Lennie Bremen Movies

Screenwriter Walter Bernstein made his directorial debut with Little Miss Marker, a re-make of the Damon Runyon story that has been filmed many times before (most notably as Little Miss Marker with Shirley Temple, Sorrowful Jones starring Bob Hope, and the Tony Curtis vehicle 40 Pounds of Trouble). Here the cute little moppet is played by Sara Stimson, with Walter Matthau as the kid's nemesis Sorrowful Jones. The story concerns the relationship between the two when Little Miss Marker is left with Sorrowful as a down payment for one of her father's bets. Jones is involved with Blackie (Tony Curtis), who's trying to open an undercover casino in a mansion owned by Amanda (Julie Andrews). Jones and the kid find themselves in a number of dangerous scrapes as they try to keep one step ahead of the law -- and of Blackie. ~ Paul Brenner, All Movie Guide

In the conclusion of a three-part story arc, the Clampetts have taken up residence in New York's Central Park. It's all the handiwork of con artist Shifty Shafer (Phil Silvers), who has "sold" the hillbillies this choice bit of mid-Manhattan real estate. As the Clampetts erect a cabin and begin plowing up the "north 40," Drysdale and Jane desperately try to persuade the family to return to Beverly Hills. Sammy Davis Jr.'s cameo appearance as an Irish cop (!) was supposed to have been a surprise, but the original TV Guide listings gave the game away. Largely filmed on location, "Manhattan Hillbillies" first aired on November 12, 1969. ~ Hal Erickson, All Movie Guide

Harry Lucas (Jim Hutton) is a U.S. Mint employee who scrambles to recover $50,000 he accidentally destroyed in this underrated comedy of errors. After he mistakenly throws the money down the garbage disposal, a frantic Harry recruits retired mint employee Pop Gillis (Walter Brennan) to cook up a hot new batch of cold cash. The two have to hire a bunch of colorful crooks to pull off the caper. Soon the money paid out far exceeds the total of the original loss. ~ Dan Pavlides, All Movie Guide

Silent screen star Gloria Swanson received $2500 for her guest appearance in this episode -- a mere bagatelle by today's standards, but a veritable fortune back in 1966. The premise: Seeing Swanson moving her valuables out of her Beverly Hills home (she's planning to move to an even bigger mansion), the Clampetts mistakenly believe that she's being evicted. To save the actress from the poorhouse, the hillbillies cast Swanson in a "new" silent movie, filmed at Jed's own Mammoth Studios. "The Gloria Swanson Story" originally aired on November 30, 1966, as the 150th episode of The Beverly Hillbillies. ~ Hal Erickson, All Movie Guide

While at the beach (where else?), Gidget (Sally Field) falls for handsome new surfer Baxter Stevenson (Tom Gilleran). Imagine Gidget's surprise when she sees Baxter in school a few days later. Then imagine her shock when she discovers that Baxter is actually her new math teacher! This was the last Gidget episode to air on Wednesday evening opposite the ratings-grabbing Beverly Hillbillies; the series moved to Thursdays--where it went head to head with Gilligan's Island. ~ Hal Erickson, All Movie Guide

First telecast April 4, 1963, this grim 60-minute Twilight Zone installment would seem to be more suited to Alfred Hitchcock Presents or Thriller. Martin Balsam stars as Martin Senescu, curator of a "chamber of horrors" wax museum. Upon learning that the museum is to be demolished, Martin takes his favorite wax statues -- those of Jack the Ripper, Henri "Bluebeard" Landru, and ax murderer Albert W. Hicks -- to his home, much to the dismay of his wife Emma (Maggie Mahoney). Not long afterward, two brutal murders take place -- and the evidence leads Martin to conclude that the culprits were his beloved wax figures. Though credited to Charles Beaumont, "The New Exhibit" was actually scripted by longtime Beaumont collaborator Jerry Sohl. ~ Hal Erickson, All Movie Guide

Based on the Edna Ferber novel, this engrossing period piece covers the triumphs, tragedies, loves, and sorrows of a few generations of Alaskan settlers between the first World War and the granting of statehood in 1959. Zeb (Richard Burton) is a local despot whose tough personality dominates the region. He is openly bigoted against the Inuit, and his greedy nature has led him to reject the woman he really loves to marry another with plenty of money. Thor (Robert Ryan) starts out as Zeb's ally and friend, but due to their diametrically opposed natures, that friendship turns into an entrenched hatred. In this unpredictable, harsh wilderness Zeb discovers that he ultimately cannot control his daughter and irony of ironies, he and Thor end up connected through the marriage of a son and daughter. ~ Eleanor Mannikka, All Movie Guide

Gladys Glover (Judy Holliday) is an unsuccessful model and actress who believes that a jolt of publicity will do her career a world of good. She gets that publicity by renting a billboard in the middle of Manhattan, emblazoned with her name and photograph. As a result, Gladys is showered with endorsement by (Peter Lawford). He becomes enamored with Gladys, which irritates her "unofficial" boyfriend, documentary-director Pete Sheppard (Jack Lemmon) (in his film debut). Pete grows tired of Gladys' publicity stunt, feeling that it is turning her into an object rather than a human being, but Gladys luxuriates in the fame and fortune. A happy ending may be inevitable, but it's a hard-won happiness for both hero and heroine. Scriptwriter Garson Kanin had intended this as a vehicle for Danny Kaye, but Kanin's wife Ruth Gordon suggested the gender-switch to Judy Holliday, noting that what might seem aggressive from Kaye would appear merely whimsical from Holliday. In one of the best scenes, real-life celebrities Melville Cooper, Ilka Chase and Constance Bennett show up as talk-show panelists -- the ideal magnet for the likes of Gladys Glover, who has become famous merely for being famous. ~ Hal Erickson, All Movie Guide

