Pasquale Festa Campanile Movies

Il Cocco di Mamma translates to "Mamma's Boy," a more than adequate description of protagonist Maurizio Arena. On the verge of achieving success as a prizefighter, Arena loses because he's afraid his face will be permanently damaged. Branded a coward by his friends and family, our hero is finally able to find inner reserves of strength through the love of a good woman (Inge Schoener). No longer frightened of facial disfigurement, Arena at last emerges victorious. The story is nothing special, but the handling of the material, combined with the film's realistic depiction of life in working-class Rome, is first rate. ~ Hal Erickson, All Movie Guide

This light comedy, the first feature-length film directed by Giuseppe Orlandini, stars one of Italy's most popular screen personalities, Marcello Mastroianni as Giovanni, a young widower with a son, Libero (Franco di Trocchio) to take care of and a vexing problem on top of that. Giovanni is attracted to a charming teen, Allegra (Jacqueline Sassard) but is pulled in two directions because she is so young. Worse yet, she is equally attracted to him and so there are no obstacles to their romance except his own reticence -- and his son Libero. ~ Eleanor Mannikka, All Movie Guide

Director and co-writer Luigi Zampa, best known for his earlier works as a satirist of favorite targets like bureaucratic labyrinths, takes a stab at the complicity of society and family in the criminal acts of a few individuals. The stage is set by a somewhat dysfunctional family with its sad history told in a series of flashbacks. Emilia Bonelli (Ana Mariscal) is an overly ambitious and driven woman. This dominant personality trait has its effects on her henpecked husband Luigi (Francois Perier), and her daughter Carla (Jacqueline Sassard). Circumstances ultimately lead to the courtroom and an aloof judge in the persona of Andrea Morandi (Jose Suarez). ~ Eleanor Mannikka, All Movie Guide

The original Italian is La Viaccia (the name of the family farm which motivates the plot). The death of a wealthy patriarch in 1885 sets off an interfamily power struggle. Son Ferdinando buys out his other relatives in order to gain full control over the dead man's property. But Ferdinando's country-bumpkin nephew Amerigo holds out. Amerigo's stance is weakened when he heads for the city and meets prostitute Bianca. To support her in the manner in which she is accustomed, Amerigo steals from his uncle. Disgraced in the eyes of his family, Amerigo decides to stay near his beloved Bianca by becoming a bouncer in her brothel. ~ Hal Erickson, All Movie Guide

This gripping, Oscar-nominated war drama is set in the fall of 1943 during the Nazi occupation of Italy when all the Neapolitan males from five to sixty are forced to work in slave camps. Tired of the cruelty and oppression, the people rise up and launch such a violent melee that they frighten the German invaders out of their city. ~ Sandra Brennan, All Movie Guide

Arguably Luchino Visconti's best film and certainly the most personal of his historical epics, The Leopard chronicles the fortunes of Prince Fabrizio Salina and his family during the unification of Italy in the 1860s. Based on the acclaimed novel by Giuseppe Tomasi di Lampedusa, published posthumously in 1958 and subsequently translated into all European languages, the picture opens as Salina (Burt Lancaster) learns that Garibaldi's troops have embarked in Sicily. While the Prince sees the event as an obvious threat to his current social status, his opportunistic nephew Tancredi (Alain Delon) becomes an officer in Garibaldi's army and returns home a war hero. Tancredi starts courting the beautiful Angelica (Claudia Cardinale), a daughter of the town's newly appointed Mayor, Don Calogero Sedara (Paolo Stoppa). Though the Prince despises Don Calogero as an upstart who made a fortune on land speculation during the recent social upheaval, he reluctantly agrees to his nephew's marriage, understanding how much this alliance would mean for the impecunious Tancredi. Painfully realizing the aristocracy's obsolescence in the wake of the new class of bourgeoisie, the Prince later declines an offer from a governmental emissary to become a senator in the new Parliament in Turin. The closing section, an almost hour-long ball, is often cited as one of the most spectacular sequences in film history. Burt Lancaster is magnificent in the first of his patriarchal roles, and the rest of the cast, especially Delon and Cardinale, become almost perfect incarnations of the novel's characters. Filmed in glorious Techniscope and rich in period detail, the film is a remarkable cinematic achievement in all departments. The version that won the Palme d'Or at the Cannes Film Festival ran 205 minutes. Inexplicably, the picture was subsequently distributed by 20th Century Fox in a poorly dubbed, 165-min. English-language version, using inferior color process. The restored Italian-language version, supervised by cinematographer Giuseppe Rotunno, appeared in 1990, though the longest print still ran only 187 minutes. ~ Yuri German, All Movie Guide

