Don Carmody Movies

Set in 1963, this drama looks at the life of Barnie Margruder (Carl Marotte), a teenager dealing with school bullies, his bickering parents, his conflicting feelings about sex, and an often strained relationship with his girlfriend. Barnie's life begins to change when he makes friends with Winona (Charlaine Woodard), an African-American girl from the other side of the city, who gives him a new perspective on his town and the world. Hard Feelings, also known as Hang Tough, was partially filmed in Canada; the film enjoyed a brief theatrical run there, though it never opened in theaters in the United States. ~ Mark Deming, Rovi

Love it or loathe it (and there are a goodly number of people on either side), Porky's was one of the most successful comedies of its day, spawning two direct sequels and inspiring an incalculable number of lowbrow teen comedies, most recently including American Pie (1999). Pee Wee (Dan Monahan), Billy (Mark Herrier), Tommy (Wyatt Knight), and Mickey (Roger Wilson) are four painfully horny high school kids growing up in South Florida in the 1950's. Desperate to rid themselves of their cumbersome virginity, they head out to a sleazy bar near the swamps called Porky's, where local legend has it that the owner will fix you up with a prostitute for a reasonable fee. After Porky takes their money and dumps them in the swamp, the guys vow to get revenge. Meanwhile, Pee Wee has to deal with his shrinking penis, someone drills a hole in the wall of the girl's shower, the guys encounter a prostitute named Cherry Forever, and anti-Semitism rears its ugly head. Cheerfully rude in a manner few mainstream films had achieved at that time, Porky's, for better or worse, changed the standard of what was acceptable in a screen comedy. Remarkably enough, two years later director Bob Clark made the holiday favorite A Christmas Story, which displayed his considerable range, if nothing else. ~ Mark Deming, Rovi

Riding the coattails of the resurgent boom in horror films after the success of Halloween, Terror Train features teeth-chattering direction by Roger Spottiswoode and pristine cinematography from John Alcott. The story is the basic slasher film premise, remounted on a moving train. A college fraternity decides to hold a New Year's Eve party on a train. But an uninvited guest, a disturbed ex-fraternity member, decides to take revenge on the partying students by killing them off one by one in increasingly grisly fashion. On board the terror train is horror film perennial Jamie Lee Curtis, along with David Copperfield, and Ben Johnson as Carne the conductor, who tries to calm the women students by saying things like, "Now you young ladies stay up here --it's too dangerous down in that other car." ~ Paul Brenner, Rovi

Melodramatic and obvious in its ploy to dampen all the handkerchiefs in the theater, Yesterday pulls it off. Gabrielle (Claire Pimpare) is a radical French-Canadian artist from one side of the economic, political, and linguistic tracks, and Matt (Vince Van Patten) is a rich American kid studying nearby at McGill university. The two meet, fall in love, and experience all the excitement of the 1960s. Gabrielle's brother is involved in a separatist fiasco, and politics as well as economic differences push and pull at the couple's relationship. When Matt finally decides he will not run away from his draft notice, he takes off for the Vietnam War leaving -- unknown to him -- a pregnant Gabrielle behind. Fate throws a few curve balls that have a chance at separating the two lovers forever, as the handkerchiefs begin their workout. ~ Eleanor Mannikka, Rovi

Set at a low-end summer camp and aimed squarely at a teen audience, Meatballs is a light screwball comedy that turned its low-budget Canadian roots into a very profitable box-office run. The biggest reason for the film's success is Bill Murray who stars as Tripper, the head counselor who runs things at Camp Northstar with the help of his love interest Roxanne (Kate Lynch) and the camp's director Morty (Harvey Atkins), who is affectionately known as Mickey. Camp opens with Tripper and Morty preparing the misfit counselors-in-training -- Spaz, Fink, Crockett, A.L., Candace, Wendy, and Wheels among them -- for the arrival of their hyperactive little charges. After settling in, kids and counselors begin their activities with a soccer game in which depressed 11-year-old Rudy (Chris Makepeace) accidentally loses the game. Cast out by the other children, Rudy runs away only to come across Tripper, who befriends the boy and makes him his running partner. Romance, sexy fun, and comic hijinx -- usually with the heavy-sleeping Morty as their target -- lead up to an annual Olympiad in which Camp Northstar battles the wealthier and athletically superior residents of Camp Mohawk. The challenging events include cup stacking, potato-sack racing, and a nauseating hot dog-eating contest in which the portly Fink devours his way to victory. With the two-day event tied up, it comes down to the cross-country run, in which Tripper enters Rudy. Meatballs was the first major directorial effort by multi-talented filmmaker Ivan Reitman, whose name has since become synonymous with the comedy genre. ~ Patrick Legare, Rovi

William Fruet directed this tense Canadian rape-revenge thriller which attempted to capitalize on the success of Wes Craven's Last House on the Left (1972). The film concerns a vacationing couple, Harry and Diane (Chuck Shamata and Brenda Vaccaro), who are terrorized in a remote house on a picturesque lake. Don Stroud leads the quartet of vicious psychos who break in and attack the pair, and when Harry is revealed to be a bit of a wimp, Diane takes matters of revenge into her own hands. Vaccaro and Stroud give much better performances than the material requires, and although Fruet's film is hardly as excoriating as its predecessor, it is altogether more polished. ~ Robert Firsching, Rovi

A gripping exercise in body horror and social paranoia, prolific Canadian director David Cronenberg's debut feature offers a startling look at modern isolationist society with a parasitic twist. When a scientist experimenting with a new form of organ transplants kills a young female resident of a fortress-like apartment complex before subsequently committing suicide, the investigation into her death leads to a frightening discovery. Originally conceived by the misguided scientist in a bid to aid organ transplant, an overzealous parasite quickly escapes into the complex in search of a host. One by one, the unsuspecting residents fall prey to the parasite, and the result is an aggressive horde of sex maniacs who will stop at nothing to satisfy their primal lust and pass the infection on through sexual contact. When the resident doctor learns the sinister truth behind the malevolent creation, only one man stands between an apartment complex overflowing with id-driven zombies and the outside world. Will he be able to stop the rapidly spreading parasite before it escapes into society, or is it only a matter of time until he, too, falls prey to its rapturous effects and gives in to the temptations of the flesh? ~ Jason Buchanan, Rovi

Director Philip Kaufman took his production of Eskimo life to actual locations in the Arctic Circle, making it only the third film in history (after Nanook of the North and Eskimo) to shoot there. Kaufman also employs authentic Eskimo dialect in the film, which adds a heightened bit of realism. The story concerns three whalers -- Billy (Warren Oates), Daggett (Timothy Bottoms), and Portagee (Louis Gossett Jr.) -- who becomes stranded in the Arctic Circle and are rescued by a tribe of Eskimos. Living in the Eskimo village, the three men introduce the chief vices of their civilization -- gambling, thievery, and Western-style sex -- to the isolated Eskimo village. At first the natives put up with the behavior of the Westerners, but as their ways begin to encroach upon the traditional Eskimo customs, the villagers begin to resist the three men's habits. A clash of cultures results. ~ Paul Brenner, Rovi

When 2 young people plot to "get even" with their families, romance intervenes. ~ Rovi