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James Campbell Movies

1998  
 
A black street sweeper and a white bank executive lose their jobs on the same day in Paris, and Wantani: Un Monde Sans Mal follows what happens to them as we study their respective fates. The banker has trouble finding a new job but lies to his wife about his problems, while continuing to spoil his daughters. Eventually, he falls in with a group of racist thugs at a local bar and starts to tag along with them as they attack blacks and Arabs out on the streets after dark. The street sweeper, however, is left homeless by his firing, and is soon forced to take shelter at a local church when local employment agencies and social service organizations allow him to fall through the cracks. Despite all this, he and his family maintain their dignity as they band together with other poor immigrants to keep body and soul together. Independent filmmaker Med Hondo shot this feature on digital video; it became controversial after Hondo publicly contested the French ratings board's restrictive designation for the film, which cited its violence. Hondo, however, argued that the violence of the film was merely an honest reflection of the realities the film was meant to criticize. ~ Mark Deming, Rovi

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Starring:
Patrick PoiveyCoumba Awa Tall, (more)
 
1994  
 
This French political thriller demonstrates that justice does not always win out when faced with a corrupt government system. The setting is modern Paris during a time when it was suffering a series of terrorist attacks. Guyot works for Air France as a hologram engineer. He has a dark and mysterious past. One night while driving close to an airport, his best friend is shot by two policemen for no apparent reason. He takes it to the authorities who claim they acted in self-defense. When he discovers that the only eyewitness, an illegal African immigrant, was hastily deported. Believing that Internal Affairs has launched a biased investigation, Guyot takes off to Africa in search of the witness. He finds him and records his testimony, but while creating a hologram that would prove the killer's identity, he is killed. One honest, but world-weary cop close to retirement, decides to take a stand and crack the case. ~ Sandra Brennan, Rovi

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Starring:
Patrick PoiveyInês de Medeiros, (more)
 
1990  
R  
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Joel and Ethan Coen's third collaboration, the gangster film Miller's Crossing, stars Gabriel Byrne as Tom Reagan, the right-hand man of big-city Irish mob boss Leo (Albert Finney). The film opens with Italian mobster Johnny Caspar (Jon Polito) and his second in command Eddie Dane (J.E. Freeman) informing Leo and Tom that they are going to kill bookie Bernie Bernbaum (John Turturro) because he has been revealing Caspar's fixed fights to other gamblers. Leo informs Caspar that Bernie pays for protection and is not to be touched. After the Italians leave in a huff, Tom informs Leo that he should give up Bernie. Tom and Leo are both involved with Verna (Marcia Gay Harden), Bernie's sister. After a failed hit on Leo starts a full-scale mob war, Tom reveals to Leo the truth about his relationship with Verna. This leads to a falling-out between the pair. Tom goes to work for Caspar, but in truth, he is still loyal to Leo. Tom figures out how to manipulate all of the situations so that Leo survives, but this may cost Tom his relationship with Verna. ~ Perry Seibert, Rovi

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Starring:
Gabriel ByrneAlbert Finney, (more)
 
1988  
R  
Emmanuelle's Sylvia Kristel vamps it up as Vanessa, the widow of the legendary Count Dracula, whose coffin is transported from its resting place in modern-day Romania to a Hollywood "House of Horrors" wax museum. After her arrival, she awakens to seek both the remains of her husband and the descendant of Jonathan Harker -- who has gone to great lengths to ensure that the count will never rise again. Notable mainly as the debut effort of Francis Coppola's nephew Christopher, this film benefits from a flamboyant style and great use of film noir ambience (gritty, neon-lit street scenes; Josef Sommer's Chandleresque voice-overs) but the tired script is in dire need of a punch-up. This basic premise was handled with far greater panache in Michael Almereyda's Nadja. ~ Cavett Binion, Rovi

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Starring:
Sylvia KristelJosef Sommer, (more)
 
1988  
R  
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A blend of comedy, drama and romance, Bull Durham follows the intertwining of three lives brought together by the great American pastime. Crash Davis (Kevin Costner, showcasing his Midwestern charm) is a perennial Minor Leaguer assigned to the Durham Bulls, a hapless team with a long tradition of mediocrity. There he tutors a young, dim-witted pitching prodigy, Nuke LaLoosh (Tim Robbins) in the ways of baseball, life, and love. Each strikes up a romance with Annie (Susan Sarandon), the team's "mascot" who takes it upon herself to sleep with a new player every season. Each has his/her own conflict: Crash struggles to end his career with some measure of dignity; Nuke struggles to make it to the "big show"; and Annie struggles to find something more than a roll in the hay -- and of course, Crash and Nuke come into conflict over Annie's affections to further complicate matters. The film treats the sport of baseball with a sort of casual reverence, highlighting both the drama and the humor inherent in the game, illustrated by Annie's numerous references to baseball as "her religion." ~ Jeremy Beday, Rovi

