Eileen Brennan Movies
American actress Eileen Brennan was the daughter of Jean Manahan, a moderately successful silent screen actress. Brennan studied at both Georgetown University and the American Academy of Dramatic Art before making her mark as star of the 1959 off-Broadway musical Little Mary Sunshine. On the surface, it would seem that this production was out of character for the earthy, sardonic Brennan most familiar to filmgoers. Not so. A lampoon of insipid 1920s operettas, Little Mary Sunshine was in its own lah-dee-dah way one of the dirtiest musicals ever written (something that doesn't seem to dawn on the many high schools that have since produced it). Brennan was among the first-season stars of TV's Rowan and Martin's Laugh-In, essentially doing hilarious variations of her simpering "Mary Sunshine" persona. With her 1970s film appearances in The Last Picture Show (1971), The Sting (1972) and Hustle (1974) came the world-weary, hard-bitten characterizations with which she built her movie following. She was nominated for an Oscar for her expert interpretation of an army sergeant in Goldie Hawn's Private Benjamin (1980), then recreated the role for the 1981 TV sitcom version of this film (which won her an Emmy). While filming the TV Benjamin, Brennan was seriously injured in a car accident. The recovery was long and painful, but by 1985 she was back at work, as caustic as ever in recent films as White Palace (1991) and the Last Picture Show sequel Texasville (1990). ~ Hal Erickson, All Movie Guide
Devastated when her brand-new husband Albert Brooks) drops dead on their wedding night, Jewish American princess Judy Benjamin (Goldie Hawn) is receptive to the pitch delivered by a duplicitous recruiter for the Women's Army Corps. Quickly adivsed by topkick Captain Lewis (Eileen Brennan) that she should not look forward to the private room, fancy clothes and sauna bath that she'd been promised, Judy is forced to go through basic training like any other "grunt". This turns out to be a real growth experience for the pampered Private Benjamin, who for the first time in her life has to work for her privileges. A brief misadventure with a lascivious paratroop officer (Robert Webber) nearly sours Judy on army life, but she turns out to be a darned good soldier-and a woman with a highly developed sense of self-esteem, which enables her to weather a further disappointing romantic fling with French phsycian Henri Tremont (Armand Assante). Private Benjamin turned out to be one of Goldie Hawn's most profitable vehicles. The 1981-82 TV sitcom spinoff starred Lorna Patterson in Goldie's role, with Eileen Brennan repeating her film characterization of the long-suffering Captain Lewis. ~ Hal Erickson, All Movie Guide
- Starring:
- Goldie Hawn, Eileen Brennan, (more)
My Old Man was adapted from Ernest Hemingway's short story of the same name by Jerome Kass. Hemingway's story told of a down-on-his-luck horse trainer who is given a second chance at making something of his life by his son. This made-for-TV version changed the son to a daughter, played by Kristy McNichol; the "old man" was portrayed by Warren Oates. Eileen Brennan also stars as a waitress who acts as surrogate mother for McNichol--and who'd like to act as wife to Oates. Filmed at Saratoga Springs, New York, My Old Man premiered on December 7, 1979. An earlier, less sentimental theatrical-feature version of the same Hemingway tale was filmed in 1950 as Under My Skin, with John Garfield in the lead. ~ Hal Erickson, All Movie Guide
- 1979
A businessman finds that denial is his only coping mechanism when faced with his wife's constant physical abuse of their daughter. His idea of a solution is to move them to a new town. When that fails, he finds himself faced with painful choices. ~ Sandra Brennan, All Movie Guide
- 1978
The locale of Anna Sewell's 1906 novel Black Beauty was changed from England to Maryland in this five-part TV miniseries. Still, the script adheres to the basic chronology of the Sewell original. In Part One the wife of incapacitated farmer Tom Gray sells the frisky colt Black Beauty. In Part Two, first telecast February 1, 1978, Beauty does the "Lassie" bit by rescuing her new master (Cameron Mitchell) from a storm and locating a doctor for her expectant mistress (Diane Ladd). This episode ends with Beauty facing certain death, first from a fire, then from a fever. The remaining three 60-minute episodes of Black Beauty were broadcast on February 2, 3 and 4, 1978. ~ Hal Erickson, All Movie Guide
