Frank Capra Movies
The most honored and well-liked director of his generation, Sicilian-born Frank Capra graduated from the California Institute of Technology as a Chemical Engineering major. Down on his luck after service during World War I, he bluffed his way into the movie business and learned films from the bottom up, from the film lab to the prop department to the editing department. He settled in as a gagman during the 1920s, and soon became a director specializing in comedy. After a stint with Mack Sennett, Capra moved to Columbia Pictures, where he came into his own as a filmmaker.Displaying a good feel for drama as well as comedy, and a common touch with which ordinary viewers could resonate, Capra quickly became the star among the tiny studio's stable of directors. His pictures, starting with American Madness in 1932, displayed themes that audiences regarded as important and uplifting during the worst days of the Great Depression, and Capra, despite the relatively modest budgets with which he had to work, became one of the most popular serious filmmakers of the '30s. After It Happened One Night, a comedy starring Claudette Colbert and Clark Gable that earned an armload of Oscars and nominations, his career was made. Some critics regarded the messages of movies such as Mr. Deeds Goes to Town and Mr. Smith Goes to Washington -- often dealing with the rights and dignity of the common man -- as corn (the phrase "Capra-corn" was an often-used derision), but the public loved them. Capra finished the '30s as one of Hollywood's most honored filmmakers, with three Best Director Oscars to his credit. With the rise of fascism, he turned more serious at the end of the decade and attempted to address this in Lost Horizon and his first independent production, Meet John Doe. He returned to pure comedy just prior to entering the army, with Arsenic and Old Lace, and, during his wartime service, directed the U.S. Army's Why We Fight series. After the war, he made the most ambitious and personal of his movies, It's a Wonderful Life, which originally didn't find its audience -- only during the '70s and early '80s, when it temporarily passed out of copyright protection (a situation since remedied by its owner), did the wide showings of this poignant comedy-fantasy turn the movie into a piece of definitive film-Americana.
Capra's subsequent movies, including State of the Union and A Hole in the Head, though successful, lacked the urgency and immediacy of his pre-war work, and he fell increasingly out of touch with the changing tastes and attitudes of both audiences and movie studios during the 1950s and early '60s. He made several industrial films during this period, but his career in feature films had effectively ended after the 1961 release of Pocketful of Miracles, a very sentimental (and big-budget widescreen) remake of his 1933 hit Lady for a Day. Capra died in 1991. ~ Bruce Eder, All Movie Guide
Although the main character, Tony Manetta (Frank Sinatra), in this light comedy tends to tip the scales towards being unbelievably unrealistic, the story is pulled off because everyone else is convincing. Tony is a widower in need of a financial bailout for himself and his son, so he asks for help from his brother Mario (Edward G. Robinson), a wealthy New Yorker. Tony owns a small hotel in Miami Beach but his impractical ways have made it a losing proposition. After Mario and his wife (Thelma Ritter) arrive in Miami, thinking of taking custody of Tony's son, they suddenly decide to try to match Tony up with the widowed Mrs. Rogers -- maybe that will teach him some responsibility. This was one of the last movies directed by Frank Capra. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Frank Sinatra, Edward G. Robinson, (more)
- 1932
Bank president Thomas Dickson (Walter Huston) has instituted a lending policy that shows great faith in ordinary people but which also irritates his board of directors, as does his claim that an increased money supply will help end the Depression. Elsewhere in the bank, criminal Dude Finlay (Robert Ellis) has coerced head cashier Cluett (Gavin Gordon) into cooperating with a robbery by threatening to reveal Cluett as a habitual gambler. Dickson's neglected wife Phyllis (Kay Johnson), upset that Thomas has forgotten their anniversary, agrees to go out with Cluett, but they're spotted by head teller Matt Brown (Pat O'Brien). Matt goes to Cluett's apartment and convinces Phyllis to leave with him just as the robbery takes place back at the bank. Because he was responsible for locking the vault, Matt is assumed to be in league with the robbers, and he's arrested. News of the robbery leads to frantic depositors demanding their money back from the bank; Dickson cannot talk them out of it, and the bank is running out of money. This gives the board of directors the leverage over Dickson that they've been seeking, and they try to force his resignation. ~ Bill Warren, All Movie Guide
