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Cantinflas Movies

A small man with big ears, a distinctive mustache, pants that never stayed up, and a jaunty little cap cocked upon his eternally mussed hair, comic actor Cantinflas is beloved throughout the Spanish-speaking world and considered the Mexican Charlie Chaplin. Like Chaplin, Cantinflas' frenetic brand of slapstick was as balletic as it was athletic, leading others to compare him to Buster Keaton. His ability to combine humor with pathos was also decidedly Chaplin-esque, while his portrayal of the cocky, optimistic, but naïve little guy evoked Harold Lloyd. But despite such comparisons, Cantinflas' overall style was unique. Unlike the great silent funnymen to which he is compared, Cantinflas worked during the sound era. He usually played a smart-alecky peasant or average fellow and was famous for weasling out of trouble with the authorities by overwhelming them with intimidatingly pompous machine-gun speed monologues that, while sounding gloriously informed, signified absolutely nothing.
He was born Mario Moreno Reyes and started out singing and dancing in traveling tent variety shows known as carpas. He gained a large following as a circus clown and acrobat and then became a bullfighter/bullring clown, the Mexican equivalent of American rodeo clowns who distract bulls from performers in trouble. Cantinflas made his film debut in 1936 with No te Engages Corazon. Forty-nine more films followed. His humor is deeply rooted in Spanish cultures; this combined with his unique patter did not translate well to non-Spanish-speaking audiences. He did have one English-language success when he played Passepartout, loyal valet of Phinneas Fogg, in the smash hit Around the World in 80 Days (1956). He did not make another Hollywood film until 1960's notorious box-office bomb Pepe. After that rare failure, Cantinflas returned to making Spanish-language films. Following his retirement in the late '60s, Cantinflas devoted his life to helping others through charity and humanitarian organizations, especially those dedicated to helping children. In 1988, he received a lifetime achievement award from the Mexican Academy of Cinema. In 1993, shortly before his death from lung cancer, Cantinflas was named a "symbol of peace and happiness of the Americas." ~ Sandra Brennan, Rovi
1984  
 
Volume 2 on this trip with Cantinflas, takes you into space in an alien space scooter. Lean about sports when you return to Earth! ~ Rovi

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1982  
 
Take a trip through time with this classic cartoon character, Cantiflas. Visit with King Tut, Daniel Boone Madame Curie and other famous people. ~ Rovi

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1981  
 
A young man never ceases to find trouble--or senoritas. ~ Kristie Hassen, Rovi

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1975  
 
Cantinflas (Mario Moreno) appears in several separate stories in this film, all of which deal with bureaucrats of one sort or another. In the first episode, Cantinflas is a man who earns his living writing letters for illiterate people, an evantelista. In the second, he is a low-level government bureaucrat in situations which free him to criticize abuses. The next episode has him, hat in hand, coming to a bureaucrat for some help, and in yet another episode, he helps a deaf-mute girl. ~ Clarke Fountain, Rovi

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Starring:
CantinflasLucia Mendez, (more)
 
1969  
 
This situation comedy finds a court-appointed attorney representing the poor and downtrodden of Mexico City against the Establishment. Justo (Cantinflas) is the dedicated lawyer who encounters a diverse and hilarious clientele. With the help of his secretary Angelica (Lupita Ferrer), in court and in bed, he fights for the rights of the underprivileged against the elite. Justo also falls for a pretty chorus girl (Susana Salvat) who is more than willing to express her amorous appreciation to her defender. This is an excellent comedy vehicle for Cantinflas, an adored comedian in the Spanish-speaking world. ~ Dan Pavlides, Rovi

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Starring:
CantinflasLupita Ferrer, (more)
 
1969  
 
Popular Mexican comedian Cantinflas stars in this comedy about a druggist from Sonora, Mexico who travels to Arizona in search of a lost gold mine. He is helped by some friendly Indians when the bad guys try to give him trouble. The explorer tries to find the mine that he has inherited but has been lost to time and the elements. Captured and tied to a pole, he is nearly the victim of a fiery death before he endears himself to the Indian chief when he extracts a painful tooth. The Chief (Manver) lets the druggist go and it isn't long before the chief's beautiful daughter casts romantic glances towards the inept explorer in this Spanish language feature. ~ Dan Pavlides, Rovi

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Starring:
CantinflasIsela Vega, (more)
 
1966  
NR  
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The beloved Mexican comedian Cantinflas stars in this satiric comedy which pokes fun at the power struggles of international politics. Lopitos (Cantinflas) is a humble but loyal citizen of the nation of Los Cocos, who holds down a job in the country's embassy, helping to process and distribute visas. Through a series of comical errors, Lopitos is named the ambassador of Los Cocos to a powerful international tribunal, where the nations of the world have either lined up behind the "Green" nations, led by the capitalist leader of Dolaronia (Jack Kelly), or the "Red" countries, whose figurehead is the prime minister of socialist Pepeslavia (Tito Rush). With the votes divided evenly between the Red and Green factions, it becomes clear that Lopitos' vote will sway the balance of political power around the world -- which makes simple Lopitos a very popular and powerful man. ~ Mark Deming, Rovi