Spoofing the entire 1940s detective genre, and his own performances as a bumbling private detective, Peter Falk plays Lou Pekinpaugh, a San Francisco private detective accused of murdering his partner at the instigation of his mistress, the partner's wife, Georgia Merkle (Marsha Mason). Police Lieutenant DiMaggio (Vic Tayback) has his eye on Lou and blunders around in a way which complicates Lou's efforts to clear his name. Lou gets a new client when Mrs. Montenegro (Madeline Kahn) and her cronies (John Housman, Paul Williams and Dom DeLuise) hire him to search out a dozen diamond eggs. Marlene DuChard (Louise Fletcher) also comes to him for help of a complicated nature. In this madcap comedy written by Neil Simon, obstacles and complications appear every few minutes, and a great many famous actors show up in hilarious cameos. ~ Clarke Fountain, All Movie Guide
- Starring:
- Peter Falk, Ann-Margret, (more)
- 1978
- PG
When a radio station's management announces that there's going to be an upswing in commercials on the air, with a strong emphasis on ads for the U.S. Army, the anti-establishment deejays form a united front against the "suits." With station manager Jeff Dugan's (Michael Brandon) unofficial approval, the other employees hijack the station, playing the kind of music they like before the authorities can arrive. Martin Mull appears in his feature-film debut as a zoned-out record spinner. In addition, the film includes live appearances by the likes of Linda Ronstadt, Jimmy Buffett, Tom Petty, and REO Speedwagon. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael Brandon, Eileen Brennan, (more)
- 1977
This powerful made-for-television drama made a memorable impact on audiences in the late '70s and has earned a cult following as a result. The story focuses on Richie (Robby Benson), a well-meaning but emotionally confused teen who finds it all too easy to turn to drugs when he feels the world closing in on him. This brings him into conflict with his father, George (Ben Gazzara), a stern man who loves his son, but has trouble expressing his feelings. Both men make genuine attempts to meet each other halfway, but their relationship worsens as social pressures and personal failings drive Richie deeper into his drug addiction. The interaction between father and son becomes violent, resulting in a tragedy for the whole family. The Death of Richie attracted critical acclaim when it was telecast in 1977 for its sensitive but unflinching treatment of difficult family issues, as well as the impressive performances of Benson and Gazzara. In recent years, it has attracted a cult following that includes actor/director Vincent Gallo, who cast Gazzara as the father in Buffalo '66 on the strength of his work in The Death of Richie. ~ Donald Guarisco, All Movie Guide
As penned by Neil Simon, this satire of movie mysteries is set in motion when several prominent detectives are invited to the mansion of the reclusive Lionel Twain (Truman Capote). In Ten Little Indians fashion, the gathered sleuths are locked into the forbidding mansion, and subject to various death-dealing devices. While struggling for their lives, the vainglorious gumshoes continue to try to one-up one another. Each character is broadly based on a famous literary detective: Sidney Wang (Peter Sellers) is an aphorism-spouting Charlie Chan clone: Dick and Dora Charleston (David Niven and Maggie Smith) are patterned on the protagonists of the Thin Man flicks; Milo Perrier (James Coco), a Hercule Poirot takeoff, stalks through the proceedings declaring "I'm a Belgie, not a Frenchie!"; Sam Diamond (Peter Falk) is Raymond Chandler's Philip Marlowe and Dashiell Hammett's Sam Spade rolled in one; and Jessica Marbles (Elsa Lanchester) is a dottier variation of Agatha Christie's Miss Marple. Best bit: a "conversation" between blind butler Jamessir Bensonmum (Alec Guinness) and deaf-mute maid Yetta (Nancy Walker). The fade-out gag of Sherlock Holmes and Dr. Watson showing up late for Lionel Twain's party was edited from the theatrical version of Murder by Death, but was restored for TV. The film marked the big-screen directorial debut of Robert Moore, who'd previously directed several of Neil Simon's Broadway productions. Moore went on to direct another Simon spoof, The Cheap Detective (1978), before his untimely death. ~ Hal Erickson, All Movie Guide
