Hoagy Carmichael Movies

Actor/singer/composer Hoagy Carmichael was taught piano by his mother in his native Bloomington, Indiana. Carmichael worked his way through the University of Indiana law school by performing with his own three-piece band. His first published song, written while he was in college, was "Riverboard Shuffle." Even while trying to set up a law practice in Florida, Carmichael's composition "Riverboat Shuffle" was being turned into a modest hit by the Paul Whiteman Orchestra. Finally giving in to the inevitable, Carmichael began making records as an orchestra leader; among his musicians were the Dorsey brothers, Benny Goodman, and Carmichael's personal hero and closest friend, jazz trumpeter Bix Beiderbecke. In 1931, Hoagy and lyricist Michael Parish cooked up a little something called "Stardust," which soon became a standard and made Carmichael a millionaire. He followed this with a steady stream of easygoing hit tunes, including "Up the Lazy River," "Lazybones" and "Rocking Chair." His first movie work occurred in 1936's Anything Goes; one year later he played an unbilled cameo in Topper, for which he wrote an original number, "Old Man Moon." His first "dramatic" role was in To Have and Have Not (1944), followed by laid-back character parts in such films as The Best Years of Our Lives (1946), Night Song (1947), Young Man with a Horn (1951) (an a clef version of Bix Beiderbecke's life story) and Belles on Their Toes (1952). His bony, angular on-screen presence made quite an impression on author Ian Fleming, who in his first James Bond novel Casino Royale described Bond as closely resembling Hoagy. In 1946, Carmichael received an Academy Award nomination for his song "Old Buttermilk Sky" (from the 1946 western Canyon Passage), and in 1952 won an Oscar for "In the Cool, Cool, Cool of the Evening" (from Here Comes the Groom). Carmichael's TV work included a regular role on the TV western Laramie (1959-63), and a pen-and-ink "guest" appearance on a 1961 episode of the cartoon series The Flintstones, for which he contributed a song titled (what else?) "Yabba Dabba Doo." Though he wrote his last hits in the 1950s, Hoagy Carmichael lived in comfortable retirement thanks to his song royalties and wise real estate investments. ~ Hal Erickson, All Movie Guide
1943  
 
There's practically no western action in Hands Across the Border, but there's music aplenty. Roy Rogers stars as a wandering cavalier (named "Roy Rogers", naturally), who comes to the aid of entertainer Kim Adams (Ruth Terry). The daughter of a rancher, Kim does her patriotic bit by raising prize horses for the Army. But villainous Brock Danvers (Onslow Stevens) does his best to keep Kim's stock from reaching the Army, and that's when Rogers comes to the rescue. The final two reels of Hands Across the Border is a virtual nonstop parade of musical numbers by the likes of Hoagy Carmichael and Ned Washington, and featuring Rogers, Ruth Terry, Janet Martin and that zany European comedy trio The Wiere Brothers. ~ Hal Erickson, All Movie Guide

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Starring:
Roy Rogers
1941  
 
Two years after the release of Gulliver's Travels, the Fleischer brothers produced Hoppity Goes to Town, their second feature-length cartoon. The film is based in Bugtown, an insect community, and the insects that populate the picture are a sort of melting pot of the bug world. There is Hoppity the grasshopper, who is the dreamer of the bunch; Mr. Bumble the bee, who operates the honey shop, and his daughter Honey Bee, who loves Hoppity; C. Bagley Beetle, the ruthless businessman who plots against his own community for his personal greed; Smack the mosquito and Swat the fly, Mr. Beetle's comic-relief henchmen; and little Buzz, a young bee and a member of the Bee Scouts. The insects live in their isolated world, forever in dread of the increasing encroachment of the humans, but their world is shattered when their protective fence is knocked down and the humans begin making more and more excursions into their area and destroying their homes. Mr. Beetle sees this as his opportunity. He lives in what he believes to be a safe zone and wants Honey for his wife, so he continually pressures Mr. Bumble to let him marry Honey in exchange for moving Bumble into the safer area. But Hoppity has his own plans. Convinced that there are greener pastures elsewhere, he embarks on a journey with Bumble to the big house on the hill, the home of a struggling young songwriter named Dick Dickens and his wife, Mary. Hoppity and Bumble decide that the Dickens' garden is an insect utopia, and try to convince their community to abandon their homes and start fresh. Ultimately, Hoppity and Mr. Beetle must battle not only for control of Bugtown, but also for Honey's heart, and there are some songs by Hoagy Carmichael and Frank Loesser along the way. Hoppity Goes to Town was originally released under the title Mr. Bug Goes to Town. ~ Bob Mastrangelo, All Movie Guide

