Irene Cara Movies

When a convict and his wife are placed on an isolated island with other convicts, the two are separated and the woman learns how to defend herself to stay alive. ~ Kristie Hassen, All Movie Guide

Prolific actor-stuntman Conrad Palmisano directed this average action-thriller about the owner of an inner-city gym. Earl (Paul Coufos) happens to also be a skilled fighter, and when he is pressured by real-estate developers to close the gym, he fights in order to save it. Former Saturday Night Live regular Tony Rosato co-stars with Irene Cara, who sings a cover version of "She Works Hard for the Money," as well as portraying Earl's love interest, Simone. ~ Robert Firsching, All Movie Guide

This standard, tongue-in-cheek, gangsters and good guys saga is carried on the star power and screen presence of Clint Eastwood as Lt. Speer, a taciturn, tough, play-it-by-the-book cop, and on Burt Reynolds as Mike Murphy, Speer's old friend in the force, now turned private eye but still a captivating rogue at heart. With a sub-text of playing their well-known screen personas off each other, Eastwood and Reynolds provide more than a surface interpretation of the characters that made them famous. After Murphy's partner is murdered, he focuses on pitting one mob boss against another in an attempt to have both mobsters kill each other. In the meantime, Lt. Speer -- who has never approved of Murphy's private detective business -- does not really know if Murphy is for or against the two top gangsters. Set in the era of speakeasies and Prohibition, an added layer of "film noir" can be discerned under the complex plot, verbal repartée, and episodes of toned-down violence (a kind of parody in themselves). Although this may not be the best film either star has made, it is still interesting to see them together on screen. ~ Eleanor Mannikka, All Movie Guide

Howard E. Rollins stars as martyred civil-rights spokesman Medgar Evers, while Irene Cara co-stars as his wife (and future NAACP leader) Myrlie. The film concentrates on the last years of Evers, an ex-insurance agent turned activist. His home in Jackson, Mississippi is besieged by bigots and he and his family are threatened with dire consequences, but Evers continues to work towards the goal of integrating his racially-polarized state. In June of 1963, the 37-year-old Evers is shot to death in front of his home. This 90 minute drama was adapted from a book co-authored by Mrs. Evers, Ossie Davis and J. Kenneth Rotcop. For Us, the Living was first telecast March 22, 1983 on PBS' American Playhouse. ~ Hal Erickson, All Movie Guide

Maya Angelou may be eminently qualified for her position as America's poet laureate, but her skills as a scriptwriter areat play in Sister Sister. Diahann Carroll plays a Southern schoolteacher who lives in the large house willed to her by her pullman-porter father; here she takes care of younger sister Irene Cara, striving to keep the girl on the straight and narrow. Into this proper household descends Carroll's other sister, Rosalind Cash, an uninhibited swinger. The inevitable confrontation is spiced by the fact that the "saintly" Carroll has been busy helping her preacher boyfriend (Dick Anthony Williams) siphon church funds in order to finance his political career. Set in North Carolina, the made-for-TV Sister Sister was actually filmed in Alabama. ~ Hal Erickson, All Movie Guide

Fame is set at New York's High School of Performing Arts, where talented teens train for show-business careers. The film concentrates on five of the most gifted students: singer Irene Cara, actors Paul McCrane and Barry Miller, dancer Gene Anthony Ray, and musician Lee Currieri. More so than the subsequent TV series Fame, the film emphasizes the importance of keeping up one's academic achievements in this specialized school. The faculty includes no-nonsense English teacher Ann Meara, erudite musical instructor Albert Hague, and martinet dance teacher Debbie Allen. Of the film's cast, Ray, Currieri, Allen and Hague were carried over to the TV version of Fame, which premiered in 1981. The score for the film version of Fame was honored with an Academy Award. ~ Hal Erickson, All Movie Guide

The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, All Movie Guide

Police officer Len Gittings (Walter McGinn) is suspected of accidentally shooting a fellow cop in a drug raid. In his efforts to uncover the truth, Kojak (Telly Savalas) is unaware (at least at first) that Gittings had been trying to protect his drug-addict girlfriend Claire (Lynn Redgrave) during the raid. . .and that Claire herself may have pulled the trigger. In addition to guest star Lynn Redgrave, this episode boasts early TV appearances by Morgan Fairchild (Falcon Crest), Dan Hedaya (Party of Five) and Irene Cara (Fame). ~ Hal Erickson, All Movie Guide

Fame star Irene Cara made her film bow in Aaron Loves Angela. Cara plays Angela, a Puerto Rican girl who falls in love with Aaron, a black ghetto youth (Kevin Hooks, whose father Robert Hooks also appears in the film). The unrelenting grimness of their lives is leavened ever so slightly by comic-relief character Willie (Leon Pinkley). Way, way down on the cast list is singer Jose Feliciano, making his unstressed acting debut. The script for Aaron Loves Angela is by Gerald Sanford, and appears to have been adapted from Shakespeare's Romeo and Juliet. ~ Hal Erickson, All Movie Guide