- Starring:
- Walter Huston, Pat O'Brien, (more)
Arsenic and Old Lace is director Frank Capra's spin on the classic Joseph Kesselring stage comedy, which concerns the sweet old Brewster sisters (Josephine Hull, Jean Adair), beloved in their genteel Brooklyn neighborhood for their many charitable acts. One charity which the ladies don't advertise is their ongoing effort to permit lonely bachelors to die with smiles on their faces--by serving said bachelors elderberry wine spiked with arsenic. When the sisters' drama-critic nephew Mortimer (Cary Grant) stumbles onto their secret, he is understandably put out--especially since he has just married the lovely Elaine Harper (Priscilla Lane). Given the homicidal tendencies of his aunts, the sinister activities of his escaped-convict older brother Jonathan (Raymond Massey) and the disruptive behavior of younger brother Teddy (John Alexander)--who is convinced that he's really Theodore Roosevelt, and runs around the house yelling "CHAAAAARGGGE"--Mortimer isn't keen on starting a family with his new bride. "Insanity runs in my family," he explains. "It practically gallops." Further complications ensue when the murderous Jonathan Brewster arrives home, with his snivelling accomplice Dr. Einstein (Peter Lorre) in tow. When Jonathan learns that his darling aunts have killed twelve men, he is incensed--they're challenging his own record of murders. Though the movie rights for Arsenic and Old Lace were set up so that the film could not be released until 1944, director Capra shot the film quickly and inexpensively in 1941, so that his family could subsist on his $100,000 salary while he was serving in World War II. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, Priscilla Lane, (more)
- 1944
- Add Attack! The Battle for New Britain to QueueAdd Attack! The Battle for New Britain to top of Queue
Subtitled The Battle for New Britain, this 56-minute documentary was assembled by the Office of War Information. Lensed in the Southwest Pacific, the film deals with the efforts to recapture the island of New Britain from the Japanese. After a grueling training period (shown in unsparing detail), the Allied forces launch their three-pronged assault of the island. Despite heavy losses, the victory goes to the Americans and British. Released domestically by RKO Radio, Attack! was released in conjunction with the O.W.I's fifth war loan drive. ~ Hal Erickson, All Movie Guide
- 1957
The second in a group of full-color Bell Science Specials produced, written and directed by the legendary Frank Capra, Hemo the Magnificent is an hour-long combination of animation and live action, explaining in the most entertaining manner possible the human circulatory system. Shakesepearean scholar Dr. Frank Baxter again appears as "Dr. Research," with Richard Carlson as "The Fiction Writer." After establishing that "haemo" is the Greek word for blood, Dr. Research introduces The Fiction Writer to Hemo the Magnificent, a muscular animated figure with a transparent body, allowing us to see the entire blood stream from the heart on down. For the amusement of his animal friends (and, incidentally, the home audience), Hemo demonstrates just what makes him tick, with the help of such characters as Professor Anatomy, the Dispatcher, and the Pacemaker. The highlight is a cartoon segment showing how the brain and heart are interchangeable and inextricable, with UPA animation director Bill Hurtz depicting Man's Inner Workings as a huge, high-pressure factory, replete with whistles, warning buzzers and conveyor belts. The winner of an Emmy award for best cinematography, Hemo the Magnificent was rebroadcast several times, and later became a staple on the classroom audio-visual circuit. ~ Hal Erickson, All Movie Guide
- Starring:
- Dr. Frank Baxter, Richard Carlson, (more)
- 1956
Modern audiences may not be familiar with Our Mister Sun, but many students growing up in the '50s and '60s (and into the '70s) remember being pleasantly surprised when this very entertaining program was part of their science class curriculum. Given its age, it's surprising how much of Our Mister Sun holds up, both in terms of the facts it presents and the manner in which they are presented. Yes, some of the information is out of date, but a great deal is not. More importantly, it's still an entertaining and even fascinating viewing experience. This is especially surprising when the film is compared with the vast majority of school documentaries from the period, the tone and attitude of which make them seem like something from another planet. It's not that Our Mister Sun isn't dated -- it is, especially toward the end when this straightforward excursion into science takes a turn toward the religious (albeit toward an all-encompassing general belief in theism rather than toward a particular religion) -- but much of what makes this film dated is refreshing and charming, rather than laughable. This is especially true of