- Starring:
- Eileen Brennan, Truman Capote, (more)
Not everything Henry Fonda did was Grapes of Wrath or Mister Roberts. In the enjoyable low-budget "road" flick The Great Smokey Roadblock, Fonda plays a worn-out trucker named Elegant John. Anxious to make one last, big haul before retiring, Fonda loses his 18-wheeler to the repo men. He steals his rig back, then further thumbs his nose at the law by hauling a group of prostitutes across the border as a favor to his old flame, bordello madam Eileen Brennan. This rollicking film ends on an unexpected--but logical within the framework--tragic note. Filmed in 1974, The Great Smokey Roadblock lay on the shelf for nearly two years. Despite a plethora of illnesses, Fonda is in fine fettle, delivering one of his sprightliest latter-day performances. ~ Hal Erickson, All Movie Guide
- Starring:
- Henry Fonda, Eileen Brennan, (more)
- 1975
A magazine editor (Cliff Robertson) suffers a heart attack and begins to reminisce about the happy childhood he spent with his father (Robert Preston). The memories cause him to wonder about the family he has raised since growing up. ~ John Bush, All Movie Guide
Director Robert Aldrich (The Longest Yard) re-unites with Burt Reynolds for this hard-edged neo-noir. Lieutenant Phil Gaines (Reynolds) is a cynical Los Angeles police detective amorously involved with an icewater-veined Parisian call girl, Nicole Britton (Catherine Deneuve). On the job, he begins to investigate the shady death of a teenage girl that appears to lead straight to Leo Sellers (Eddie Albert), an attorney with a frightening number of connections. The problem is, Nicole herself has a direct connection to the case - Leo is one of her clients. Meanwhile, Marty Hollinger (Ben Johnson), the victim's father, decides to undertake a grassroots investigation of his own - little realizing that his seemingly murdered daughter was in up to her neck with prostitution, porno movie acting, and dancing as a stripper, facts which suggest that she may have offed herself. ~ Paul Brenner, All Movie Guide
- Starring:
- Burt Reynolds, Catherine Deneuve, (more)
- 1975
The Night That Panicked America is centered around Orson Welles' notorious "War of the Worlds" broadcast of October 30, 1938. Welles (Paul Shenar) arrives at CBS studios just in time to assume his directing post for the radio adaptation of the H.G. Wells classic, which has been updated and rewritten in the form of news bulletins. Unfortunately, millions of listeners tune in late and assume that the Earth is actually being invaded by Martians. This TV movie periodically cuts away from the broadcast in progress to concentrate on the panicky reactions of several listeners -- including a terrified mother (Eileen Brennan) who nearly kills her own children rather than allow them to fall into the tentacles of the Men From Mars. Advised of the panic, Welles is convinced that his career is over, but the ensuing publicity makes him nationally famous. As he absorbs the events of the evening, the hoodwinked radio fans crawl back sheepishly to the safety of their homes. ~ Hal Erickson, All Movie Guide
- 1975
- G
Peter Bogdanovich's attempt to direct a homage to the great musicals of the 1930s is now remembered as one of the embarrassments of the 1970s. The film's thin plot, standard for the genre, centers on the romantic entanglements and misunderstandings among six stock characters: the bored playboy (Burt Reynolds), his never-ruffled valet (John Hillerman), the debutante (Cybill Shepherd), the Broadway diva (Madeline Kahn), her gambler boyfriend (Duilio Del Prete), and her maid (Eileen Brennan). All six are likely to burst into song and dance at any time, and they often do (the performances were recorded live on the set, not pre-recorded), but sixteen Cole Porter tunes, lavish sets and costumes, and an expensive production cannot hide the fact that Reynolds and Shepherd, the two leads, are way out of their depth. A notorious failure, At Long Last Love left a permanent stain on Bogdanovich's career. ~ Don Kaye, All Movie Guide
- Starring:
- Burt Reynolds, Cybill Shepherd, (more)
- 1975
