Jean-Claude Carrière Movies

In this bizarre surrealist comedy from France, a handful of oddball characters live in world where people heap strange forms of abuse on animals -- dwarves stage bullfights with rhinos, zoos open restaurants where the privileged can dine on the animals on display, and the wealthy lock themselves into their mansion with the angry pit bulls trained to protect them. In the midst of such madness, a stocky animal handler (Gustave Kervern) who can neither hear nor speak falls in with a pair of dissolute zookeepers (Benoit Delepine and Eric Martin) who are hooked on ketamine and shoot one another with tranquilizer darts for fun. The zookeepers involve their new friend in a crazy scheme to kidnap the pet dog of a very wealthy and extremely large woman, Avida (Velvet), but the three men prove to be wildly inept criminals, and once they're found out, Avida forces them to help her in a plan to take her own life. Featuring a cameo appearance from acclaimed filmmaker Claude Lelouch, Avida was written and directed by Benoit Delepine and Gustave Kervern, who also act in the film; it received its American premiere at the 2007 Tribeca Film Festival. ~ Mark Deming, All Movie Guide

The lives of a great artist, a corrupted holy man, and a beautiful woman cross paths at a crucial moment in history in this epic-scale historical drama from director Milos Forman. Near the end of the 18th century, Francisco Goya (Stellan Skarsgård) is a gifted but controversial artist whose provocative and often satirical work has earned the enmity of the Spanish government as well as the Catholic Church, who hold tremendous power as the Inquisition rages. Surprisingly, Brother Lorenzo (Javier Bardem), a monk involved in the Inquisition, has hired Goya to paint a portrait of himself, and to prove to the Inquisitor General (Michel Lonsdale) he's not in cahoots with the renegade artist, Lorenzo targets Inés (Natalie Portman), one of Goya's favorite models, as a possible heretic. Under torture from Lorenzo, Inés signs a false confession, and her wealthy and powerful father, Tomás Bilbatúa (José Luis Gómez), offers Lorenzo a taste of his own medicine by brow-beating him into signing a document confessing that his mother was an ape. Lorenzo flees Spain as his reputation lies in tatters, and Goya earns greater infamy as he paints a wildly unflattering portrait of Queen María Luisa (Blanca Portillo) under commission from her husband, King Carlos IV (Randy Quaid), but Inés remains in prison thanks to her coerced confession. Fifteen years later, Lorenzo has become a follower of the Enlightenment, and returns to Spain as Napoleon's forces storm the nation and the Inquisition finally collapses; Lorenzo attempts to liberate Inés from prison, but a shocking discovery awaits him. ~ Mark Deming, All Movie Guide

Noted Spanish filmmaker Carlos Saura follows up on his 1999 opus Goya with this wild and woolly reimagining of a 1930s adventure serial from the mind of a surrealist master. The film opens in the present with an aged Luis Buñuel listening to a script pitch about the search for a magical table smuggled from the Ottoman empire to Spain several centuries ago. As the spiel plods on, Buñuel's mind drifts, imagining himself during his prime with his buddies Salvador Dali and Garcia Lorca. The trio search for the missing item of furniture through the winding alleys and sewers of Toledo. Along the way, the actors playing Buñuel, Dali, and Lorca reflect on playing the parts of great artists while engaging in witty banter with one another. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

La Guerre Dans le Haut Pays is a period piece set in the winter of 1797-98, during the six days leading up to the fall of Bern and the victory of Napoleon's army, when the Bern government is faced with mixed loyalties from its subjects. The population of the lower valley is divided, but the upper region remains loyal, since they have been given special autonomy and a favorable system of taxation. David, a postman, works between the two regions. His father, who is a hard-line conservative, does not approve of his relationship with Julie, who is from the lower part of the valley. Julie's father, on the other hand, is more open to the new ideas of liberation. As a result of his work, David is exposed to new ideas and becomes a believer in equality and justice. When he meets Ansermoz, who is forced by his poverty to work as a mercenary for the French government, David distances himself more and more from his father. The last straw is when his father wants him to fight with those who support Bern. David refuses and plans to run away with Julie, while his father is determined to carry the combat. Tragedy strikes when the father and the son face each other on opposite sides of the battlefield. For lovers of historical drama, the film offers plenty of escapist action and excitement, with interspersed ideological clashes and fanaticism. All these are enhanced by celebrated French screenwriter Jean-Claude Carriere's contribution to the script. The romantic love story spices up the generally male-dominated nature of the story. For audiences who prefer films dealing with not-so-grandiose subjects, La Guerre Dans le Haut Pays, which competed at the 49th International Berlin Film Festival in 1999, has very little to offer. ~ Gönül Dönmez-Colin, All Movie Guide

Famed film director Luis Bunuel (1900-1983) is the subject of this French documentary, with anecdotal interviews edited thematically into sections highlighting Bunuel's contradictions --"Surrealist and Moralist," "Iconoclast and Traditionalist," "Sadist and Sentimentalist." Shown in 1997 at the Venice and San Sebastian film festivals. ~ Bhob Stewart, All Movie Guide

