Pasquale Festa Campanile Movies
Italian filmmaker and screenwriter Pasquale Festa Campanile penned his first screenplay, Faddija, in 1950. Prior to that he had studied law, worked as a newspaper journalist, and wrote short stories, plays and novels. His 1963 screenplay The Leopard received awards at Cannes. During the '50s he wrote numerous screenplays and began directing in the '60s. ~ Sandra Brennan, All Movie Guide- 1963
In this Italian sex comedy, a middle-aged car dealer marries a young girl and gets more than he bargained for. She is obsessed with getting pregnant pronto. To this end, she keeps him in bed all the time. The poor man simply cannot keep up with her demands. He even tries a series of hormone shots. Finally his flagging spirits get the best of him and he goes to the coast to rest. Unfortunately, she shows up. Their love making is so violent that he has a heart attack. While safely recovering in the hospital he finds out that she is at last pregnant. Now that she has what she wanted, she totally ignores him. Nothing could make him happier and he ends up spending his last days in a maid's quarters enjoying the peace and solitude. ~ Sandra Brennan, All Movie Guide
- Starring:
- Marina Vlady, Ugo Tognazzi, (more)
Arguably Luchino Visconti's best film and certainly the most personal of his historical epics, The Leopard chronicles the fortunes of Prince Fabrizio Salina and his family during the unification of Italy in the 1860s. Based on the acclaimed novel by Giuseppe Tomasi di Lampedusa, published posthumously in 1958 and subsequently translated into all European languages, the picture opens as Salina (Burt Lancaster) learns that Garibaldi's troops have embarked in Sicily. While the Prince sees the event as an obvious threat to his current social status, his opportunistic nephew Tancredi (Alain Delon) becomes an officer in Garibaldi's army and returns home a war hero. Tancredi starts courting the beautiful Angelica (Claudia Cardinale), a daughter of the town's newly appointed Mayor, Don Calogero Sedara (Paolo Stoppa). Though the Prince despises Don Calogero as an upstart who made a fortune on land speculation during the recent social upheaval, he reluctantly agrees to his nephew's marriage, understanding how much this alliance would mean for the impecunious Tancredi. Painfully realizing the aristocracy's obsolescence in the wake of the new class of bourgeoisie, the Prince later declines an offer from a governmental emissary to become a senator in the new Parliament in Turin. The closing section, an almost hour-long ball, is often cited as one of the most spectacular sequences in film history. Burt Lancaster is magnificent in the first of his patriarchal roles, and the rest of the cast, especially Delon and Cardinale, become almost perfect incarnations of the novel's characters. Filmed in glorious Techniscope and rich in period detail, the film is a remarkable cinematic achievement in all departments. The version that won the Palme d'Or at the Cannes Film Festival ran 205 minutes. Inexplicably, the picture was subsequently distributed by 20th Century Fox in a poorly dubbed, 165-min. English-language version, using inferior color process. The restored Italian-language version, supervised by cinematographer Giuseppe Rotunno, appeared in 1990, though the longest print still ran only 187 minutes. ~ Yuri German, All Movie Guide
- Starring:
- Burt Lancaster, Alain Delon, (more)
- 1962
This gripping, Oscar-nominated war drama is set in the fall of 1943 during the Nazi occupation of Italy when all the Neapolitan males from five to sixty are forced to work in slave camps. Tired of the cruelty and oppression, the people rise up and launch such a violent melee that they frighten the German invaders out of their city. ~ Sandra Brennan, All Movie Guide
- Starring:
- Regina Bianchi, Aldo Giuffré, (more)
- 1962
One of Italy's most beautiful sex symbols, Gina Lollobrigida, stars as the flirtatious Ippolita in this routine comedy about sex and the jealous husband. Ippolita leaves her life as a vaudeville actress to marry Luca (Enrico Mario Salerno), who runs a gas station. She helps him out but has a weakness for flirting with his customers, the male customers at least. Although she remains faithful to her husband she still takes great liberties. For example, she has no qualms about going off to visit Venice with a man who comes to take her away for a brief sojourn in the city of canals. And her clothes tend to reveal more than they hide. So after Ippolita comes back from enjoying a night out dancing, trouble brews when she discovers her husband in bed with her best friend. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Gina Lollobrigida, Enrico Maria Salerno, (more)
- 1961
In this amusing look at the petty deceits of everyday life, Marcello Mastroianni shines as wealthy antique dealer Nello Poletti, a man with every comfort money can buy. One day, however, Poletti is falsely accused of murdering his former mistress (Micheline Presle), who set him up in a life of luxury only to be cast aside in favor of a younger woman (Cristina Gajoni). The evidence seems overwhelming, and Poletti is sent to jail, where he reflects on his shameful life of deceit in pursuit of wealth. Overcome by guilt, Poletti decides to confess, only to discover that the real killer -- a spurned lover -- has already been apprehended. Once he is off the hook, Poletti returns to his original pattern of fast cars and fast women, even jokingly referring to himself as "The Assassin," and proving that he has learned absolutely nothing from his ordeal. The story is fairly predictable, but is never less than entertaining, thanks to a clever screenplay by director Elio Petri, Tonino Guerra, Pasquale Festa Campanile, and Massimo Franciosa. Petri (making his directorial debut) gets the most out of his talented cast, particularly Mastroianni, and there are some nice supporting turns by veteran character actors Salvo Randone, Andrea Checchi, and Enrico Maria Salerno. ~ Robert Firsching, All Movie Guide