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Starring:
Gwen WilliamsJack Mercer, (more)
1940  
 
17-year-old Linda Darnell received her first big break in the appropriately titled 20th Century-Fox production Star Dust. Discovered by talent scout Thomas Brooke (Roland Young), teenager Carolyn Sayre (Darnell) is brought to Hollywood, where she is turned down for a contract because she is considered too young. Down but not out, Carolyn falls in love with studio contractee Bud Borden (John Payne), who promises to help her achieve her career goals. Teaming up with Brooke, Borden succeeds in winning a screen test for Carolyn, and the rest is gravy. As can be seen, Star Dust draws most of its inspiration from Linda Darnell's real-life rise to fame, which gives the cliched screenplay a bit of added depth and humanity. It's also amusing to watch William Gargan, cast as studio executive Dane Wharton, perform a devastating (albeit affectionate) take-off of 20th Century-Fox head man Darryl F. Zanuck, right down to DFZ's habit of swinging a polo mallet during story conferences. ~ Hal Erickson, All Movie Guide

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Starring:
Linda DarnellJohn Payne, (more)
1938  
 
It's hard to go wrong with such stars as Bob Hope, Burns & Allen, Martha Raye and Edward Everett Horton, and College Swing doesn't-go wrong, that is. The film begins in 1738, when a pact is drawn up between the Alden family and a highly respected Colonial college: If any female member of the family can pass her college exams within a 200-year period, ownership of the institution will be turned over to her. Comes 1938, and the last of the Alden girls, giddy Gracie Alden (Gracie Allen, of course) hires glib-tongued tutor Bud Brady (Bob Hope) to help her pass her exams. She also tries to win over no-nonsense professor Hubert Dash (Edward Everett Horton), who has no intention of handing his college over to a blithering idiot like Gracie. Once she has inherited the place, however, Gracie turns it into a jumpin'-jivin' joint, complete with jitterbugging students, swing bands and remote radio broadcasts. Though George Burns' role is nearly nonexistent, he does get to indulge in his patented cross-talk with Allen. Others contributing to the fun are Ben Blue, Jerry Colonna, Betty Grable, and Grable's then-husband Jackie Coogan. Highlights include Allen's spirited Irish jig and her endearing song duet with Edward Everett Horton. College Swing is the sort of high-powered, all-star entertainment that is virtually impossible to reproduce today. ~ Hal Erickson, All Movie Guide

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Starring:
George BurnsGracie Allen, (more)
1938  
 
In this comedy, an American golf pro falls in love with a woman while visiting France; before long they are married and in the US. Upon their arrival, they are dismayed to discover that the golfer's parents have arranged for him to marry a wealthy socialite so they can use her money to support their business. The dutiful son then lies about his recent marriage and feigns affection for the heiress. They begin planning their "wedding," but eventually, he tells his new fiancee the truth about his marital status. She decides to help him and then the fun begins. ~ Sandra Brennan, All Movie Guide

