Simon Callow Movies
Stout, jovial character actor Simon Callow has been enlivening the stage and screen for years, often in roles that highlight his versatility and capacity for a particular brand of good-natured, self-deprecating humor.Born in London on June 13, 1949, Callow began going to the theatre when he was 18 and working at a bookstore with no idea of what to do with his life. He took a particular interest in the Old Vic, which was being run by Laurence Olivier at the time. Deeply impressed with Olivier's talent, Callow wrote to him. To his great surprise, the esteemed actor responded in kind, telling the young man that if he was interested in acting, he should consider taking a job at the Old Vic's box office. Callow did so, and thus made his entrance into the theatre world. He subsequently became a fixture on the London stage, appearing in numerous productions over the years.
Callow made his film debut with a substantial supporting role in 1984 in Milos Forman's Amadeus. Two years later, he endeared himself to transatlantic audiences with his portrayal of the bumbling reverend Mr. Beeb in Merchant-Ivory's celebrated adaptation of E.M. Forster's A Room with a View. He would also appear in two more Merchant-Ivory-Forster adaptations, Maurice (1987), in which he had a brief role as the title character's deluded school teacher, and Howards End (1992), which featured him in the small but memorable role of a pompous lecturer on music appreciation.
In addition to his numerous collaborations with Merchant-Ivory (which also include Mr. and Mrs. Bridge, 1990, and Jefferson in Paris, 1995), Callow has worked in a number of diverse British and American productions. Perhaps one of his best-loved and most recognizable roles was in the popular Four Weddings and a Funeral (1994). As one of Hugh Grant's motley circle of friends, the ebullient, flamboyant Gareth, Callow injected both poignance and joie de vivre into the proceedings. His character particularly stood out for being in an open, unapologetic relationship with another man (John Hannah), something that at the time had few parallels in American films. The character also highlighted Callow's status as one of Britain's openly gay actors, which also had regrettably few parallels across the Atlantic.
Among the other diverse films he appeared in throughout the '90s, Callow particularly stood out in the animated James and the Giant Peach (1996), in which he voiced the wise Grasshopper; the acclaimed Shakespeare in Love (1998), which featured him as the obnoxious, party-pooping Master of Revels; and Rose Troche's omnisexual romantic comedy Bedrooms & Hallways (1998), in which Callow starred as the painfully sincere guru of a men's consciousness-raising group.
Keeping busy into the new millenium, Callow noteably appeared among the ensemble cast of Mike Nichols' critically-acclaimed HBO mini-series Angels in America.
In addition to working in front of the camera, Callow has spent a fair amount of time behind it as a director. In 1991, he made his feature directorial and screenwriting debut with the film version of Carson McCullers' Ballad of the Sad Cafe. Two years earlier, he had made his Broadway debut as the director of Shirley Valentine. And, apparently averse to having too much free time, Callow is also the author of numerous books on acting and actors. In particular, his biographies of Orson Welles and Charles Laughton have met with great acclaim, further establishing Callow as an actor who is more than just the sum of his parts. ~ Rebecca Flint Marx, All Movie Guide
- 1995
This British biopic attempts to chronicle the life of 17th-century tunesmith Henry Purcell. The filmmakers have had to do much speculating about Britain's first great composer, as little is known about his life back then. It is known that Purcell had been a chorister as a child and then became the court composer for three kings: Charles, James and William. Before his death at age 37, Purcell penned over 1,000 songs and sired a few children, most of whom died at birth. While little is actually known of Purcell, the film successfully recreates the tumultuous era in which he lived. Also running parallel to Purcell's story is a set in the 1960s when English society and values seemed to be rapidly eroding, just as they were in the composer's time. The story concerns a playwright's attempts to research the life of Purcell for his next play. In the last part of the film, several lavish musical numbers from Purcell's vast repertoire are presented. ~ Sandra Brennan, All Movie Guide
- 1995
- PG13