- Starring:
- Micheline Presle
Luchino Visconti's operatic masterpiece tells the story of the Parondis, a poor family from a village in southern Italy who come to Milan seeking a better life. Following the death of her husband, proud Rosaria (Katina Paxinou) picks up stakes and moves to the city with four of her sons: Simone (Renato Salvatori), Rocco (Alain Delon), Ciro (Max Cartier), and Luca (Rocco Vidolazzi). Awaiting them in Milan is her oldest son, Vincenzo (Spiros Focas), who himself is preoccupied with his impending nuptials to the beautiful Ginetta (Claudia Cardinale). Divided into chapters focused loosely on each brother, the movie chronicles the Parondis' struggle to get by, as the brothers take odd jobs and the family endures life in a cramped tenement. Much of the movie's second half deals largely with Simone and Rocco. The loutish Simone eventually finds success as a boxer, and the family soon moves to a better neighborhood. Meanwhile, Rocco gets drafted by the military, and becomes a successful boxer himself upon his return. Complications arise when Nadia (Annie Girardot), a prostitute, enters their lives. Simone falls in love with Nadia first; however, Rocco eventually becomes the object of her affection. Simone's obsession with Nadia and his rapidly deteriorating behavior ultimately threaten to bring the family to ruin, even as the saintly Rocco tries to save his brother. At the peak of Rocco's success, Simone commits a crime that cruelly dashes Rocco's hopes of keeping the family together. ~ Elbert Ventura, All Movie Guide
- Starring:
- Alain Delon, Renato Salvatori, (more)
- 1960
The original Italian is La Viaccia (the name of the family farm which motivates the plot). The death of a wealthy patriarch in 1885 sets off an interfamily power struggle. Son Ferdinando buys out his other relatives in order to gain full control over the dead man's property. But Ferdinando's country-bumpkin nephew Amerigo holds out. Amerigo's stance is weakened when he heads for the city and meets prostitute Bianca. To support her in the manner in which she is accustomed, Amerigo steals from his uncle. Disgraced in the eyes of his family, Amerigo decides to stay near his beloved Bianca by becoming a bouncer in her brothel. ~ Hal Erickson, All Movie Guide
- Starring:
- Jean-Paul Belmondo, Claudia Cardinale, (more)
- 1959
This light comedy, the first feature-length film directed by Giuseppe Orlandini, stars one of Italy's most popular screen personalities, Marcello Mastroianni as Giovanni, a young widower with a son, Libero (Franco di Trocchio) to take care of and a vexing problem on top of that. Giovanni is attracted to a charming teen, Allegra (Jacqueline Sassard) but is pulled in two directions because she is so young. Worse yet, she is equally attracted to him and so there are no obstacles to their romance except his own reticence -- and his son Libero. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Marcello Mastroianni, Jacqueline Sassard, (more)
- 1959
Director and co-writer Luigi Zampa, best known for his earlier works as a satirist of favorite targets like bureaucratic labyrinths, takes a stab at the complicity of society and family in the criminal acts of a few individuals. The stage is set by a somewhat dysfunctional family with its sad history told in a series of flashbacks. Emilia Bonelli (Ana Mariscal) is an overly ambitious and driven woman. This dominant personality trait has its effects on her henpecked husband Luigi (Francois Perier), and her daughter Carla (Jacqueline Sassard). Circumstances ultimately lead to the courtroom and an aloof judge in the persona of Andrea Morandi (Jose Suarez). ~ Eleanor Mannikka, All Movie Guide
- Starring:
- José Suárez, François Perier, (more)
- 1958
Il Cocco di Mamma translates to "Mamma's Boy," a more than adequate description of protagonist Maurizio Arena. On the verge of achieving success as a prizefighter, Arena loses because he's afraid his face will be permanently damaged. Branded a coward by his friends and family, our hero is finally able to find inner reserves of strength through the love of a good woman (Inge Schoener). No longer frightened of facial disfigurement, Arena at last emerges victorious. The story is nothing special, but the handling of the material, combined with the film's realistic depiction of life in working-class Rome, is first rate. ~ Hal Erickson, All Movie Guide
- Starring:
- Maurizio Arena, Edoardo Nevola, (more)
- 1957
The title of this Italian slice-of-life drama translates to Young Husbands. The husbands in question rather casually enter into marriage, never intending true fidelity to their spouses. When they realize that they're committed for life, our immature heroes return to their home town for one last fling. In the course of their final hours of bachelorhood, they come to the sobering conclusion that their carefree youth is not only past, it's already long past. Somewhat reminiscent of Fellini's I Vitelloni, Giovani Mariti boasts excellent performances from all concerned. ~ Hal Erickson, All Movie Guide
- Starring:
- Sylva Koscina, Antonella Lualdi, (more)