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Starring:
Ray MillandOlympe Bradna, (more)
1937  
NR  
By 1937, producer Hal Roach was hoping to wean himself away from the Laurel & Hardy-Our Gang slapstick on which he had built his studio's reputation by delving into the "screwball comedy" genre. Roach selected the racy Thorne Smith fantasy novel Topper for adaptation, and the result was one of the most endearingly funny films of the decade. Constance Bennett and Cary Grant play Marion and George Kerby, a wealthy, freewheeling young married couple whose uninhibited lifestyle is the talk of the town. After a particularly bibulous evening on the town, the Kerbys race homeward in their gleaming new roadster. George fails to negotiate a curve, and the car plows into a tree, killing both its occupants. Seconds later, the ghosts of George and Marion emerge from the wreckage, behaving as frivolously as if nothing had happened. Upon realizing that they're dead, the Kerbys also realize that they haven't been immediately snatched up into Heaven. Determining that they're required to perform one good deed before being allowed past the Pearly Gates, George and Marion set about to "liberate" stuffy, sedate, henpecked banker Cosmo Topper (Roland Young). At first resistant to the charms of his invisible benefactors, Topper begins to loosen up and truly enjoy life for the first time. Naturally, this doesn't sit well with Topper's supercilious wife (Billie Burke) nor his long-suffering butler (Alan Mobray), especially during a climactic free-for-all at a vacation resort. Though special effects abound in Topper, most of the humor derives from the embarrassed reactions of Roland Young as he tries to fend off the flirtatious advances of the ghostly Marion and the benignly strongman tactics of the spectral George. Adding to the fun are Eugene Pallette as a flustered house detective and Arthur Lake as a pratfalling bellboy. The musical score by longtime Hal Roach composer Marvin Hatley is perfectly attuned to the zany goings-on (including snatches of background music from Roach's earlier Laurel and Hardy comedies), while Hoagy Carmichael appears briefly on screen to introduce the film's signature tune, "Old Man Moon." Topper proved successful enough to warrant two sequels, as well as a popular TV series of the early 1950s. ~ Hal Erickson, All Movie Guide

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Starring:
Cary GrantConstance Bennett, (more)
1937  
 
After a year-long period of starring in such heavy fare as Maid of Salem, Claudette Colbert returned to comedy with I Met Him in Paris. Colbert plays a successful American fashion designer, squired by three suitors: playwright Melvyn Douglas, playboy Robert Young and hometown lad Lee Bowman. Bowman is fourth-billed, so that lets him out. Young is already married: Strike Two. That leaves Melvyn Douglas, who is indeed the winner of this three-way race. Most of the film takes place at a vacation resort in Switzerland (actually Sun Valley, Idaho), where several minutes of humor is extracted from the three suitors' clumsiness on skis. I Met Him in Paris charmed the critics in 1937; today it seems like just another pleasant diversion, served up by experts in the comedy field. ~ Hal Erickson, All Movie Guide

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Starring:
Claudette ColbertMelvyn Douglas, (more)
1936  
 
Anything Goes is a fun-filled but hardly faithful adaptation of the same-named Cole Porter Broadway musical, with additional songs by Hoagy Carmichael, among many many others. Set on a luxury liner, the story gets under way when Moonface Mullins (Charlie Ruggles), Public Enemy No. 13, slips on board disguised as a bishop. As he weaves in and out of the story, Billy Crocker (Bing Crosby) romances Hope Harcourt (Ida Lupino), titled Englishman Evelyn Oakleigh (Arthur Treacher) also pursues Hope, and brassy entertainer Reno Sweeney (Ethel Merman) chases after Sir Evelyn. Critics in 1934 complained that the original Broadway production's Victor Moore was replaced by Charlie Ruggles, but none could fault Ethel Merman's rendition of "I Get a Kick Out of You", nor her duet with Bing Crosby, "You're the Top" (the only two songs retained from the Porter score!) Anything Goes was remade in 1956, again with Bing Crosby, and again with little fidelity to the original (this remake required MCA Television to retitle the 1936 version as Tops is the Limit). ~ Hal Erickson, All Movie Guide

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Starring:
Bing CrosbyEthel Merman, (more)
1933  
 
Rustler's Roundup was western star Tom Mix's final feature film; only the 1935 serial Mystery Rider remained before Mix bid adios to the movies. Our Tom comes to the aid of heroine Diane Sinclair, who is being victimized by swarthy Noah Beery Jr. Sinclair's dad has been murdered, and Beery Jr., perpetrator of the deed, now wants to get his dirty mitts on her ranch. You can bet that ranch that Mix won't let that happen! Walter Brennan, three years away from stardom, has a bit role. While filming Rustlers' Roundup, Tom Mix suffered an injury which kept the 53-year-old star off-camera for nearly two years. ~ Hal Erickson, All Movie Guide

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