This episode was designed as the pilot for a proposed Kojak spinoff, starring Vincent Gardenia) as Lt. Kojak's former NYPD colleague Vince LaGuardia. Now working in Las Vegas, LaGuardia alerts Kojak (Telly Savalas) of his plan to extradite an elderly counterfeiter (Jeff Corey) to Manhattan. When the old man suddenly dies in his jail cell, Vince suspects foul play and launches a search for an unknown hitman. All the while, the veteran cop endeavors to balance his professional life with his personal responsibilities as surrogate father to his nephew Nick (Mike Darnell). ~ Hal Erickson, All Movie Guide
Continuing his 1970s recreations of classical Hollywood genres and styles, Peter Bogdanovich turned to the literary costume drama with an adaptation of the Henry James novella Daisy Miller. At a Swiss spa, upper-class expatriate American Frederick Winterbourne (Barry Brown) meets pretty, nouveau riche flirt Daisy Miller (Cybill Shepherd); her bratty, xenophobic little brother Randolph (James McMurtry); and her tremulous, nattering mother (Cloris Leachman). Despite warnings from his dowager aunt (Mildred Natwick) about Daisy's recklessness with men, Winterbourne finds himself drawn to her. When he encounters her again in Rome, he tries to convince her that her liberated behavior with an Italian admirer (Duilio Del Prete) may sully her reputation in aristocratic circles. But Winterbourne cannot reconcile his own feelings for Daisy with the manners that he is used to following, nor can he fathom how she may feel about him beneath her veneer of willful coquetry. After society matron Mrs. Walker (Eileen Brennan) ostracizes her, Daisy's final rash action reveals to Winterbourne how his old-fashioned mores may have sealed her fate. With a screenplay by Frederic Raphael and location shooting in Rome and Switzerland, Bogdanovich carefully recreated the rich surroundings and stultifying social strictures of James' story. Despite this well-executed atmosphere, Daisy Miller suffered critically, as Bogdanovich was especially taken to task for casting the amateurish Shepherd in the complex and pivotal role of Daisy. After three consecutive hits with The Last Picture Show (1971), What's Up, Doc? (1972), and Paper Moon (1973), Daisy Miller flopped, beginning Bogdanovich's mid-'70s slide into box-office and critical ignominy. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Cybill Shepherd, Barry Brown, (more)
- 1974
Definitely no relation to the Frank Sinatra standard "Come Fly With Me," this 90-minute videotaped thriller stars Eileen Brennan as a much-too-clever housekeeper. Brennan is aware that she isn't exactly a fashion plate, and that her chances of attracting the handsome master of the house (George Maharis) are slim to none. She also realizes that the master has murdered his brother, and uses this knowledge to blackmail her boss into matrimony. But there's a twist ending that literally puts the scheming domestic in her proper place. Produced for ABC's Wide World Mystery, Come Die With Me would seem to have been inspired by the 1955 feature film Footsteps in the Fog. ~ Hal Erickson, All Movie Guide
Four years after setting box offices ablaze in Butch Cassidy and the Sundance Kid, Paul Newman, Robert Redford, and director George Roy Hill re-teamed with similar success for The Sting. Redford plays Depression-era confidence trickster Johnny Hooker, whose friend and mentor Luther Coleman (Robert Earl Jones) is murdered by racketeer/gambler Doyle Lonnegan (Robert Shaw). Hoping to avenge Luther's death, Johnny begins planning a "sting" -- an elaborate scam -- to destroy Lonnegan. He enlists the aid of "the greatest con artist of them all," Henry Gondorff (Paul Newman), who pulls himself out of a drunken stupor and rises to the occasion. Hooker and Gondorff gather together an impressive array of con men, all of whom despise Lonnegan and wish to settle accounts on behalf of Luther. The twists and surprises that follow are too complex to relate in detail -- suffice to say that you can't cheat an honest man, and that you shouldn't accept everything at face value. The Sting became one of the biggest hits of the early '70s; grossing 68.5 million dollars during its first run, the film also picked up seven Academy Awards, including Best Picture, Best Director, Best Screenplay, and Best Adapted Score for Marvin Hamlisch's unforgettable setting of Scott Joplin's ragtime music. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Newman, Robert Redford, (more)
- 1973