the genuine optimism that permeates the piece; if it is occasionally naïve when extolling the virtues of nuclear energy, it seems to really be naïveté, rather than an attempt to brush aside unpleasant facts. Of course, what really makes the film work are the wonderful animated sequences, which give it life and joy (in no small part due to the wonderful vocal work of Lionel Barrymore). The real life performers also play no small part in the film's success. It's no surprise that old pro Eddie Albert plays his part so well. What is surprising is how well Dr. Frank Baxter works, despite the fact that his performance is fairly amateurish and physically stiff; nevertheless, he's an avuncular, warm presence, and he makes all the "science stuff" sound like fun. ~ Craig Butler, All Movie Guide
- 1958
Another delightful entry in the Bell Science Series, The Unchained Goddess represents a felicitious collaboration between legendary Hollywood director Frank Capra and animation geniuses Shamus Culhane and William T. Hurtz. Appearing in live action, Dr. Research (Frank Baxter) and The Fiction Writer (Richard Carlson) set about to explain how weather is created, and how scientists have endeavored to predict and control it. They are aided by several animated character, foremost among them the beautiful but somewhat haughty Meteora, the Goddess of Weather (whose long gown rather resembles the funnel cloud of a tornado) and her subjects: Winds, Clouds and Rain. A copacetic blend of entertainment and education, The Unchained Goddess became standard fare on the high-school classroom circuit after its original 1958 telecast, and is still available on home video. ~ Hal Erickson, All Movie Guide
- Starring:
- Dr. Frank Baxter, Richard Carlson, (more)
Just after completing It Happened One Night, director Frank Capra churned out a bread-and-butter picture titled Broadway Bill. Warner Baxter plays the carefree scion of a wealthy, highly-respected family. Baxter's cold but socially correct wife Helen Vinson forces her husband into the family business, but Baxter would rather spend his time at the racetrack. He buys a nag named Broadway Bill and tries to build the horse into a winner--if he doesn't bankrupt himself first. Only Baxter's sister-in-law Myrna Loy and black stable hand Clarence Muse have faith in Broadway Bill. The horse wins a crucial race, but dies suddenly at the finish line. Baxter is comforted and given encouragement by Loy, who is now his sweetheart, Vinson having long since washed her hands of her "irresponsible" husband. Broadway Bill was remade by Capra as Riding High (1950), utilizing generous portions of stock footage and even going so far as to rehire several of the original film's cast members (Douglass Dumbrille, Clarence Muse, Charles Lane, Raymond Walburn, Margaret Hamilton, Frankie Darro) to recreate their roles and match up their scenes from the earlier production. Long withheld from distribution due to Riding High, Broadway Bill was made available for videocassette in the mid-1980s. Keep an eye out for Lucille Ball as a blonde telephone operator and Alan Hale Sr. as a racetrack announcer. ~ Hal Erickson, All Movie Guide
- Starring:
- Warner Baxter, Myrna Loy, (more)
- 1940
This Warner Bros. 3-reeler was produced to commemorate the 12th anniversary of Hollywood's Academy Awards ceremony. With fine impartiality, the film offers clips provided by several studios, though emphasis is placed upon Warners' only Oscar-winning feature, 1937's Life of Emile Zola. At least half of the film is devoted to the 1939-40 Oscar presentations; that was year in which Gone with the Wind copped most of the major awards, with the notable exception of the "Best Actor" prize (which went to Robert Donat for Goodbye Mr. Chips). Cavalcade of Academy Awards was assembled under the supervision of Frank Capra, whose 1939 release Mr. Smith Goes to Washington also picked up a few statuettes. Plans to turn the "Cavalcade" films into an annual event were curtailed by the arrival of WWII. ~ Hal Erickson, All Movie Guide
This classic yet little-seen documentary, co-helmed by screen legends Frank Capra and Anatole Litvak, uses strategic newsreel footage to chronicle one of the most famous and pivotal episodes of World War II: the beachfront mass-landing of the Allies in Normandy, France, on June 6, 1944. ~ Nathan Southern, All Movie Guide
- 1931
Columbia spent the 1920s and 1930s dusting off its reliable "two guys/one girl" military plotline and dressing it up in a variety of uniforms. Dirigible was the 1931 edition of this old chestnut, with navy pilots Jack Holt and Ralph Graves battling over the affections of Fay Wray. The film picks up tremendously during an experimental dirigible flight over the Antarctic, which crashes upon a remote iceberg. The in-flight footage during this scene and the subsequent rescue is remarkable, making up for the banality of the romantic subplot. Much of Dirigible was filmed at Lakehurst, New Jersey, where the era of passenger airships would come to a fiery end six years later with the Hindenberg. Reportedly, Boris Karloff shows up unbilled as one of the Navy crewmen in the crash scene; try to find him. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Holt, Ralph Graves, (more)
