Keith Carradine Movies

In this gritty and violent period drama set in the depths of the Great Depression, Lee Marvin stars as "A No. 1", the acknowledged King of the Hoboes. A No. 1 is famous among his fellow tramps for his ability to catch a ride on any train, no matter how risky the hop or dangerous the guards. He acts as a sort of mentor for Cigaret (Keith Carradine), a young hobo who brags that some day he'll surpass A No. 1 in his accomplishments. But neither has had the courage to ride a train guarded by Shack (Ernest Borgnine), an unusually sadistic railroad cop who will brutally beat or even murder any man who tries to catch a ride on his train. A No. 1 is determined that no one, not even Cigaret, is going to deny him his title, so taking his life in his hands, he and Cigaret hop a ride on Shack's train, and they are soon bearing the full brunt of his violent nature. Emperor of the North features superb location photography by Joseph F. Biroc and a fine supporting cast, including Charles Tyner, Simon Oakland, Elisha Cook Jr., and Sid Haig. ~ Mark Deming, All Movie Guide

A Gunfight was the first mainstream American film to be produced by an Indian tribe -- specifically, the Jicarilla Apaches of New Mexico. Kirk Douglas and Johnny Cash star as Will and Abe, two long-in-tooth gunfighters with nary a dime between them. Although Will and Abe are fast friends, they agree to a winner-take-all showdown, selling tickets to the momentous event. The townspeople are certain that Will is going to win the shootout, but he knows that it would be a fatal mistake to underestimate Abe. Standing on the sidelines is Will's wife Nora (Jane Alexander), who seems curiously disinterested in the outcome, even though she may become a widow before the day is over. Despite the financial input of the Jicarilla tribe, A Gunfight has nothing to do with Indians; perhaps the tribe just wanted to put together a good, old-fashioned western, sans any social commentary. ~ Hal Erickson, All Movie Guide

Memorably described by Pauline Kael as "a beautiful pipe dream of a movie," Robert Altman's McCabe & Mrs. Miller reimagines the American West as a muddy frontier filled with hustlers, opportunists, and corporate sharks -- a turn-of-the-century model for a 1971 America mired in violence and lies. John McCabe (Warren Beatty) wanders into the turn-of-the-century wilderness village known as Presbyterian Church, with vague plans of parlaying his gambling winnings into establishing a fancy casino-brothel-bathhouse. McCabe's business partner is prostitute Mrs. Miller (Julie Christie), who despite her apparent distaste for McCabe helps him achieve his goal. Once McCabe and Mrs. Miller become successful, the town grows and prospers, incurring the jealousy of a local mining company that wants to buy McCabe out. Filmed on location in Canada, McCabe & Mrs. Miller makes use of such Altman "stock company" performers as Shelley Duvall, René Auberjonois, John Schuck, and Keith Carradine. The seemingly improvised screenplay was based on a novel by Edmund Naughton and the movie features a soundtrack of songs by Leonard Cohen. McCabe & Mrs. Miller joined such other Altman efforts as M*A*S*H, The Long Goodbye, and Thieves Like Us in radically revising familiar movie genres for the disillusioned Vietnam era. ~ Hal Erickson, All Movie Guide