Joseph Wambaugh, the ex-cop turned novelist whose Police Story began its TV run in 1973, was responsible for the like-vintage TV miniseries The Blue Knight. William Holden stars as Bumper Morgan, a 50 year old cop on the verge of mandatory retirement. Morgan's last four days with the LAPD are packed with incident, notably the trackdown of the brutal murderer of a prostitute. Lee Remick plays Morgan's faithful lady friend, who is anxious for her man to retire but who will tolerate no criticism from anyone of the job the police are doing. Emmies went to William Holden, director Robert Butler and editors Marjorie and Gene Fowler Jr., while Lee Remick received an Emmy nomination. The film itself is derivative at times (one chunk of dialogue is lifted bodily from the Jane Fonda vehicle Klute), but otherwise is as realistic a portrayal of police work as TV censors would allow in 1973. Originally telecast in four one-hour installments, Blue Knight was cut to 103 minutes for syndication; a second Blue Knight TV movie, filmed in 1975 and starring George Kennedy as Bumper Morgan, served as the pilot for a short-lived TV series. ~ Hal Erickson, All Movie Guide
An ex-con learns the value of friendship in Jerry Schatzberg's picaresque road movie. Trying to hitch a ride on a desolate California road, fresh-out-of-prison Max (Gene Hackman) meets ex-sailor Lion (Al Pacino). They are both headed east, as Max dreams of opening a deluxe car wash in Pittsburgh and Lion believes that the wife and child he left behind will still welcome him home. The two decide to journey together, forging an increasingly deep yet uncertain friendship, as Lion teaches Max how not to be so pugnacious and Max senses Lion's fragility. When the pair hits Detroit, Lion finally gets in touch with his wife and discovers how she really feels. When Lion is shattered by the revelation, Max must decide if he should forge on alone or sacrifice his carefully guarded savings to help his friend. One of a cycle of late 1960s-early 1970s buddy movies that included Midnight Cowboy (1969) and California Split (1974), Scarecrow suggests how alienated men had become from such traditional institutions as marriage and family. Max's and Lion's salvation comes from being on the road with each other, rather than settling down with jobs and families. Pacino's first film after his triumph in The Godfather (1972), and Hackman's follow-up to The Poseidon Adventure (1972) and his Oscar for The French Connection (1971), Scarecrow won the 1973 Palme d'Or at the Cannes Film Festival, but the two stars were not enough to make it a hit. Even so, their nuanced performances enhance this moody study of contemporary dislocation. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Gene Hackman, Al Pacino, (more)
- 1972
It could only happen to Archie Bunker: He's trapped in a stalled elevator with a prickly black attorney named Thompson (Roscoe Lee Browne), a ditzy secretary named Miss McCarthy (Eileen Brennan), and a pregnant, monolingual Puerto Rican woman (Edith Diaz). Things take an even dicier turn when Mrs. Mendoza goes into labor! The touching final scene was the result of on-set improvisation; star Carroll O'Connor felt that the scene as written was in poor taste, and threatened to walk off the show unless something new was added. A young Hector Elizondo rounds out the cast (and further crowds the elevator) as excitable janitor and father-to-be Señor Mendoza. Written by Alan J. Levitt, "The Elevator Story" first aired on January 1, 1972. ~ Hal Erickson, All Movie Guide
- Starring:
- Carroll O'Connor, Jean Stapleton, (more)
- 1972
Alan Alda is divorced from Barbara Feldon. Doug McClure is divorced from Connie Stevens. While spending the weekend with their respective children, Alda and McClure meet and become fast friends. Then, surreptitiously, Alda begins squiring Stevens while McClure does the same with Feldon. More believable and three-dimensional than most quickie TV-movies of its ilk, Playmates benefits from the enthusiastic performances of its stars and the perceptive script by Richard Baer. The film originally aired October 3, 1972. ~ Hal Erickson, All Movie Guide