Overnight sensation Jim Carrey reprises his role as the eccentric detective in this follow-up to the runaway blockbuster Ace Ventura: Pet Detective. The sequel finds Ace on assignment in Africa to prevent a tribal war by saving a white bat sacred to both sides. Along the way, he nearly sleeps with a seductive African princess before her wedding, experiences astral projection with an enlightened monkey, masturbates, collects bat dung and, last but not least, is birthed by a mechanical rhino (much to the horror of an American tourist family). Often short on taste, the film is nonetheless full of good spirit and plenty of genuine belly laughs -- particularly during the fight scene with a diminutive tribal champion (Tommy Davidson, who demonstrates a gift for physical comedy equal to Carrey's). Not for every taste, Ace Ventura: When Nature Calls is either hilarious or insufferable, depending on the viewer's opinion of Carrey's unique brand of slapstick and sight gags. Please note: the opening sequence may be upsetting to younger viewers. ~ Jeremy Beday, All Movie Guide
- Starring:
- Jim Carrey, Ian McNeice, (more)
Best known for their historical epics that examine class and social issues in British life through a thick lens of tasteful production design and good manners, director James Ivory and producer Ismail Merchant set their sights on an American protagonist for a change with Jefferson in Paris. As the title suggests, Jefferson in Paris deals with the five years that Thomas Jefferson (Nick Nolte) spent as U.S. ambassador to France prior to the French Revolution; while Jefferson is sympathetic to the revolutionary forces in France, he's become well enough acquainted with the ruling aristocracy that he finds himself torn between the two sides of the issue. Jefferson, a recent widower, also becomes friends with Maria Cosway (Greta Scacchi), who is married to a foppish British artist; while it's obvious the two are in love, neither is in a position to do anything about their infatuation. And while Jefferson's daughter Patsy (Gwyneth Paltrow) loves her father, she's very upset with him when he sends her to a convent school. In this midst of this personal turmoil, Jefferson's younger daughter Polly (Estelle Eonnet) arrives in Paris, with her slave Sally Hemmings (Thandie Newton) in tow. Attractive and bright (if uneducated), Sally catches Jefferson's eye, and a friendship develops that grows into something deeper; in time, Sally becomes pregnant, and her family claims that Jefferson is the father. At the time Jefferson In Paris was released, the question of Sally Hemmings' relationship with Thomas Jefferson was a matter of lively historical debate; since then, genetic evidence has shown that, while Jefferson's paternity can't be proved beyond a doubt, it is likely that he did father children with Hemmings. ~ Mark Deming, All Movie Guide
- Starring:
- Nick Nolte, Greta Scacchi, (more)
This third feature film version of Joseph Conrad's tragic romantic drama (the best of which remains John Cromwell's 1940 adaptation) is the one that stick's closest to the original story of a reclusive, hard-hearted fellow living on a private island in the Dutch East Indies who must protect his home, and the woman he comes to love, from two brutish villains. The story is told by a sea captain and begins at a turn-of-the century hotel in the port town of Surabaya where the Dutch entrepreneurs come to drink and wind down while listening to an all-female orchestra led by creepy conductor Sam Giancomo (Simon Callow). The joint is owned by an unpleasant, bigoted German named Schomberg (Jean Yanne) who constantly pesters the conductor to sell him Alma (Irene Jacob), the prettiest girl in the band. Eventually Sam relents, causing the frightened Alma to beseech taciturn patron Axel Heyst (Willem Dafoe) to help her escape. At first Axel refuses, but then has a change of heart and takes her with him to his lonely island where she will live with himself and his valet Wang (Ho Yi). Initially, Axel wants nothing to do with Alma, but things change and they become lovers. Meanwhile, the vengeful Schomberg plots revenge. He gets a chance to enact it with the arrival of the villainous Mr. Jones (Sam Neill) and his henchmen who turn Schomberg's bar into a gambling house. Seeing that Jones is ruthless and avaricious, Schomberg casually mentions that there is an untapped fortune lying in an abandoned mine located on Axel's island. ~ Sandra Brennan, All Movie Guide
This acclaimed British comedy centers on the intermittent romance between a charming (if slightly bumbling) Englishman and a beautiful American woman, who seem to always run into each other at weddings. Indeed, it is at the first of the title's four weddings that Charles (Hugh Grant) and Carrie (Andie McDowell) meet, enjoying a brief but fleeting connection. The spark is rekindled several months later, when they unexpectedly meet at another wedding. Unfortunately, however, Carrie has become engaged to another, a fact that complicates matters for them both. The story may seem simple, but the film is elevated by screenwriter Richard Curtis' ear for witty dialogue and a colorful supporting cast. Director Mike Newell's sympathetic attention to character keeps the proceedings believable, and prevents the film's more serious moments from seeming mawkish. These elements, along with Grant's star-making performance as Charles, helped the film achieve unexpected international success, including an Academy Award nomination for Best Picture. ~ Judd Blaise, All Movie Guide
- Starring:
- Hugh Grant, Andie MacDowell, (more)