The lines between reality, mysticism and the surreal are never clearly drawn in this romantic but intellectually challenging and arty Indian film, a first time effort from novelist Vijay Singh. Ostensibly a chronicle of a young writer's spiritual/romantic quest for his enigmatic soulmate, Singh's film offers a new look at East Indian myths and superstitions that simultaneously explores them objectively and seeks to prove them false. The tale begins in a Paris cemetery, the final resting place of surrealist author Andre Breton. There aspiring Indian author Nishant has come to reflect. Instead he finds the beautiful and strange Jaya, woman who claims a holy man back in India told her that during the 1920s she had been Nadja, the enigmatic young woman who inspired Breton's best known work. Intrigued Nishant moves to question her more closely, but Jaya simply disappears and Nishant is next seen in the Himalayas preparing to travel down the Ganges river, a sacred stream particularly loved by Jaya. Along the way he encounters Zehra, a dancer/prostitute who reminds him strongly of Jaya. Zehra is indeed his soul mate and a passionate affair commences that is later threatened when Jaya again comes to him in Benares, the sacred city where the fate of men and woman is decided. ~ Sandra Brennan, All Movie Guide

In this French comedy, Antoine is a Union delegate at a factory that is falling on hard times. With business in a slump, it looks like the factory will have to close its doors, but when Antoine wins the lottery, he uses his new fortune to buy the company and keep the business going. However, it isn't long before Antoine discovers things are a lot tougher for management than he ever imagined. Golden Boy stars Jacques Villeret, Martin Lamotte, Anne Roumanoff, and Virginie Lemoine. ~ Mark Deming, All Movie Guide

If this had been a western, the older gunfighter would have taught his younger rival a thing or two about the perils of a scandalous reputation before passing on the torch and (more than likely) dying tragically just as he is about to reform. Instead, in this film based on a novel celebrating the exploits of the legendary seducer Casanova, the younger competition is humbled by the fiftyish fugitive from justice because, in the art of seduction, experience is everything. In the story, Casanova (Alain Delon) is a fugitive from the wrath of the authorities of France and Italy, and he is being sheltered beneath the roof of an old friend, for whom he once did an important favor. The friend has an attractive niece, whose charms interest the almost elderly roué. However, he has two problems: his friend's wife is an old conquest who has been longing for him to show up and bed her for almost twenty years, and the niece is being courted by a handsome young soldier whose ambition is to outdo Casanova in the area of amorous adventures. ~ Clarke Fountain, All Movie Guide

This comic excursion from Louis Malle is set in May 1968, concurrent with a series of Parisian student uprisings. After the death of family matriarch Mme. Vieuzac (Paulette Dubost), the survivors converge on the French countryside for her funeral; they include her two sons, Milou (Michel Piccoli) and Georges (Michel Duchaussoy); Camille (Miou-Miou), Milou's daughter; Camille's husband and children; and granddaughter Claire (Dominique Blanc), a lesbian. With the latest news of rebellion from Paris as their soundtrack, the family members argue over property, revive long-simmering arguments, and watch in dismay as an unlikely love affair begins. When the student uprising threatens to spill over into their community, the family heads for the hills, where the great outdoors only intensifies their reunion. ~ Jason Ankeny, All Movie Guide

The third adaptation of Choderlos de Laclos' classic novel Les Liasons Dangereuses, Milos Forman's Valmont was released one year after Stephen Frears' more famous version of the de Laclos original, Dangerous Liaisons. The plot remains the same: two debauched, depraved 18th century French aristocrats, the Vicomte de Valmont (Colin Firth) and the Marquise de Merteuil (Annette Bening), conspire to destroy several innocent lives, just for the fun of it. But whereas Stephen Frears concentrated on the machinations of the marquise, Forman, per his film's title, devotes most of his screen space to Valmont (played in the Frears version by John Malkovich). In fact, Forman's film concludes with Valmont's conscience-stricken renunciation of his past sins, and his duel to the death, rather than de Meurteil's well-deserved comeuppance. Forman has chosen to set the story back some 50 years, de-emphasizing the opulence that was vital to Frears' vision; he has also utilized a younger cast. ~ Hal Erickson, All Movie Guide

Financed in West Germany and filmed in the Soviet Union, Hard to Be a God (Es Ist Nicht Leicht Ein Gott Zu Sein) is set some thousand years or so in the future, when all forms of hostility and aggression have been purged from the earth. A group of space travellers stumble upon an alien civilization that seems mired in the Middle Ages. Astronaut Edward Zentara is sent out to explore this primitive land, and in so doing he becomes involved in war and bloodshed for the first time in his life. Eventually, he leads the downtrodden local citizens into battle against his fellow Earthlings. Produced on an epic scale over a six-year period, Hard to Be a God is stronger in its action sequences than in its ponderous dialogue exchanges. Watch for German director Werner Herzog in a brief opening-scene bit. ~ Hal Erickson, All Movie Guide

A British engineer and a young Bengali woman feel the backlash of cultural divisiveness in this uneven romantic drama. Allan (Hugh Grant) falls in love with the Gayatri (Supriya Pathak), the beautiful teenage daughter of his hostess Indira Sen (Shabana Azmi) while he recovers from an illness. When the family learns of the affair, Allan is kicked out of the house and returns to a Calcutta boarding house a heartbroken man. Lucien Metz (John Hurt) is a photojournalist working for Life magazine who convinces his old friend Allan that his stay in India can only bring him further trouble and continued bad fortune. ~ Dan Pavlides, All Movie Guide

Roger (Fabrice Josso) is a 16-year-old who seeks to lose his virginity in this softcore erotic drama. His initial efforts are unsuccessful, but World War I breaks out and men are seen marching off to battle. Roger goes overboard when he is presented with several amorous opportunities. He soon impregnates the maid, his aunt, and his sister in quick succession. Roger desperately tries to marry off the women to other men to avoid a lurid scandal. ~ Dan Pavlides, All Movie Guide