Produced by Hollywood iconoclast BBS Productions, film critic-turned-director Peter Bogdanovich's 1971 film pays homage to Hollywood's classical age as it chronicles generational rites of passage in Anarene, a fictional one-horse Texas town. In 1951, high school seniors Sonny (Timothy Bottoms) and Duane (Jeff Bridges) play football, go to the movies at the Royal Theater, hang out at the pool hall owned by local elder statesman Sam the Lion (Ben Johnson), and lust after rich tease Jacy Farrow (Cybill Shepherd in her film debut). As the year passes, Sonny learns about the pitfalls and compromises of adulthood through an affair with his coach's wife Ruth (Cloris Leachman) and a thwarted elopement with Jacy after she dumps Duane. Following two tragic deaths, and with Duane gone to Korea and Jacy packed off to college in Dallas, Sonny is left behind in Anarene, wise enough to absorb the life lessons of Sam the Lion and Jacy's mother Lois (Ellen Burstyn). He is determined to honor Sam's legacy as the town's conscience, despite a telling sign of incipient communal disintegration: the closing of the Royal Theater after a final showing of Howard Hawks's Red River. Paying tribute to classical Hollywood directors like Hawks and John Ford, Bogdanovich used old-time cinematographer Robert Surtees and shot The Last Picture Show in crisp black-and-white, with a restrained style devoid of the kind of "new wave" techniques (jump cuts, zooms, and jittery hand-held camerawork) used by such contemporaries as Arthur Penn, Robert Altman, Mike Nichols, and Martin Scorsese. As in such Ford films as The Grapes of Wrath (1940), Bogdanovich relies on careful visual composition in deep focus to help communicate the regret over the passing of an era. Hailed as one of the best films by a young director since Citizen Kane (1941), The Last Picture Show premiered at the New York Film Festival and went on to become a hit. It was also nominated for eight Oscars, including Best Picture, Best Director and Best Screenplay for Larry McMurtry's and Bogdanovich's adaptation of McMurtry's novel. John Ford stalwart Johnson won Supporting Actor and Leachman won Supporting Actress, beating out their cohorts Bridges and Burstyn. For an audience steeped in movie history and caught up in the chaotic 1971 present, The Last Picture Show presented a nostalgic look backward that was not so much an escape from the present as a coming to terms with what the present had lost. Its 1990 sequel Texasville, in which Bridges and Shepherd played later incarnations of their original characters, was not as successful. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Timothy Bottoms, Jeff Bridges, (more)
- 1969
This collection features works by six different artists including Allen Kaprau ("Hello"), Otto Piene ("Electronic Light Ballet" and "Manned Helium Structure"), James Seawright ("Capriccio for Television"), Thomas Tadlock ("Archetron"), Aldo Tambellini ("Black") and Nam June Paik ("Electronic Opera 1"). ~ All Movie Guide
An unhappy couple discover breaking up really is hard to do in this satiric comedy. Richard Harmon (Dick Van Dyke) and his wife, Barbara (Debbie Reynolds), are a typical married couple in American Suburbia -- which is to say they're not very happy with each other. After 15 years together, Richard and Barbara decide they've reached the end of their collective rope, and after several rounds of marriage counseling proves fruitless, they file for divorce. Between negotiating child custody, alimony, and finding new places to live, Richard and Barbara discover divorce isn't appreciably easier than being married; meanwhile, Richard makes a new friend in Nelson Downes (Jason Robards), a fellow divorcé who would love nothing more than for Richard to marry his former wife, Nancy (Jean Simmons), and take away the burden of alimony. Also featuring Van Johnson, Lee Grant, Shelley Berman, and Eileen Brennan in her first film role, Divorce American Style earned an Oscar nomination for Norman Lear and Robert Kaufman's original screenplay. ~ Mark Deming, All Movie Guide
- Starring:
- Dick Van Dyke, Debbie Reynolds, (more)
Dustin Hoffman was only a few months away from his star-making role in The Graduate when he appeared in this television adaptation of Maxwell Anderson's satiric dark comedy. A disgruntled inventor (Orson Bean) whose career is going nowhere finally comes up with something that could change the world -- a device he calls the "Star Wagon," which allows its users to travel back and forth in time. Before unleashing his new gizmo on the world, the inventor uses it for a few pet projects of his own, with the help of his less-than-enthusiastic assistant (Dustin Hoffman). Shot for educational television in 1967, The Star Wagon also features Eileen Brennan, Marian Seldes, and Richard Castellano. ~ Mark Deming, All Movie Guide