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Starring:
CantinflasSonia Infante, (more)
 
1964  
NR  
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When an unconventional priest assumes his new post in a conservative small town, the skeptical citizens find that adjusting to the oddball clergyman's strange little quirks may take a little more getting used to than they first expected. ~ Jason Buchanan, Rovi

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Starring:
CantinflasÁngel Garasa, (more)
 
1963  
 
Cantinflas, known the world around for his Jerry Lewis-style antics, seems more like Peter Sellers in this hilarious Mexican comedy. Short on plot but long on laughs, the innocent comedian falls victim to excellently contrived cliches as a special delivery man caught in the middle of intrigue and spies. Cantinflas also expands into singing and dancing opportunities. The film also features a spectacular Latin dance sequence by Rafael de Cordoba. ~ Lucinda Ramsey, Rovi

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Starring:
CantinflasGina Romand, (more)
 
1962  
 
Mexico's top comic Cantinflas tackles the world of filmmaking in this satire by director Miguel M. Delgado, who often worked with the comic. Rather than playing an "extra" in the usual sense of the word, Cantinflas is a man who hangs around the studios and helps anyone who needs his advice while at the same time envisioning his own versions of how certain scenes should be shot. Both angles provide ample opportunities for very witty, subtle barbs at the foibles of the industry. When a young, aspiring actress gets help and acting lessons from the "extra" occasional sly remarks sock it to the world of filmmaking. And when the "extra" imagines scenes -- such as one during the French Revolution or an episode from Camille -- Cantinflas himself appears properly suited out and disguised, and wreaking the usual havoc. This is a highly entertaining Cantinflas comedy. ~ Eleanor Mannikka, Rovi

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Starring:
Cantinflas
 
1961  
NR  
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Popular Mexican comic Cantinflas made this his homecoming film after veering off to the U.S. to appear in Pepe, his last movie in English. El Analfabeto sees him back in top form as Inocencio Prieto y Calvo (which roughly translates as: Innocent, Dark-skinned and Bald). Inocencio loses his job just as he receives a letter telling him he has inherited $160,000 from the estate of his late uncle. But Inocencio cannot read. Along the way to learning how to read, the shy Inocencio acquires a charming love interest, Blanquita (Lilia Prado) and an enemy -- a bank teller who tries to nail him with a practical joke that goes wrong. The teller gets his hands on Inocencio's letter (which no one has ever read to him) and gives it to a corrupt lawyer with the thought of swindling the illiterate out of his money. As the plot thickens, Inocencio finds himself in more hot water before he finds his letter and ultimate happiness. ~ Eleanor Mannikka, Rovi

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Starring:
Lilia Prado
 
1960  
 
Popular Mexican comedian Cantinflas (Mario Moreno) plays the title character in this star-studded, amusing comedy drama by George Sidney. Pepe is the same sort of impoverished stereotype Cantinflas made famous in several of his comedies; in this case he is a hired hand on a ranch who chases down a horse for his employer. A boozing Hollywood director buys a white stallion belonging to Pepe's boss and the determined ranch hand decides to take off for Hollywood to get the horse back. Once in this new and strange environment -- where a lot of cameos by the likes of Jimmy Durante, Frank Sinatra, Zsa Zsa Gabor, Bing Crosby, Maurice Chevalier, and many others enliven the action -- Pepe becomes a friend to the alcoholic director. Unfortunately, what is missing here is "Cantinfletico." That is the nickname for the rambling non-sequitur characteristic of Cantinflas that no one else could master. The film was originally released at 195 minutes, then edited down to 157. ~ Eleanor Mannikka, Rovi

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Starring:
CantinflasDan Dailey, (more)
 
1958  
 
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This Brigitte Bardot vehicle is better known by its American title, The Night Heaven Fell. Bardot plays a young, sensuous French girl named Ursula, who arrives in a Spanish mountain community to visit her aunt (Alida Valli) and uncle (Pepe Nieto). It isn't long before uncle is killed by handsome stranger Lamberto (Stephen Boyd). Against her better judgement, Ursula falls in love with Lamberto, and helps him to elude the authorities-thereby beating her Aunt (who also loves Lamberto) to the punch . The Night Heaven Fell was the third feature-length directorial effort of Bardot's then-husband Roger Vadim. ~ Hal Erickson, Rovi

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Starring:
Alida ValliStephen Boyd, (more)
 