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Starring:
Kevin CostnerSusan Sarandon, (more)
 
1986  
PG13  
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John Hughes crafts an exemplary '80s Brat Pack romance out of the standard Cinderella story in Pretty in Pink. Andie Walsh (Molly Ringwald) is a teenager who lives in the dingy part of town with her terminally underemployed dad (Harry Dean Stanton). She works at a record store with eccentric Ionia (Annie Potts) and is considered a misfit at her uppity high school, but somehow she rises above them all. Her oddball best friend, Duckie (Jon Cryer), is hopelessly in love with her, so he causes trouble for her romantic pursuits. When local rich kid Blaine (Andrew McCarthy) develops a fascination with her, they go out on a date together. Visiting the home bases of each social clique, they are basically ridiculed for their audacity to date one another. When Blaine eventually asks the delighted Andie to the prom, he is threatened by his rich friend Steff (James Spader). The romance versus high school social politics finally culminates at the big night of the prom. ~ Andrea LeVasseur, Rovi

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Starring:
Molly RingwaldHarry Dean Stanton, (more)
 
1975  
PG  
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The mutual admiration between actor Jack Nicholson and director Michelangelo Antonioni resulted in the psychological drama The Passenger. Nicholson plays David Locke, a disillusioned American reporter who is sent on a grueling mission to North Africa. When he stumbles across the body of a dead man, Locke, long desirous of starting life over again, assumes the corpse's identity. He soon discovers that the man he's pretending to be is involved in gun running on behalf of a terrorist group. Making the acquaintance of a mysterious woman (Maria Schneider), he finds a kindred spirit -- a woman as "lost" as he. ~ Hal Erickson, Rovi

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Starring:
Jack NicholsonMaria Schneider, (more)
 
1967  
 
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Arriving nearly a decade after Mon Oncle, Playtime continues the adventures of M. Hulot. More than a decade seems to have passed since its predecessor, however. The colorful Paris of Mon Oncle, last seen being slowly chipped away by progress, has now vanished almost entirely. Playtime takes as its setting an ultra-modern Paris where familiar landmarks appear only as fleeting reflections in the new buildings of glass and steel. Alternating between Hulot and a group of American tourists, Tati exploits the chaos just below the overly ordered surface of this brave new world. Again moving from one nearly wordless episode to another, Tati sends his alter ego off to make an appointment in a whirring, featureless office complex. He subsequently moves on to an exhibition of new inventions, meets an old friend at an aquarium-like apartment, wreaks havoc in a snooty new restaurant, and, again, almost falls in love. The most ambitious and technically complex of the Hulot films, it proved unprofitable and helped usher in the financial difficulties that would plague Tati late in life before later getting the recognition it enjoys today. ~ Keith Phipps, Rovi

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Starring:
Jacques TatiBarbara Dennek, (more)
 
1962  
 
Roger Hanin plays "The Gorilla" in Deadly Decoy. No, he doesn't have elongated arms or hair all over his body. The Gorilla is a top secret agent, famed for his strength and dexterity. His assignment this time around is to prevent a political assassination. He expedites this by setting himself up as the target. Roger Dumas and Pierre Dac costar in Deadly Decoy, which didn't make it into American theatres until the James Bond craze peaked in 1965. ~ Hal Erickson, Rovi

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1961  
 
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In this romantic comedy, voluptuous Parisian model Sophie (Brigitte Bardot) is angered when she learns that her boyfriend Phillipe, a photographer, has been playing around with Barbara, an American heiress. Alain, another man, who has secretly loved her for years, suggests she get even by making love to him. Sophie has a better idea, she will follow her Corsican family traditions and simply shoot him. Alain warns the photographer who takes his new girl and flees for the Alps with Sophie and Alain in hot pursuit. In the scenic mountains, Sophie and the 'other' woman meet. Together they decide the men are not worth the effort and begin to despise them. This film contains the once-controversial "nude" dance scene with Bardot (who actually wore a body stocking). ~ Sandra Brennan, Rovi

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Starring:
Michel SuborJacques Riberolles, (more)