Based on the popular video game Street Fighter II, Street Fighter stars Jean-Claude Van Damme as Col. Guile, the cocky but brave leader of an Allied Nations fighting force. When the evil General Bison (Raul Julia), the power-mad leader of Shadaloo, kidnaps a bus full of Allied Nations relief workers and holds them for a multi-billion dollar ransom, Guile and his team are sent in to do battle with Bison; aiding Guile is intrepid TV journalist Chun-Li (Ming-Na Wen), while a pair of con men (Damian Chapa and Byron Mann) try to play both sides against the middle for their own purposes. Raul Julia died of cancer shortly before the film was released. ~ Mark Deming, All Movie Guide
- Starring:
- Jean-Claude Van Damme, Raul Julia, (more)
- 1993
Poor Maddalena (Sophia Diaz). She's so beautiful and sexy that men in her native Italy could not stop trying to romance her. She could have gone to a convent and she would have had trouble with the priests. There was no place that she could think of that she wouldn't be constantly subject to sexual and romantic demands by men. At some point, though, she remembered what she had heard about the stodginess, even the natural puritanism of the British. And British men are famous for their lack of sexual prowess. In this British-made comedy (penned by the very witty Simon Gray), Maddalena has moved to the British countryside and married a perfectly pleasant British man. Unfortunately, instead of inspiring lust in her new homeland, her great beauty inspires cardiac arrest in those who inopportunely view too much of it on the not infrequent occasions when her breasts break free of their moorings. ~ Clarke Fountain, All Movie Guide
- Starring:
- Simon Callow, Donald Pleasence, (more)
One of the best Ismail Merchant/James Ivory films, this adaptation of E. M. Forster's classic 1910 novel shows in careful detail the injuriously rigid British class consciousness of the early 20th century. The film's catalyst is "poor relation" Margaret Schlegel (Emma Thompson), who inherits part of the estate of Ruth Wilcox (Vanessa Redgrave), an upper-class woman whom she had befriended. The film's principal characters are divided by caste: aristocratic industrial Henry Wilcox (Anthony Hopkins); middle-echelon Margaret and her sister Helen (Helena Bonham Carter); and working-class clerk Leonard Bast (Sam West) and his wife (Nicola Duffett). The personal and social conflicts among these characters ultimately result in tragedy for Bast and disgrace for Wilcox, but the film's wider theme remains the need, in the words of the novel's famous epigram, to "only connect" with other people, despite boundaries of gender, class, or petty grievance. Filmed on a proudly modest budget, Howards End offers sets, spectacles, and costumes as lavish as in any historical epic. Nominated for 9 Oscars, including Best Picture and Best Director, the film took home awards for Thompson as Best Actress, Ruth Prawer Jhabvala's adapted screenplay, and Luciana Arrighi's art direction. ~ Hal Erickson, All Movie Guide
- Starring:
- Anthony Hopkins, Emma Thompson, (more)
- 1992
Gavin Bellini is half Scottish, half Italian. Perhaps that blend of two of the most romantic sensibilities in the world accounts for his being in London, scraping out a living as an illustrator. One day he runs into his father's brother and learns that, if he high-tails it to Glasgow in time to attend his father's surprise birthday party, there's a chance he could come into some cash. He hops in his old rust-bucket of a car and takes to the road. On the way, he picks up a girl hitchhiker who is also headed back home to Glasgow. She is a feisty wench, and unexpectedly skilled at getting cars fixed. The two of them couldn't be more different and soon begin to argue and bicker, with the inevitable result that, in addition to their other adventures, they fall in love. ~ Clarke Fountain, All Movie Guide
- Starring:
- Peter Capaldi, Frances Barber, (more)
This first film directorial effort of actor Simon Callow is based on a novel by Carson McCullers -- which, in turn, was adapted for the stage by Edward Albee in 1964. Vanessa Redgrave plays a powerful Southern matriarch who, sequestered in her café/general store, holds her home town in the palm of her hand. Redgrave's benevolent despotry is threatened by the arrival of her hunchbacked cousin, Cork Hubbert (in the role played on stage by dwarf actor Michael Dunn), and her jailbird husband Keith Carradine. Unable to remove this threat to her authority by her usual means, Redgrave is reduced to challenging Carradine to a bare-knuckle fight! Carson McCullers' fascination with the disintegration of the Old South coupled with her preoccupation with the grotesque requires delicate handling (as witness Heart Is a Lonely Hunter). Callow works overtime keeping things controlled and tasteful; unfortunately, this results in a very mannered and stilted production, all too obviously betraying its stage origins. ~ Hal Erickson, All Movie Guide
- Starring:
- Vanessa Redgrave, Keith Carradine, (more)
- 1991