"White Voices" is a vernacular term referring to Italian Castrati of the 18th century Vatican Choir. The Castrati were male children who were castrated so that they could retain their beautiful soprano singing voices into maturity. Paolo Ferrari plays a Roman youth who isn't keen on being gelded and bribes his way out of it. Even so, he trains with the choir and becomes an habitue of the houses of the rich and famous, using his supposed lack of male essentials to his advantage--especially in bed. Ferrari comes a-cropper when he impregnates a girl and is forced to go under the knife to establish an alibi! It is very, very hard to write about White Voices without making a wisecrack, so we'll cut this short (oops!). The film, a French/Italian coproduction, was originally released in France as Le Sex Des Anges and in Italy as I Castrati. ~ Hal Erickson, All Movie Guide

A betrayed wife decides to teach her philandering husband a lesson in this riotous farce. Marta (Catherine Spaak) discovers that husband Franco (Nino Manfredi) has been stepping out with her own best friend (Maria Grazia Buccella), and gets revenge by inventing an imaginary lover. Franco takes the bait, leading to improbable but hilarious complications. ~ Robert Firsching, All Movie Guide

In this Italian comedy set in the 16th-century, a prince and a princess marry. Trouble ensues when a rumor that they have not consummated their marriage is circulated. The prince's father is most concerned, as a virgin marriage means he will have no heirs. He insists that the marriage be annulled. He then requires his son to marry another, but his current wife's family will not agree to the annulment until the prince proves he is a capable lover. The prince refuses to cooperate until his father threatens to cut him off financially. The prince then is paired with a virgin, and eventually passes his test. ~ Sandra Brennan, All Movie Guide

This romantic and sometimes ribald historical farce finds nobleman Guerrando (Tony Curtis) knighted in the days before the Crusades. He inherits a castle, tax-collecting rights, first choice of all the fair young maidens of the region, and a draft notice from the King. Boccadoro (Monica Vitti) is the liberal-minded forest woman who catches the eye of the young nobleman. Courtship, love and marriage follows, but the wedding night is interrupted by a call to arms. Guerrando and Boccadoro are unable to consummate the marriage, and a chastity belt is used to insure her virginal status. The young bride follows her husband's troop at a distance hoping to get her hand on the coveted key to the lock. Comedy ensues as the key changes hands several times before Guerrando ultimately regains possession and is able to unlock the passions of his love-starved wife. This overlong film can best described as a punchline in search of a joke. One gets the feeling that the producers had wanted to title the film A Funny Thing Happened on the Way to the Crusades. As it stood, On My Way to the Crusades, I Met a Girl Who... was too unwieldy for most theater marquees, necessitating the film's title-change to The Chastity Belt. ~ Dan Pavlides, All Movie Guide

This situation sex comedy falls somewhere in between vulgarity and burlesque. Ulli (Giuliano Gemma) and his six cave-dwelling cronies try to learn all the conveniences of their era -- like building fires, using the wheel, and perfecting the use of tools and weapons. A fire engulfs their tiny island and the men are forced to take a raft to the unknown mainland. There Ulli meets Filli (Senta Berger), and he spends his time trying to make her his monogamous girlfriend by discouraging others who desire her for their own. Ennio Morricone provides the music to this feature, which was a surprising box-office hit in Italy. ~ Dan Pavlides, All Movie Guide