1958  
 
Each year for several years running, Cantinflas, one of Mexico's most popular and beloved comics, came out with a new film, and Sube y Baja is his 1959 offering. As in most of these films, Cantinflas plays a set role or roles, such as a doctor or a priest. In this case, he is the model sports "hero." He is a football player and a speedboat racer, also a rich man and a poor one, and in all cases, he keeps to the character he developed long ago -- that of the double-talking, fast-talking, funny-talking slippery man who confounds everyone and keeps Spanish-speaking audiences laughing and coming back for more each year. As in his other films, his intriguing looks and "adorable" attitude attract women with no problem. ~ Eleanor Mannikka, Rovi

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Starring:
Teresa Velazquez
 
1957  
NR  
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The beloved Mexican funnyman Cantinflas stars in this comedy as a shoeshine man who, after the death of his best friend and fellow bootblack, is put in charge of arranging the man's funeral and caring for his young son. Needing to raise some money, the shoeshine man tries to get work at a night club, but his eccentric dance act soon raises the ire of Raquel, the club's star dancer, and Cantinflas is sent packing. He next tries his luck as a life guard at a luxurious resort hotel in Acapulco, though when he gets his first emergency call, it soon becomes obvious that he doesn't know the first thing about rescuing swimmers. ~ Mark Deming, Rovi

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Starring:
CantinflasManola Saavedra, (more)
 
1957  
 
Director Riccardo Freda does not take this uninspired, turgid spy film very far in its story about a federal agent (Edmund Purdom) and his efforts at blasting apart an international drug cartel. In one of the more unlikely turns of a plotline, the agent falls in love with the daughter of the cartel's head honcho. Needless to say, he is not expecting his future father-in-law to give his blessings at any possible nuptials. Instead, the action pits the agent against his arch-enemy as circumstances plod along (unless racing through an action scene in speeded-up time) to a final and deadly confrontation. ~ Eleanor Mannikka, Rovi

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Starring:
Edmund PurdomGeneviève Page, (more)
 
1956  
G  
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Razzle-dazzle showman Michael Todd hocked everything he had to make this spectacular presentation of Jules Verne's 1872 novel Around the World in 80 Days, the second film to be lensed in the wide-screen Todd-AO production. Nearly as fascinating as the finished product are the many in-production anecdotes concerning Todd's efforts to pull the wool over the eyes of local authorities in order to cadge the film's round-the-world location shots--not to mention the wheeling and dealing to convince over forty top celebrities to appear in cameo roles. David Niven heads the huge cast as ultra-precise, supremely punctual Phileas Fogg, who places a 20,000-pound wager with several fellow members of London Reform Club, insisting that he can go around the world in eighty days (this, remember, is 1872). Together with his resourceful valet Passepartout (Cantinflas), Fogg sets out on his world-girdling journey from Paris via balloon. Meanwhile, suspicion grows that Fogg has stolen his 20,000 pounds from Bank of England. Diligent Inspector Fix (Robert Newton) is sent out by the bank's president (Robert Morley) to bring Fogg to justice. Hopscotching around the globe, Fogg pauses in Spain, where Passepartout engages in a comic bullfight (a specialty of Cantinflas). In India, Fogg and Passepartout rescue young widow Princess Aouda (Shirley MacLaine, in her third film) from being forced into committing suicide so that she may join her late husband. The threesome visit Hong Kong, Japan, San Francisco, and the Wild West. Only hours short of winning his wager, Fogg is arrested by the diligent Inspector Fixx. Though exonerated of the bank robbery charges, he has lost everything--except the love of the winsome Aouda. But salvation is at hand when Passepartout discovers that, by crossing the International Date Line, there's still time to reach the Reform Club. Will they make it? See for yourself. Among the film's 46 guest stars, the most memorable include Marlene Dietrich, Charles Boyer, Jose Greco, Frank Sinatra, Peter Lorre, Red Skelton, Buster Keaton, John Mills, and Beatrice Lillie. All were paid in barter--Ronald Colman did his brief bit for a new car. Newscaster Edward R. Murrow provides opening narration, and there's a tantalizing clip from Georges Méliès' A Trip to the Moon (1902). Offering a little something for everyone, Around the World in 80 Days is nothing less than an extravaganza, and it won 5 Oscars, including Best Picture and Best Cinematography. ~ Hal Erickson, Rovi

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Starring:
David NivenCantinflas, (more)
 
1953  
 
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The star of El Senor Fotografo was the incomparable Cantinflas. Per the title, Cantinflas plays a trouble-prone photographer, whose assignments inevitably end in slapstick confusion. The "straight" plotline concerns governmental corruption, a topic with which most Mexicans were all too familiar. With Cantinflas involved, the bad guys are routed in high comic fashion. The cinematography in El Senor Fotografo was in the skilled hands of Mexico's top lensman, Gabriel Figueroa. ~ Hal Erickson, Rovi

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Starring:
CantinflasRosita Arenas, (more)
 
1951  
 
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A barber (Catinflas) studies law with the help of an ailing attorney (Andrés Soler), and quickly becomes a star lawyer. Later, the ambitious barrister decides to make the leap into politics. ~ Jason Buchanan, Rovi

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