Filmed in England, Crucifer of Blood is a made-for-cable movie based on the 1978 Sherlock Holmes play by Paul Giovanni. Charlton Heston portrays the Great Detective, aided by Richard Johnson as faithful Dr. Watson. The storyline, based on Conan Doyle's "Sign of Four", involves intrigues that set in motion in India during a native mutiny in the 1850s. A murder was committed over a valuable treasure, and the four British military officers responsible signed a pact of secrecy, with the additional proviso that they'd forever be "kind" to one another. Three decades later in 1887, the four men find their past catching up with them in a most fatal manner. Was the Indian treasure cursed? And will Holmes be able to stem the tide of blood and death? Crucifer of Blood is directed with verve and style by Frasier C. Heston, son of star Charlton. ~ Hal Erickson, All Movie Guide
Mr. and Mrs. Bridge (played by real-life "Mr. and Mrs." Paul Newman and Joanne Woodward) are well-to-do residents of Kansas City in the 1940s. So far as the Bridges are concerned, however, it's the 1920s, with Mr. Bridge treating his wife like property, regarding his grown children as if they're still adolescents, and habitually voting against that upstart Roosevelt. Though the underlying painfulness of such an archaic arrangement is never ignored, Mr. Bridges' obstinancy is for the most part amusing. The scene that seemed to please the audience most was the one in which Mr. Bridge orders Mrs. Bridge not to leave their table at their country club despite tornado warnings (they sit quietly in the deserted dining room while the building shakes and shudders). As for Mrs. Bridge, her "life" is totally defined by those around her--which in any other film would be a tragedy, but which here seems a logical extension of all that's gone before. Based on two separate novels by Evan S. Connell, Mr. & Mrs. Bridge is a rare excursion into Americana by the Ismail Merchant-James Ivory team. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Newman, Joanne Woodward, (more)
Mike Nichols lends some comic structure to Carrie Fisher's best-selling confessional novel concerning a woman's struggles with drug addiction and mother-daughter rivalry (subjects Fisher admits to understanding all too well). Meryl Streep, in her most full-blown comic performance up to that point, plays Suzanne Vale, a popular movie actress well on her way to a Hollywood crack-up. Suzanne suffers from blackouts and memory lapses, and awakens in the beds of men she doesn't remember; she is a barely-functioning wreck on the set of her latest movie. When a coke dealer who delivers stops by her dressing room between takes, she swiftly finds herself being rushed to the hospital, suffering the effects of a narcotics bender. While in detox, Suzanne attempts to piece her life and career back together, but her confidence is shattered when her mother arrives at the rehab clinic -- Doris Mann, a famed film icon from the 1950s and 1960s (Shirley MacLaine). Doris is soon soaking up the adulation and applause of Suzanne's fellow recovering drug addicts. Upon Suzanne's release, she must compete with her mother for attention and fame as she tries to walk a thin line as a recovering drug abuser. ~ Paul Brenner, All Movie Guide
- Starring:
- Meryl Streep, Shirley MacLaine, (more)
- 1989
- R
This film deftly combines black comedy with sharp political satire. Set in a fictional Eastern European town called Waldheim, a place "where nothing is what it seems," the action is centered around a visiting king, in whom many people are very interested for a variety of reasons. Assassination and lust figure prominently on their minds. ~ Sandra Brennan, All Movie Guide
- Starring:
- Camilla Soeberg, Alfred Molina, (more)
- 1989
Hosted by actor/director Simon Callow, this instructional video is part of a BBC Master Class series in which acting lessons are given to the viewer, this time with particular emphasis on restoration comedy technique shown through scenes from The Relapse by Sir John Vanbrugh. ~ Tana Hobart, All Movie Guide
Director James Ivory brings his subdued, "Masterpiece Theater" style to a forbidden subject -- homosexual love. Maurice is based on E.M. Forster's suppressed 1914 novel that was held back from publication until after his death. The film takes place at Cambridge, before World War I, when homosexuality was outlawed in Great Britain. Clive (Hugh Grant), an aristocratic Englishman with a life of privilege, suddenly shocks his close friend Maurice (James Wilby) by declaring his love for him. Maurice is initially stunned by the pronouncement, but in the end finds himself giving Clive a passionate kiss and telling him that he loves him as well. Clive, in the stiff-upper-lip British manner, considers their love to be more of an intellectual concept, but Maurice becomes passionate about the affair. Clive, afraid of being exposed as a homosexual, backs off and breaks up with Maurice for marriage, family, and politics. Maurice is crestfallen, but then he has a passionate affair with Clive's gamekeeper, Scudder (Rupert Graves), and Maurice and Scudder decide to risk their reputations by openly living together as lovers. ~ Paul Brenner, All Movie Guide