- 1943
Divide and Conquer was the third of Col. Frank Capra's government-ordained Why We Fight series. Using newsreel footage and animated maps, Capra delineates Hitler's strategy in overtaking Europe. We watch as the Nazis occupy Denmark and Norway, push back the British Army, and force France into a humiliating surrender. The film ends on a hopeful note, observing that while Hitler has all of Europe in his thrall, both Britain and the United States are still in the game. Designed primarily to enlighten military audiences, Divide and Conquer was also released to civilian theaters, and in recent years has become a mainstay of such cable services as A&E and the History Channel. ~ Hal Erickson, All Movie Guide
- 1929
This early Frank Capra talkie stars popular screen action team Jack Holt and Ralph Graves as US marines stationed in Nicaragua. The "two guys fighting over one gal" throughline is there because the audience expected it -- and besides, leading lady Lila Lee is awfully cute. But the meat of the story lies in the fact that Holt and Graves are pilots, required to fly their Curtis fighter-bomber on dangerous missions. The flight scenes, shot without the benefit of special effects or back projection, are truly awe-inspiring, and served as stock footage for countless Columbia films in future years. Released in both silent and sound versions, Flight was a major success for the tiny Columbia studios. Its effectiveness is all the more remarkable when one realizes that star Jack Holt had a lifelong fear of flying! ~ Hal Erickson, All Movie Guide
- 1927
Recently fired by comedian Harry Langdon, young director Frank Capra found it difficult to line up any new projects. He was finally afforded the opportunity to direct a New York-based production originally titled Hell's Kitchen, but eventually released as For the Love of Mike. The story is the old bromide about three men -- Irishman O'Malley (Hugh Cameron), German Schultz (Ford Sterling) and Jewish Katz (George Sidney) -- who adopt an orphaned lad named Mike (played as an adult by Ben Lyon) and finance his education. Once he gets into Yale, Mike nearly falls in with a bad crowd but in the end is redeemed by the love of pert coed Mary (Claudette Colbert, in her movie debut). Despite a strong supporting cast and worthwhile production values, For the Love of Mike was sabotaged by distribution problems and ended up a failure -- and worst of all, Frank Capra was never paid for his participation. Completely on the outs in Hollywood, Capra was forced to take a job at bottom-barrel Columbia Pictures, which in the long run turned out to be immeasurably beneficial for both director and studio. As for newcomer Claudette Colbert, she too managed to survive the For Love of Mike debacle, eventually winning an Academy Award for her work in the Frank Capra-directed It Happened One Night. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Ben Lyon, (more)
- 1932
In this romance a school marm takes a cruise and falls for an unobtainable man, a district attorney married to a crippled woman. ~ Sandra Brennan, All Movie Guide
- Starring:
- Barbara Stanwyck, Adolphe Menjou, (more)
- 1984
- Add George Stevens: A Filmmaker's Journey to QueueAdd George Stevens: A Filmmaker's Journey to top of Queue
The man who assembled the remarkable documentary George Stevens: A Filmaker's Journey had the benefit of knowing the subject intimately: the film was written, produced and directed by George Stevens Jr. Utilizing pristine-quality filmclips and interviews, Stevens Jr. details Stevens Sr.'s rise from silent-film cameraman to one of the top producer/directors in Hollywood. We are treated to snippets of Stevens' camerawork on the Laurel and Hardy films at Hal Roach Studios, then we are transported to his salad days as a feature director at RKO. Among the films highlighted from this first chapter of Stevens' directorial life are Alice Adams (1935), Swing Time (1936) and Gunga Din (1939) (one would like to have heard a bit more background info concerning Stevens' Wheeler and Woolsey comedies). Next we find Stevens as an autonomous entity at Columbia Pictures, producing and directing such classics as The More the Merrier (1943). The war years are thoroughly covered via Stevens' vivid color footage of the invasion of Europe. The last stages of Stevens' Hollywood career is traced through generous portions of A Place in the Sun (1951), Shane (1953), Giant (1956) and The Diary of Anne Frank (1959). The many interviewees include Katharine Hepburn, Cary Grant, Fred Astaire, Ginger Rogers and Warren Beatty. As an added filip, A Filmmaker's Journey includes rare home-movie sequences showing George Stevens at home and at work--all filmed with as much care and professionalism as Stevens' "mainstream" pictures. ~ Hal Erickson, All Movie Guide
