All Movie Guide

In a remote branch of the Brazilian Amazon, Americans Lewis (Tom Berenger) and Wolf (Tom Waits) are stranded when their plane runs out of gas. They are kept company by an evangelist missionary (John Lithgow) and his wife (Darryl Hannah). The preacher and his followers want to preach to the primitive Niaruna Indians, while others are interested in the Niaruna for more diabolical reasons-specifically, business concerns that would like to claim the Indians' land for development. The local police chief cuts a deal with the mercenaries Lewis and Wolf: if they will agree to bomb the Niarunas out of existence, they will be paid enough money to leave the country. Instead, Lewis, part Native American himself,aligns himself with the Niarunas. From this moment on, he and the tribe are doomed. A long-standing pet project of producer Saul Zaentz, At Play in the Fields of the Lord was adapted from the best-selling novel by Peter Matthiesen. ~ Hal Erickson, All Movie Guide

Financed in West Germany and filmed in the Soviet Union, Hard to Be a God (Es Ist Nicht Leicht Ein Gott Zu Sein) is set some thousand years or so in the future, when all forms of hostility and aggression have been purged from the earth. A group of space travellers stumble upon an alien civilization that seems mired in the Middle Ages. Astronaut Edward Zentara is sent out to explore this primitive land, and in so doing he becomes involved in war and bloodshed for the first time in his life. Eventually, he leads the downtrodden local citizens into battle against his fellow Earthlings. Produced on an epic scale over a six-year period, Hard to Be a God is stronger in its action sequences than in its ponderous dialogue exchanges. Watch for German director Werner Herzog in a brief opening-scene bit. ~ Hal Erickson, All Movie Guide

This political drama is taken from the classic story from Feodor Dostoyevsky, but liberties have been taken and many secondary characters eliminated. The author's condemnation of a godless society and his disdain of those who follow blindly to popular political causes remains intact. ~ Dan Pavlides, All Movie Guide

This routine drama's main distinctions are the musical numbers by Julia Migenes Johnson as a misbehaving singer and the computer-assisted scenes that are melded with actual scenes for the first time in French cinema. The singer has been missing her scheduled performances -- or just simply cuts out half-way through a concert. Since her producer cannot reform her, he funds a computer scientist to come up with a believable hologram that will perform in her place -- and none will be the wiser. Once the hologram is created and up and running, the singer's former lover gets suspicious, and the plot thickens. ~ Eleanor Mannikka, All Movie Guide

This ambitious attempt to film a portion of Marcel Proust's epic novel Remembrance of Things Past stars Jeremy Irons as Charles Swann, a Jewish intellectual who has managed to overcome growing anti-Semitism in 19th century France and travels in an elite social circle. But Swann has become obsessed with Odette (Ornella Muti), a courtesan who cares more for money than Swann's passion for her. In time they marry, but Swann soon realizes his desire for her is based purely on physical lust for someone with whom he has no rapport, or even much affection, and the relationship begins to erode the social acceptance Swann struggled to achieve. Meanwhile, the Baron de Charlus (Alain Delon) finds himself similarly attracted to a young man who does not share his desires. Un Amour de Swann was much praised for its production design and the cinematography of frequent Ingmar Bergman collaborator Sven Nykvist, though many felt director Volker Schlondorff failed to capture the narrative depth and complexity of Proust's novel. ~ Mark Deming, All Movie Guide

Alain Tescique (Jean Rochefort) is in Paris on a brief vacation from his job on a North Sea oil rig, and while he is playing around with a ham radio set he bought for his son, he picks up some suspicious conversations in a neighboring apartment. After some more eavesdropping, he hears about an important rendezvous and then manages to steal a coded message that seems to be about an imminent assassination. His worries increase when the couple in the nearby apartment are found murdered, and their assassin is described as someone who looks just like himself. Although he is upset and indecisive, his fears are assuaged by Daniel, the neighbor across from him (Jean-Pierre Marielle) and Beatrice (Dominique Sanda), a new romantic interest he met by accident. What he does not know is that Beatrice and Daniel were planted by an underground organization to get their hands on the coded document and force him into suicide. Without knowing it, his situation is much worse than what he had imagined and it seems like only a miracle can save him now. ~ Eleanor Mannikka, All Movie Guide

In this French-Mexican-Spanish film that hops back and forth between the narration's present and its past, viewers watch Antonieta (Isabelle Adjani) as she is involved in the turbulent Mexican political scene in the first decades of the 20th century -- as she goes to Paris and commits suicide in the Notre Dame cathedral of that city, and then, in a confusing segment of the film, as she is seen with the present-day Parisian author (Hanna Schygulla) who is researching the story of Antonieta's death and who is a witness to her suicide. The film does not follow that chronology exactly, rather introducing the Parisian author first, and taking the author to Mexico for her research where she sees film clips from the political turmoil of the 1910s-1920s and gradually gets to "know" Antonieta -- though in the end, it could be said that no one seems to know Antonieta really well, or why she would want to kill herself. ~ Eleanor Mannikka, All Movie Guide

A man who received false notice that his son had been murdered sets out to uncover the truth about his missing boy in this thriller starring Lino Ventura and Angie Dickinson. ~ Jason Buchanan, All Movie Guide