- Starring:
- James Wilby, Hugh Grant, (more)
Anthony Hopkins stars in The Good Father as a publishing executive whose wife Julie Walters has left him, taking their son with her. Walking around like a zombie after this blow, Hopkins is brought back to life by involving himself in the profound problems of his friend Jim Broadbent. Feeling that his misguided pro-feminist stance has caused him all his trouble, Hopkins encourages Broadbent, whose own wife is leaving him with their son in tow, to fight for custody of the child in court. Hopkins even agrees to finance Broadbent's legal fees. As Broadbent's custody battle intensifies into a bitter, all-out war, Hopkins becomes more relaxed concerning his own domestic difficulties. Allowing Broadbent to be his emotional surrogate, a becalmed Hopkins feels secure enough to try to reconcile with his ex-wife Walters. But she is aware, even if he isn't, that his problems stem not from his relationship with women, but from his resentment of his son, whose birth was the beginning of the end of his marriage. Contrary to the title and his own self-deceptions, Hopkins is not "the good father." The film was scripted by Christopher Hampton from a novel by Peter Prince. ~ Hal Erickson, All Movie Guide
- Starring:
- Anthony Hopkins, Jim Broadbent, (more)
Adapted by Ruth Prawer Jhabvala from the novel by E.M. Forster, A Room with a View is a shining example of Merchant-Ivory's ability to achieve maximum quality and opulence at minimum cost. Set during the Edwardian Era, the film stars Helena Bonham Carter as Lucy Honeychurch, who like all proper young British ladies is compelled to tour Europe in the company of an older chaperone -- in this instance, her spinster cousin Charlotte Bartlett (Maggie Smith). While in Italy, the ladies make the acquaintance of a wide variety of personalities; the most fascinating of their fellow tourists -- at least in Lucy's eyes -- is free-spirited George Emerson (Julian Sands). Aware that her cousin is becoming too familiar with Emerson, Charlotte demands that Lucy return to England posthaste. Lucy complacently settles for the tiresomely traditional courtship of nerdish Cecil Vyse (Daniel Day-Lewis) -- and then Mr. Emerson moves into the neighborhood. Lucy now finds herself on the horns of a dilemma: Should she opt for a safe, proper marriage to Cecil, or the bohemian unpredictability of the charismatic Emerson? A winner of three Academy Awards, A Room with a View is not what one could call fast-moving, but fans of the Merchant-Ivory team will enjoy luxuriating in the film's leisurely pace and stimulating cast of characters. ~ Hal Erickson, All Movie Guide
- Starring:
- Maggie Smith, Helena Bonham Carter, (more)
- 1985
A well-wrought tale only hampered by a miniscule budget, this story about George Frederick Handel (1685-1759), the German-born British composer, focuses on his life after he moved to England in the 1710s. Handel (played by Simon Callow) was a unique individual, a contemporary of Bach though the two composers never met. Some of his personality, and that of his close friend Quin (Alan Devlin) is brought forward in this docudrama, along with some fun staging of his operas and their enjoyable music. Sadly, director Anna Ambrose died soon after this film was completed.
~ Eleanor Mannikka, All Movie Guide
~ Eleanor Mannikka, All Movie Guide
- Starring:
- Simon Callow, Alan Devlin, (more)
For this film adaptation of Peter Shaffer's Broadway hit, director Milos Forman returned to the city of Prague that he'd left behind during the Czech political crises of 1968, bringing along his usual cinematographer and fellow Czech expatriate, Miroslav Ondricek. Amadeus is an expansion of a Viennese "urban legend" concerning the death of 18th-century musical genius Wolfgang Amadeus Mozart. From the vantage point of an insane asylum, aging royal composer Salieri (F. Murray Abraham) recalls the events of three decades earlier, when the young Mozart (Tom Hulce) first gained favor in the court of Austrian emperor Joseph II (Jeffrey Jones). Salieri was incensed that God would bless so vulgar and obnoxious a young snipe as Mozart with divine genius. Why was Salieri--so disciplined, so devoted to his art, and so willing to toady to his superiors--not touched by God? Unable to match Mozart's talent, Salieri uses his influence in court to sabotage the young upstart's career. Disguising himself as a mysterious benefactor, Salieri commissions the backbreaking "Requiem," which eventually costs Mozart his health, wealth, and life. Among the film's many pearls of dialogue, the best line goes to the Emperor, who rejects a Mozart composition on the grounds that it has "too many notes." Amadeus won eight Academy Awards, including Best Picture, Best Director, Best Adapted Screenplay, and Best Actor for F. Murray Abraham. In 2002, the film received a theatrical re-release as "Amadeus: The Director's Cut," a version that includes 20 minutes of additional footage. ~ Hal Erickson, All Movie Guide
- Starring:
- F. Murray Abraham, Tom Hulce, (more)