- Starring:
- George Stevens, Jr., George Stevens, (more)
- 1951
Here Comes the Groom was the second collaboration between director Frank Capra and star Bing Crosby. Though not as "socially relevant" as previous Capra productions, the film is a thoroughly likeable yarn about a happy-go-lucky newspaperman named Pete (Bing Crosby). In order to legally adopt a brace of war orphans, Pete must marry within a week. His plans to wed his longtime sweetheart Emmadel (Jane Wyman) come acropper when she, tired of waiting for him to pop the question, becomes engaged to wealthy Wilbur Stanley (Franchot Tone). Conspiring with Wilbur's cousin Winifred (Alexis Smith), Pete spends the balance of the film trying to win Emmadel back. From all accounts, the set of Here Comes the Groom was a happy one, the conviviality extending to Alexis Smith's willingness to be on the receiving end of several jokes concerning her height (she seems nearly a head taller than Crosby!). The film's best scene is the Bing Crosby-Jane Wyman duet "In the Cool, Cool, Cool of the Evening," reportedly filmed in one take without post-dubbing. As a bonus, Here Comes the Groom introduces a bright new singing talent, Anna Maria Alberghetti, and is festooned with uncredited guest stars, ranging from Dorothy Lamour to Louis Armstrong. ~ Hal Erickson, All Movie Guide
- Starring:
- Bing Crosby, Jane Wyman, (more)
- 1926
Baby-faced comedian Harry Langdon plays a timorous fireman in His First Flame. Much of the action involves Langdon's efforts to impress the unimpressable Ruth Hiatt. She is so resistant to his "charms" that she can't even act grateful when he rescues her from a burning house. Filmed during Langdon's last year at Mack Sennett's studio, His First Flame was originally a three-reeler. It was expanded into a feature (using stock footage and outtakes) after the success of Langdon's official feature-film debut in First National's Tramp, Tramp, Tramp. ~ Hal Erickson, All Movie Guide
- Starring:
- Harry Langdon, Natalie Kingston, (more)
Frank Capra's seminal screwball comedy, which won all five major Academy Awards for 1934, is still as breezy and beguiling today. Claudette Colbert plays Ellie Andrews, a spoiled heiress who has married fortune-hunting aviator King Westley (Jameson Thomas), despite her father (Walter Connolly)'s objections. To keep Ellie from marrying this lothario, her father has been holding her prisoner aboard his yacht. But Ellie bolts from the yacht, swims ashore in her clothes, and eventually slips onto a Greyhound bus bound for New York. Aboard the bus is newspaper reporter Peter Warne (Clark Gable), who has recently been fired for drinking on the job. Peter gets the last seat on the bus -- but when he gets up to argue with the bus driver, Ellie takes his seat. Since it is the last seat on the bus, they have to share it. When Ellie has her purse stolen and she refuses to report it, Peter begins to suspect something. The next morning, they both miss the bus after a leisurely breakfast, and Peter reveals that he knows her identity. She makes a deal with him: if he helps her get to New York, he can write a scoop about her for his paper. Peter thinks she is a spoiled brat, however, and refuses a monetary bribe: "I'm not interested in your money or your problem. You, King Westley, your father -- you're all a lot of hooey to me!" But as they travel northward and engage in a series of misadventures, the gruff newspaperman and the spoiled rich girl, thrown together by circumstances, fall in love with each other. This movie set the pace for the "screwball" comedy, the witty and romantic clash of temperaments between a man and a woman mismatched in both personality and social position, a type of movie often associated with Katherine Hepburn in such classics as Bringing Up Baby (1938), The Philadelphia Story (1940), and, with Spencer Tracy, Adam's Rib (1949), Pat and Mike (1952), and Desk Set (1957), among others. The only other movies to win all five major Academy Awards (Best Picture, Actor, Actress, Director, and Screenplay) were One Flew Over the Cuckoo's Nest (1975) and The Silence of the Lambs (1991). ~ Paul Brenner, All Movie Guide
- Starring:
- Clark Gable, Claudette Colbert, (more)