Estelita Rodriguez, Republic Pictures' own Latin Bombshell, is back in Tropical Heat Wave. Once again, Rodriguez, playing herself, is a new arrival from Cuba who sets the U.S. on its ear with her unbounded enthusiasm. Taking a singing job at her uncle's Manhattan nightclub, Rodriguez is threatened with abduction or worse by mobster Norman James (Grant Withers) unless he is allowed to gain control of the nitery. Professorial criminologist Stratford Carver (Robert Hutton) comes to the heroine's rescue by posing as a hard-bitten hoodlum (though in fact he seems a lot less frightening than Rodriguez!) Like the concurrently produced Judy Canova musicals, Tropical Heat Wave consists of several rambunctious musical numbers, a kidding-on-the-square romance, and a slapstick finale. ~ Hal Erickson, All Movie Guide

Fish-market worker Johnny O'Hara (James Arness) is named as a suspect when his boss -- with whom he had a dispute the previous day -- is shot to death in an apparent robbery. When he's arrested, his family appeals to their old friend James Curtayne (Spencer Tracy), who was once a renowned criminal attorney but is now in civil practice. He resists their entreaties until he realizes that no decent attorney will handle the case properly; his daughter (Diana Lynn) watches with alarm, however, for we soon learn that Curtayne is an alcoholic, and that the major factor in his life that pushed him over the edge was the stress of having someone's life in his hands. He discovers soon enough just how much Johnny's life is in his hands when his client refuses to level with him about his real whereabouts on the night of the murder. He also realizes as the trial starts precisely how rusty he is in the courtroom, and the old stresses return -- and with them, his drinking. Curtayne not only manages to lose the case but destroys his career when he tries to buy off a larcenous prosecution witness. His client facing a death sentence and his own life and career in ruins, he's seemingly hit bottom, but then new evidence surfaces, of a nature that not even the ambitious prosecutor (John Hodiak) can ignore. Recognizing that his client was actually innocent and also acting in his silence -- however stupidly -- from the noblest of motives, Curtayne is willing to redeem himself by putting his own life on the line, confronting a killer who has taken more than one life without any compunction whatsoever, and who has no reason to spill anything.

The People Against O'Hara was a well-made, largely location-shot crime drama set in New York City, but it wouldn't have been nearly so prestigious a movie were it not for the presence of Spencer Tracy in the role of Curtayne. Ironically enough, he only agreed to do the film on the condition that his friend Pat O'Brien, who hadn't been in a major studio release in a couple of years, be given a large role, which he got as the lead detective on the case, and O'Brien and Tracy get a couple of really good scenes together. The film also includes an unbilled appearance by Charles Bronson, who was still working as Charles Buchinski in 1951, and is highlighted by a superb prominent supporting performance by William Campbell, who seems to quietly relish every nuance of his portrayal of a totally slimy character. ~ Bruce Eder, All Movie Guide

The satirical bite of Gogol's play The Government Inspector is dispensed with in favor of traditional Danny Kaye buffoonery in The Inspector General. Kaye plays the illiterate stooge of two-bit medicine-show- entrepreneur Walter Slezak. Abandoned by Slezak, the starving Kaye wanders into a corruption-ridden Russian village, which is all geared up for a visit from the Inspector General. Mistaking Kaye for that selfsame royal inspector, the townsfolk fawn on the confused Kaye, granting him his every whim and plying him with all sorts of bribes. In the original Gogol play, the boorish phony inspector takes advantage of the villagers' error by laying waste to the town and seducing a few local maidens; in the film, Kaye is as pure as the driven borscht, as is his true love (Barbara Bates), the only honest person in town. The treachery is in the hands of Slezak, who fakes Kaye's death and tries to blackmail the crooked local officials. The deus-ex-machina arrival of the real Inspector General foils the crooks and places the nonplused Kaye in the job of town mayor. Those of you who read the play in college may remember it ends with everyone frozen in horror when the genuine inspector shows up, with Gogol's stage directions insisting that the actors hold their fearful poses for a full sixty seconds. Be assured that in the film version of Inspector General, nothing stands still--least of all Danny Kaye, who cuts quite a swath through several Sylvia Fine/Johnny Mercer specialty songs. ~ Hal Erickson, All Movie Guide

William Powell stars in Take One False Step as a happily married college professor who foolishly agrees to a reunion supper with old flame Shelley Winters. Winters later disappears, and the evidence points to murder. To allay suspicion--and to avoid losing an important financial grant to his university--Powell starts his own investigation. The trail leads him to San Francisco, where poor Powell becomes mired in a confusing crime plot. Fortunately, Winters is still alive; unfortunately, Powell may not be for long. Adapted from the Irwin Shaw novel Night Call, Take One False Step is saved from tawdriness by the innate dignity of William Powell. Also, the film is leavened by unexpected moments of humor, notably the relaxed banter between Powell and Shelley Winters. ~ Hal Erickson, All Movie Guide