This is director Frank Capra's classic bittersweet comedy/drama about George Bailey (James Stewart), the eternally-in-debt guiding force of a bank in the typical American small town of Bedford Falls. As the film opens, it's Christmas Eve, 1946, and George, who has long considered himself a failure, faces financial ruin and arrest and is seriously contemplating suicide. High above Bedford Falls, two celestial voices discuss Bailey's dilemma and decide to send down eternally bumbling angel Clarence Oddbody (Henry Travers), who after 200 years has yet to earn his wings, to help George out. But first, Clarence is given a crash course on George's life, and the multitude of selfless acts he has performed: rescuing his younger brother from drowning, losing the hearing in his left ear in the process; enduring a beating rather than allow a grieving druggist (H.B. Warner) to deliver poison by mistake to an ailing child; foregoing college and a long-planned trip to Europe to keep the Bailey Building and Loan from letting its Depression-era customers down; and, most important, preventing town despot Potter (Lionel Barrymore) from taking over Bedford Mills and reducing its inhabitants to penury. Along the way, George has married his childhood sweetheart Mary (Donna Reed), who has stuck by him through thick and thin. But even the love of Mary and his children are insufficient when George, faced with an $8000 shortage in his books, becomes a likely candidate for prison thanks to the vengeful Potter. Bitterly, George declares that he wishes that he had never been born, and Clarence, hoping to teach George a lesson, shows him how different life would have been had he in fact never been born. After a nightmarish odyssey through a George Bailey-less Bedford Falls (now a glorified slum called Potterville), wherein none of his friends or family recognize him, George is made to realize how many lives he has touched, and helped, through his existence; and, just as Clarence had planned, George awakens to the fact that, despite all its deprivations, he has truly had a wonderful life. Capra's first production through his newly-formed Liberty Films, It's a Wonderful Life lost money in its original run, when it was percieved as a fairly downbeat view of small-town life. Only after it lapsed into the public domain in 1973 and became a Christmastime TV perennial did it don the mantle of a holiday classic. ~ Hal Erickson, All Movie Guide
- Starring:
- James Stewart, Donna Reed, (more)
- 1944
Director Frank Capra is deservedly well known not only for his triumphs in Hollywood, but for the Why We Fight series that he created for the U.S. government during World War II. Each tape in this series collects film he shot during those years, here thematically framed. Narrated by George Marshall, each tape explains a battle or feature of World War II from the American side. In this particular tape, viewers are introduced to the country of Britain and the vital role she played in defeating the Axis powers. ~ Rob Ferrier, All Movie Guide
- 1944
Director Frank Capra is deservedly well known not only for his triumphs in Hollywood, but for the Why We Fight series that he created for the U.S. government during World War II. Each tape in this series collects film he shot during those years, here thematically framed. Narrated by George Marshall, each tape explains a battle or feature of World War II from the American side. In this particular tape, viewers are introduced to the Japanese, one of America's enemies during the war. ~ Rob Ferrier, All Movie Guide
- 1930
Reformed gold-digger Barbara Stanwyck falls in love with a womanizing and wealthy aspiring artist and tries to convince him that she has really changed in this romantic Frank Capra drama. ~ Sandra Brennan, All Movie Guide
- Starring:
- Barbara Stanwyck, Marie Prevost, (more)
May Robson plays Apple Annie, a slatternly Broadway apple peddler. Annie has a curious setup whereby she is able to finagle other street merchants and beggars to pony up part of their weekly earnings to her--yet she never seems to spend any of the money on herself. This is because Annie has a daughter named Louise (Jean Parker), who has been supported in luxury all her life by her mother. Louise has no idea who Annie really is; so far as she knows, her mother is Mrs. E. Worthington Manville, a Manhattan society matron. When Louise sends Annie a letter telling her that she's become engaged to a young Spanish nobleman named Carlos (Barry Norton), Annie is aghast: once Louise brings her fiance to New York, the jig will be up. Coming to the rescue is high-rolling gambler Dave the Dude (Warren William), who considers Annie his good-luck charm. With the help of his nightclub-thrush girlfriend Missouri Martin (Glenda Farrell), Dave arranges a huge society reception for Louise -- and a complete fashion makeover for Annie. To do this, a few strong-arm methods are required, notably the kidnaping of several society reporters; also, it's necessary to pass off down-and-out Judge Blake (Guy Kibbee) as Annie's well-connected husband. Lady for a Day is the film with which Frank Capra hoped to enter the Big Leagues by taking home a shelf-full of Academy Awards. His subsequent embarrassment at the 1934 Oscar ceremonies has now passed into Hollywood legend, but he made up for this debacle with his Oscars sweep for It Happened One Night. Lady for a Day was remade by Capra as 1961's Pocketful of Miracles, with Bette Davis as Apple Annie. ~ Hal Erickson, All Movie Guide
- Starring:
- Warren William, May Robson, (more)
